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  • El Choclo: Tango Argentino

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    Emilio Alexander Sánchez Carvajal
    27 views2 pages
    The document is sheet music for the tango "El Choclo" by Villoldo. It contains musical notation across 35 lines, including the title, composer credits, time signature, key signature, measures of music separated by bar lines, and dynamics. The sheet music contains the melody, harmony and rhythm for "El Choclo" arranged for a solo instrument or small ensemble.

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    Original Title

    EL CHOCLO

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    © © All Rights Reserved

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    The document is sheet music for the tango "El Choclo" by Villoldo. It contains musical notation across 35 lines, including the title, composer credits, time signature, key signature, measures of music separated by bar lines, and dynamics. The sheet music contains the melody, harmony and rhythm for "El Choclo" arranged for a solo instrument or small ensemble.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    27 views2 pages

    El Choclo: Tango Argentino

    Uploaded by

    Emilio Alexander Sánchez Carvajal
    The document is sheet music for the tango "El Choclo" by Villoldo. It contains musical notation across 35 lines, including the title, composer credits, time signature, key signature, measures of music separated by bar lines, and dynamics. The sheet music contains the melody, harmony and rhythm for "El Choclo" arranged for a solo instrument or small ensemble.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    EL

    CHOCLO

               
    Tango Argentino

       
    Arr: Peter Anchico A. G. Villoldo


             

        
         
    3

      
      

                       
            
    5

              
    3 3

           

                      
       
    9

        
           
    3 3

         

       
                      
      
    13

            
     
    3 3

       
    3

       

                   
               
                  
    17

         
                   
      
                                   
        
    22 1. 2.

        
    
               
    3

      
    

                      
                
         

    27

               
    3 3

          
     

                                  
        
     
    31

            
       
    3

    
    3

         

    
         

                  

    35

          
        
    3

        

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