Violino I

Pantomime KV 446 (1783/1975)

1. Pantalone and Colombine
W. A. Mozart (1756-1791)
Free reconstruction A. Schnittke (1934-1998)

   
                  
Allegro
          
     

              
    
     
8

  

                         
          
16


 
                               1.
     
24 2.

    


2. The Dottore

  
Maestoso

 
               
3

 
     
           
         



     
 


             

            
    


      

  
       
      
         

  sub. 

                  
               

       
     
           
   


            

    
 


   
                    
3

 
   
                  

 
Adagio

             
  attacca

3. Pierrot
Allegro
       

         
  
    
 

                                
    

                         
         


         
 
   
   
           

            
               
 

        
     


                   
1.

  

  2.         
  


            

4. The Dottore and Colombine

 5. A Table is Brought in

                  
Andante molto

        
   

        


                      
  


       
                           
1. 2.

    
      


6. Pierrot is Frightened

     
Adagio

      
      
 
 
 


           
     
  


                                           
   
      

    
                           



 7. Finale

Allegro moderato

       
pizz.

        

              


     
   
    
                
        
 


                    
arco


 
 
        
      

             
       
           
    


     
    
   
