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FT Group Assignment 1 - Sucesos de Las Islas Filipinas (GROUP 6)
FT Group Assignment 1 - Sucesos de Las Islas Filipinas (GROUP 6)
Factor, Dovyle Arriesgado Jr. Giganto, Kristoffer John J. Gregorio, Jerald Patrick Mosqueda, John Vianney Taruc, Ched
1. (P. 246) “They are all careful with their teeth, and 1. (P.246) “[4]This practice is still 1. Rizal backs up Morga's report's
from their early age, they file and even up their teeth done. [5] This custom also is found in credibility by emphasizing its
with grinders and other implements of stone,[4]etc., Japan among married women as a current use and relevance.
Physical and give them a permanent black color which is proof of virtue. Today it is declining.
Appearance preserved until their old age, even if it is unpleasant 2. (P.244) “[3] Bahag, ‘rich colored 2. The externals of the outfits and
(Clothing, to the eyes.” cloth and quite often with gold accessories are highlighted in
Fashion 2. (P.244-245) In the middle of the waist they wore stripes’, among the chiefs.”[4] They Morga's narrative by describing
Dentistry, the bahaque[3] the legs being bare and the feet also put it in different ways like Moro how they appear when worn,
Concepts of bare, the head uncovered, with a narrow kerchief turbans or head dresses and also whereas Rizal's narrative
Beauty, Jewelry) tied around it tightly over the forehead and temples, decorate them elaborately to concentrates on their interior
called potong.[4] Around the neck they wore a long showcase pride. The red patong was significance. It is a symbol and a
chain of engraved gold links the same as we wear it worn by those who have killed at representation in the culture.
and on their arms they wore thick and engraved gold least one man while the stripes
bracelets called colombigas made in different equate to a number of men killed. 3. The stories of Morga and Rizal
designs.” 3. (P. 241) “[3]That is, drawing first on about the tattooing practices and
3. (P. 241) “Visayans, otherwise called the ‘tattooed the skin that has to be tattooed. As it techniques on Bisayans
ones’ for the reason that the most important male will be seen further, the Bisayans complement each other. Morga
residents here have since their childhood, decorated used the same method the Japanese gives a detailed description, while
their entire bodies by painting their skins, following a use today.” Rizal relates it to his current
pattern therein drawn[3] and by putting certain black understanding of its use.
powder where the blood oozes out, and this can
never be removed.”
Food, Crops
Produced, 1. (P.257) “The ordinary food of the natives is a very 1. (P.257) “[1] What is now called 1. Rizal complements Morga's story
Dietary beliefs small fish which is netted, dried in the sun or air, then lawlaw is the salted and dried by rewriting it with exact phrasing
and Practices, cooked in various ways; and they enjoy them better sardine. It seems that the author and spelling corrections to better
Methods of than larger fishes. Among them they call this fish refers to the tawilis of Batangas, or describe what Morga is saying.
Farming laulau [1].” dilis, which is smaller and a large
quantity of it is eaten by the natives.” 2. Rizal's response, which adds to
2. (P.253) “Some of the hens are black in their 2. (P.258)”[4]The flesh of these Morga's story, provides additional
feathers, skin, flesh, and bones and they taste chickens that the Tagalogs called information about the people's
good.[4]There are broods of geese, swans, ducks, ulikba is said to have medicinal views and the value of chickens.
and tame doves or squabs brought over from China.” value.”
3. (P.247) “Their regular daily food is rice, crushed 3. (P.247) “[4]Morisqueta to the
by wooden pilons or pounders, which is cooked and
is then called marisqueta,[4] and this constitutes the Spaniards, because the Tagalog call 3. Rizal's narrative contradicts Morga's
daily it kanin. [5]This is another in terms of spelling and references.
mainstay for the entire country, together with boiled preoccupation of the Spaniards who, Rizal corrects Morga's story in some
fish of which there is an abundance, and pork or like any other nation, in the matter of ways. He also discusses Spaniards'
venison, likewise of wild buffalo or carabao. They food, loathe that to which they are not attitudes on regional cuisine.
prefer meat and fish, saltfish which begin to accustomed or is unknown to
decompose and smell.[5]” them…The fish that Morga mentions
does not taste better when it is
beginning to rot; all on the contrary: it
is bagoong and all those who have
eaten it and tasted it know that it is
not or ought not to be rotten.”
● Based on his annotations, explain Rizal’s views of the pre-conquest past. Discuss the overall image of the pre-colonial past that Rizal wanted to
convey in his annotations.( 3-4 sentences)
Rizal diligently hand-wrote all 351 pages of Sucesos to correct or confirm Morga's narrative as an earnest seeker of truth. The
annotations by Rizal reinforce the idea that the Philippines had a separate culture before the Spaniards arrived. He also discussed how the
Spanish colonization of the Philippines degraded, demoralized, and exploited the Filipinos. His objectives are to reawaken Filipinos'
awareness of their rich ancestry and beautiful history, correct what has been misled about the Philippines as a result of Spanish
colonization, and show that Filipinos were well-cultured before the Spaniards arrived.
● Do you find Rizal’s version of the pre-colonial past valid and reliable? (Read the prologue of Ferdinand Blumentritt).Cite 2 strengths and 2
weaknesses of Rizal’s annotation according to Blumetritt.( 3-4 sentences)
We believe Rizal's version of the precolonial past is valid and reliable, given Morga's successes were truly grounded on experience and
observation. Another is that he made considerations in his book. One of them is that, unlike the friar stories, which were occasionally biased
or outright racist in tone and interpretation, this one is not. Morga appeared, at least in part, to be more sympathetic to the Indios. Apart
from that, despite their close bond.
Despite the fact that they had collaborated, Blumentritt continued to criticize Rizal's work. Rizal had made the same mistakes that many
modern historians had made in prior competitions, he realized. Rizal, according to Blumetritt, was not only pleased with but actively
commended his annotation.
● Why did Rizal choose Morga’s work over the other accounts of the pre-colonial past? What was Rizal’s motivation for annotating Morga’s Sucesos? (
Refer to the dedication) (2-3 sentences)
Rizal chose Morga's work over other pre-colonial narratives in order to exploit the testimony of a renowned Spaniard who observed the
closing moments of the Filipinos' ancient nationality and managed the nation's destinies at the dawn of her new period. His purpose for
annotating Morga's Sucesos was to present a Filipino perspective on a Spaniard's work while also adapting current orthography to make
the text more readable.