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b4 Impact On Student Learning Project1
b4 Impact On Student Learning Project1
Creative Process
4.1 The student will improvise and compose music.
a) Improvise melodies and rhythms using a variety of sound sources.
b) Compose short melodic and rhythmic phrases within specified guidelines.
4.2 The student will apply a creative process for music.
a) Describe ideas for creating music as a group.
b) Describe elements of a creative process for music.
c) Reflect on the process and outcome of creating music and revise work based on peer
and teacher feedback.
1970’s
Bronx, New York
Developed by Inner city african americans, latino americans, and caribbean americans
DJ Cool Herc innovation of Turntables
Students will be able to Explore the “Hip Hop Google Doodle” Turntable
1. DeeJay
2. Emcee
3. B-Boys and B-Girls
4. Graffiti Artists
5. Knowledge
Keep the steady beat in the body by “bouncing at the knees.” If students are not Able-
Bodied, they will be invited to keep the steady beat.
Follow the choreography that involves multitasking such as alternating arms with legs. If
students are not able to alternate, they will be invited to choose to do only the feet
motions or the arm motions.
Complete the choreography (A, B, A) to the hip hop backing track.
Students will be able to Read and Analyze Poetry
Poem title will be drawn in the style of graffiti (block style, bubbly, or overlap)
Use contrasting colors for their graffiti and background
4th Grade, Block 4, Week 1
Virginia Music Standards of Learning
4.6 The student will explore historical and cultural aspects of music.
4.7 The student will explain how music is an integral part of one’s life and community.
4.9 The student will identify skills learned in music class that relate to a variety of career
options.
4.13 The student will develop skills for individual and ensemble singing performance.
4.14 The student will develop skills for individual and ensemble instrumental
performance.
Assessment
- The student will be able to keep a steady beat while singing call & response
Materials
Activity 1: Tue Tue (Song from Ghanna, Africa)
Materials
Activity 1: Tue Tue (Song from Ghanna, Africa)
Materials
Activity 1: Al Tambor (Song from Panama)
Materials
Activity 1: Al Tambor (Puerto Rico)
Assessment
- The student will be able to keep a steady beat while singing call & response
Materials
Activity 1: El Floron (Puerto Rico)
Poem Students were able to Students were able to Students were able to
find a school find a school find a school
appropriate poem that appropriate poem that appropriate poem that
is 12 lines long. was 8 lines long. was 4 lines (or less)
long.
Turntable Students were able to Students were able to Students were able to
create a “DJ Disc” by create a “DJ Disc” by use the DJ Turntable
using contrasting using contrasting without exploring
musical vinyls, adjust musical vinyls. musicianship.
the BPM, and are able
to “scratch” or isolate
discs.
Flip Grid Students were able to Students were able to Students were able to
record using flip grid record using flip grid record using flip grid,
with all group with all group not all members on
members on camera, members on camera camera/participating.
all group members and participating.
participating, and
utilizing Flip Grid
Filters/Stickers.
Below is an unlisted YouTube link for a group that would have scored a 3 on their project:
Below is an unlisted YouTube link for a group that would have received a score of 2 on their project.
Summary Reflection on the Process
Evidence of the extent of student growth in the form of average results for the pre and post
assessment.
We did not complete a formal assessment prior to starting this project. We did a teacher led discussion
on hip hop, followed by an activity where students had eyes closed, heads down and raised their hands
on a scale of 0 of being no knowledge, 1 being some knowledge, and 2 being a lot of knowledge based
upon prompts that I read off of the board. Students were encouraged to be honest so that I knew how
to help them and assess their growth for the duration of the project.
1. What city was Hip Hop born in? (The Bronx of New York City)
2. What year was Hip Hop born? (1970)
3. Circle the ALL of the minorities that influenced Hip Hop. (African-American, Latino-American,
Caribbean-Americans)
4. What are the 5 main elements of Hip Hop? (DJ, Emcee, Graffiti Artists, B-Boys and B-Girls,
Knowledge)
5. Write down something you enjoyed about our Hip Hop Project:
Evidence of your attempts to assess ongoing instruction, reflect and modify instruction.
At the beginning of every class, we review the information that we have learned thus far. I keep a list of
students who have already answered these prompts, and choose new students to answer the prompts
for the class. This allows new students to try to answer the prompts while reviewing material for
students who were out of class last week or may not have remembered.
For the Hip Hop Google Doodle, there is a function in the app to track a person’s progress. There is a
trophy in the top middle of the screen that tracks the exploration of the DJ Turntable. As students
explore more of the turntable, more achievements are unlocked including facts and tidbits about hip
hop history. An example of an achievement that can be unlocked is using the fader or changing the BPM.
This has been an easy way for me to quickly check their progress throughout class.
For the poetry, groups worked on a packet that included introduction to rhyming, schemes, and
patterns; finishing poems with words that complete the sentence and fit the rhyming scheme; creating
their own couplets with pre-assigned rhyming word groups; introduction to beat and rhythm in poetry. I
was able to assess their progress and group work with these packets.
For groups that were not able to collaborate and communicate effectively in groups, I moved students
to new groups. In most cases this was very effective, but there was one case where they were not able
to handle group work. They were given clear expectations, were invited to move groups, and also had
private discussions with me. I asked their teacher and the fellow resource teachers for input in
groupings. They said that if after they were placed in new groups and had private discussions, and were
still not following the expectations/music room rules then they should work privately on their project. If
there continues to be issues, take the hip hop project away from the student and have an alternative
assignment for them. This has helped with classroom management, student engagement, and student
assessment.
Final Thoughts about how you would do the unit differently next time – from the selection of music
and outcomes, to the instruction process, to the assessments you used.
When I do this unit again, I will make the poetry packets less dense and more adaptive. Although most
of the classes have advanced readers, there are a majority of students with ADHD and struggle with the
responsibility of freedom with group work. Consolidating the packets will help them feel less
overwhelmed and give them a visually easier way to assess their progress throughout class time.
I would like to have the students do more listening and reflection activities with Hip Hop music.