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Metal-Ceramic Restorations WOF
Metal-Ceramic Restorations WOF
Metal-Ceramic Restorations WOF
(Metal-Ceramic Restorations)
14 pages
ﻗﺴﻢ ﻃﺐ اﻷﺳﻨﺎن
اﻟﻤﺮﺣﻠﺔ اﻟﺨﺎﻣﺴﺔ
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Metal-Ceramic Restorations
Ceramic objects have been fabricated for thousands of years. The earliest
techniques consisted of shaping the item in clay or soil and then firing it to fuse
the particles together.
The initial attempts resulted primarily in coarse and somewhat porous products,
such as goblets and other forms of pottery.
As early as the second half of the eighteenth century, Pierre Fauchard and others
attempted to use porcelain in dentistry. These early efforts were largely
unsuccessful.
However, porcelain was successfully used for dental prostheses by the end of
the 1800s, when the technique to fire all-porcelain jacket crowns on a platinum
matrix was first developed.
It was not until the mid-1950s that a dental porcelain was developed with a
coefficient of thermal expansion similar to that of dental casting alloys. The
metal-ceramic restoration first became available commercially during the later
1950s. Today this technique is considered a routine procedure with excellent
clinical performance.
Definition
The metal – ceramic crown is one of the most widely used fixed restorations.
The restoration consists of:
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The metal-ceramic restoration consists of a metal substructure supporting a
ceramic veneer that is mechanically and chemically bonded to it.
This restoration combines strength and accurate fit of a cast metal crown with
the cosmetic effect of a ceramic veneer.
Porcelain powders of varying composition and color are applied to the metal
and fired to produce the desired appearance. The first ceramic layer, which is
opaque, masks the dark metal oxide and is the primary source of color for the
completed restoration.
The opaque layer is covered with slightly translucent body porcelain, which is
then veneered with an even more translucent enamel overlay that contains
relatively little pigmentation.
Metal preparation
Shape
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Sharp angles or pits on the veneering surface of a metal- ceramic restoration should
be avoided because they can contribute to internal stress in the final porcelain.
Convex surfaces and rounded contours should be created so that the porcelain is
supported without development of stress concentrations. In addition, a smooth
surface facilitates wetting of the framework by the porcelain slurry.
Substructure design for an anterior partial fixed dental prosthesis. The metal should be
shaped to support an even thickness of porcelain.
The metal substructure should have a distinct margin for finishing the veneer.
The metal framework must be thick enough to prevent distortion during firing. A
minimum thickness of 0.3 mm is advocated for the noble metal alloys; 0.2 mm is
sufficient for base metal alloys, which can be finished thinner and still withstand
distortion because of their higher fusing ranges, moduli of elasticity, and yield strengths.
The metal-ceramic interface must be far away (ideally, at least 1.5 mm) from all centric
occlusal contacts and must be distinct to facilitate the removal of excess porcelain.
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Framework designs for a maxillary incisor (A) and a maxillary posterior tooth (B). The
cutback should be designed so the occlusal contacts (arrows) are 1.5 mm away from the
porcelain-metal junction.
Investment Removal
After the framework has been cast, all investment material should be removed
ultrasonically with airborne- particle abrasion or with steam (according to the
alloy manufacturer’s directions).
Metal Finishing
The surface should be finished with ceramic-bound stones because the organic
binders used in conventional rotary instruments are a potential source of
contamination. Tungsten carbide burs also may be used safely. After the surface
has been smoothed, it should be airborne- particle abraded with aluminum oxide
according to the manufacturer’s instructions. This creates a satin finish on the
veneering surface that is easily wettable by the porcelain slurry.
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Metal preparation. A and B, Castings prepared by grinding. C, Satin finish obtained by
airborne-particle abrasion. D and E, Scanning electron micrographs of metal after grinding
with a stone (D) and with airborne-particle abrasion (E).
Preparing the substructure. A, Nonveneering surface finished to the rubber wheel stage. B
and C, Metal-ceramic junc- tion delineated with a tungsten carbide bur. D, Veneering
surface dressed with a ceramic-bound stone. (To avoid perforation, the metal thickness
should be checked regularly with calipers.) E, Airborne-particle abrasion of the veneering
area. The margins have been protected by soft wax.
1. Thickness
A dial (or metric) caliper is necessary to verify that the metal substructure
conforms to all specified minimum dimensions. Metal thickness of less than 0.3
mm may lead to distortion during firing.
2. Cleaning
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veneering surface should not be touched once the cleaning procedures have
been completed.
3. Oxidizing
To establish the chemical bond between metal and porcelain, a controlled oxide
layer must be created on the metal surface.
In noble-metal alloys, iron, tin, indium, and gallium are the base elements used
for oxide formation. The oxide layer is obtained in the porcelain furnace by
raising the temperature to a specified level for several minutes.
Metal-ceramic substructure after cleaning and before oxidizing in the porcelain furnace.
Ceramic alloys with high gold content are usually held at the oxidizing
temperature for several minutes.
Many of the alloys with lower gold content contain more base elements, which
can result in a thicker oxide layer. With some of these alloys, it is therefore not
necessary for the casting to be held at the oxidizing temperature for any length
of time. To reduce excessive surface oxides, some manufacturers recommend
brief airborne- particle abrasion of the casting with alumina or placing it in
hydrofluoric acid after firing.
Because of lower costs, the use of base metal alloys for metal-ceramic
restorations is now widespread. These alloy systems undergo continuous oxide
formation. Although the techniques for different systems vary, most
manufacturers prefer not to oxidize substructures made of base metal alloys.
Instead, they recommend performing the first porcelain application immediately
after cleaning. Because the extent of oxide formation cannot be easily
controlled, there is a potential for failure through the thick and brittle oxide
layer with these alloy systems.
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Materials science
Definition for a ceramic is any material that is composed primarily of a metal
and non-metal composition.
Dental porcelain is created, not by directly mixing the three main oxides, but by
mixing clay, feldspar, and quartz that contain the oxides. Dental porcelains are
dominated by feldspar and tend to have more silicate matrix in the final
microstructure than dispersed crystalline phases. These are called feldspathic.
Feldspathic porcelains are esthetic but not very strong.
Dental ceramics are generally classified into three groups according to their
fusion range:
In contrast to denture teeth and the original porcelain jacket crowns, which are
fired in the medium- and high-fusing ranges, metal-ceramic veneer restorations
are fired in the range of 950°C to 1020°C. This discussion is limited to these
low-fusing porcelains.
Porcelain Manufacture
After firing in the laboratory, dental ceramics consist of about 20% volume
tetragonal leucite crystals dispersed in a glassy matrix. The structure of this
glassy matrix is a random silicon-oxygen network. The silicon atom combines
with four oxygen atoms in a tetrahedral configuration.
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The silicon-oxygen tetrahedral configuration.
However, such a silicon-oxygen network would have a very high melting point.
Usually, potassium and sodium are added to the glass composition to help break
down the silicon-oxygen network and are therefore known as glass modifiers. In
dental ceramics, potassium and sodium are initially provided by the feldspars.
Two desirable consequences result:
The manufacturer adjusts the oxide content so that the dental ceramic’s
coefficient of thermal expansion is close to the corresponding value for the
alloys used to make the substructure.
Change in the silicon-oxygen network structure from a glassy (A) to a crystalline (B) form.
Porcelain Technique
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The porcelain particles are drawn together during condensation by capillary
action. Proper condensation minimizes steam generation during the drying phase
of firing. When the mass is heated, individual porcelain particles conglomerate by
sintering. The viscous flow of unfused particles results in wetting and bridging
between such particles. Consequently, interstitial space is lost, with as much as a
27% to 45% volumetric shrinkage after firing.
Vitreous sintering. Partial melting of the unfused particles leads to their bonding. Observe the
necking caused by the glass flow.
Types of Porcelain
The following porcelain blends are produced for the different roles they play in the
fabrication of metal-ceramic restorations: opaque, body, and incisal porcelains.
Opaque Porcelain
This is applied as a first ceramic coat and performs two major functions:
It masks the color of the alloy, and it is responsible for the metal-ceramic bond.
Opacifying oxides are added to the original porcelain blend. The density of
these oxides is greater than that of the glass matrix. Consequently, the oxides of
tin, titanium, and zirconium have a higher refractive index than do the
components of the glass matrix. When a specific range of oxide particle sizes is
used, most of the incident light is scattered and reflected rather than transmitted
through the porcelain, effectively masking the color of the alloy substrate.
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Body Porcelain
Body porcelain is fired onto the opaque layer, usually in conjunction with the
incisal porcelain. It provides some translucency and contains metallic oxides that
aid in shade matching. Body porcelains are available in a wide selection of shades
to match adjacent natural teeth. Most porcelain manufacturers provide an opaque
shade for each body shade. Although porcelains of different manufacturers are
given the same nominal shade (e.g., the popular VITA classical shade guide
[VITA North America]), there is significant color variation among manufacturers,
and a dentist should know which system the technician uses.
Incisal Porcelain
Porcelain-Alloy Bonding
The formation of a strong bond between the opaque porcelain layer and the cast
alloy is essential for longevity of the metal-ceramic restoration.
1. can diffuse into the casting alloy at the elevated temperatures of the
porcelain firing cycles and
2. have the same equilibrium chemical potentials in both the metal and
ceramic.
For noble-metal alloys, elements that have a major role for porcelain adherence are:
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For base metal alloys in which the principal elements are nickel and cobalt,
chromium oxidation provides chemical bonding for porcelain adherence;
titanium oxidation fulfills this role for titanium casting alloys.
The oxide layer between the metal and ceramic should have an optimum
thickness for a strong metal-ceramic interfacial bond.
The linear coefficients of thermal expansion for the metal (αM) and ceramic
(αC) must closely match to achieve a strong interfacial bond. Typically,
−6 −6
- αM values (metal) range from 13.5 × 10 /degree Celsius to 14.5 × 10 /degree Celsius;
−6 −6
- αC values (ceramic) range from 13.0 × 10 /degree Celsius to 14.0 × 10 /degree Celsius.
The slightly higher coefficient for the metal causes the ceramic to be in a
beneficial state of residual compressive stress at room temperature.
The ceramic-metal bond at the firing temperature and at room temperature when the
coefficient of thermal expansion of the metal is 0.5 × 10−6/degree Celsius (°C) greater than
that of the ceramic, which thus places the ceramic in compression at room temperature.
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Ceramic layer bonded to a thin cast metal coping that fit over the preparation:
1. Mehcanical entrapment
2. Chemical bonding
3. Physical bonding
a. Compressive forces
Opaque Porcelain
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As with opaque porcelain, the selection of body and incisal porcelains is based
largely on their esthetic properties. However, the amount of shrinkage that
occurs when these powders are fired must also be considered. The volume of
body and incisal porcelains usually shrinks as much as 27% to 45% during a
first firing; opaque porcelain, on the other hand, may exhibit some cracking
during an initial bake, but it remains relatively stable dimensionally.
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