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by Jean-Marie Paul
CONSERVATORIES
Paris Conservatory
(CNSMDP), Clarinet,
June 25
wat has been called for a few
years now “Examen final di
DNPSM” (Diplime National
Profesionnel Supérieur de Musicien) is at the
end of the frst cycle, And remember that
“First Prize” has been replaced by “Mention
Tids Bien” and Second Prize by “Mention
Bien.”
Classes of Professors Pascal
Moraguss and Philippe Berrod
Mention Trés Bier: Amaury Viduvier
(unanimity of the jury, with honors) and
Bertrand Laude; Mention Bien: (unanim-
ity of the jury): Héléne Legay and Elodie
Roudet.
‘Thae was in addition to the recitals of
students who are in the second year of the
second cycle. (They finished their degree,
formerly called the Prix a few years ago.)
‘Mention Trés Bien for Vincent Michel and
Raphaél Sévére. ‘The Leon Leblanc Prize,
given by the Alumni Association, was
awarded ex-aequo to both laureates.
Bass Clarinet, July 1
Mention Tris Bien: Laurence Boureans
Mention Bien (with the unanimity of the
jury): Seong Yun Jung.
“This was the last year for professor Jean
Noal Croeq who retired and has been re-
placed at the beginning of the fall by Alain
Billard, who keeps his position of bass clar-
inet in the Ensemble InterContemporain..
Lyon Conservatory
(CNSMDL), June 17—
Class of Nicolas Baldeyrou
All the master’s degree students received a
Mention Tres Biew: Hugo Clédat, Maxime
Jaouen, Frangois Tissot.
‘Tae Cianiner
“Alain Billard and Jean-Noél Crocg (pbs: M Feud
Versailles Conservatory, June
19-Class of Philippe Cuper.
Allthestudentsgota Privdeperfecionnement
(unanimity of the jury): Mikhail Mering
(Russia) with honors; Young Joon Eom
(Korea); Ah Reul Kim (Korea); Christa-
thai Paksamai (Thailand)
Rueil-Malmaison
Conservatory
In the June issue of The Clarinet, we spoke
of Florent Héau leaving Rueil for the Paris
Regional Conservatory. Florent Pujuila
has been named to succed him in Septem-
ber. Pujuila was until now in Montreuil,
also in the suburbs of Paris, and keeps his
chair as soloist of the Orchestre de chambre
de Paris,
Paris CRR Conservatory
Besides the two clarinet classes of Franck
Amet and Florent Héau, a special class
thas been opened with Paul Meyer, which
prepares students for international com-
petitions, orchestral auditions, etc. Meyer
retains his clas of chamber music.
ORcHESTRAS
Paris, Orchestre National de
France, bass clarinet
‘A competition was organized on Septem-
ber 22-24 to replace Jean-Marc Volta who
had retired. Renaud Guy-Rousseau, a stu-
dent at the Paris CNSM Conservatory andRenaud Guy-Rousseau
soloist of the Orchestre Lamoureux, won
this position
Rennes, Orchestre Symphonique
de Bretagne
“The competition was held to replace Pierre
Génisson who is now freelancing, The tal
ian Giovanni Punzi, presently a student at
the Paris CNSM Conservatory, go the job.
Orchestre National d'lle de
France Vacancy
EAflat solo clarinet, also playing second
and thied clarinet. Competition on January
20, 2014. Deadline: January 10, Job begins
in May 2014. This orchestra is in the sub-
urbs of Paris, located in Alforville (not ro
be confused with the Orchestre National de
France atthe radio). Program and forms on
swwrmorchesteile.com. Email: concours®
orcheste-ile.com
Tn Memoriam
Joseph Marchi died on June 21, age
90. He taught in the conservatories of
‘Monptellier, Perpignan and Marseille and
did acoustical research on the clarinet, no-
tably with the Selmer-Marchi 10S darinee
wich a second octave key, allowing for che
production of extremely high notes. He
also published a book of studies on this
topic, published by Lemoine.
PREMIERES
June 23, Chateau de Pierrefonds, nest
Compitgne, Alexandre Gasparov:
Etudes mycologiques (2013) for voice,
clarinet, violin, viol, cello. Enscmble
"Joseph Marchi (phot:
‘Aceroche Note (Armand Angster, clari-
net, etc)
July 7, Paris. Graciane Finis Interrupted
‘Moments for clarinet quartet. Quatuor
Absinthe (Vincent Michel, Frangois
‘Tissot, Franck Russo, Mathieu Franos)
Composer Graciane Finzi has also ar-
ranged especially for this quartec a duet
originally for violin and viola called
‘Moments interrompus, hetp:iquatuorab
sinthe.com
July 4, Strasbourg. Christian Dachez:
Blessures d’ailes (2012) for clavinec and
sting trio, Ensemble Aceroche Note
(Armand Angster clarinet, etc.) www.
dachez-compositeur.com
October 19, Douchy les Mines (near
Lille), premiere of Edith Canat de
Chizy: Drift, concerto for clarinet and
orchestra. “This 20-minute piece will
be performed again in Lille and other
Composer Edith Canat de Obizy
Decemer 2013
places in the neae future. Iwas commis-
sioned by The Orchestre National de Lille
and the Ministry of Culture. The soloist
was Paul Meyer.
You can sce chamber music pieces wich
dlarinet by this composer on her website:
‘ww weditheanatdechizy-com, or lean send
you a lise you will send me an email: jm
paul@vandoren.f, The choice of clarinet
‘with infinice possibiliies of timbre and a
great velocity enable her to genceate a vert
ing style which is successively fluid, ner-
vous and violent
‘VANDOREN TV
“The whole concert from Paris on Novem-
ber 13, 2012, is on www.vandorenty.com,
Ic was organized by Vandoren to gather
together Vandoren Emerging Artists from
the USA, plus David Gould and Parisian
soloists (some from the Paris Opera and
some others), conducted by Philippe Cu-
pes, for a sort of “Fete de la Clarinete.”
Ie also includes Emil Khudiev and Liam
Burke performing separately or in the clar-
inet choi Among other interesting videos
are the 3 Pieces of Stravinsky with a master
class of Florent Héau (in French).
ELECTRONIC PHOTO
SUBMISSIONS FOR
THE CLARINET
ic images for use in the
magazine, resolution is a very
important consideration, For high-
resolution printing, each photo
must include at least 300 pixels
per inch (ppi) at the approximate
dimensions anticipated for use. To
clarity, photos intended for repro-
duction at the one-column width
should be at least 2.25” wide and
include at least 300 pi, while
photos intended for reproduction
ai the two-column width should
be at least 5" wide and include at
least 300 pi, Photos with inap-
propriate resolution settings may
have to be rejected because they
will reproduce too poorly to use,
or they may have to be used at a
size smaller than anticipated in
order to maintain their quality.
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