Press Release London For Immediate Release

London | +44 (0)20 7293 6000 | Sarah Rustin sarah.rustin@sothebys.com

Leyla Daybelge | leyla.daybelge@sothebys.com | Matthew Weigman matthew.weigman@sothebys.com
New York | Lauren Gioia lauren.gioia@sothebys.com
lauren.gioia@sothebys.com | Diana Phillips diana.phillips@sothebys.com

Sotheby’s London June 2011 Impressionist & Modern Evening Sale

To Be Led by a Major Painting by Egon Schiele,
Being Sold by the Leopold Museum

Other Highlights Include Alberto Giacometti’s Iconic Bronze

Trois hommes qui marchent II and Pablo Picasso's 1969 Painting Couple, le baiser

Pablo Picasso, Couple, le baiser,

est. £6–8 million

Alberto Giacometti, Trois hommes Egon Schiele, Häuser mit bunter Wäsche Pablo Picasso, Couple, le baiser,
qui marchent II, est. £10-15 million (Vorstadt II), est. £22-30 million est. £6–8 million

SOTHEBY’S LONDON, 7th June 2011 --- On Wednesday 22nd June 2011, Sotheby’s London Impressionist
& Modern Art Evening Sale will offer a selection of works of exceptional quality and rarity, many of which have
remained in private collections for decades and have never before appeared at auction. In addition to two
exquisite works on one of René Magritte’s most sought-after themes, a monumental Joan Miró and a rare
painting by Paul Klee, the sale is led by one of the most important oils by Egon Schiele ever to come to the
market, Häuser mit bunter Wäsche (Vorstadt II), being sold by the Leopold Museum, Vienna, and estimated at
£22-30 million/ $36-50 million*. Further important works include a lifetime cast of Alberto Giacometti’s
bronze Trois hommes qui marchent II, an instantly recognisable icon of Modern art estimated at £10-15 million,
and Pablo Picasso’s bold late painting Couple, le baiser, estimated at £6–8 million. The Impressionist &
Modern Art Evening Sale is estimated to fetch a total in excess of £77 million.

Commenting on the sale, Helena Newman, Chairman, Sotheby’s Impressionist and Modern Art
Worldwide, said:: “The sale will appeal to a wide and very international audience. It presents a great
Department Worldwide,
opportunity for collectors to acquire some exceptional works, many of which are fresh to the market, having been in
the same collections for many years. The selection, which ranges from Rodin through to late Picasso, brings to the
market many works of museum quality, led by a magnificent Schiele cityscape from the prestigious Leopold
Museum collection.”

Egon Schiele’s Häuser

Häuser mit bunter Wäsche (Vorstadt II)
II)

Painted in 1914, at the height of celebrated Austrian

artist Egon Schiele’s short career (he died in 1918 at
the age of just 28), Häuser mit bunter Wäsche
(Vorstadt II) is one of the most impressive of the
artist’s few monumental cityscapes. The work comes
to the auction market for the first time from the
collection of the Leopold Museum in Vienna with an
estimate of £22-30 million. The painting is loosely
based on motifs drawn from Krumau, the town
known to have inspired some of his greatest works. It
was this town in Southern Bohemia in which
Schiele’s mother was born, and to which Schiele and
his lover Valerie (Wally) Neuzil moved in 1911 in
order to escape what they perceived as the
claustrophobic atmosphere of Vienna. Having been
acquired - in the year it was painted - by Schiele’s friend and great patron Heinrich Böhler, Häuser mit bunter
Wäsche (Vorstadt II) was subsequently sold by Böhler’s widow in 1952 to Rudolf Leopold, founder of the
Leopold Museum in Vienna, which is home to a pre-eminent collection of Austrian 20th-century art.
A SEPARATE DEDICATED PRESS RELEASE ON Häuser mit bunter
bunter Wäsche (Vorstadt II)
II ) IS AVAILABLE UPON REQUEST

Pablo Picasso’s Couple, le baiser

Representing a culmination of Pablo Picasso’s exploration of lovers that preoccupied him between October
and December 1969, Couple, le baiser (£6–8 million) moves beyond the latent eroticism and sense of
tenderness embodied by his earlier works to a more uninhibited interpretation of the passionate encounter.
With such an erotically charged work - understood to represent Picasso’s wife Jacqueline Roque and the artist
himself - Picasso channelled the concerns regarding his fading virility that preoccupied him at the advanced
age of 88.

The physical closeness of the lovers in the throes of an embrace, and the bright, lively palette that Picasso used
to render the figures and the foliage that surrounds them in Couple, le baiser, belies the emotional profundity
that these compositions held for him. Picasso takes the painter and model theme a step further in Couple, le
baiser than in preceding works - there is no longer an easel separating the two figures; the erotic tension of
earlier works is finally consummated as the painter and his muse become entangled in a forceful embrace.
Furthermore, the couple has moved from the artist's studio into nature, emphasising their freedom and the
almost primitive intensity of their act. The artist's granddaughter, Diana Widmaier Picasso, wrote of these late
works, 'These are not embraces but wrestling matches the sexes have abandoned themselves to. The unleashing
of sexual passions is total, a lack of inhibition stamped with bestiality, animality ...’.

SCULPTURE
Following the world record for any work of art at auction established at Sotheby’s London, when Alberto
Giacometti L’Homme qui marche I fetched £65 million in February 2010, Sotheby’s now offers
Giacometti’s
Giacometti’s extraordinary bronze Trois hommes qui marchent II (est. £10-15 million). The sculpture, which
epitomises the artist’s mature style and is one of his most iconic works, forms the genesis of L’Homme qui

2
marche I. The image of Trois hommes qui marchent II first appeared in the
margin of a letter that Giacometti wrote to his dealer, Pierre Matisse,
depicting three men on a raised platform walking in different directions,
and the present work is the second of two versions of the subject, with the
figures grouped more closely together. Trois hommes qui marchent II – a
lifetime cast – was created at the definitive point of Alberto Giacometti’s
career, at the end of the 1940s when he was producing career-defining
bronzes featuring his signature attenuated figures. The present work
depicts three men captured in mid-stride, each seemingly alone in a
crowd, as they narrowly pass each other in disconnected paths.
Occassionally, as in Trois hommes qui marchent II, Giacometti enhanced
the patina of the sculpture to give the work a beautiful modulation of gold
and amber highlights against the rich brown base-tone.

A further work by Giacometti, the unique bronze Figure debout of circa 1950 (est. £300,000-400,000)
comes to the market from the Museum of Modern Art, New York, and will be sold, alongside Jean Arp’s
bronze Evocation d’une forme humaine lunaire spectrale, executed in 1950 and cast in 1957 (est. £800,000 –
1.2 million), to benefit the museum’s Acquisitions Fund.

Marini Piccolo cavallo (£1–1.5 million) beautifully represents the

Marino Marini’s
dominating theme throughout most of Marini's career, and the subject of the
horse was rarely invested with such energy and dramatic force as in the
present work. In contrast to the tranquillity of Marini's horses of the 1940s,
this work - executed in 1950 - indicates the artist's move towards a more
expressive rendering of this theme that characterised his mature work, whilst
retaining the elegance of his earlier pieces. The extraordinary power and
beauty of Piccolo cavallo lies in the careful rendering of its surface: Marini
painted and hand-chiselled this bronze, resulting in an immediacy and
versatile quality rarely achieved in this medium.

Auguste Rodin will also be offered. Ève, an

Two rare lifetime casts by Auguste
intense psychological study of the mother of humanity depicted at the very
moment of the end of innocence, was executed in 1883 and cast in 1913
and is estimated at £1.3-£2.2 million (pictured right). The work was first
owned by Eugène Rudier of the famous Rudier foundry in Paris, which cast
a number of Rodin’s celebrated works. In 1933 it was presented as a gift to
Henri Coignard on the occasion of his receipt of the Chevalier de la Légion
d’Honneur. The sculpture has remained in his family collection for nearly 80
years. The second Rodin work is the artist’s lifetime bronze L’un des
Bourgeois de Calais: Pierre de Wiessant, conceived in 1895 and cast in
1906, which also comes to the auction market for the first time and is
estimated at £250,000-350,000. The sculpture is distinguished by its
exceptional patina, executed by Jean Limet, whom Rodin used almost
exclusively to finish his casts from 1890. The sculpture was acquired by a
German collector from the artist in 1906 and has remained in the same family for over 100 years.

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IMPRESSIONIST
IMPRESSIONIST AND POST- POST- IMPRESSIONIST WORKS
Henri de Toulouse- Lautrec masterly painting La Liseuse will be
Toulouse- Lautrec’s
offered for sale for the first time in over 70 years (est. £5–8
million). Painted in 1889, the work is a major example of the
insightful character of Toulouse-Lautrec’s portraiture, as well as of
his remarkably modern style. The artist himself held La Liseuse in
great esteem, as demonstrated in his selection of the work, together
with four other paintings, for the exhibition of Les XX held in
Brussels in 1890. Writing to his grandmother, he said: ‘At the end of
January I’m going to carry the good work, or rather the good paintings,
to Belgium…’. The subject of this intimate portrait is the artist’s 18-
year-old neighbour, Hélène Vary, whom he had known since
childhood and proclaimed to be ‘very beautiful’, ‘her Grecian profile
is incomparable’. In 1888 and 1889, Toulouse-Lautrec executed
three portraits of Hélène, and the present work is the most
penetrating and personal in its projection of her inner life, tenderly
capturing the model in the act of reading and exemplifying Lautrec’s exploration of the expressive qualities of
line and colour. The work was acquired by the distinguished Brussels collector Roger Janssen in 1939 and it
has remained in the same family until now.

Coming to the market for the first time in over 80 years, Paul
zanne La Rivière of circa 1881 (est. £1.5–2.5 million),
C ézanne’s
dates from a pivotal period of Cézanne's career. Executed in
soft brushwork, La Rivière presents a departure from the style
that dominated his painting at the time, characterised by an
increasing use of wide vertical and diagonal brushstrokes. The
first owner of La Rivière was Victor Chocquet (1821-1891), a
nineteenth-century art collector who was an important early
patron of Impressionist painters as well as the first collector of
Cézanne's works. La Rivière was later acquired, in 1925, by
French collector Maurice Gangnat – one of the greatest
collectors of Impressionist art – and has remained in his
family’s collection until now. Also to be offered from Maurice
Gangnat’s collection is Les Roses au rideau bleu by Pierre-Auguste Renoir, with whom Gangnat cultivated a
strong friendship, amassing over 150 works by the artist over the course of 14 years. This 1912 painting of
Rodin’s favoured still-life subject, roses, is estimated at £400,000-600,000.

Not seen at auction for nearly 70 years, Paul Signac’s Signac

magnificent Pointillist harbour scene of 1913, Les Tours vertes,
La Rochelle (est. £1.2-1.8 million) is one of the artist’s earliest oil
paintings of this French Atlantic port, with its characteristic
medieval towers surrounding the busy harbour, a subject the
artist returned to many times between 1911 and 1928. By the
time Signac painted the work, he had developed his pointillist
technique so that his dabs of paint had become larger, looser
and more expressive than the more tightly spaced dots of his
earlier compositions, and the individualised colour patches hold
an expressiveness and freedom that characterised many of the
artist’s most accomplished works.

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MODERN HIGHLIGHTS
Lempicka La
Sensual, bold and ultra-stylised, Tamara de Lempicka’s
Dormeuse (est. £2.2-£3.2 million) is a highly charged and
suggestive depiction of a femme fatale in repose. Tamara de
Lempicka’s striking depictions of women have come to personify
the age of Art Deco and in this tantalising work, painted in 1930,
her model epitomises the ideal of early Hollywood glamour. Every
curve of the figure’s flesh is rendered with imperceptible
brushstrokes. Her skin appears to be incandescent, as if she is
bathed in silver moonlight and her hair glows with a metallic sheen.
The subject of the sleeping woman was filled with erotic potential,
and in this painting, Lempicka precedes Picasso’s celebrated 1932
portraits of the sleeping Marie-Thérèse Walter by two years, creating perhaps one of the most intimate and
unashamedly sensual renderings of the theme.

Appearing for the first time at auction, Paul Klee’s

Klee important oil and
tempera on gesso on board, Stadtburg Kr. (est. £ 2-3 million) is a
magnificent example of the artist’s ability to blend architectural
elements and geometric forms into a fantastic, dream-like
composition. The present work was executed in 1932, shortly after
Klee left the Bauhaus, where from 1920 he had worked as a Form
master. Inspired by Bauhaus teaching, Klee’s work became
increasingly abstract and geometricised and on leaving the school he
introduced a pointillist technique in his watercolours and oils. In this
rare example, he replaced dots with small rectangular forms,
combining them in a wonderfully poetic fashion. Klee commented in
his diary as early as 1902: ‘Everywhere I see only architecture, linear
rhythms, planar rhythms,’ and this sense of rhythm and movement is
beautifully rendered in the present work. According to Klee's own
analysis, he tried 'to achieve the greatest possible movement with the
least possible means’. Having belonged to the important Basel collector Richard Doetsch-Benziger, who
owned the painting for several decades, the work now comes to auction from a private Swiss collection where
it has remained for the last 40 years.

Painted in circa 1905/1906 at the height of Kees van van Dongen’s

Dongen Fauve
period, Le Clown (est. £1.8-£2.5 million) portrays the brightly lit pageantry
of the Cirque Médrano on the Boulevard Rochechouart. Depicting a clown
performing in a circus ring with a horse and rider in the distance, Van
Dongen invests his composition with all the frenetic energy that the event
demanded. This vibrant painting exemplifies the spirited colour palette and
painterly freedom of Van Dongen’s most successful compositions. For
several decades Le Clown remained in Van Dongen’s personal possession,
until it was acquired by Lucile Martinais-Manguin, daughter of the painter
Henri Manguin. Together with her husband André, Martinais-Manguin
amassed an impressive collection of modern art and founded the Galerie
de Paris, and the present work remained in her collection for more than 50
years.

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SURREALISM
Sotheby’s February 2011 series of sales demonstrated the high demand for supreme Surrealist works, with
Salvador Dalí’s Portrait de Paul Eluard selling for £13 million, establishing a new record price for any Surrealist
work of art sold at auction, and René Magritte’s gouache Le Maître d’École selling for £2.5 million, achieving a
new auction record for a work on paper. The forthcoming June 2011 sale presents a selection of great works
by artists including Joan Miró, René Magritte and Max Ernst.Ernst.

Coinciding with the Tate Modern retrospective of

Joan Miró,
Miró the artist’s bold and powerful work
Femme à la voix de rossignol dans la nuit of 1971
appears at auction for the first time (est. £4.5-6
million). The intensely colourful and pictorially
commanding oil on canvas displays a broad swathe of
red pigment draped down the centre of the
composition like a matador’s cape. Painted at a time
when Miró was one of Spain’s most renowned
cultural figures, the work belongs to a series of
monumental compositions that occupied Miró during
this time (the present work measures 130 by
195cm). The compositions that Miró completed during this period demonstrate a level of expressive freedom,
exuberance and confidence in his craft.

Sotheby’s is delighted to offer Magritte’s gouache on paper

L'Empire des lumières (est. £800,000 – 1.2 million), one of
the most iconic images of his art and a subject that he
returned to throughout his career. In a television programme
recorded in April 1956, Magritte gave a commentary on this
image: “The landscape suggests night and the skyscape day.
This evocation of night and day seems to me to have the
power to surprise and delight us. I call this power: poetry.” It is
this poetic and mysterious quality that makes L'Empire des
lumières one of Magritte's most popular and celebrated
images, and the evocation of night and day is precisely the
sort of reconciliation of opposites prized by the Surrealists. The present work was first acquired from Magritte’s
dealer Alexander Iolas and has remained in the same collection until now.

***Images available upon request***

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