A5 Korematsu Transcript

You might also like

Download as docx, pdf, or txt
Download as docx, pdf, or txt
You are on page 1of 51

Molly Webster:

Hey this is Molly Webster. Radiolab is supported by Hello Monday. LinkedIn's new podcast with Jessi Hempel is back
for season two. Each week join Jessi and her guests as they discuss the changing nature of work and how that work is
changing us. Find Hello Monday with Jessi Hempel on Apple Podcast or wherever you listen.

Jad Abumrad:

Hey this is Jad. Radiolab is supported by Better Help. Offering licensed professional counselors who specialize in
issues such as depression, and give counsel through text, chat, phone, and video. Radiolab listeners get 10% off your
first month with discount code Radiolab, so, why not get started today. Go to betterhelp.com/Radiolab.

Speaker 4:

Wait, wait you're listening (laughs)

Speaker 4:

Good.

Speaker 4:

Alright.

Speaker 4:

Good.

Speaker 4:

Alright.

Speaker 4:

You're listening
 

Speaker 4:

Listening to

Speaker 4:

To Radiolab. Lab, lab, lab.

Speaker 4:

Radiolab.

Speaker 4:

From...

Speaker 4:

New York

Speaker 4:

WNYC.

Speaker 4:

C.

Speaker 4:

C.

 
Speaker 4:

Yeah.

Speaker 4:

(laughter)

Jad Abumrad:

Okay ready.

Robert Krulwich:

Mm-hmm (affirmative).

Jad Abumrad:

Alright, Jad.

Robert Krulwich:

Robert.

Jad Abumrad:

Radiolab. So Robert.

Robert Krulwich:

Yes sir.

Jad Abumrad:
The day is here. The day is here, is here.

Robert Krulwich:

(laughs) You have been getting ready for this, for this whole... We can just tell people that Jad last year produced...

Jad Abumrad:

With an amazing team.

Robert Krulwich:

A spinoff from Radiolab. It is, it is a, a, a series about the law.

Jad Abumrad:

The law.

Robert Krulwich:

And the Supreme Court of the United States.

Jad Abumrad:

The highest court in the land. Yeah, the idea was to take, to take the Radiolab thing. The way of looking, the way of
seeing, the way of sounding, and producing, and apply to this bizarre opaque body of [robed 00:01:40] figures.

Robert Krulwich:

Robed as in people who wear black robes.

Jad Abumrad:

Robed.
 

Robert Krulwich:

That is not an English word.

Jad Abumrad:

No it isn't, but I'm-

Robert Krulwich:

Robed.

Jad Abumrad:

It's an Old English word, actually.

Robert Krulwich:

Okay.

Jad Abumrad:

It's actually sort of the common law word that they used to-

Robert Krulwich:

(laughs)

Jad Abumrad:

Use for robes. No so the v-, the show is called More Perfect. The idea behind it is that we could tell personal human
surprising, thought provoking stories about not just the justices, but the people and the ideas that get in front of the
court. And in the process could we give ourselves a new way of thinking about this country.
 

Robert Krulwich:

Yep.

Jad Abumrad:

That was the idea.

Robert Krulwich:

Mm-hmm (affirmative). It worked pretty well too.

Jad Abumrad:

I thought it worked all right.

Robert Krulwich:

The first season, which was enormously popular. I think was enormously popular because these as you call them
robed people.

Jad Abumrad:

(laughs)

Robert Krulwich:

These people in black, were, were, were, had pulsing hearts. You know they would sit down [inaudible 00:02:31] by
themselves, and go crazy with concern. They would-

Jad Abumrad:

Yep.
 

Robert Krulwich:

They were throbbing, heart full, nutty, passionate, angry, fair, beautiful people. It was really quite something.

Jad Abumrad:

Awe, thank you. Okay, so now Robert I would, I would love to play you the first episode. The very first episode of the
season. And one of the sort of central ideas of this season more perfect is that, that these moments in history that we
thought were gone, they're never really gone. They will always swing back into the now. And one of the cases that is
very much swinging back into the now is a... Well I... Maybe we should just play it. As you're listening, uh, know that
there are already a couple of more extra episodes already in the More Perfect feed Radiolab.org/more perfect, or
More Perfect on iTunes, Google Play, whatever. Okay here it is. Episode number one, season two.

Jad Abumrad:

In February of 2017 Supreme Court Justice Ruth Bader Ginsburg said something that surprised a lot of people.

Ruth B Ginsburg:

Well I would say that we are not experiencing the best of times.

Jad Abumrad:

She stepped straight into the political fray, and addressed this political moment.

Ruth B Ginsburg:

There was a great man, uh, once said that the true symbol of the United States is not the bald eagle, it is the
pendulum.

Ruth B Ginsburg:

And when the pendulum swings to far in one direction it will go back. Some terrible things have happened in the
United State, but one can only hope that we learn from those bad things.

 
Jad Abumrad:

Today we're gonna ride the pendulum to the dark side. We're gonna start with one of the most infamous decisions
the court has ever made, the Korematsu decision. You might imagine it's not gonna be the happiest of situations, but
the story that we're gonna tell you today, and tomorrow as well actually, they're not stories of bitterness. Because this
curious thing happens in both cases when our characters can't find justice inside the Supreme Court. They stop
looking for it there, and they find it somewhere else entirely. Producer Julia Longoria starts us off.

Julia Longoria:

The year is 1967, and the place is San Lorenzo High School in the East Bay of California. And we're in a U.S. history
classroom.

Karen K.:

I was actually a junior in high school.

Julia Longoria:

This is Karen Korematsu.

Karen K.:

I'm the executive director, and founder of the Fred T. Korematsu institute in San Francisco.

Julia Longoria:

So on this particular day Karen is sitting at the back of the classroom.

Karen K.:

And our teacher had assigned each of, uh, my classmates a little paperback book to read.

Julia Longoria:

You know books about American history, government.


 

Karen K.:

And the assignment was to then, uh, get up in front of the, the class, and give an oral book report. I mean this is a
long time ago, so that's the way they used to do things. I don't even remember what my, my book was, or my subject
but...

Julia Longoria:

But Karen she was just sitting there in class listening as one by one her classmates got up, talked about George
Washington, or Abraham Lincoln, or whatever.

Karen K.:

And then my friend, Mia who is, um, Japanese American, third generation like myself. Got up in front of the class, and
her book was called Concentration Camps, U.S.A, about the Japanese American internment. And I thought "Oh, that's
interesting. I hadn't heard about that before. What's that about?"

Julia Longoria:

Mia's book report went something like this. In 1941 the United States of America was attacked.

Roosevelt:

Was suddenly, and deliberately attacked.

Julia Longoria:

And the president.

Karen K.:

President, uh, Roosevelt.

Roosevelt:
As commander and chief.

Karen K.:

Had to respond.

Roosevelt:

I have directed that all measures be taken for our defense.

Julia Longoria:

So in terms of defense one of the big questions for Roosevelt was what happens if the Japanese invade the
Continental U.S.

Julia Longoria:

They'd probably come in on the West Coast, and you had more than 100,000 Japanese Americans living on the West
Coast. Like would they turn against the United States, they didn't know.

Karen K.:

And so...

Julia Longoria:

Her friend Mia explained to the class.

Karen K.:

On February 19, 1942 President Roosevelt issued executive order 9066. That gave the military the authority to forcibly
remove anyone of Japanese ancestry from the West Coast.

Roosevelt:
All of them, citizens, and aliens alike would have to move.

Karen K.:

She goes on to explain these, the horrific circumstances, and how you know a 120,000 people of Japanese ancestry
had been, you know forcibly removed from their homes.

Julia Longoria:

She explained they were put into these detention camps.

Karen K.:

Really without any due process of law. But then she went on to say but there was this one man...

Julia Longoria:

Who refused to go to the camps.

Karen K.:

And he was arrested.

Julia Longoria:

And he sued the government, and took his case all the way...

Karen K.:

To the Supreme Court, and then he became a landmark Supreme Court case.

Julia Longoria:

And that man's name is Fred Korematsu.


 

Karen K.:

"Oh!" I said to myself. That's my name.

Julia Longoria:

She says the class got really quiet.

Karen K.:

And I had 35 pairs of eyes turn around and looking at me.

Julia Longoria:

"Okay, yes." she thought "My last name is Korematsu, my dad's name is Fred."

Karen K.:

But no way.

Julia Longoria:

There's no way it's my dad.

Karen K.:

Someone would've of told me. So, of course and I go running home and confronting my mother and asking her.

Elie Mystal:

What did she say?

 
Karen K.:

Well I got the standard, uh, answer, uh, "Wait til your father gets home, and you can ask him."

Elie Mystal:

(laughs)

Jad Abumrad:

That voice you heard by the way was Elie Mystal our legal editor.

Karen K.:

And by the time he, uh, had got home it was eight o'clock in the evening. And so that's a long time after, you know
3:30 in the afternoon. And I calmed down a little bit, and I asked him, and, and he said, uh, "It happened a long time
ago, and what he did he felt was right, and the government was wrong, and it was that clear and simple."

Karen K.:

I could just see this hurt going over his face, and I just couldn't ask him anymore questions.

Julia Longoria:

Karen says it wasn't until years later that she learned what really happened, and why her dad never wanted to talk
about it.

Fred K.:

Well I was, uh, 21 then.

Julia Longoria:

This is Fred Korematsu. It's a tape of him from the Densho archives.

 
Fred K.:

And I was up on the hill Sunday morning with my girlfriend.

Julia Longoria:

And Fred's story starts out on a date.

Fred K.:

You know when you're that age, you know you have a girlfriend just like anybody else, and she was more important
to me than anything.

Julia Longoria:

Fred and his girlfriend Ida are driving in the hills above San Francisco, looking down on the city, the Golden Gate
Bridge. He'd been dating this girl for a while now.

Fred K.:

She, she was Caucasian.

Julia Longoria:

Italian, American. Most of his friends were Caucasian.

Fred K.:

And we were in a car, and we were deciding what to do with such a nice day, either go picnicking or something like
that. And then all of a sudden I heard, you know...

Speaker 11:

We interrupt this program to bring you a special news bulletin. The Japanese have attacked Pearl Harbor, Hawaii by
air. President Roosevelt has just announced-
 

Fred K.:

He came on the air in her car radio.

Speaker 11:

They've come with an electrifying shock. There are crowds right now gathered in front of the White House, and the
State Department, and the Japanese Embassy.

Fred K.:

And I was quite shocked. We both were.

Julia Longoria:

Fred knew there was a war on, and that the U.S. was likely to get involved. He'd even tried to enlist in the U.S. Military,
but was denied because he was Japanese, American. And he said sitting there one of his first thoughts was "Why does
it have to be Japan?"

Fred K.:

If some country was going to attack Pearl Harbor, I wish it was Russia. You know? I just thought about that, you know.
I was bitter with Japan for having this happen. So I took her home, and then I went home.

Julia Longoria:

So he gets home.

Fred K.:

My parents were all shocked, and they were all sitting around the living room.

Julia Longoria:
The house is just in despair. His mom is in tears.

Fred K.:

They were proud of being Japanese, you know. They obeyed the law. They did everything that supposed to been, to
have this happen it put them in shame. It was even hard to talk to them after that.

Julia Longoria:

Fred had a traditional immigrant Japanese American family. His parents were born in Japan, and then all his brothers
were born here in the U.S.

Fred K.:

Born in Oakland, California.

Julia Longoria:

He was the third out of four brothers, and being the third, not the second, or the first. That mattered.

Lorraine B.:

Absolutely. Fred, um, was in a unique position, as the third son he could resist.

Julia Longoria:

We asked Lorraine Bannai.

Lorraine B.:

I teach at Seattle University School of Law.

Julia Longoria:
For some context. She's a law professor, and a friend of Fred's family.

Lorraine B.:

The cultural tradition is that the first son is the favorite son.

Julia Longoria:

The oldest was going to inherit the family garden and nursery business. The second would help out with that
business.

Lorraine B.:

Fred as the third son was very low on the totem pole.

Julia Longoria:

His parents didn't have the same expectations of him. Relatively speaking he was kind of off the hook.

Julia Longoria:

Unlike his older brothers he didn't speak much Japanese, and he felt more American than anything else.

Fred K.:

When I was in school we started each day with the Pledge of Allegiance. I studied American History. I always been
good American citizen.

Julia Longoria:

So when he came home that Sunday when Pearl Harbor was attacked his family's response to the whole thing was
unsettling.

Fred K.:
I, um, I didn't know what to do.

Julia Longoria:

And Fred says pretty soon after things got very weird.

Fred K.:

Within a few days they put spotlights on the whole nursery at night. And they had a guard standing right near our
home that rode around the fence there, watching you. Because I went out one night to have a cigarette, you know I
was standing on the porch and I lit a cigarette. And, uh, a guard yelled out if I was signaling somebody. Ridiculous.

Julia Longoria:

Then came Roosevelt executive order. That big order 9066 authorized the military to make a series of smaller ones.

Lorraine B.:

The first set of orders was a curfew order thing that Japanese, Italians, and Germans were subject to a curfew.

Julia Longoria:

The second order was a freeze order directed just at the Japanese on the West Coast. They weren't allowed to leave
the area.

Lorraine B.:

And then the third order was an order that they could not remain on the West Coast except for in the custody of an
approved location by the Army.

Speaker 11:

All persons of Japanese descent were required to move to assembly centers.

 
Julia Longoria:

There about 15 of these assembly centers, and Japanese Americans were told to report to one of these centers by a
certain date.

Fred K.:

When the evacuation notice came...

Julia Longoria:

Fred's family began to scramble.

Fred K.:

They had to worry about what they were going to take. What was going to happen to nursery? So, especially my
mother, you know the tension, and worries.

Julia Longoria:

So in the days before his family left Fred made a decision.

Fred K.:

Me being the third son, you know. (laughs) I, um, I had my own worries, and I had my own girlfriend, my own
problems.

Julia Longoria:

He decided not to go with his family.

Fred K.:

I, um, talked with them that uh, that I didn't want to leave.

 
Julia Longoria:

I won't leave with you. He didn't want to leave Ida behind, and he thought maybe the two of them could make a
break for it later on.

Fred K.:

Leave the state before the evacuation deadline. And, um, they said "Fine, if you could do it, go ahead."

Lorraine B.:

He was the third son so he knew that his older brothers would be able to take care of the family, and they said he was
a grownup, and he should make his own decisions, and so he did.

Julia Longoria:

He went off, and got his own apartment, and his own job as a welder, and kind of lived under the radar. He knew his
brothers would be there to take care of his parents.

Fred K.:

If you're with the family like my family, or any Japanese family, you feel the pressure, and the sadness. But on the
outside it's different, it's just like a normal life, you know. Just like we've been living all the time.

Fred K.:

I felt right at home. You know I says "Well, heck, I, I, I'm an American citizen too.", you know? I didn't feel guilty
because I don't think I did anything wrong.

Jad Abumrad:

I sense that he was politically aware at this point.

Lorraine B.:
If you're asking me about whether he refused to go as an act of political resistance, I don't think initially.
Unconsciously he probably knew that what was happening to Japanese Americans was wrong. But I don't think he
had the words for it that we might have today.

Julia Longoria:

It's on his way home from work one day that he reads in the newspaper about his parents, and all the other Japanese
Americans in the area being taken away to camp.

Fred K.:

It made me sick to my stomach, you know that I could see my parents going in, you know and my brothers going into
camp, and, uh, I'm not there, you know. But that was the only time that I felt, um, kind of lonely, you know like well
what am I going to do now. You know?

Julia Longoria:

It begins to slowly dawn on him what he's done. By staying in the Bay Area he is officially breaking the law, and he
and Ida aren't sure what that means. Like will they be thrown in jail, or worse. He talks in the archives about how he's
worried, and Ida is worried too, because now he could get arrested. So they start to think about their options. Fred
decides to get an I.D. with a Spanish sounding last name on it, so he won't be recognized as Japanese. And then Ida
says essentially that might not be enough.

Fred K.:

She pulled out an article regarding the plastic surgery. And, uh, she says "What do you think of this?" I looked it over,
and well I didn't think it was a good idea.

Lorraine B.:

But she said "Hey why don't you think about this. This might be a good thing that will allow you to stay here." So the
idea would be that he'd, you know have his eyes doubled, or something like that.

Julia Longoria:

A plastic surgery procedure where you put a fold in the eyelid, so you look more white.

 
Lorraine B.:

Less Japanese, American.

Fred K.:

And she says "Do you think it'd work?", and I said "I don't know." "Well" she said "Shall we look into it?", and, uh, well
I said then "We haven't got anything to lose.", so we decided to try it.

Julia Longoria:

So Fred gets into his car, and he drives into the city into San Francisco, and he just stops in front of the doctor's office,
and he starts pacing.

Lorraine B.:

Walking up the steps of this Victorian, and then walking down the steps to leave thinking this was a really crumby
idea. And then walking back up the steps thinking well yeah maybe Ida's right, it's a good idea. And then down the
steps this is a ridiculous idea. Giving some doctor your hard earned money to change your face.

Julia Longoria:

So he goes up and down, and up, and down, and up, and down. Until he decided to just go in and have the
procedure done.

Lorraine B.:

He really did it as a way to protect them as they tried to leave the state.

Julia Longoria:

The doctor said he was going to work on his eyes, and then also fix a broken nose.

Fred K.:
I had a broken nose from playing football, and I never had it fixed. And, um, he said he could do pretty good work on
me.

Julia Longoria:

But it turned out he didn't do everything he said he would.

Fred K.:

Well he just took my money, that's what it was, actually. There wasn't anything changed except I didn't have a broken
nose anymore. (laughs)

Julia Longoria:

So he drives back to the East Bay with a new nose, but the same eyes. And shortly after that day at the doctor's office
he's out buying cigarettes at a convenience store, and a clerk recognized him, and reported him.

Lorraine B.:

And one day walking down the street he was stopped, and arrested. Um, and spent his Memorial Day in 1942 in San
Leandro jail.

Fred K.:

When we got caught they called her in too, you know, and, um, uh, I see the police chief talking to her for quite a
while.

Julia Longoria:

I imagine it's a small jail, and he's just been admitted, so he's sitting in the lobby, and he sees Ida come in to the front
desk. He's just out of ear shot, he can't make out exactly what they're saying, but at a certain point they stop talking,
and she just walks out.

Fred K.:

So that was the end of it. I never did see her again.
 

Jad Abumrad:

They never saw each other again.

Lorraine B.:

No.

Julia Longoria:

So he's sitting there alone in the San Leandro jail, and they end up transferring him to Oakland jail for some reason,
and then he ends up at the federal prison in San Francisco, because resisting the order was a federal offense.

Fred K.:

Anyway, um, one day, um, I got a call from the guard and he told me I had a visitor, and I didn't know who it was, you
know. I knew all my friends were in camp, or they were in the military.

Julia Longoria:

But Fred goes down to the visiting room anyway, and there's this man there.

Ernest B.:

I'm a New Yorker who, well I believe in civil liberties. And when the right of the people is being denied this is
something that I'm concerned about.

Julia Longoria:

The man says his name is Ernest Besig.

Fred K.:
And he was a very nice fella, easy to talk to. He asked me if I needed some cigarettes, or something like that, you
know. Just to break the ice. By the way I asked him "Who do you represent?"

Julia Longoria:

And Ernest responds "Well..."

Ernest B.:

The ACLU.

Fred K.:

And I thought it was maybe with church or something like that.

Julia Longoria:

We have no way of knowing what exactly was said between Fred, and Ernest Besig. Both men have passed away, but it
seems like something important must have happened in this conversation. Because if as Lorraine Bannai says...

Lorraine B.:

I don't think he had the words for it that we might have today.

Julia Longoria:

Fred didn't have the language of resistance before this moment. Something in that conversation must have given it to
him, because when Ernest Besig asked him "Do you want me to represent you in a court of law?" Fred says "Yes."

Lorraine B.:

Yes.

Jad Abumrad:
What do you imagine the words were that might have turned him in that moment?

Lorraine B.:

I imagine that Besig must have said to Fred we think that what's happened to Japanese Americans is unconstitutional.
We'd like to bring a lawsuit to say that Japanese Americans are being sent away only because of their race, and in that
he gave Fred language, for what I think Fred knew was wrong.

Julia Longoria:

Besig tried to get Fred out of jail, but the military stepped in, and said he had to join his family in camp. They were at
a place called Tanforan Race Tracks. It was a temporary holding spot, so that meant that the first place that Fred went
after jail was a converted horse stall.

Fred K.:

I opened the door and, uh, there's gaping holes on the walls. The wind just blew in, and the dust blew in there, and
everything.

Julia Longoria:

And this was a small horse stall because Fred had asked for his own. He wanted to sit, and think about what to say to
his family who are also at Tanforan.

Lorraine B.:

He sat, and looked at the single lone bare light bulb above, and the smell of manure, and hay.

Fred K.:

I mean it's made for horses, not for human beings. And then all of a sudden I hear a knock on the door, and I opened
it, and it was my brother. He say's "Hey you can't stay here, you, you got to come and s-, see the folks."

Julia Longoria:

So he walks Fred over to the stall where his family's been living.
 

Fred K.:

And I was surprised the way they fixed up their stall. They filled up all the cracks, and they put newspaper for the
walls. You know papered it all up.

Julia Longoria:

This was a common thing for these families. Thousands of them were transferred to more permanent camps, and
many stayed there for up to three years.

Lorraine B.:

Over time the community kind of tried to build lives for themselves. You hear stories, and see pictures of people
building small Japanese gardens out of what they found in the area. You saw news reels about the people who made
the desert bloom.

Lorraine B.:

You eventually saw people forming, you know baseball teams.

Fred K.:

My brother he was involved in various Japanese activities. And, uh, he thought it might be a good idea for me to get
some suggestions, and opinions regarding to, uh, if I should fight the case or not.

Julia Longoria:

So Fred's brother called a meeting. He got about 30 young people together, I imagine it was like in a mess hall or
something like that, and they discussed Fred's case.

Fred K.:

They were discussing it to themselves, or in little groups. And I stood around, and I waited for someone to speak, but
no one actually came out to speak to me.

 
Julia Longoria:

I, I can see Fred kind of standing in a corner as people are gathered in small groups whispering to each other, stealing
glances at him.

Julia Longoria:

But no one says a word to him.

Fred K.:

Um, finally one did, and he said "Fred, uh, we're undecided on if I should fight the case or not, because they don't
want to make any more disturbance." Anything to upset the parents right at this time because they were too upset
already, and being, just being in camp.

Julia Longoria:

They told him they're parents had been through enough leaving their lives behind. Basically they said "We can't help
you."

Julia Longoria:

But there was one Japanese American group that did decide to say something about Fred's case.

Ernest B.:

What's the name of the group? J-A-C-L.

Julia Longoria:

Ernest Besig had a nickname for this group. The Japanese American Citizens League.

Ernest B.:

The JACL's. I met with the leadership of that group. Several of them I urged them to oppose the exclusion, but they
didn't seem to be particularly interested.
 

Lorraine B.:

The JCL.

Julia Longoria:

Condemned Fred's case, and anyone else who fought against the government orders.

Lorraine B.:

Said it would not support any of these individuals who were fighting the orders, and called them self styled martyrs.

Jad Abumrad:

Wow. They used that phrase?

Lorraine B.:

Yes. They would basically get everyone else into trouble.

Fred K.:

To do this by myself I just wonder if I was doing wrong, or, or maybe putting them in shame by, uh, bringing the issue
up again. Uh, because the Japanese people they, they're peaceful people, and they, they like to leave things alone if
they can. Because they were in enough trouble as it is, because of this Pearl Harbor attack. And the country blamed
them, so they had this sort of a guilty complex. Even though, um, uh, they had nothing to do with it.

Fred K.:

Majority of them just avoided me, so therefore I, uh, assumed that, um, uh, that, uh, I got myself in this problem, and,
uh, therefore it was my problem, and, and not theirs.

Julia Longoria:
Fred continued to fight his case. He argued that basically rounding up thousands of Japanese American, American
citizens without a trial, without due process basically amounted to racial discrimination. His case made its way up, and
down the court, and eventually two and a half years after he'd met Ernest Besig in that jail cell the case arrives at the
Supreme Court.

Karen K.:

You know he, he thought that by the time his case got to the Supreme Court-

Julia Longoria:

That's Fred's daughter Karen again.

Karen K.:

He would be able to vindicate his family, and everyone that had been incarcerated.

Elie Mystal:

Hmm.

Karen K.:

I mean that's how much he believed in the Supreme Court.

Elie Mystal:

And so when, when that didn't happen he felt like...

Karen K.:

He, he felt like it was his fault.

Elie Mystal:
Hmm.

Karen K.:

That's a big burden to carry around.

Julia Longoria:

What ends up happening is on December 18, 1944 the Supreme Court ruled against Fred. It's kind of a complicated
decision. The Supreme Court said racial distinctions, when the government is making racial distinctions it's serious.
We need to look at this very, very carefully. And that was a big precedent, so in a lot of ways it's kind of a victory for
people fighting racial discrimination.

Julia Longoria:

But then the court turned around and said even though racial distinctions are serious, this one is not strictly racial.
We're at war with the Japanese Empire, therefore rounding up Japanese American citizens is a way to defend the
nation.

Jad Abumrad:

God if you're Fred at this point, like it sounds like, it sounds like lonelier than I can almost imagine., because your,
you're by yourself pretty much on all fronts. The country that you feel so a part of, that you want to actually enlist in
the military to fight for doesn't seem to want you at that moment. Your own community doesn't seem to want you.
Your family is ashamed by you. Your girlfriend is gone. I can't imagine being more alone at this point.

Lorraine B.:

And he never shared that with my brother, or I. He shared it with my mother, but, but we didn't, that wasn't part of
our dinner conversation.

Megan Kelly:

They're discussing drafting a proposal to reinstate a registry for immigrants from Muslim countries.

Carl Higbie:
Yeah, and, and perfect, to be perfectly honest it's really excited to hold Constitutional muster. We did it during World
War 2 with Japanese, which you know call it what you will, maybe-

Speaker 11:

Come on you're not, you're not proposing we go back to the days of internment camps I hope.

Carl Higbie:

No, no, no. I'm not proposing that at all Megan. But what I am saying-

Speaker 11:

You know better to suggest that.

Carl Higbie:

We need to protect America.

Speaker 11:

I mean that's, that's the kind of stuff that gets people scared Carl.

Carl Higbie:

Right, but it's I'm just saying there is precedent for it. And I'm not saying I agree with it.

Julia Longoria:

This is the crazy thing about the Korematsu decision. It is still on the books. That guy Carl Higbie got on Megan Kelly,
and said this stuff about Korematsu. And the very next day he got on and apologized for saying that.

Julia Longoria:
But he's right Korematsu is technically still good law. Just as Antonin Scalia once said that sure Korematsu was
wrongly decided, but if you think that it's not gonna happen again, you're kidding yourself.

Richard P.:

The, the court isn't gonna get, isn't gonna cross the president in a, in a, in a national emergency. Would you like it to?
(laughs)

Elie Mystal:

Um, I think so. Um, would you like it to?

Richard P.:

No.

Julia Longoria:

That's not Antonin Scalia, it's a judge named Richard Posner. And at the time that Elie talked to him he was on the 7th
Circuit Court of Appeals. And he was widely considered by people on both the left, and the right to be one of the
most influential judges in the country. He sometimes is called the tenth Supreme Court justice, and he's a big
defender of the Korematsu decision.

Elie Mystal:

What do you say then to Fred Korematsu? What do you say then to, to a, a Japanese American about kind of the law,
and the court?

Richard P.:

Well they were given compensation.

Elie Mystal:

Right, I mean there's, there's you know the, there is you know pain and suffering. There is, there, there's anguish, right,
that we can't exactly commodify.
 

Richard P.:

Uh, yeah. But, um, at the time it all happened, shortly after Pearl Harbor it, it seemed like the right thing to do, and
probably was the right thing to do. And I imagine that the officials in federal government, in, um, 1941 they probably
didn't know anything about Japanese Americans on the West Coast. You think Roosevelt ever met a Japanese
American. I doubt it.

Elie Mystal:

Right I just think that, you know-

Richard P.:

So-

Elie Mystal:

(laughs) The fact that he hadn't ever met anybody, um, might of have been a reason for him to be more restrained in
his executive orders. Right? I mean.

Richard P.:

No, because all he cares about is the defense of the United States. If there's any possibility of Japanese American
somehow cooperating with a Japanese invasion force then he has to move the Japanese Americans. (laughs) That's,
that's, I'm sure that's all he would've thought of. Right?

Elie Mystal:

Well I mean I think that's all he did think of.

Richard P.:

But what else could he have thought of. That's the only thing he is going to focus on, and if he doesn't he could be
impeached.

 
Elie Mystal:

We he, he could also worry about citizens. Right, and I think one of the-

Richard P.:

No, no, no. Look you're not, your, you're missing the priorities. The priority is defense. That's the priority. That's what
these people are thinking about. You think they have time to be thinking about any, any kind of nice ideas for
protecting people. (laughs) Any more than, than Lincoln did.

Julia Longoria:

What he's referring to there is a moment in 1861 when Abraham Lincoln basically tossed this alleged confederate in
jail without due process. And then justified it by saying he had to save the Union. In that case Supreme Court Justice
Roger Tawny ruled against him.

Richard P.:

So Lincoln said "Oh well Tawny, he's the Chief Justice, and he said this jerk should be released. I guess I have to do
that. He's the Chief Justice." No, you do that enough times as the president, you're out.

Elie Mystal:

It seems to me that, that's why we have courts. We have courts-

Richard P.:

Oh come on.

Elie Mystal:

Courts to restrain the executive abuse.

Richard P.:
That is not why we have... We do not have courts so that presidents can be checked in situations of a national
emergency. That wasn't why courts were set up.

Elie Mystal:

So that (laughs)... Then what, I, I mean I guess I'm, I'm flailing now, but then what stops them. What, if court... If
Congress can't stop him, and if the courts can't stop him, like what can stop a president in a time of war.

Richard P.:

There's nobody. There's nobody who can check that. That's the president's responsibility.

Elie Mystal:

Hmm. Obviously I'd like a do over, because somehow in the heat of the moment I forgot that I'm talking about
defending the rights of actual American citizens, and Posner is talking about people who are rebels to the country.
Um, there's probably a way where I could have said, pointed that out to him.

Elie Mystal:

Um, in terms of the court stepping in, I mean it happens. It happened to Truman. But you know Judge Posner is right
that it doesn't happen a lot. Which is why he gets to be Judge Posner, and I'm the guy that had to check Wikipedia.

Richard P.:

And by the way do you think these Supreme Court Justices are great big brains.

Elie Mystal:

(laughs)

Richard P.:

Big stars who were selected because they're the best lawyers in the United States, and their decisions are, are usually
great. You think all that? I don't. I don't have a high respect for the Supreme Court at all.
 

Elie Mystal:

(laughs) Um, I'm, I...

Richard P.:

Now you look at their decisions, you look at them. How they're appointed? Who appoints them?

Elie Mystal:

Right. This is-

Richard P.:

So why do you think the Supreme Court is such a great balance to the president in a war.

Lorraine B.:

This is what gets me up, and gets me going. Because I still think it can be used as a precedent.

Elie Mystal:

So, your, your, your, you're still worried that it can be used?

Lorraine B.:

Yes.

Elie Mystal:

And that it... Do you think it will be? Like do you think-

 
Lorraine B.:

Definitely. You know I think we can not take this for granted.

Robert Krulwich:

Wow that's just quite a, I mean, um... That judge is as revered, and as thought highly of as, as you guys said. Uh-

Jad Abumrad:

Yeah, he just actually, the thing we don't mention-

Robert Krulwich:

Judge Posner.

Jad Abumrad:

He just retired.

Robert Krulwich:

Yeah, he just did.

Jad Abumrad:

Like I think within a, with, within the last month. [crosstalk 00:40:09]

Robert Krulwich:

But you know I mean I'm listening to that, and I'm thinking wow. Um, not only is there a distinction to be made
between people who are American citizens, and people who are traitors. But there's also this, this huge, this huge fact
that there are German Americans by the 10s of 1000s in this country at that time. We were at war with Germany too,
and Germans held big rallies in Madison Square Garden with Swastikas and supported Hitler out loud, and marched
for him for a while, which they had every right to do. But, uh, they were not, um, give quite the same degree of
suspicion as the Japanese, and that's a question I think for, for the court.
 

Robert Krulwich:

So there is an argument for Justice Posner, but there's an argument against him.

Jad Abumrad:

Yeah, for sure.

Robert Krulwich:

And, uh...

Jad Abumrad:

For sure.

Robert Krulwich:

Yeah. Wow that's really interesting. So now Fred has to solve his problem else where.

Jad Abumrad:

Right, so in the next part of the story the question really is like since Fred can't get justice in the court, can he find it
on the outside? And he does in this, uh, place that you wouldn't expect.

Robert Krulwich:

When we come back we'll find out where that place is.

Jad Abumrad:

Yeah. All right so we'll continue in a moment with, uh, our featuring of Radiolab's first ever spinoff More Perfect,
season two, episode one. More in a moment.
 

Kevin Murrey:

This is Kevin Murrey from Fort Collins, Colorado. Radiolab is supported in part by the Alfred. P. Sloan Foundation.
Enhancing public understanding of science and technology in the modern world. More information about Sloan at
www.sloan.org.

Molly Webster:

Hey this Molly. Radiolab is supported by Audible. Audible has the world's largest selection of audio entertainment,
including Audible originals that you can't hear anywhere else. Like the Three Day Effect, which dives into the science
behind why being in wild can make us happier. With the convenient Audible app you can listen anytime, anywhere,
and on any device. Mobile, Alexa enabled, Bluetooth, and more. Start listening with a 30 day Audible trial. Choose one
audio book, and two Audible originals absolutely free. Visit Audible.com/Radiolab, or text Radiolab to 500500.

Jad Abumrad:

Hey this is Jad. Radiolab is supported by IBM. Problems its human nature to hate problems, but why is that? After all
problems inspire us to mend things, bend things, make things better. That's why so many people work with IBM on
everything from city traffic, to ocean plastic, new schools to new energy, flight delays to food safety. Smart loves
problems. IBM, let's put Smart to work. Visit IBM.com/Smart to learn more.

Ilya Marritz:

Hello it's Ilya Marritz cohost of Trump, Inc. Donald Trump is the only recent president to not release his tax returns.
The only president you can pay directly by booking a room at his hotel. He shreds rules, sometimes literally.

Speaker 19:

He didn't care what records was. He tore up memos, or things, and just threw them in the trash. So it took somebody
from the White House staff to tell him like "Look you can't do that."

Ilya Marritz:

Trump, Inc, an open investigation into the business of Trump. From ProPublica, and WNYC. Subscribe wherever you
get your podcasts.

 
Jad Abumrad:

Hey I'm Jad Abumrad.

Robert Krulwich:

I'm Robert Krulwich.

Jad Abumrad:

This is Radiolab. We're previewing, uh, the first episode of More Perfect, season two.

Robert Krulwich:

So we go back to Fred Korematsu, who as you just heard lost his case before the Supreme Court.

Jad Abumrad:

Mm-hmm (affirmative).

Robert Krulwich:

Did not get the remedy he wanted.

Jad Abumrad:

Nope.

Robert Krulwich:

So now he is... I don't know what's he going to do.

Jad Abumrad:
Well now he ends up getting a kind of remedy.

Robert Krulwich:

And you said it was something you didn't, that, that it's not from judges.

Jad Abumrad:

No, not, no judges involved. And this when, when I, this, this I, this I find really, really moving. I gotta say. Just
personally the whole reason to tell this story is where it ends.

Robert Krulwich:

Okay.

Jad Abumrad:

So-

Robert Krulwich:

Don't say anymore.

Jad Abumrad:

I'm not going to say anymore.

Robert Krulwich:

Yeah, just, lets go.

Jad Abumrad:

Let's just listen to it.


 

Robert Krulwich:

Yeah.

Jad Abumrad:

Okay, so, so producer Julia Longoria is gonna pick back up the story with what happened to Fred after the decision.

Julia Longoria:

So, the internment camp where Fred was staying closed in 1945. Um, and Fred had gotten permission by that point to
work at a steel mill in Detroit. So he was living in Detroit. He fell in love with a woman named Katherine. They got
married, moved back to the Bay Area, and had two kids. And Karen his daughter says that they were kind of
ostracized from the Japanese American community. They grew up outside of the Japanese community.

Karen K.:

He was involved in Boy Scouts, Girl Scouts. I w-, I was in Girl Scouts so you know the camps. When we had to open
the camp he would work on that. Uh, the Presbyterian Church in Oakland, and then he became an elder.

Julia Longoria:

He even joined the Lion's Club.

Karen K.:

And he was president twice.

Julia Longoria:

And Karen says throughout the 40s, the 50s, the 60s she never heard him talk about his case.

Karen K.:
No never. No never. He, he just... He never, he never, he never told the story.

Julia Longoria:

Even after she confronted him about it in high school.

Karen K.:

Yeah its, that's it.

Julia Longoria:

But she says in like 1969 ish.

Karen K.:

68 or 69.

Julia Longoria:

When the world was in a very different place they got a phone call.

Karen K.:

Back in those days you know my parents phone number was in the phone book of all things. So I mean my father
would get phone calls from law students that wanted to interview him. But he, but he really didn't want to talk about
his case much. He just, it was just too painful.

Julia Longoria:

But this time there was a professor on the line.

Karen K.:
From the University of California, Berkeley.

Julia Longoria:

He was a Japanese guy actually, and he told Fred I really, really want you to come into my class.

Karen K.:

There was an ethnic studies class that was actually off campus. Ethnic studies was not even recognized then. So he, he
talked at, at this ethnic studies class, and these kids were brutal. I mean you see Berkeley at that time had this, you
know notorious reputation of being very radical.

Jean Quan:

People were asking questions during the whole hour.

Julia Longoria:

This is Jean Quan former mayor of Oakland. She was in the class that day.

Jean Quan:

It was important time, that you at, at different times of life you have to learn how to stand up to authority.

Karen K.:

And certainly these students were like you know fist pounding, saying "Well why didn't you, why didn't you protest?
Why didn't you do this, why didn't you do that?"

Julia Longoria:

Why didn't you fight harder?

Karen K.:
And were almost, you know angry that he wasn't angry.

Jean Quan:

You know I think you got to remember that a lot of these students didn't even know anything about the camps.
Many, many kids had not had frank discussions with their own parents. So with Korematsu he was probably a
surrogate for like their parents. How could they have gone through that, and never told me. They had no right not to
tell me. And so they're really angry at their parents.

Julia Longoria:

Surrogate or not Fred felt like he was being indicted all over again.

Karen K.:

It, it was such a painful experience for my father. He never wanted to speak to anyone again.

Julia Longoria:

Fred would ultimately challenge his conviction in a lower court, and he would win. The Supreme Court decision still
stands, but he was able to clear his own personal name.

Julia Longoria:

And in around 1990, again the world is in a very different place. He finds himself again on a college campus. This
time...

Karen K.:

The University of, of Michigan. My father, and mother were walking with some other students across a campus to see
the newly renovated library. And you know my father loved architecture, it was very old, gothic, uh, library.

Julia Longoria:

So they're walking through this sort of open quad looking at the architecture. And then they come upon this group of
students.
 

Karen K.:

A group of Arab American students.

Julia Longoria:

The students start walking toward him.

Karen K.:

They all of a sudden kind of surrounded my father, and they had this certificate, um, to give to my father, to thank him
for speaking up. So, that was meaningful to him.

Julia Longoria:

Why, why did that make you emotional? Why that story?

Karen K.:

Um, (laughs) uh, well because it, it meant so much to my father. That this group really honored him, that also had
been racially profiled. You know to think that he would be able to touch their lives. It, it kind of reinforced what he
was doing.

Elie Mystal:

Do, do you have the same faith in the Constitution that your dad did? That, that-

Karen K.:

Yes I have great faith in our Constitution.

Elie Mystal:

Hmm.
 

Karen K.:

It, it's a great document, it, uh, so happens though that it's the way that certain people interpret it that gets us into
trouble. Yes, definitely.

Donald Trump:

The danger is clear. The law is clear. The need for my executive order is clear.

Speaker 11:

The travel ban 3.0 coming here tonight. The Trump administration unveiling new travel restrictions on certain foreign
nationals from eight countries.

Speaker 22:

Where are they gonna go, because they sold everything with the feeling, with the thinking they gonna start a new life
in United States.

Speaker 23:

My nephew.

Speaker 24:

My nephew.

Speaker 23:

My nephew.

Speaker 24:

My nephew.
 

Speaker 23:

Has been detained since this morning.

Speaker 24:

Has been detained since this morning.

Speaker 25:

This is what we want. We want the freedom, we want the liberty. We want the people. We are the people. We the
people.

Speaker 26:

But there are many, many lawyers here. They're all working pro bono today. They're from different organizations.

Speaker 27:

This is what resistance looks like today.

Speaker 28:

This sends a message that they can not do away with constitutional protections without people standing up for the
Constitution. So, uh, I think this is inspirational, I think it's wonderful, and I think we need to be vigilant, and keep
fighting.

Robert Krulwich:

Oh wow. Oh, man. Um, well you know it, it's interesting, its like not only do the courts, you know eventually go back
and forth on these deeper questions, so do all of us. And, um, the verdict of history is always going to be a little bit
shifting, but eventually you kind of hope that the arc sort of moves just far enough along that you can't go back to
far. You can't go all the way back, eventually you get to a better place.

 
Jad Abumrad:

Yeah.

Robert Krulwich:

You get a little bit more perfect.

Jad Abumrad:

Boom. Nice. More Perfect by the way is produced by me, and Suzie Lechtenberg, Jenny Laugthen, the amazing Julia
Longoria, Kelly Prime, Seam Ramsfurum, Alex Overington, and Sarah Qari, with Elie Mystal, Christian Ferries, Linda
Hershman, David Gable, and Michelle Harris.

Jad Abumrad:

Special thanks to the Densho Archives for the tape of Fred Korematsu, and Ernest Besig. Supreme Court audio is from
Oyez a free law project, and collaboration with the Legal Information Institute of Cornell. Leadership support for More
Perfect is provide by the Joyce Foundation. Additional funding is provided by the Charles Evans Hews Memorial
Foundation.

Jad Abumrad:

So, yeah I guess I, we should just close. I mean I guess-

Robert Krulwich:

Yeah.

Jad Abumrad:

That was the first of it. That was the first episode of, uh, More Perfect, season two. There are already two other
episodes in the feed. Um, and there will be many more coming so if you like that, if you want to sort of keep up with
it. Definitely go to Radiolab.org/More Perfect, or search for More Perfect on iTunes, or Google Play, or whatever.

Jad Abumrad:
Uh, this season we will be producing a lot more episodes that are way more ambitious. We're just going for it, so tell
everybody. Tell everybody it's out. Spread the word.

Robert Krulwich:

Yeah, because, uh, it, I don't think there will be a big effort to spread it. I think this is, this is very much of its moment.
So, um-

Jad Abumrad:

Yeah, we'll see. Anyhow let's go. I'm Jad Abumrad.

Robert Krulwich:

I am Robert Krulwich.

Jad Abumrad:

Thanks for listening.

Robert Krulwich:

And thank you for listening. Yes.

Simon Adler:

Hey I'm Simon Adler. Radiolab is supported by Hello Monday. LinkedIn's new podcast with Jessi Hempel is back for
season two. Each week join Jessi, and her guests as they discuss the changing nature of work, and how that work is
changing us. Find Hello Monday with Jessi Hempel on Apple Podcasts, or wherever you listen. 

Copyright © 2019 New York Public Radio. All rights reserved. Visit our website terms of use  at www.wnyc.org  for
further information. New York Public Radio transcripts are created on a rush deadline, often by contractors. This text
may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The
authoritative record of New York Public Radio’s programming is the audio record. 

Produced by WNYC Studios

You might also like