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Measuring Brand Equity of Foreign Fashion Apparels in The Indian Market
Measuring Brand Equity of Foreign Fashion Apparels in The Indian Market
Measuring Brand Equity of Foreign Fashion Apparels in The Indian Market
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Saima Khan
Department of Marketing,
College of Business,
Effat University,
Jeddah – 21577, KSA
Email: saimakhan631@gmail.com
Reference to this paper should be made as follows: Khan, S. and Khan, B.M.
(2017) ‘Measuring brand equity of foreign fashion apparels in the Indian
market’, J. Global Business Advancement, Vol. 10, No. 1, pp.26–42.
1 Introduction
2 Literature review
Brand equity is a core concept in brand management literature, which has been explained
and understood multifariously by the researchers (Aaker, 1996; Keller, 2003; Lassar
et al., 1995; Motameni and Shahrokhi, 1998; Park and Srinivasan, 1994; Simon and
Sullivan, 1993; Yoo and Donthu, 2001). The assessment of brand equity has evoked
serious deliberation amongst the researchers (Yoo and Donthu, 2001; de Chernatony and
McDonald, 2003; Vazquez et al., 2002). Brand equity can be understood as the value
customers hold for a brand vis a vis the competitor brands. Keller (2003) has expressed
brand equity as “a multidimensional concept and complex enough that many different
types of measures are required. Multiple measures increase the diagnostic power of
marketing research” (p.477). He further affirms that from a marketing perspective, brand
Measuring brand equity of foreign fashion apparels in the Indian market 29
equity can be termed as consumer-based brand equity (CBBE). Lately, brand equity
engulfs the consumer’s evaluation of a brand in totality (Ford, 2005). Pappu et al. (2005)
acknowledged CBBE measurement as an arduous task in brand management.
Considerable measurement tools and methods have been employed to assess brand equity
from the consumer’s perspective but they lack homogeneity (Park and Srinivasan, 1994;
Washburn and Plank, 2002; Yoo et al., 2000). Thus, it is important to combine the
various brand equity measurement approaches and recognise a standard technique to
determine brand equity.
Brand equity concept initially focused mainly on the financial perspective, i.e., it was
employed in the process of financial valuation of the firm, but as the 1990s approached it
became popular in the field of marketing research (Barwise, 1993). Since then, enormous
research has been conducted to provide a comprehensive knowledge about the notion of
brand equity. The concept and definition of brand equity is heavily debated (Chaudhuri,
1995). Several authors have even questioned the dearth of a general conceptual
framework to explain brand equity (Vazquez et al., 2002). Academicians are stressing
both the abstraction and the development of a definite scale to assess brand equity (Yoo
and Donthu, 2001). In spite of the burgeoning popularity of the concept of brand equity,
there is a paucity of a standardised instrument that caters to brand equity measurement
from the context of consumers (de Chernatony and Mc Donald, 2003).
However, some studies have incorporated Aaker’s model of brand equity (Aaker,
1991; Yoo and Donthu, 2001; Konecnik and Gartner, 2007; Tong and Hawley, 2009),
who studied the consumers’ judgement about a brand on the premises of brand
awareness, brand image, brand loyalty and perceived quality. In this study, we have
employed the same model to measure the brand equity of foreign fashion apparel brands
in India.
(Ailawadi et al., 2003; Gupta and Zeithaml, 2006). Thus, these measures are a prelude to
the brand’s performance in the future.
The exhaustive literature on brand equity endorses two major conceptual models, one
by Aaker (1991) and the other one being that of Keller (1993) as given in Figure 1.
Aaker (1991) conceives brand equity as a consolidation of five attributes – brand
awareness, perceived quality, brand association, brand loyalty and other proprietary
assets. The first four attributes are pertinent from the consumer point of view while the
last dimension is of relevance to a firm. Keller (1993) emphasised brand knowledge
and proposed that brand awareness and brand image constitute brand knowledge.
Many researchers have worked on measuring and conceptualising brand equity
considering the four dimensions, namely brand awareness, perceived quality, brand
associations and brand loyalty (e.g., Cobb-Walgren et al., 1995; Yoo et al., 2000;
Yoo and Donthu, 2001; Washburn and Plank, 2002; Ashill and Sinha, 2004; Pappu et al.,
2005; Konecnik and Gartner, 2007; Tong and Hawley, 2009; Lee and Back, 2010). In this
study, we will also be incorporating Aaker’s model to determine the brand equity of
global fashion apparels.
Figure 1 A conceptual framework for brand equity (see online version for colours)
4.2 The relationship between brand equity and brand equity dimensions
4.2.1 Perceived quality
Perceived quality can be construed as the consumer’s belief that a particular brand has
superlative features or performance in comparison with other competing brands of that
product category. The attitudinal assessment of a brand’s performance subjugates the
genuine quality of the product in case of perceived quality (Aaker, 1996; Keller, 1993;
Zeithaml, 1988). Brands charge a price premium on the ground of high perceived quality,
enjoy brand preference in the market and can manage successful brand extensions. Thus,
we can acknowledge perceived quality as a ‘core/primary’ attribute amongst CBBE
Measuring brand equity of foreign fashion apparels in the Indian market 31
models (Aaker, 1996; Dyson et al., 1996; Farquhar, 1989; Keller, 1993). On the basis of
the above-mentioned discussion, the first hypothesis is as follows:
H1: Perceived quality has a significant positive direct effect on brand equity.
5 Methodology
India has inspired the international haute couture brands and is culled by fashion
designers all over the world as their potential market (Sharma, 2013). This provided the
32 S. Khan and B.M. Khan
background for choosing international fashion brands as the target product category to
check the above-mentioned hypothesised relationships.
6 Product stimuli
Five fashion brands namely Louis Vuitton, Nike, Zara, Gucci and Adidas were chosen as
the product stimuli in the study because they featured in the list of top 100 global brands
in 2012 by Interbrand. An attempt was made to determine their brand equity in the Indian
market. The respondents were asked to pick out one brand amongst these five brands and
provide their response to the items in the questionnaire for the brand they had chosen.
This research employed survey method to explore the brand equity and its four
determinants (using David Aaker’s model of CBBE) and see which of the four
determinants (brand awareness, brand association, brand loyalty and perceived quality)
influences the most on the branded apparel wear. Keeping the above-mentioned objective
in mind, an instrument was devised and tested on a small sample size of 150 respondents
in New Delhi to test the reliability and validity of the instrument.
The items incorporated in the questionnaire covered the dimensions of brand equity
and overall brand equity besides the demographic questions. The responses to statements
pertaining to brand equity dimensions and brand equity were recorded on a five-point
Likert scale (5 = strongly agree, 1 = strongly disagree).
8 Data analysis
A total of 500 questionnaires were distributed but only 448 were considered valid for this
study. Fifty two questionnaires were not properly filled and were not taken into account
during data analysis. CFA analysis and path analysis were done using structural equation
modelling. A two-step approach suggested by Anderson and Gerbing (1988) was
adopted. Therefore, the reliability and validity of the measurement model was tested to
begin with and then the hypothesis testing was conducted. The goodness of fit (GFI),
Measuring brand equity of foreign fashion apparels in the Indian market 33
adjusted goodness of fit (AGFI), comparative fit index (CFI), root mean square residual
(RMR) and root mean square error of approximation (RMSEA) were employed on both
the structural and measurement model by the model fit criteria suggested by Hu and
Bentler (1999). Acceptable models should have (x2)/df ≤ 3, AGFI ≥ 0.80, RMR ≤ 0.1,
RMSEA ≤ 1.0 and GFI and CFI greater than 0.90.
9 Results
Figure 2 Relationships between four dimensions of brand equity and overall brand equity
(see online version for colours)
All the four hypotheses were strongly supported, which indicated a positive and direct
role of perceived quality (β = 0.56, t = 3.357), brand awareness (β = 0.87, t = 3.343),
brand association (β = 0.67, t = 2.241) and brand loyalty (β = 0.83, t = 3.168) in affecting
brand equity. Also, perceived quality and brand association had low parameter estimates
vis-à-vis brand awareness and brand loyalty. Therefore, it was inferred that brand
awareness and brand loyalty had more pronounced effect on brand equity rather than
36 S. Khan and B.M. Khan
perceived quality and brand associations. Table 2 provides a snapshot of the hypothesis
and results.
Standardised
Hypotheses Relationships coefficient T-value P-value Results
H1 Perceived quality → brand 0.56 3.357 0.000 Supported
equity
H2 Brand awareness → brand 0.87 3.343 0.000 Supported
equity
H3 Brand association → brand 0.67 2.241 0.025 Supported
equity
H4 Brand loyalty → brand equity 0.83 3.168 0.002 Supported
India has emerged as the hotspot for global fashion brands because the branded apparel
market in India is growing. Indian consumers are no longer price sensitive and prefer
design and quality over price when making purchases. They are experimenting with
mainstream fashion (Biswas, 2006). This has brought luxury goods, cosmopolitan
fashions and international brands into the Indian retail market.
As we know the international market has been more or less saturated and the market
growth has been stagnant, India seems to be a propitious market for the global fashion
brands. When it comes to global marketing, culture has been a strong predictor
of marketing policies as far as standardisation vs. localisation decisions are concerned
(Yoo, 2009). National culture of a particular country has a strong influence on the
diffusion of products across countries (Kumar et al., 1998). The Indian culture is
heterogeneous in nature and it becomes tricky for the marketer to identify the essence of
core Indian culture and values (Banerjee, 2008). Thus, it is imperative for these brands to
put their fingers on the sensibilities of Indian consumers to survive the competition from
international as well as domestic brands.
In this research, we have studied the CBBE of top five global fashion brands (as rated
by Interbrand (2012) report) from the perspective of Indian consumers. The results of this
study were interesting because they depicted striking contrast with the Interbrand ratings.
The ranking of global fashion brands by Interbrand (2012) was in the following order:
Louis Vuitton, H&M, Nike, Gucci, Zara and Adidas. Since H&M is yet to start its
operations in the Indian market, it was not considered in the study. But talking about the
responses gathered from Indian consumers for rest of the brands, the rankings stood as
follows: Nike, Adidas, Zara, Gucci and Louis Vuitton. This suggests that the equity of
these brands is not uniform across every country and the brands are perceived differently
in different countries. Thus, the brands need to customise their marketing and branding
strategies differently for a specific country rather than being complacent with the global
ratings and later losing market share to the competition.
Measuring brand equity of foreign fashion apparels in the Indian market 37
Nike and Adidas have been two of the oldest foreign brands in the Indian market and
thus they enjoy first mover advantage. Zara, Gucci and Louis Vuitton have entered into
the domestic market much later. This has given Nike and Adidas an edge over the other
three brands because of the strong brand awareness, associations and loyalty Indians hold
for Nike and Adidas. However, Zara of late is catching up the fancy of Indian consumers
and has been making profit in two out of three years of its existence (Malviya and Bailey,
2013). Zara was launched in India in May 2011 in a joint venture with Trent (retail arm
of Tata Group. Mr. Vineet Gautam (country head for Best seller retail) has attributed this
success to the remarkable supply chain of Zara, which ensures fresh fashion delivery
every week, which in turn pushes the consumers to buy the product before it goes off the
shelves (Malviya and Bailey, 2013). Also, celebrities are often spotted wearing Zara to
social occasions, which have worked for the brand equity of Zara as the celebrity equity
has translated into the brand equity. Ohanian (1990) observed that the more credible and
attractive a spokesperson is the more persuasive endorser he or she will be and induce
favourable attitudes towards an endorsed brand or product. Louis Vuitton came to India
in 2003 and Gucci in 2007, but Zara clobbered both of them within three years of its
existence in the Indian fashion apparel market. Louis Vuitton and Gucci have focused
primarily on maintaining their associations as a high-end luxury brand. This narrows
down the consumer base for Louis Vuitton and Gucci in India, which is reflected in this
study as consumers have preferred lower-priced brands like Nike and Adidas.
Now, coming to the relationship between brand equity constructs and overall brand
equity, it was observed that all the four dimensions of brand equity namely brand
awareness, brand association, perceived quality and brand loyalty influenced overall
brand equity. However, the effect of brand awareness on brand equity was most
pronounced (β = 0.87, t = 3.343), which could be on account of the product stimuli taken.
Since five foreign fashion brands were used in this study, the knowledge about these
brands was important for the Indian consumers, which would lay the foundation for brand
equity development. Consumers might associate brand knowledge to brand name, which
ultimately formed brand equity (Aaker, 1991; Keller, 1993). Brand awareness is often
used as a purchase decision heuristic by consumers (Hoyer and brown, 1990; Macdonald
and Sharp, 1996).
Next to brand awareness, brand loyalty influenced brand equity (β = 0.83, t = 3.168).
Brand loyalty and brand equity have been acknowledged as two favoured and plausible
metrics of marketing success in the market (Rust et al., 2004). Brand loyalty cuts down
the promotional expenditures and enables the marketer to charge a price premium for its
brands as the loyal customers have strong faith in the brand proficiency, which leads to
steady and long-term profits (Chaudhuri and Holbrook, 2001). When the customers
purchase the same brand over and again, in a way they become its brand ambassadors
amongst their reference groups, which prompt non-users to try the brand and thus the
market share of the brand increases. Aaker (1991) stated that brand loyalty enables a firm
to change price premium without affecting the market share. Thus, brand loyalty is a
brand’s insurance against market competition, brand switching and brand obsolescence.
Besides brand loyalty, strong brand associations are also required to establish strong
brand identity in the market (Aaker, 1996). Brand association leads to successful brand
extensions and creates brand differentiation (Dillon et al., 2001). Owing to intense
competition, marketers these days are resorting to innovative and ingenious brand
imaging ideas that helps them maintain brand relevance and market profitability (Abend,
2000; Ailawadi, 2001). This study revealed that brand associations have a significant
38 S. Khan and B.M. Khan
impact over brand equity (β = 0.67, t = 2.241). Brand equity is predominantly a derivative
of brand associations held in the minds of consumers that creates unique brand image
(Keller, 2008; Yasin et al., 2007). Bello and Holbrook (1995) said that if consumers have
to choose amongst brands with similar product quality, they will prefer the one that has
sounder brand association. Perceived quality is also a quintessential attribute of brand
equity, and its relationship with brand equity in the present research was (β = 0.56,
t = 3.357). Purchase decisions and customer evaluations are primarily governed by
perceived quality. Perceived quality stands for the perceptions a consumer holds about a
product’s fineness or perfection (Zeithaml, 1988). It is imperative for a particular brand
to continue improving its product quality to develop a strong brand equity, which puts
them in a position to charge price premiums and also inculcate brand goodwill amongst
the consumers. Perceived quality also shields the brand from market competition and
catapults market profitability.
This study focused specifically on international fashion apparel brands; local apparel
brands can be considered and a comparison between brand equities of international and
domestic brands can be done. Similarly, the research can also be conducted in smaller
cities, which would represent a larger segment of Indian consumers and uncover many
interesting and fruitful insights for the brand managers, which can be later considered in
brand strategy formulation keeping these consumers in mind. Apart from fashion
apparels, brand equity of FMCG products, consumer durables, cosmetics, accessories,
smart phones, automobiles, etc., can be measured.
The interaction amongst brand equity constructs was not probed in this research and
this interaction can be taken into account in future studies. Furthermore, there are various
approaches to studying brand equity besides David Aaker’s approach. Thus, Keller’s
model of brand equity, Franzen’s Brand Equity model or Kapferer’s Brand Equity model
can be employed instead of David Aaker’s Brand Equity model. Lastly, firm-based brand
equity measurement can also be included in the later studies.
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