Sway

For The CHS Talent Exhibition

Arr. Ridenour

 = 136
 
2 3 4

    
Voice  

                      

 

     
    
                     







Grand Piano     
       
  
       
 
 
 
 

             
         
 
Acoustic Bass


   

              

Drumset          
 
2
A

5 6 7 8

     
Vo.     
When ma rim ba rhy thms

                


                     
          





Pno.
    
      3

    
           

     
  
           
 
Bass

  
          
D. Set      
  


 3
9 10 11 12

               
Vo.
    
start to play, dance with me, make me sway like a la zy oc ean

     

      
            
  



Pno.
      
         
       

        
  
 

      
 
Bass

 
 
       
D. Set     
4


13 14 15 16

Vo.                    
hugs the shore. Hold me close, sway me more. Like a flow er bend ing

        

        
3

            
  


 
Pno. 
           
       
3

     
  

 

       
 
Bass

3


 
  
3
      
D. Set       
  
3 

 5
17 18 19 20

              
Vo.
    
in the breeze, bend with me, sway with ease. When we dance you have a

     

      
            
  



Pno.
      
           
      

        
Bass    

  

     

 
 
       
D. Set     
6
21 22 23 24
6
Vo.              
    
way with me. Stay with me. Sway with me. O ther dan cers may

         

                 
    
Pno.

 


  



  
 
3
  
3

 

     
  

 

       
 
Bass

3


 
   
3
      
D. Set       
  
3 

 7
25
B 26 27 28
3
       
3
Vo.             
3 3
be on the floor, Dear, but my eyes will see on ly you. On ly you have that

        
     
   


 
   
3
     
           
Pno. 3

     

              
           
Bass
  

 
       
D. Set     
8


29 30 31 32

              
Vo.     
3 6
ma gic tech nique. When we sway I go weak. I can hear the sound of

  
          
    



3 3

            
Pno.

      

3
      
   
 

         

3
    
Bass     



 3  
3
  
      
D. Set         
3 

 9
33
C 34 35 36

               
Vo.
    
vi o lins long be fore it be gins. Make me thrill as on ly

                   

          
Pno.

 
 


  



 

 

  
 

 



                 
Bass      

 
 
       
D. Set     
10
D
37 38 39 40 41

          
Vo.   
you know how. Sway me smooth. Sway me now.

 Fill Solo

      
Dm Em7♭5 A7
  
               
    


    
3 
Pno.
          

             
    
3

                     
Bass       
3


   
      
 
3
        
     
D. Set             
3

 11
42 43 44 45 46 47

Vo.       

Em7♭5 A7 Dm A7 Dm6 Em7♭5 A7 Em7♭5 A7 Dm

           


  
Pno.
           
  

   
    

                
Bass   

 






  3

D. Set 
12
48 49 50 51 52 53

Vo.       

Fill
As Written Em7♭5 A7 Em7♭5 A7 Dm A7 Dm6 Em7♭5 A7

     

          
 


 
  
Pno.
               

  

              
    

         
Bass      
 
Hit Snare With
   
     
Both Sticks
   
           
D. Set           
 13
54 55 56 57

   
6 3


Vo.
       
O ther dan cers may be on the floor,

   
Em7♭5 A7 Dm End Solo

            


 
    
Pno. 3
           


       

           

Bass

3 

   
   
3
                 
D. Set              
3 
14

   
58 59 60 61

   
3

Vo.            
3 3 3
Dear, but my eyes will see on ly you. On ly you have that ma gic tech nique.


 

  
     
    


 
               
3

      
Pno. 3

        
 

        
            
Bass     

 

D. Set 
 15


62 63 64 65 66

         
Vo.           
6
When we sway I go weak. I can hear the sound of vi o lins long be fore

  
         
         


3 

      
Pno.

     

3
      
 
 

     
  
3
   
Bass   


  
 3  
3
          
      
D. Set           
3 

16
67 68 69 70 71

              
Vo.
       
it be gins. Make me thrill as on ly you know how. Sway me smooth. Sway me now.

      
  
        



Pno.
     


Bass
     

D. Set 
 17
E

72 73 74 75

       
Vo.            
When ma rim ba rhy thms start to play, dance with me, make me sway

          

    
           


    
  
ss.
 
Pno.
  
gli

   
            
    
   

    
  

Bass
    

     
           
    
D. Set        
18
76
    77
   
78 79 80

         
Vo.
  
like a la zy oc ean hugs the shore. Hold me close, sway me more.

                     
                     
    



 
6

      
          
Pno.

                    
  
 

          
Bass 
3
 

 
      
 
3

   
D. Set        
3
 19
F
                 
81 82 83 84

Vo.          

Like a flow er bend ing in the breeze, bend with me, sway with ease.

                     

           
         
   


      



   
  
Pno.
   
              


          
Bass        
  



 
        
D. Set         
 
20

   
85 86 87

Vo. 
              

When we dance, you have a way with me. Stay with me.

              
      
   



             


   
  
Pno.
     
             
 

               
     
Bass
 
   
               
        
D. Set
   
 21
88
 
89
 90

Vo. 
           

Sway with me. When mar im bas start to play,


         
             
   
     



            


  
  
Pno.
   
         
    

          
        
Bass
 


     
           
        
D. Set
 

22
91
     92
    93
 94

Vo. 
          
 3

hold me close. Make me sway. Like the o cean hugs the shore,

   


    
                     
     

         




           


   
   
Pno.
      
                   

                 
         
Bass
  
   
               
D. Set         
 23

        
95 96 97 98

Vo. 
               
 3

hold me close. Sway me more. Like a flow er bend ing in the breeze, bend

       

                        
 
  


                   


    
  
Pno.
          
         
       

             
           
Bass       


     
           
      
D. Set        

24

        
          
99 100 101 102


   
Vo.

with me, sway with ease. When we dance, you have a way with me.

          

                    

    
         




           


   
   
Pno.
                 
        

             
       
 
 



   
 


Bass    

     
                       
D. Set             
 25
103
     
104
    
105

Vo. 
  
Stay with me. Sway with me!

       
        

          
       


       
Pno.
    
                
          

      
      
         
Bass          

        
                    
            
D. Set
    
      