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  • Large - Scale Fabrication and The Currency of Attention

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    Karen van den Berg
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    A text about large studios and art fabricators. by Karen van den Berg & Ursula Pasero

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    Large_Scale Fabrication and the Currency of Attention

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    A text about large studios and art fabricators. by Karen van den Berg & Ursula Pasero

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    Download as pdf
    84 views8 pages

    Large - Scale Fabrication and The Currency of Attention

    Uploaded by

    Karen van den Berg
    A text about large studios and art fabricators. by Karen van den Berg & Ursula Pasero

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    Download as pdf
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    Et eee ene Backstrém/ Joseph Bouys/lan Burn//Maurizio Cattelan// j Fimgreen & Dragsel//Andrec Fraser//Melanio Gilligan/ 4 Dan Graham//Guenilia Gitls//Androas Gursky//Hans Haack//Damien Hirst//Christian Jankowski//Yves Kieln/ Jott Koons/Barbava Kruger//Louise Lawler//Les Levine/} Liu Ding//Lee Lozano//Takashi Murakami//Ahmet Ogit// Tino Sehgal//Richard Sera//Nedko Solakov//Andy Te Writers inetude : Theodor Adomo// Jack Bankowsky//Jean Baudiillerd// Luac Boltansii//Pierre Bourdiew//Martin Braathen// “Malcolm Bull/1J Chatlesworth//Eve Chiapello//Sophic j Cras//Anthony Davios//Thierry de Duve//Marvin Elkott// : Simon Ford//Hal Foster//Peter Fulor//William Grampp// ‘Josh Greenteld//ichel Houellebeca)//Miwon Kwon//Kate Linker//L0 Peng//Ursula Pasero//Scott Rothkopt//Peter Sehjeldahl//Thomas Seelig//Maxc Shell//Georg Simmel// ‘Barbara Hermstoin Smith/Woligang Ulrich//Karen van. den Berg//Thorstein Veblen/ / Olav Volthuis//Dorothec von Hantelmannj Tom Wolfe//Thomas Zaunschitm, pom a fy oc es Ce ee Seer erry capital and creativity. Uncovering the origins of these phenomenc in eatlier epochs, this anthology surveys the ere emery Perera eer eerie ny rere tet nna ed 5 per eeeeet een nee ec es ‘The Market is one of « series documenting major themes perepeeneeere teen 5 ‘Whitechapel Gallery London ‘The MIT Press Cambridge, Massachusetts Eaited by Natasha Degen TH MA KE Documents of Contemporary Att ei iri Bowes Documents of Contemporary Art In een decades atts hae prose expanied the bondi fa hey he Soo fo engage wth an increasingly Pasi ernment “aching coin and udestanding of aan vst ae Ihese 9 Toner gounded acon estes bt cened on signa eps and hemes angi fr the ever othe ncn, the syne 0 “Docent f Contemporary rt seis meres fom ths conte Each soln foes ons specie jee aya ring hatha re ey Intance icant mporrya intestinal ditedandinroucedy sca, {eo tr eof ese sue ook penies acest 3 aN vies an especies defining sian theme tenn Tor over etry he Whtechope aly has cere ube ltr for tanideas nthesamespriea guest etorrepreses adit yet dese Spach rather han aoe stil posit el bow and as Conse ech vlue 0 adres at only a profesional sence Bu 3 Ineo ees ‘ser ito Bani cog tr Su ‘sy tp vs el ig Mees a yO es ‘VALUE Georg Simmel Value and Money, 1900//024 ‘Theodor Adore Aesthetic Theory, 1970//027 Barbara Hermstein Smith Contingencies of Value: ‘Allernative Perspectives for Critical Theory, 1986//029 william Grampp Pricing the Priceless: Art, Artists ‘and Economies, 1989//031 ‘Mare Shell Art and Money, 1996/05 ‘Thomas Zaunschirm The Art of Making Money, 2002//039 Woligang Ullrich Icons of Capitalism: How Prices "Maiko Art, 2009//040 ‘Malcolm Bull The Two Economies of World Art, 2o11/j042 PATRONAGE ‘Thorstoin Veblen The Theory of the Leisure Class, 1899//050 ‘Tom Wolfe Bob and Spike, 1968/0583 Jean Baudrillard The Art Auction: Sign Exchange ‘and Sumptuary Value, 1981//057 ‘Wemer Muensterberger Collecting: An Unruly Passion, 1994//059 Pierre Bourdieu and Hans Haacke Free Exchange, 1994//061 Richard Serra The Yale Lecture, 1990//063 Fred Wilson Mining the Museum in Me, 2001//064 Eimgreen & Dragset The Collectors, 2009//066 ‘Melanie Gilligan Hedge Fund, 2007//068 ‘38 Charlesworth Bonfi of the Vanities, 2007//070 ‘Andrea Fraser 1%, Crest Mot, 2011//076 ‘Charles Saatchi The Hideousness ofthe Art World, 2011//083 INSTITUTIONS AND NETWORKS, Harrison and Cynthia White Canvasos and Careers: Institutional Change in the French Fainting We 1965//086 Marvin Elkotf The American Painter as a Blue Chip, 1965//088 Josh Groonteld Sort of the Svengali of Pop, 1966//093 Peter Fuller Tho $sd of Art, 1970//103 ‘Guerilla Girls Code of Ethics for At Museums, 989/107 ‘imon Ford and Anthony Davies Art Capital, 1999/108 ‘Martin Braathen The Commercial Signiticance of the Exhibition Space, 2007//113 Peter Schjeldah! Temptations of the Fair Mlam! Virtue ‘and Vice, 2006//119 ‘Olav Velthuis The Venice Etfect,2011//121 ‘aren van den Berg and Ursula Pasero Large-Scale Art Fabrication and the Currency of Attention, 012/126 crrmiaue ‘Miwon Kwon Exchange Rate: On Obligation and Reciprocity in Some Art of the 1960s and Alter, 2003//134 Sophie Cras Art as an Investment and Artistic Stockholding: Experiments in the 1960s, 2013//139 ‘Michaol Asher Soptomber 21-October 12,1974. Claire Copley Gallery, Inc, Los Angeles, Caitornia, 1983//145 Jan Bum The Art Market: Affluence and Degradation, 1975//149 Carl Andre Answors in My Disorder, 1976//153 Joseph Beuys What is Money? 1984/1853 Thierry de Duve Joseph Beuys, or The Last of the Proletarians, 1985//155 stot hs fect A Cie aged eet in an inven: Wha apes tex thon obese sel wel des that mea ht hs wok does rea aye a moe ‘Karen van den Berg and Ursula Pasero LaigesScale Fabrication and the Currency ot Attention//2012, [Intl te phenomenon of age ste ition hast be sen 3

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