THE GLOBE THEATER'S PRODUCTION OF SHAKESPEARE'S A MIDSUMMER

NIGHT'S DREAM

 
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 It is human nature, according to many, to love, then subsequently destroy, and

thereafter love afresh what they adore the most. Numerous novelists have attempted to depict

passion as human nature; however, none accomplishes so effectively than William

Shakespeare, the famed dramatist. Shakespeare shows how love could rule an individual in A

Midsummer Night's Dream (Adak, 2021). For comprehending ways love may dominate an

individual, somebody should first comprehend that human nature seems to be the aggregate

among all human attributes and characteristics. Every human has shown love, which

illustrates how human nature pertains to the dominating part of love. In A Midsummer

Night's Dream, there are problems amongst friends/ family’s fidelity, as well as a dearth of

dependability towards everyone else (Kettley, 2020).

Hermia's father did tell his daughter that she had the option of marrying Demetrius,

becoming a convent, or dying. She doesn't approve of all the options, so she defies her father

and marries Lysander, Hermia's true love. She chooses Lysander because of love,

demonstrating the efficacy of passion in human nature (Kettley, 2020). Finally, her father

realizes his daughter's affection for Lysander and permits them to unite, although not solely

since both were in love (Adak, 2021). Whereas the human essence of love and devotion is

explored in two different ways in these Shakespearean moves, both reveal how love

influences an individual's allegiance to a beloved one. It results from the manner integrity

stands in the line of love.

In conclusion, this endeavor reevaluates Shakespeare's accomplishments out of an

abiotic standpoint by looking at "the tangible ground or ground existent or referred to

throughout Shakespeare's works." "Human configuration of the environment," explored in the

pieces, implies that Shakespeare "inherently embraces what we will characterize now an etic

perspective of the human situation”. With an effort to settle "human culture's self-centered

behavioral conduct with non-human nature's benevolence."

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 References

Adak, L. (2021). WOMEN AND NATURE: AN ECOFEMINIST READING OF A

MIDSUMMER NIGHT’S DREAM. Yearly Shakespeare, 148. 

Kettley, M. (2020). " All Imagination Compact:" The Ambiguous Relationship between

Human Nature and Nonhuman Nature in Shakespeare’s A Midsummer Night’s

Dream.

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