Jumano and Patarabueye Relations at La Junta de los Rios
Review Author(s]:
Harry J. Shafer
American Antiquity, Vol. 54, No. 1 (Jan., 1989), 207-208.
Stable URL
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Wed Mar 2 01:58:08 2005,REVIEWS AND BOOK NOTES
River Sle, was divided into four periods by W. W.
[Newcomb based upon superimposition. This style is
characterized best by large anthropomorphic figures,
foften refered 1038 shamans, who hold atlatls, pouches.
{throwing sticks, ete. While itis noted tht there are no
“similar figures inthe rock art of nearby areas, some of
these figures bear resemblance 10 those from Barvier
‘Canyon, Utah, as noted by Schaatma (The Rock Art
of Uiah, 1971) The later Red Monochrome Style is
fnarked by human figures carrying bows and arrows
Haman figures in tis style appear more realistic and
less surrealistic than those of the Pecos River Sty
‘The Red Linear Sisle, of limite distribution, consists
‘of small paintings of humans and animals. Histor
period pictograpts portray horses, churches, etc. EX
fellent color and black and white photographs By Jim
‘this chapter and others enhance the book,
‘would be helpful to have a scale in the
Printed and engraved pebbles are also par of the art
of the Lower Pecos. These occur in deposits that date
2, 8500 10580 BP. Analyses ofthese pebbles by Mark
Parsons showed that all shared three base clements
‘and could be grouped into six syles. Early styles It
cam toe quite geometric, but in siles § and 6 the
Debbie designs appear to represent human Tes
Detaled discussions of rock art by other contributors
follow. Terence Grieder discusses methods for record
ing, dating, and inteepretng pitographs. Solveig Tur
pin adds more data on the Red Monochrome and later
Styles of pictograpts,
"To attempt to understand how the art might have
fanctioned inthe Lower Pecos, Shaler includes a de-
scription of Bushman art in southern Africa and the
Fock aft of Australian Aborigines. More detailed dis
fussion of Bushman paintings is presented by Megan
Biesele who notes the recent interpretations of the
paintings by Lewis-Willams as depictions of trance
States and soul transformations. A good discussion of
‘Australian rock art by Richard Gould shows how the
paintings reflect Aboriginal culture. This art contrasts
‘with tat ofthe Lower Pecos, which Gould sees as mare
‘variable and expressive than that of Australia, He su
{ests the Lower Pecos wasa more fluent environment
that allowed more individual variation in the at
‘A good discussion of shamanism by Peter Furst pro-
vides information on the role of hallacinogens and
ecstatic tances in religion. He notes the possibility that
Some ofthe paintings may represent images seen by
people who had ingested mescal beans, Sophora se
‘unalifira. Furst’ description ofthe shaman ecstatic
texperience is similar to the trance slate deseribed by
‘Lewis- Willams for Bushman paintings
Thhe book concludes with a note on the destruction
of archaeological sits and a short history of archaco-
Togical work in the Lower Pecos. Allin all, itis an
‘excellent introduction tothe archacology ofthe Lower
Pecos River. While more detailed discussions of the
Fock ar are present in The Rock st of the Texas In-
dans (Kirkland and Newcomb 1967) and in site re-
pots, Ancient Texans provides a very readable syn
thesis ofthe archacology which ean be enjoyed by both
the general public and professional archacclogists.
Jumano and Patarabueye Relations at La Junta de fos
‘Rios J. CHARLES KELLEY, with forward by JOHN
D. SPETH. Anthropological Papers No. 77. Mu-
scum of Anthropology, University of Michigan, Ann
‘Arbor, 1986. xvii + 180 pp, illustrations. plates,
biblio: $1.00 (papen.
Reviewed by Harry J, Shafer, Texas A&M Univer
‘The area west of the Pecos River in Trans-Pocos
‘Texas and adjacent portions of Coahuila and Chihua-
hua, Mexico, constitutes one of the least known ar