ELEMENTS OF SPACE MAKING
Yatin Pandya
» Floor
» Column
» Wall
» Door
» Window
» Stair
» Roof
Definition
Anatomy
Evolution
Attributes
Spatial Roles
Applications
Design Considerations
THEORY OF ARCHITECTURE -I
Sem II
KETHEESWARA® M.ARCH
OO SDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
FLOOR
KETHEESWARAN M.ARCHDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
The floor is essentially a horizontal plane, providing a firm
Datum, a resting plane for all objects in that space.
As the base plane, the floor is a single entity with references
only to the gravity, the ‘downward’ force.
Where levels are involved, the relative positions of other
base planes get perceived as above or below the reference plane
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
TYPOLOGICAL VARIATIONS
With respect to FORM With respect to MATERIAL TREATMENT
UNMODULATED NATURAL
MODULATED | MAN-MADE
SS
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
SINCE HUMAN STARTED LOCOMOTION, BALANCE OF BODY BECAMEA CRITERION
(Horizontal surface provides the most secure and stable surface for habitation)
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DEVELOPMENT HAPPENED ON PLAINS
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DEMARCATION OF DOMAIN
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CREATION OF PLINTH
Imitation of water, temples of Greek
Golden temple, Amritsar“ >
Mythology, in most cultures, refer to a time when the world was completely
covered with water- a flat plate or a swirling sphere.
The land emerged from this primordial ocean, generating life.
Allusion to this is seen in the metaphorical depictions in buildings throughout history.
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
1. HORIZONTALITY
The floor distinctly defined in two dimensional plane as in x-axis and y-axis
The Zen Garden, China
2. SUPPORT AND STABILITY
Floor giving gravity control for solid footing and a stabilized plane for movement
Acropolis of Athens, Greece
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
|, FLOOR FOR DEFINITION OF SPACE
2. DATUM AND REFERENCE
3. FLOORING AS MOVEMENT GUIDE
4. FLOOR TO EXPRESS THRESHOLD
5. FLOOR FOR COMMUNICATION
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
|. FLOOR FOR DEFINITION OF SPACE
Spaces made conspicuous by various expressions
floor modulated to satisfy different utilitarian
Functions within the unit,
part section of Bhunga house
A perceptible change in
the flooring strongly
delineates and demarcates
a difference in the zone.
Eg- colours, textures,
materials, elevations and
depressions, accessories
such as rugs and carpets.
Carved marble flooring, Lotus fountain
Red fort, Delhi
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
2. DATUM AND REFERENCE
Floor becomes an ultimate reference node,
Ensembling the spaces together
enhanced in different ways
*Floor emerges from beneath
Due to its flatness floor
automatically provides a
reference to all the
elements that come above
it or below it. This aspect
of common reference
makes it the datum, the
unifying factor in the
organization of space.
Nehru pavilion, New Delhi
*Floor as plinth
Tholos at Delphi, Greece
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
3. FLOORINGAS MOVEMENT GUIDE
By variations in level and surface of the
horizontal plane, movement pattern is generated
The floor being the datum
upon which all movement
of both persons and goods
take place, it can be
effectively used to
accentuate movement
patterns
Katsura palace, Kyoto
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
4. FLOOR TO EXPRESS THRESHOLD
*A transition into different realms is distinctly
oy identified in the floor
The floor beyond being a Traditional tatami flooring in house interior, Kyoto
plinth, signifies a threshold
and offers a transition
from ambiguous Apia a
surrounding to contained ot
volumes. It is often hinted
by raising the floor plane
by a small interval and
lowering it again.
Texture and level change denote threshold
Series of flat stepping-stones in a house, Osaka
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
5. FLOOR FOR COMMUNICATION
=
ia
Floors are walked over
and this constant function
demands constant visual
reference to the plane
underfoot. This provides
the floor with a high
potential for
superimposing signs and
symbols as they effectively
get registered.
Water channels serving dual purpose of supplying
water and aesthetic expression
Water channel at Jahaz Mahal, Mandu
*Superimposing signs and symbols to welcome and
reflect individual identification
Maze at Chartres Cathedral, France
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
FALLINGWATER, PENNSYLVANIA
*Floor as planes
The floor planes become extension of the landscape elements
creating a homogeneity with the environment
Floor becomes an element communicating its coherence with nature
The treatments of the floor reflect continuity between inside and outside
by dissolving the strong boundaries of these two realms
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
FALLINGWATER, PENNSYLVANIA
*Floor as datum and reference *Floor as a movement guide
Floor enhancing the natural
richness of water and stone
Floor defining spaces of myriad characteristics
Demarcation Sense of unity Defining spaces above & below
KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
Floor defining different zones of circulation
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Floor as backdrop for other elements |
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Floor adding to dignit the
FEE nioe enna ried pe eee rary A ie Pace
> KETHEESWARAN M.ARCH FLOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
COLUMN
KETHEESWARAN M.ARCHDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
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A column is essentially a slender vertical supporting element,
Loaded from the top and transferring the load axially to the base.
It is free-standing except for the structure above it
and the anchorage at the base.
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
TYPOLOGICAL VARIATIONS
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OBELISK COLUMN PIER PILASTER
Free-standing, Thick shaft, Series of vertical Protruding from wall,
non-structural structural Structural elements Structural elements
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
In early ages,
EARTH - a flat plane floating over water
SKY- a solid plane
MOUNTAINS- points on earth on which sky rested
The notional proximity to the celestial beings led to the practice of sages and wise men
going up the mountains for penance. These expressions of strength, celestial connection
and verticality were manifested as the column- the man-made equivalent of mountains.
Connection between Man and God, Golumn depicted as the charioteer of God,
Columns of Sun, Peru Expressing strength, support and security,
Vitthal Temple, Hampi
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
monumentality and symbolism
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Wooden column
> KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
EUROPEAN ORDERS
Greek Doric Greek lonic Greek Corinthian Roman Tuscan Roman Composite
> KETHEESWARAN M.ARCHDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
|. CENTRALITY
[|
Accolumn marks a locus- a
Commanding space with its off-centre placement
ahr. ATS
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Qutub Minar, Delhi
Commanding space with its central placement
central position in space.
Due to this, other
elements which form a
part of the ensemble
gravitate towards the
column.
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St. Peter's Bascilica, Vatican City
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
2. VERTICALITY
Columns together adding visual composition to space
Eiffel tower, Paris
In principle, a point
extruded upwards, the
column assumes verticality
and guides vision upwards
from the horizontal plane,
lending it an upward
thrust and imparting
dynamism to the space.
Penetrating forcibly upwards with its dynamism
Ashok Stambh, Sarnath
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
3. DIRECTIONALITY
Single column Two columns
Diwan-i-Khas, Fatehpur Sikri
Multiple columns
As with points generating
a line, columns placed
linearly guide direction.
Church of St. Lorenzo, Italy
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
4. RHYTHM
To
Linear repetition of
columns with changing
distances give rise to a
rhythm, a sense of
continuity and consistency
determined by their
spacing and frequency of
occurrence.
Columns stipulating Rhythm through their placement
City Palace, Udaipur
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
1. COLUMNS AS FOCUS OF SPACE
Columns creating focus, as a point in space
A free-standing column, as
a point in space,
commands centrality and
as a graphical element
adds vitality to the
composition.
The Jaipur Column, Delhi
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
2. COLUMN FOR SPACE DEFINITION
DEFINITION BY VOLUME
Three or more columns
not placed along the same
line, act as vertices of an
invisible polygon. Stonehenge, Great Britain
SUB-DIVISION OF SPACE
In composite arrangement,
columns sub-divide the
main volumes and also
help in defining them. Amdavad ni Gufa, Ahmedabad
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
3. COLUMNAS MOVEMENT GUIDE
Free-standing column Creating movement
A series of columns when
placed along a line, creates
an imaginary plane binding
them, setting up strong
perspectives and
establishing direction,
inviting movement along
them.
Enveloping space,
| Creating enclosure
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
4. COLUMNS AS MODULATOR OF FACADE
Columns when exposed
as an elevational element,
compose and modulate
the facade due to their
rhythm, verticality as well
as sculptural quality.
Lion Guard, Mahabalipuram
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
JOHNSON WAX HEADQUARTERS, WISCONSIN by Frank Lloyd Wright
*Column as an image-maker
Wide hollow ringed
band capping
Calyx
stem I — Shoft
—— finbed shoe
Columns creating significantly individual sub-units harmonize the overall
Volume by strong presence in their form and position
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
+Expression of verticality
as
Intercolumniation creating rythm.
*Column as a focus of space
KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
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Various forms of column according to
Transformation of load
Placement of column forming sub-spaces Column with aura, creating verticality
> KETHEESWARAN M.ARCH COLUMNDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
WALL
KETHEESWARAN M.ARCHDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
The wall is a vertical plane, which defines an enclosure.
One of its primary purposes through time, even before the column,
is that of taking structural load of the roof
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
TYPOLOGICAL VARIATIONS
STRAIGHT CURVED LINEAR
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
Cluster dwelling, Sudan
Right- angled
Bushmen Skerm dwellings
bo
ral
Living spaces scooped from
living rocks
Free-standing strcutures
*Circular planning
“Technological development
resolved corners
*Technology further lead to
rectilinear load-bearing
masonry walls.
Cave dwelling
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
|. VERTICALITY
Wall is essentially an extrusion of the line along z-axis, enclosing volumes
2. PLANARITY
Wall demarcating spaces with its planarity
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KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
I. WALL FOR DEMARCATING TERRITORY
2. ENCLOSING VOLUME
3. SUBDIVISION OF SPACE
4. DISPLAY AND STORAGE ELEMENT
5. PROTECTIVE BARRIER
6. MOVEMENT GUIDE
7. FORM GIVER AND FACADE MODULATOR
8. COMMUNICATOR AND ENCODER OF MESSAGES
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
1. WALL FOR DEMARCATING TERRITORY
Wall as an element defining extent
The wall, as a vertical
plane, defines and
delineates extent of the
horizontal surface.With
opacity, it becomes a
termination of realms
atl
Citadel, Zincirli
ne
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
2. ENCLOSING VOLUME
*Wall creates a sensual quality to the space within
Textile Mill Owners’ Association, Ahmedabad
The inherent verticality of
die Wall rakes tt +Wall creating a sense of inside/ outside
command volume and the
attribute of planarity helps
contain this in.
Colosseum, Rome
> KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
3. SUBDIVISION OF SPACE
Based on different kinds of
activity patterns, uses and
requirements, large spaces
need to be subdivided into
smaller pockets,
performing specific roles.
Katsura palace, Kyoto
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
4. DISPLAY AND STORAGE ELEMENT
Though walls convey the
idea of planes, their
construction technique
and material used requires
them to possess some
thickness. This depth
affords the provision of
small niches, alcoves and
shelves within the wall.
Interior wall of Kutch house
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
5. PROTECTIVE BARRIER
*Walls serving the purpose of defense
As planes possessing
height, walls entrap space
when they close in on
themselves. This,
combined with the
property of being a
physical barrier bestows
upon it the responsibility
of protection.
Anthill Mosque, Central Africa
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
6. MOVEMENT GUIDE
Being a physical barrier,
walll does not allow Massing of the wall defines the movement zone
penetration through it.
Combined with its po A.
re
*Wall modulated to form movement guide
Hindusthan Lever Pavillion, New Delhi
planarity through
stretched planes, it guides
movement along its length. Ee
Indian lnstitute of Management; Ahmedabad
la
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
7. FORM GIVER AND FACADE MODULATOR
The wall plane- as the
external envelope of
interior space,
perpendicular to the line
of sight becomes the
single most conspicuous
element forming the
facade of any structure.
National Diary Development Board, New Delhi
> KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
8. COMMUNICATOR AND ENCODER OF MESSAGES
Asa vertical plane, most
evident in the cone of
vision, walls as barriers
became the most potent
communication elements
capable of encoding
communication.
Temple Plinth
> KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
BARCELONA PAVILION by Mies Van Der Rohe
*Wall element demarcating spaces
*Pattern of movement path
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
BARCELONA PAVILION by Mies Van Der Rohe
Barrier protecting interior from exterior environment
Plan- walls creating a spatial hierarchy
+Element communicating the overall spatial quality
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
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Variation in heights explores sense of separation
in I |
Modifying wall for utilitarian needs
Inclined walls also contain volume
Wall defining movement
KETHEESWARAN M.ARCH WALLDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
DOOR
KETHEESWARAN M.ARCHDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
A door is essentially a puncture through a plane allowing
for a passage through it. Door acts as entry and exit.
Thus, door connotes as aspect of passage beween two realms
KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
TYPOLOGICAL VARIATIONS
“OL ;
GATEWAY DOOR WITH SHUTTER DRAWBRIDGE
KETHEESWARAN M.ARCH DOOR
vDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
Solid door tied to frame
Defense & grandeur
Removable barriers
Ses
Evolution of domestic doors
essentially for security and
defense with changing forms
and functions of shutters and
‘openings. Further they were
elaborated to mark entry
point and visual composition.
KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
|. PENETRABILITY Door as puncture in the barrier
Vernacular dwelling, Aftica Door with small inset
2. DIFFERENTIATION
Differentiating indoor and outdoor
> KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
|. DOORAS POINT OF ACCESS
2. DOORASTHRESHOLD
3. GUIDETO MOVEMENT
4. IMAGE-MAKER
5. MODULATOR OF FACADE
KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
1. DOORAS POINT OF ACCESS,
Gateway to house Gateway to city
Dwelling unit Teen Darwaza, Ahmedabad
Asa definite point
highlighting the Gateway to country Gateway to sacred place
penetrability within the
wall, the door manifests a
puncture within a plane,
allowing physical
permeation perpendicular
to the wall plane.
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Gateway of India, Mumbai Toran, Vadnagar
> KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
2. DOOR ASTHRESHOLD
*Symbolic motifs *Door on elevated plane
“
Being access points to one
realm from the other,
doors establish the sense
of transition of moving
from one to another
realm- from public to
private, in to out, sacred to
profane etc differentiated
by the wall plane
Brihadeeshwarar temple, Tanjore
KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
3. GUIDETO MOVEMENT
As the only nodes in
volume allowing
penetration, doors in a
room determine the
direction and scheme of
circulation within it.
KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
4. IMAGE-MAKER
The main door, especially,
denoting the entry into a
built form from the
outside has, through time,
been accorded the highest
priority both by the
vernacular and the master-
builders.
Gopurams, Srirangam
KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
5. MODULATOR OF FACADE
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Just as any void scooped
out of solid mass
automatically relates to
the mass, the door too
becomes an integral
element of the facade
aesthetics.
Barn, Wiltshire
KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
ASSEMBLY BUILDING, CHANDIGARH by Le Corbusier
*Door as image-maker
*Door commanding space around
KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
ASSEMBLY BUILDING, CHANDIGARH by Le Corbusier
*Door depicting icons and symbols
KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
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Node for entry and exit Position creating movement zone
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Visual access and circulation Node of differentiation between 2 realms
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Door emphasized by additional elements
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Play of transparency and opacity
KETHEESWARAN M.ARCH DOORDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
WINDOW
KETHEESWARAN M.ARCHDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
The window is defined as an opening in the wall made to facilitate
ventilation, light and view. Windows to buildings, are as eyes to the face.
They act as visual links between the inside and the outside world.
KETHEESWARAN M.ARCH WINDOWDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
TYPOLOGICAL VARIATIONS
PERFORATION (JALI) CASEMENT
1 oo
BAY WINDOW DORMER
KETHEESWARAN M.ARCH WINDOWDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
Narrow openings
De ion el
Shaft for air and light ene pemenc
> KETHEESWARAN M.ARCH WINDOWDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
I. APERTURE FOR LIGHT
Window illuminating & enlightening the space within
has
School of Architecture, Ahmedabad
2. PASSAGE FOR AIR
Air movement conditioning the space within
KETHEESWARAN M.ARCH WINDOWDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
|. WINDOW AS COMMUNICATION LINK
2. SCALING ELEMENT
3. FACADE MODULATOR
4. IMAGE-MAKER
KETHEESWARAN M.ARCH WINDOWDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
|. WINDOW AS COMMUNICATION LINK.
In to out
Windows, as openings in
the wall, owing to their
transparency, form the
visual interface with the
exteriors communicating
with the outdoors.
Indise- outside interaction _Jali- one way communication
> KETHEESWARAN M.ARCH WINDOWDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
2. SCALING ELEMENT
*Windows scaling the space inside a built form
Asa puncture in the
contiguous surface,
windows become visual
reference. They break the
surface continuity ans sub-
scale the mass.
Coleshill house, Berkshire
> KETHEESWARAN M.ARCH WINDOWDefinition | Anatomy | Evolution | Attributes | Spatial Role
3. FACADE MODULATOR
From the exterior, the
primary elements
constituting a buildings
facade are the roof and
the wall. Windows, as
elements, which adorn the
wall, play a significant role
in its modulation.
Application | Design-Cons.
Centre for development studies,
KETHEESWARAN M.ARCH
Thirwvananthapuram
WINDOWDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
4. IMAGE-MAKER
Windows frame views and
also gets framed within
the facade surface. Often
buildings get recognized
and identified through the
image portrayed by these
characteristic windows.
Newar window, Nepal
> KETHEESWARAN M.ARCH WINDOWDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
INDIAN INSTITUTE OF MANAGEMENT, AHMEDABAD by Louis |. Khan
*Aperture for air, light and view
*Window as an eye to the world
KETHEESWARAN M.ARCH WINDOWDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
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Scaling element Diffusing the light
Framing of views Modulating facade
Alternative placement of window for easy air flow
KETHEESWARAN M.ARCH WINDOWDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
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STAIR
KETHEESWARAN M.ARCHDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
The stairway is a construction designed to bridge a large vertical distance
by dividing it into smaller vertical distances, called steps. Stairs may be straight, round,
‘or may consist of two or more straight pieces connected at angles.
KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
TYPOLOGICAL VARIATIONS
Straight fight Dog: legged Stairwell Spiral Helical
> KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
Building as stair
Technology
> KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
1. MOVEMENT INVOLUME
KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
|. STEPAS PEDESTAL
2. STEPAS SEAT
3. STEPAS THRESHOLD
4. MOVEMENT GUIDE
5. PHYSICAL LINK
6. SPACE MODULATOR
7. DISPLAY AND STORAGE
8, VENTILATION SHAFT
9. STAIR AS DEVICES/ INSTRUMENT
KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
|. STEP AS PEDESTAL
Step as an element to
negotiate tehh plinth
becomes the most
obvious feature of the
building. A series of steps
negotiates the plinth, a
pedestal upon which the
building rests, to reach up
to the building from the
base.
Rudabai stepwell, Adalaj
> KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
2. STEPAS SEAT
Stairs consist of
comfortable negotiable
small platforms for ascent.
These platforms if
modulated accordingly
also can double up as
seating since they recreate
the ambience of a theatre
ata smaller scale.
Theatre Aspendos, Turkey
> KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
3. STEPAS THRESHOLD
‘As buildings are raised on
the plinth, steps form the
natural link to negotiate
these level differences.
Thus, steps become a
threshold in linking and
dissociating two realms.
Steps & Plinth, Jaisalmer
KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
4. MOVEMENT GUIDE
+
The stair assumes nodality
as the confluence of
horizontal and vertical
movements. This junctional
Pause point attracts
movement towards it and
the space within which it
is located.
Guggenheim Museum, NewYork
> KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
5. PHYSICAL LINK
The stair physically
connects two different
horizontal planes and in
the process, it also
disciplines and directs
movement.
London Zoo
KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
5. SPACE MODULATOR
—
The diagonal stretch
across the volume and its
influence upon the
horizontal as well as
vertical perspectives can
be exploited for enhancing
or delineating subspaces.
Mahabat Magbara, Junagadh
KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
7. DISPLAY AND STORAGE
Vertical surfaces adjacent
to the floors are generally
useful for storage. The
vertical surface stretching
from floor to ceiling culd
be used as storage or
display based on its
position in the overall |
configuration of space
below it.
KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
8. VENTILATION SHAFT
The stair cuts across the
multiple levels of the
volume.As a result it
becomes a link
volumetrically connecting
the spaces. This aspect
inherent to any stair
combined with its
resolution as stackedcore
creates a vertical shaft
IIS, Infosys, Noida
> KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
9. STAIR AS DEVICES/ INSTRUMENT
The aspects of verticality,
simultaneous displacement
in vertical as well as
horizontal axis and the
stair being composed of
modular components has
made the stair as an
indispensable element to
take readings.
Mishre Yantra, Jantar Mantar, Jaipur
KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
TEXTILE MILL OWNERS’ ASSOCIATION, AHMEDABAD by Le Corbusier
FIVEMODES OFTRANSITION |The ramp Pianos ere ean
3. Lift shaft 4. Stair from second 5. Stair from mezzanine
floor to mezzanine to terrace
KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
(CLUTTER
Proportion External stair as extension of public realm
{| 1 |
VV RL
11 Leb ||
Width varying according to use Stair as seats & landing extended for multi-use
ATH |
Storage Stair being the node in a building
> KETHEESWARAN M.ARCH STAIRDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
roa
ROOF
KETHEESWARAN M.ARCHDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
Basically, the term roof signifies a shelter, denoting space and implying volume.
The position of this element is such that it manifests as the first
effort to forma finite datum as enclosure.
KETHEESWARAN M.ARCH ROOFDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
TYPOLOGICAL VARIATIONS
>?
SlS —
Doubly earnta eS
a
bene
ie | Z ( Teale |
Aa INCLINED CURVED FOLDED PLATE + MEMBRANE SPACE FRAME
KETHEESWARAN M.ARCH ROOFDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
Permanent materials
ornamentation
> KETHEESWARAN MARCH ROOFDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
1. OVERHEAD PLANE
—
——- 5
Open air theatre roof, Bad Herseld
2. SHELTER
Providing a tree like shelter for the space below
Ee
Poo
KETHEESWARAN M.ARCH ROOFDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
1. ROOF AS SPATIAL ENCLOSURE
2. MODULATOR OF VOLUME
3. ENCODER OF SYMBOLS
4, IMAGE MAKER
KETHEESWARAN M.ARCH ROOFDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
|. ROOF AS SPATIAL ENCLOSURE
The roof, canopy ceiling
provides an enclosing
surface, which defines and
limits interior space
especially and demarcates
between the notions of ‘in’
and ‘our’.
Venkateshwara University Auditorium, Tirupati
KETHEESWARAN M.ARCH ROOFDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
2. MODULATOR OF VOLUME
—
SS
The plastic quality of the Mahadev Temple, Khajuraho
roof form determines the
three-dimensional habitable
volume contained below.
Modulation of this roof
profile and height affords
posibility of getting diverse
volumes both in sizes and
shapes. Beehive, northern Syria
é4
> KETHEESWARAN MARCH ROOFDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
3. ENCODER OF SYMBOLS
Being detached from the
ground (living zone) and
notionally unreachable,
inaccessibly nearer to the sky,
the roof form within and
without takes on
connotations and treatments
as befitting a celestial and
fantastic realm, of an
intangible metaphysical nature Shikara of Angkorvat temple
> KETHEESWARAN M.ARCH ROOFDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
4. IMAGE MAKER
A
The roof being the
topmost part of the
edifice, forms the crown,
the most conspicuous
elements in the skyline of
a city and easily
recognizable from afar.
Inuit Igloo, Russia
> KETHEESWARAN MARCH ROOFDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
ASSEMBLY BUILDING, CHANDIGARH by Le Corbusier
|. Spatial enclosure 4. Roof as symbol
2. Image maker i\
AR
3. Modulator of volume
KETHEESWARAN M.ARCH ROOFDefinition | Anatomy | Evolution | Attributes | Spatial Role | Application | Design-Cons.
=
La
Roof as outer skin, structure Roof providing shelter- its primary notion
Sal TT
Storage space or Mezzanine/Alcove
Image Maker
—=Ba DF BALL
Volume and Scale Public, semi-private and private spaces
KETHEESWARAN M.ARCH ROOF