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 Reviving Rock: Making a Bold Statement
Yamaha’s Evolution
The great contributions that the electric guitar and electric bass have made to the development of Rock music are common knowl-
edge. Each has been a powerful influence their evolution and development.
The arrival of Yamaha’s SG guitars and BB basses in the late 70’s was a turning point in Rock history. Our guitar designers at the
time completely rethought the functions and design of the guitar, taking an entirely different approach to the construction of the
SG2000. Their efforts were greeted with high acclaim from guitarists all over the world. The BB1200 with its laminated neck also
received high acclaim from professional bassists all over the world, gaining a wide following of regular players. Its fresh design
and tight, heavy tone gave bassists greater presence in the band, and its sound played an important role in the development and
spread of trends such as beat heavy disco and slap style playing.
Fast-forward to 2010, and our latest SG and BB designs focus on Rock. This is a music that is in constant change. With all of its
variants, it is nearly impossible to categorize into a single genre anymore. In these new SG guitars and BB basses we have har-
nessed Rock’s energy, giving it form in the shape of their design. That energy is released at the pluck of a string and transformed,
without loss, into musical expression. This is the reason we focus so much on the instrument’s sound. Greater performance capa-
bilities deliver greater expressive power, the new SG and BB deliver a new means of expression.

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 SG’s that are right for
today’s music and
musicians
Introducing 3 concepts equipped
with the latest hardware
Since its spectacular debut, Yamaha SG series guitars have accompa-
nied many a musician on their road to success. From its rich tone and
long sustain to its superior performance and refined design, all of its
signature characteristics have stood the test of time, remaining relevant
to this day. Trends and special requests by musicians over the last
30+ years have resulted in numerous spec changes and the release of
special models. And while the latest SG3000/2000/1000 guitars look
the same as the original, there are many refinements that improve upon
their perfection.
Over the course of the SG’s histor y, these three new SGs, the
SG1820/1820A/1802, represent the most dynamic approach yet. Look-
ing at current trends in music and the sound requirements of today’s
guitarists, we have taken three approaches to sound
SG1820: Modern rock sound. All-around instrument delivers a clear, rich
low-end tone capable of everything from clean cutting tone to distortion.
SG1820A: Designed for the next-generation guitarist. Delivers a beautiful
hard distortion and releases an intense sound from its sharp styling.
SG1802: Sound, looks, classic styling, its all there in this model. The
combination of wide single coil pickups and SG body deliver a warm,
clear tone.
The new SG also features a wide variety of refinements including hard-
ware modifications. A new page in Yamaha’s SG history starts here.

IRA (Initial Response Acceleration)

If you’ve ever played another guitarist’s instrument and not been able to get the same
sound, it’s probably because you are playing a different style than what the guitar is
used to. After playing the same guitar for years, the guitar adapts to the guitarist’s
playing style. It takes time for a new guitar to adapt to your own way of playing. Stress
found between parts like finish, woods, body, neck, fingerboard, nut, bridge, etc., must
be released before all of the parts can resonate together as an instrument. It takes time
and a lot of playing for this to happen.
Using IRA technology, stresses like those between the finish and wood are release by
applying specific vibrations to the completed guitars. Once this treatment is complete,
the guitar responds accurately to the guitarist’s performance, and produces sound
more easily. It also shortens the time needed for the guitar to adapt to your playing
style. And it delivers excellent sustain.

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 Small Head Design
Balance has a greater ef fect on
playabilit y than weight. Using a
design that is smaller and lighter than
conventional heads moves the center
of gravity closer to the body, improving
playability.
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Body Contour
The new SG has a more pronounced
a r c h c o m p a r e d to t h e e a r l i e r S G
models. Regulating the balance in the
maple top’s thickness enhances mid
to low-end tone and delivers smoother
distortion.
Back Contour
Eliminating the contoured back found
on prior models increases the volume
of wood in the body to deliver a woodier
tone.
Grover Locking Tuner
Locks strings in place at the tuner’s
string post. Prevents pitch problems
due to tuning peg slippage and makes
speedy string replacement possible.
Lightweight, sleek design does not
affect instrument sound or playability.
 SG1820/1820A/1802

Seymour Duncan ‘59 Pickups
(SG1820)
This vintage humbucker pickup design
delivers lots of warm, dry tone with
smooth sustain.
SG1820/1820A/1802
Three sound and design concepts to choose from.
SG1820: New SG body with a pair of Seymour Duncan ‘59s installed. Delivers a well-balanced, all-around
tone ranging from clean to distortion. Faithfully reproduces picking nuances with warm clear tone.
SG1820A: Black hardware and parts on the monotone body create a cool look. Equipped with EMG pick-
ups (EMG85 front/EMG81 rear) delivers a hard-edged sound.
SG1802: Vintage SG look with a pair of Seymour Duncan SP90s. Delivers a wide palette of tone ranging
from warm solo to bright, crisp comping.

EMG85/EMG81 Pickups SG1820 SG1820 SG1820

(SG1820A) Brown Sunburst Vintage White Black

High-gain, low-noise active pickups.

An EMG85 on the front delivers rich
harmonics with superior attack while an
EMG81 at the rear is designed to deliver
distortion.

Seymour Duncan SP90 Pickups

(SG1802)
This single coil delivers a tone that is
milder and warmer than an ordinary
single coil pickup.

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 Model SG1820 SG1820A SG1802
Construction Set Neck Set Neck Set Neck
Scale Length 24 3/4" (628.6mm) 24 3/4" (628.6mm) 24 3/4" (628.6mm)
Fingerboard Rosewood Rosewood Rosewood
Radius 13 3/4" (350mm) 13 3/4" (350mm) 13 3/4" (350mm)
Frets 22 22 22
Body Curved Maple, Mahogany Curved Maple, Mahogany Curved Maple, Mahogany
Neck Mahogany Mahogany Mahogany
Bridge/Tailpiece Tonepros AVRII/Tonepros T1Z Tonepros AVRII/Tonepros T1Z Tonepros AVRII/Tonepros T1Z
Pickups Front S.Duncan ‘59 Covered, Rear S.Duncan ‘59 Covered Front EMG85, Rear EMG81 Front S.Duncan SP90 (Cream), Rear S.Duncan SP90 (Cream)
Tuners Grover Locking Tuner Grover Locking Tuner Grover Locking Tuner
Pickup Switch 3-Position Toggle(Switchcraft) 3-Position Toggle(Switchcraft) 3-Position Toggle(Switchcraft)
Controls Front Volume, Rear Volume, Front Tone, Rear Tone Front Volume, Rear Volume, Front Tone, Rear Tone Front Volume, Rear Volume, Front Tone, Rear Tone
Colors Black, Brown Sunburst, Vintage White Black, Silver Burst Gold Top, Black

SG1820/SG1802

SG1820A SG1820A SG1802 SG1802

Black Silver Burst Gold Top Black

SG1820A

Head Design
The SG1820A features an outline head
inlay that evokes an image of flowing
streams of light. Its image is shared by
the position marker inlay and monotone
body’s binding. Both the SG1820 and
1802 feature block type inlays.

Position Markers
Position marker designs complement
the instrument’s looks. SG1820: SG
Arrow, SG1820A: Outlined Arrow,
SG1802: Dot.

Controls & Output Jack

The output jack is relocated on the
body side and control knob layout is
modified in consideration of playability
and usability. Control knobs on all three
models complement guitar designs.
SG1820: Speed Knobs, SG1820A: Metal
Knobs, SG1802: Barrel Knobs
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 SG3000/2000/1000

Shell Binding (SG3000)
T his pre cision T h e SG’s smooth (SG3000)
bodylines are beautifully accented
with Mexican Abalone binding.
SG3000/2000/1000
The SG1000 with its set-neck body design and specially designed powerful pick-
ups delivers great rock sound and attack. The SG2000 with its thru-neck body
and sustain plate delivers rich sustain and premium tone. The SG3000 with its
thru-neck construction and select woods delivers a rich, wood influenced tone.
Pickup and Escutcheon Everything is designed specifically for the SG, from body and neck designs, to
pickups, bridges, circuitry, even down to the strap pins. As a last touch, Yamaha’s
Utilizing a full cover type pickup cover Initial Response Acceleration is applied for a matured resonance.
delivers a milder tone by minimizing
high frequencies. Compared to plastic,
the brass escutcheon promotes a
more efficient flow of body vibrations
to the pickup generating substantial
sustain.

Bi-Sound System
A quick pull of the tone control knob
switches between Humbucker and single
coil tone.

SG3000 SG3000 SG2000 SG2000

Wine Red Gold Brown Sunburst Red Sunburst
Body Neck Construction
SG3000/2000

T Cross Maple (Neck Through)

Design (SG3000/2000)
Body and neck are integrated into a
single structure that lets string vibration
loop through the string, neck, and body,
reducing energy loss and delivering long
sustain. The cross maple design creates
a T shape that blends the tonal qualities
of maple; good for high-range sustain,
and mahogany; good for low-range
sustain, to produce long sustain that is
well balanced over a wide tonal range.

SG1000

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 Model SG3000 SG2000 SG1000
Construction Neck Through Neck Through Set Neck
Scale Length 24 3/4" (628.6mm) 24 3/4" (628.6mm) 24 3/4" (628.6mm)
Fingerboard Ebony Ebony Ebony
Radius 13 3/4" (350mm) 13 3/4" (350mm) 13 3/4" (350mm)
Frets 22 22 22
Body Carved Maple, Mahogany Carved Maple, Mahogany Carved Maple, Mahogany
Maple + Mahogany Maple + Mahogany Mahogany
Neck Maple + Mahogany 3piece (Neck Through) Maple + Mahogany 3piece (Neck Through) Maple + Mahogany 3piece
Bridge T-O-M Bridge T-O-M Bridge T-O-M Bridge
Pickups Yamaha Alnico V Covered Humbucker X 2 Yamaha Alnico V Humbucker X 2 Yamaha Alnico V Humbucker X 2
Pickup Switch 3-Position Toggle 3-Position Toggle 3-Position Toggle
Controls Front Volume, Rear Volume, Front Tone Front Volume, Rear Volume, Front Tone Front Volume, Rear Volume, Front Tone
Rear Tone with Push-Pull Switch Rear Tone with Push-Pull Switch Rear Tone with Push-Pull Switch
Colors Black Metallic, Gold, Wine Red Brown Sunburst, Red Sunburst, Black Brown Sunburst, Red Sunburst, Black

Over Binding Frets

This precision design extends the
fret all the way to the edge of the
SG1000 SG1000 SG1000 fingerboard, ending at a point above
the binding. It prevents string drops
Black Red Sunburst Brown Sunburst
when bending or vibrating the strings,
and offers dynamic performance.

Semi Open Humbucking

Pickup (SG2000/1000)
This original pickup was developed
with an Alnico V alloy magnet for use
on the SG. It produces a fat sound
that is sweet and rich. Other original
Yamaha designs utilized here are the
semi-open cover, which contributes
both to noise prevention and power
output, and triple support escutcheon,
which adjusts pickup height and angle.

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 The Guitar and the Player... Becoming One
(The story behind the development of the RGXA2 and RBX4A2)

Design of the RGXA2 centered on developing a lightweight instrument that would bring the guitar
and player closer together. The focus was on providing the player with greater freedom, much like
an air guitar, breaking down the boundaries between what is in the player’s head and what comes
out of the amp.

In creating a lighter guitar, one absolute condition set down was that sound quality could not
be sacrificed. For this reason, a great deal of time and effort went into the creation of numerous
prototypes. The A2 project had to combine three crucial factors—great sound, light weight, and
sufficient strength to withstand the huge forces generated by strings under tension. Intensive
research and development led to the creation of A.I.R. (Alternative
Internal Resonance) technology. Although it uses a solid body de-
sign, the incredible resonance created by the unique construction
method produces a big, open sound that resonates throughout
the guitar’s entire body. To match and compliment this instru-
ment’s unique characteristics, original bridge and pickup systems
were developed—the resulting tone and response shattering the
widely accepted concept that “lightweight means light sound”.
The RGXA2 brings a revolutionary approach to guitar design.

The quest for the perfect design naturally took the route of trying to build the lightest possible
guitar, but early prototypes, while incredibly light, didn’t deliver the sound or playing experience
that was essential. The final weight for the RGXA2 was set at around 2.5kg, a perfect balance—
around 30% lighter than a regular solid body guitar but with all the feel and sound that players
were looking for. This is lightweight design taken to the extreme.

1 2 3 4

5 6 7 8

A. I. R. (Alternative Internal Resonance) Design

Using Yamaha’s original Alternative Internal Resonance technology the RGXA2 and RBX4A2 offer players
excellent lightweight characteristics without sacrificing sound quality.

The body consists of a lightweight core sandwiched between hard woods on top and back. (1)


Three metal tubes (sound tubes) installed under the bridge plate transmit string vibration to the


body,
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engine
 Original Pickups
Developed with the custom shop at
Yamaha Artist Services, Hollywood, the
A2 pickups perfectly compliment the
tonal characteristics of the A.I.R. body.
Designed with the input of some of the
world’s greatest guitar players, the A2’s
powerful tone belies its light weight.

Original Bridge
In rethinking bridge design, Yamaha
has succeeded at creating a compact,
lightweight bridge that delivers
o u tst a n d i n g f u n c ti o n. R e m ov i n g
protruding screws leaves a simple design
that delivers extended performance
when playing close to the bridge. Special
sound tubes installed under the bridge
pass through the body transmitting
string vibration directly to the body.

LED Pickup Indicator

The single volume control and a 3
position rotary pickup selector are
j o i n e d by L ED s s u r ro u n d i n g th e
volume control, providing bright visual
indication of the pickup in use.

RGXA2 Neck
Fingerboard width is the same as
guitars in the RGX series, like the
R G X 2 20 DZ, b u t w i t h a m e d i u m
thickness. This design makes chords
easier to hold and offers greater stability
for the left hand. Greater neck mass
also contributes to a richer sound.

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 RGXA2

RGXA2
Weighing in at 2.5 kg, the RGXA2 is in the super lightweight class.
Yamaha’s revolutionary A.I.R. technology delivers a guitar so light that it fuses
seamlessly with the player, delivering unprecedented comfort, amazing tone, and
superior performance.
The RGXA2, the guitar that lets you play the way you want to play.
* Actual weight may vary slightly since the RGXA2 is made of wood material.

RGXA2 RGXA2
White & Aircraft Gray Jet Black

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 RGX220DZ/121Z/121ZL
Model RGXA2 RGX220DZ RGX121Z/121ZL* * Left-handed
Construction Bolt-on Bolt-on Bolt-on
Scale Length 25 1/2" (647.7mm) 25 1/2" (647.7mm) 25 1/2" (647.7mm)
Fingerboard Rosewood Rosewood Rosewood
Radius 13 3/4" (350mm) 13 3/4" (350mm) 13 3/4" (350mm)
Frets 22 24 22
Body A.I.R. Body Alder Alder, Agathis or Nato
Neck Maple Maple Maple
Tuners
Ceramic Open Humbucker
Diecast with Cylindrical knob Diecast Diecast
Bridge A.I.R. Mounting System Bridge Double Locking Tremolo Vintage Style Tremolo
Pickups Alnico V humbucker X 2 Humbucker X 2 Humbucker x 2, Single X 1 Pickups (RGX220DZ)
Pickup Switch 3-position Rotary with Pickup Indicator 3-position Lever 5-position Lever Ceramic magnets are used for their
Controls Master Volume Master Volume, Master Tone Master Volume, Master Tone wider range and power. These pickups
Colors White & Aircraft Gray, Jet Black Metallic Black, Red Metallic, Metallic Blue, Black*, Flat Silver*, Red Metallic produce a clearer distortion tone.
Dark Metallic Gray
*Left-handed model available.

Double Locking System

(RGX220DZ)
Double locking system used on the nut
and tremolo unit deliver tuning that is
stable even under heavy tremolo use.

Thin Neck (RGX220DZ)

Thin and wide neck is fast and easy to
play making them a great choice for
technical players.
RGX220DZ RGX220DZ RGX121Z
Dark Metallic Gray Red Metallic Flat Silver
q

Controls
(RGX220DZ/121Z/121ZL)
q 3P Pickup Selector (RGX220DZ)
5P Pickup Selector (RGX121Z)
w Master Volume
e Master Tone

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 SA503TVL Troy Van Leeuwen Signature Model

Troy Van Leeuwen has navigated his way through a variety

of musical genres and has left his indelible mark in each
of them. From session work with Depeche Mode, Korn,
and Limp Bizkit to his role in A Perfect Circle, Troy has
mastered it all. Most recently, Troy joined the fantastically
bizarre Queens of the Stone Age to embark on his latest
Pickups (SA503TVL) ethereal musical journey. His guitar of choice? Troy's own
The semi-hollow body is matched with
three single coil units that produce Yamaha signature model SA503 TVL.
a bright and clear tone with well
balanced low-end.

w e

Controls (SA503TVL)
q Front Volume e Center Volume
w Master Tone r Rear Volume
Two pickup switches provide access
to seven pickup combinations. (All
Access System)

SA503TVL
Black

Model SA503TVL
Construction Set Neck
Scale Length 24 3/4" (628.7mm)
Fingerboard Rosewood
Radius 13 3/4" (350mm)
Frets 22
Body Maple (Laminated)
Neck Nato
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 SA2200/AEX1500
Model SA2200 AEX1500
Construction Set Neck Set Neck
Scale Length 24 3/4" (628.7mm) 25 1/4" (640mm)
Fingerboard Ebony Ebony / 20 frets
Radius 13 3/4" (350mm) 13 3/4" (350mm)
Frets 22
Body Laminated Figured Maple Laminated Satin Sycamore
Neck Premium Grade Mahogany Maple
Bridge T-O-M Bridge Bone + Ebony
Pickups Alnico V Humbucker X 2 Yamaha Mini Humbucker
Pickups (SA2200) Alnico V Humbucker “MH-
Yamaha Piezo Pickup on Bridge H u m b u c k e r t y p e w i t h A l n i c o V AEX1” (AEX1500)
magnets. Three point support system
p rov i d e s f i n e h e i g ht ad j u stm e nt Attaching this mini humbucker to
Pickup Switch 3-Position Toggle 3-Position Toggle
Controls Front Volume, Rear Volume, Front Tone Master Volume, Magnetic Pickup Tone,
between pickup and strings. the neck rather than the body allows
Rear Tone with Push-Pull Switch 3-Band EQ for Piezo Pickup the body to resonate freely while the
Colors Violin Sunburst, Brown Sunburst Natural, Antique Sunburst, Faded Burst pickup only captures string vibration.

Bridge (SA2200) Bridge Mounted Piezo Pickup

Precision design of fers accurate A piezo pickup mounted underneath
height, tension, and octave pitch the bridge saddle delivers acoustic
adjustment. tone. The bridge is height adjustable.

q
q
w
e
w

SA2200 AEX1500
r

Violin Sunburst Antique Sunburst

Controls (SA2200) Controls (AEX1500)
q Front Volume q Master Volume
w Rear Volume w Magnetic Pickup Tone
e Front Tone (Bi-Sound Switch)
r Rear Tone (Bi-Sound Switch)
Mixing Magnetic & Piezo Tone
Master volume, magnetic pickup
tone control, and a 3-position
pickup selector are mounted on the
guitar’s top. On the body’s side are
a pickup balancer for the two pickup
systems, and a 3-band equalizer (for
the piezo pickup) with an adjustable
midrange frequency control. This is an
instrument rich in tonal variation.

Full Acoustic Body

Top, back, and sides of the acoustic
body are crafted from Laminated Satin
Sycamore.

w e

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 CV820WB Wes Borland Signature Model

Wes Borland is well known on stage for his elaborate face paint and
black-tinted contacts as guitarist for Limp Bizkit. He has also kept him-
self busy fronting his own band Black Light Burns and as a member of
such bands as Big Dumb Face, Eat the Day, and Goatslayer.

Custom 33 Pickup Designed

by YASH and Wes
The Custom 33 pickups were developed
b y YA S H ( Ya m a h a A r t i s t S e r v i c e
Hollywood) in collaboration with Wes
Borland. 1st through 3rd and 4th through
6th string pole pieces are grouped
separately in a design that emphasizes
high-end sharpness to produce a clear
tone from the hollow body.

CV820WB
Black

Finger Clamp Tremolo System

A locking tremolo and nut system
offers stable tuning even under heavy
tremolo use. And no tools are required
when it comes time to change strings.

Original Semi Hollow Design

Designed by Wes Borland and YASH,
the maple top is carved to produce its
uniquely curved shape.

About Wes Borland’s String

Gauges
We s’ s i g n a t u r e s o u n d i s p a r t l y
attributed to the use of the unique
set of string gauges he uses on his
signature guitar.
String Tuning Gauge
1st C# .011
2nd G# .014
3rd E .022 (Wound)
4th B .032 (Wound)
5th F# .042 (Wound)
6th C# .052 (Wound)
Model CV820WB
* The guitar is strung with .010–.046 gauge
Construction Set Neck
strings when shipped from the factory.
Scale Length 25 1/2" (647.7mm)
Fingerboard Rosewood
q
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 AES1500/1500B
Model AES1500 AES1500B
Construction Set Neck Set Neck
Scale Length 25 1/2" (647.7mm) 25 1/2" (647.7mm)
Fingerboard Rosewood Rosewood
Radius 13 3/4" (350mm) 13 3/4" (350mm)
Frets 22 22
Body Arched Sycamore Top, Maple Back/Sides Arched Sycamore Top, Maple Back/Sides
Neck Maple Maple
Bridge
Pickups
T-O-M Bridge
DiMarzio Q-100 X 2
Bigsby B6 Vintage Vibrato
DiMarzio Q-100 X 2
Sound Character
Two DiMarzio Q-100s produce a sound
Pickup Switch 3-Position Toggle 3-Position Toggle
that lies between a single coil and a
Controls Front/Rear Volume, Front/Rear Tone Front/Rear Volume, Front/Rear Tone
humbucker. Push push tone controllers
with Push-Pull Switch with Push-Pull Switch split pickup coils allowing this guitar to
Colors Orange Stain, Pearl Snow White Black, Orange Stain cover a wide selection of sounds from
Jazz to Blues to Rockabilly.

Semi Hollowbody
What looks like a full acoustic guitar is
actually a semi-hollow design with a
center block located underneath the
bridge to prevent feedback.

AES1500 AES1500B
Pearl Snow White Orange Stain

Two Bridge Types

Two bridge types are available. The
AES1500 is equipped with a Tune-O-
Matic bridge while the AES1500B comes
with a Bigsby B6 Vintage Vibrato.

q w

e r

Controls (AES1500/1500B)
q Front Volume
w Rear Volume
e Front Tone (Push-Pull Switch)
r Rear Tone (Push-Pull Switch)

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 PAC1511MS Mike Stern Signature Model

From his days with the Brecker Brothers and Miles Davis to
his string of successful solo albums and tours, Mike Stern's
credentials are indisputable. Throughout his career as one
of the reigning kings of modern jazz guitar, Mike has relied
on single-cutaway guitars. His devotion to that instrument is
reflected in the Mike Stern signature model, the PAC1511MS.

7 1/4-inch Radius Neck

Mike Stern plays smoothly and with
confidence on this maple neck with a
7 1/4 inch radius.

Controls (PAC1511MS)
q 3P Pickup Selector
w Master Volume
e Master Tone

PAC1511MS
Natural

Model PAC1511MS
Construction Bolt-on
Scale Length 25 1/2" (647.7mm)
Fingerboard Maple 1-Piece
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 PAC212VFM/212VQM
PAC212VQM Caramel Brown

Translucent Black

Tobacco Brown
Sunburst

Alnico V Pickups
Alnico V magnets are used for both
single coil and humbucker to deliver
a clear strumming tone with good

PAC212VFM Caramel Brown projection plus a tight sound that

doesn’t get buried in the ensemble.
Tobacco Brown Sunburst Translucent Black

Coil Tap Function

A coil tap function on the rear
humbucker delivers a wide range of
tonal possibilities, from hard distortion
to an edgy single coil tone. A switch in
the tone knob allows quick switching
between humbucker and single coil
tone. Setting the pickup selector to
the 4th position automatically selects
the coil tap function that delivers a
clear halftone from the pair of singles.

Block Saddle Vintage Type

Tremolo
The block saddle type vintage tremolo
offers excellent operation. The heavy
block type saddle delivers rich sustain
and deep tone.

Ring Mount Rear Pickup

Like the top-end PACIFICA models, the
rear pickup is mounted directly to the
body. This configuration captures body
resonance, delivering greater dynamic
tone rather than pickguard mounting.

Model PAC212VFM/212VQM
q
Construction Bolt-on
Scale Length 25 1/2" (647.7mm)
Fingerboard Rosewood w
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 PAC112V/112VCX/PAC112VM/112VMX

Old Violin Sunburst Black Raspberry Red

Yellow Natural Satin

PAC112V PAC112VCX
Sonic Blue Silver Vintage White Black

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 PAC112J/112JL/012
Model PAC112V/112VCX/112VM/112VMX PAC112J/112JL PAC012
Construction Bolt-on Bolt-on Bolt-on
Scale Length 25 1/2" (647.7mm) 25 1/2" (647.7mm) 25 1/2" (647.7mm)
Fingerboard Rosewood, Maple Rosewood Rosewood
Radius 13 3/4" (350mm) 13 3/4" (350mm) 13 3/4" (350mm)
Frests 22 22 22
Body Alder Alder Alder, Agathis or Nato
Neck Maple Maple Maple
Tuners Diecast Diecast Covered
Bridge Vintage Tremolo with Block Saddle Vintage Style Tremolo Vintage Style Tremolo
Pickups Alnico V Singlex2, Alnico V Humbucker x1 Single X 2, Humbucker X 1 Single X 2, Humbucker X 1
Pickup Switch 5-position Lever 5-Position Lever 5-Position Lever
Controls Master volume, Master tone with Push-Pull Coil Tap SW Master Volume, Master Tone Master Volume, Master Tone
Colors 112V Colors: Black, Old Violin Sunburst, Raspberry Red, Sonic Blue, Silver, Yellow Natural Satin 112J Colors: Old Violin Sunburst, Lake Placid Blue, Black, Red Metallic, Dark Blue Metallic, White
112VCX Colors: Vintage White, Black Red Metallic, Yellow Natural Satin, Black
112VM Colors: Black, Tobacco Brown Sunburst, Red Metallic 112VMX Colors: Yellow Natural Satin 112JL Colors: Black, Yellow Natural Satin

PAC112VM PAC112VMX
Tobacco Brown Sunburst Black Red Metallic Yellow Natural Satin Yellow Natural Satin Lake Placid Blue

PAC112J
Old Violin Sunburst Red Metallic

PAC012
Dark Blue Metallic

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 RBX4A2/4A2M/5A2
Design of the RGXA2 focused on creating a lightweight
RBX4A2
instrument that would bring the guitar and player closer to-
This regular scale model weighs just 3.2 kg and offers superior balance in addition
gether. The response we received from its release was great.
to its ultra light weight. Fusing seamlessly with the player it offers unprecedented
The resulting sound shattered the widely accepted concept
playing comfort that stuns bassists who regularly play a standard bass. Light
that “light guitars only produce light sound”, and brought new
weight, superior comfort, and easy playing action let you concentrate on your play-
users to the instrument thanks to its light weight. Moreover, it
ing for extended periods of time. Physically it is light in weight, sonically it is anything
received great acclaim from discerning professional guitarists
but. A.I.R. technology and newly developed pickups deliver a thick, robust tone that
and music dealers.
is clear, powerful, and blends well with a wide range of musical styles.
In addition to the great attention the RGXA2 received, re-
quests increased daily for a bass version of this amazing
instrument. So we quickly set about developing a bass guitar
with an A.I.R structure, and produced three models; a regular
scale, medium scale, and 5-string.
The RBXA2 weighs about 20% less than its standard bass
counterpart. Matched with an original pickup system devel-
oped in cooperation with Yamaha Artist Services Hollywood,
it delivers a heavy sound that is both clear and powerful.

RBX4A2
White & Aircraft Gray

A.I.R. (Alternative Internal Resonance)

Our A.I.R. development team took the design used on the RGXA2 and adapted
it for use with a bass guitar. The instrument’s structure consists of lightweight
core material sandwiched in between solid materials. Strings passing through
the backside of the body transmit energy throughout the entire body delivering
outstanding resonance and excellent response.
RBX4A2
Jet Black

Original Bridge Original Pickups

To provide the utmost in functionality,
the compact bridge is de signed
without any protruding parts such as
screws, etc. Sound tubes passing
through the body underneath the
bridge directly transmit string energy
to the body.
An original pickup was developed
to match the RBXA2’s body design.
It produces a well-shaped attack
and clear tone with presence. Tonal
character is smooth from the low
range through to the high, and it
delivers some truly great distortion.

LEDs Illuminated Volume

q
Controls
The 3-control system includes front
w
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volume, rear engine
volume, and master tone
 Model RBX4A2 RBX4A2M RBX5A2
Construction Bolt-on Bolt-on Bolt-on
Scale Length 34" (863.6mm) 32 1/2" (825.5mm) 34" (863.6mm)
Fingerboard Rosewood Rosewood Rosewood
Radius 10" (250mm) 10" (250mm) 23 5/8" (600mm)
Frets 24 23 24
Body A.I.R. Body A.I.R. Body A.I.R. Body
Neck Maple Maple Maple
Bridge A.I.R. Mounting System Bridge A.I.R. Mounting System Bridge A.I.R. Mounting System Bridge
Pickups Ceramic Bar Single X 2 Ceramic Bar Single X 2 Ceramic Bar Single X 2
Controls Front Volume (with LED), Front Volume (with LED), Front Volume (with LED),
Rear Volume (with LED), Master Tone Rear Volume (with LED), Master Tone Rear Volume (with LED), Master Tone
Colors White & Aircraft Gray, Jet Black White & Aircraft Gray, Jet Black White & Aircraft Gray, Jet Black

RBX4A2M RBX5A2
White & Aircraft Gray Jet Black

The medium scale version of the RBX4A2 has an The RBX5A2 is a 5-string version of the RBX4A2.
825.5mm scale length that is 38.1mm shorter than the This bass delivers clear, powerful, and rich tone
RBX4A2. Its compact body and neck offer excellent all the way down to its low open B. Its wide
playability, while it's A.I.R. structure delivers light weight sound range and outstanding playability defy the
and superior comfort. Tone production is inherently common concepts of previous 5-string designs,
A2—thick, clear, and punchy. The RBX4A2M is highly and open the door to a whole new range of playing
recommended for those with smaller physiques or for possibilities.
players pursuing technical playing styles or physically
active performance.
* Compatible with regular scale strings.

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 RBX374/375/270J/170
Model RBX375/RBX374 RBX270J RBX170
Construction Bolt-on Bolt-on Bolt-on
Scale Length 34" (863.6mm) 34" (863.6mm) 34" (863.6mm)
Fingerboard Rosewood Rosewood Rosewood
Radius 23 5/8" (600mm)/10" (250mm) 10" (250mm) 10" (250mm)
Frets 24 24 24
Body Alder Alder Alder, Agathis or Nato
Neck Maple Maple Maple

Double Coil Pickups Tuners

Bridge
Diecast
Diecast
Diecast
Vintage Style
Covered
Vintage Style
The Humbucker pickups feature large
Pickups Humbucker X 2 Split Coil X 1, Single Coil X 1 Split Coil X 1, Single Coil X 1
diameter pole pieces that produce
Pickup Switch N/A N/A N/A
thick, low-end tone. Pickup covers
feature built-in finger rests that are Controls Master Volume, Pickup Balancer 2-Band EQ Front Volume, Rear Volume, Master Tone Front Volume, Rear Volume, Master Tone
simply great. Colors Black, Flat Silver, Red Metallic Black, Mist Green, Mist Purple, Mist Raspberry, Silver, Black, Red Metallic, Dark Blue Metallic
Dark Oriental Green, Mustard Pearl Effect Red Metallic, Yellow Natural Satin, Silver, Flat Blue Old Violin Sunburst, Light Amber Burst

RBX Bridge
The heavy diecast bridge transmits
string vibration directly to the body.
With its hook design, changing strings
is simply a matter of hooking the ball
end of the string into the hook, making
the whole operation quick and easy.

RBX Body
The deeply contoured bodylines are
there to provide bassists with a better
fitting instrument for greater comfort RBX374 RBX375
and playability. Flat Silver Red Metallic

RBX270J RBX170
Black Silver
q

w
e

Controls (RBX374/375)
q Pickup Balancer
w Master Volume
e Bass
r Treble

RBX Electronics
The 4-control circuit includes controls
for Master Volume, Balance, and a
2-band equalizer for creating a more
aggressive tone.

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 BBNE2 Nathan East Signature Model

Nathan East has appeared on countless albums and

has toured with some of the biggest names in modern
music. Whether he’s playing blues with Eric Clapton,
pop with Phil Collins, or contemporary jazz with Four-
play, Nathan relies on his BBNE2 signature 5-string
bass to deliver the tone he needs.
BBNE2 Pickups
The stack type pickups are designed
in collaboration with Nathan East. The
Alnico V Humbucker pickups include a
hum-canceling coil.

Individual Bridge Pieces

The bridge consists of individual
bridge pieces that reduce interference
from other string vibration delivering a
purer tone.

BBNE2 q
White
w e

r
y
t
u

Controls (BBNE2)
q Pickup Balancer
w Master Volume
e Bass
r Middle
t Treble
y Mid Cut Frequency
u Mid Cut On-Off Switch

Active Electronics
Active electronics include a special
equalizer circuit based on Nathan
East’s “Magic Box”. The circuit lets
you cut off the selected mid frequency
at the touch of a switch for precision
sound tailoring.

5-Piece Neck Through

Design
Model BBNE2 T he neck through design uses a
Construction Neck Through 5-piece maple and mahogany neck
Scale Length 34" (863.6mm) sandwiched between the maple on
alder body.
Fingerboard Ebony
Radius 19 11/16" (500mm)
Frets 24 Contoured Body
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engine Maple/Alder
 BB2024/2024X/2025/2025X
With bolt on necks and passive circuit designs Yamaha’s new BB2000 series basses, the
BB2024/2024X/2025/2025X, are the ultimate in Rock bass. Everything having to do with their design—from
the selection of neck and body materials, construction, and special treatments, to the through body stringing,
neck joint, pickups, bridge, nut, hardware, and I.R.A. treatment—is focused on making the body resonant.
Specially designed pickups are utilized to convert its high quality tone into a powerfully rich sound with excel-
lent attack and sustain. The end result is a new BB bass that takes firm command of low-end duties with
New Pickups immense volume and overwhelming presence, standing out in even the loudest of rock bands.
(BB2000/1000 Series) Two versions of the new BB are available. The BB2024/2025 with traditional BB looks, and the
Designed specifically for the BB series,
these new pickups are the result of BB2024X/2025X trimmed with pickguard, metal plate, and metal knobs. Both versions are available in 4- or
numerous tr ials, inspections, and
artist evaluations conducted by BB 5-string configurations.
development team, in the pursuit of the
ultimate passive pickup sound. Open-
faced designs allow closer mounting to
the string to capture more string vibration.
Blade type bobbins on both front and
rear handle aggressive rock picking.
Alnico V magnets were chosen for the
front pickups to deliver warmth and
ceramic magnets on the rear for punch.

BB2024 BB2024 BB2024X BB2024X

Black Natural Vintage Sunburst Vintage White

Diagonal Body Thru Stringing

(BB 2000/1000/400 Series)
Together with the uniquely designed
saddle, body thru stringing efficiently
transfers string vibration to the body. A
Yamaha original design used on all BB
series basses places strings at a 45º
angle at the saddle reducing stress,
securing tension, and ma ximizing
vibration transfer. The 45º cut on the
back end of the body makes stringing
easier and gives the BB a unique look.

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 Model BB2024/2024X BB2025/2025X
Construction Bolt-on Bolt-on
Scale Length 34" (863.6mm) 34" (863.6mm)
Fingerboard Rosewood Rosewood
Radius 10" (250mm) 23 5/8” (600mm)
Frets 21 21
Body Alder 3P with A.R.E. (Spline Joint) Alder 3P with A.R.E. (Spline Joint)
Neck Maple/ Mahogany 5pcs Maple/ Mahogany 5pcs
Bridge
Pickups
Vintage Plus(Brass saddle, Steel plate)
Front Split Bar (Alnico V) Rear Single Bar(Ceramic)
Vintage Plus(Brass saddle, Steel plate)
Front Split Bar (Alnico V) Rear Single Bar(Ceramic)
Nickel Silver Nut
Pickup Switch 3-Position Toggle 3-Position Toggle (BB2000/1000 Series)
Controls Master Volume, Master Tone Master Volume, Master Tone Nickel silver as opposed to bone or
Colors 2024 Colors: Black, Natural, Vintage Sunburst 2025 Colors: Black, Natural, Vintage Sunburst plastic, delivers an open string sound that
2024X Colors: Black, Vintage White, Vintage Sunburst 2025X Colors: Black, Vintage White, Vintage Sunburst is closer to that of a fretted note since the
fret and nut materials are the same.

A.R.E. Treatment and I.R.A.

Technology (BB2000 Series)
Yamaha’s exclusive A.R.E. treatment
is a special seasoning process that

BB2025 BB2025 BB2025X BB2025X delivers a smooth, mature sound right

out of the factory. I.R.A. treatment,
Natural Vintage Sunburst Vintage White Black another Yamaha exclusive, is also
applied to enhance body resonance.

Spline

Spline Joint (3-Piece Bodies)

(BB2000/1000 Series)
Three-piece bodies are fitted together
using spline joints to increase surface
contact between slabs thus increasing
body resonance. Mounting the bridge
on the center piece moves even more
string vibration to the body.

Hard Case (BB2000 Series)

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w
 BB1024/1024X/1025/1025X/424/425
BB1024/1024X: Nearly identical in specs with the BB2000 series basses with Model BB2024/X/2025/X BB1024/X/1025/X BB424/425
Diagonal Body thru Stringing ● ● ●
its spline joint body and 5-piece neck, diagonal body thru stringing, newly de- Nickel Silver Nut ● ● —
signed pickups and bridge. Highly recommended for players who are particu- Spline Joint ● ● —
A.R.E. ● — —
lar about their sound. IRA ● — —
BB1025/1025X: 5-string version of the BB1024/1024X. Low “B” 5th string
delivers heavy low-end presence and immense sound.
BB424: Sound, design and presence derived from the BB2000 series basses.
Highly recommended for entry-level players.
BB425: 5-string version of the BB424. Sound, playability, and durability all of
excellent quality.

BB1025X
Black

BB1024X
Caramel Brown

BB1024 BB1025
Tobacco Brown Sunburst
Vintage White

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 Model BB1024/1024X BB1025/1025X BB424 BB425
Construction Bolt-on Bolt-on Bolt-on Bolt-on
Scale Length 34" (863.6mm) 34" (863.6mm) 34" (863.6mm) 34" (863.6mm)
Fingerboard Rosewood Rosewood Rosewood Rosewood
Radius 10" (250mm) 23 5/8” (600mm) 10” (250mm) 23 5/8” (600mm)
Frets 21 21 21 21
Body Alder 3P (Spline Joint) Alder 3P (Spline Joint) Alder Alder
Neck Maple/ Nato 5pcs Maple/ Nato 5pcs Maple/ Nato 5pcs Maple/ Nato 5pcs
Bridge Vintage Plus(Brass saddle, Steel plate) Vintage Plus(Brass saddle, Steel plate) Vintage Style Vintage Style
Pickups Front Split Bar (Alnico V) Rear Single Bar(Ceramic) Front Split Bar (Alnico V) Rear Single Bar(Ceramic) Split Single x 1, Bar Single Split Single x 1, Bar Single
Pickup Switch 3-Position Toggle 3-Position Toggle 3-Position Toggle 3-Position Toggle
Controls Master Volume, Master Tone Master Volume, Master Tone Master Volume, Master Tone Master Volume, Master Tone
Colors 1024 Colors: Black, Vintage White, Caramel Brown, Tobacco Brown Sunburst 1025 Colors: Black, Vintage White, Caramel Brown, Tobacco Brown Sunburst Red Metallic, Red Metallic,
1024X Colors: Black, Vintage White, Caramel Brown, Tobacco Brown Sunburst 1025X Colors: Black, Vintage White, Caramel Brown, Tobacco Brown Sunburst Tobacco Brown Sunburst, Tobacco Brown Sunburst,
Vintage White, Black Vintage White, Black

BB424 BB424 BB425 BB425

Vintage White Red Metallic Black Tobacco Brown Sunburst

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 BB714BS Billy Sheehan Signature Model

Billy Sheehan is no stranger to the spotlight. From his days with

Talas to headlining arenas with David Lee Roth and his band Mr.
Big he has thrilled audiences the world over with his bold perfor-
mances and highly evolved techniques. Constantly pushing his
skills to new limits, he has changed the way the bass guitar is
played and taking rock bass playing to new heights.
Woofer pickup designed in Billy’s relationship with Yamaha is long. His close collabora-
collaboration with YASH* tions with Yamaha Guitar Development has produce a number
In addition to the split pickup, the
BB714BS carries a specially designed of signature models, the latest being the new BB714BS. The
double humbucker installed at the
neck position where it generates great
BB714BS represents a trip back to Billy’s roots with Yamaha, re-
low-end tone. The front humbucker visiting his first Yamaha signature, which was a BB series bass.
is wired through a push-pull high-cut
circuit that lets you choose between
a traditional “Attutude” neck pickup
tone with high-end, or a bass boosted
ultra-low 60’s sound.
*YASH=Yamaha Artist Services Hollywood

Bridge
Bridge and other hardware are black
n i c ke l p l ate d w h i c h i s i n add i ti o n
to l o o k i n g g r e a t, i s g o o d f o r t h e
environment as well since it has no lead. BB714BS BB714BS
Lava Red Black

Neck
B i l l y ’s B B 714 B S c o m e s w i t h a
neck that is slim, trim, and fast. The
rosewood on maple neck is thinner
and trimmer than the Attitude bass
and offers greater playing comfort.

Controls (BB714BS)
q Woofer Pickup Volume
w Main Pickup Volume
e Master Tone With Push-Pull Switch

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 ATTITUDE LTDII Billy Sheehan Signature Model

Pickups and Electronics

B oth f ro nt a n d re a r p i c k u p s a re
custom made by DiMarzio and deliver
powerfully heavy bass tone with a
solid fundamental. Stereo output
jacks provide separate outputs for the
front and rear pickups. Mono output is
also possible. A high cut switch in the
front pickup tone control boosts bass
output from the front pickup.

ATTITUDE LTDII Bridge

The solid brass bridge captures and
transmits string vibration directly to the
body, creating great low-end tone and
attack.

ATTLTDII ATTLTDII ATTITUDE LTDII Neck

Lava Red Black A big, thick neck features jumbo frets
from frets 1-16 to produce outstanding
sustain. The neck is held to the bass
body with 4 screws to create a solid
bond and tone. The neck also features
scallops from frets 17 through 21 and
a slap cut ground into the neck that
provides greater string access.

w
e

Controls (ATTITUDE LTDII)

q Front Volume
w Front Tone (Front P.U. Hi-Cut Switch)
e Rear Volume (Stereo/Mono Switch)
Model ATTLTDII BB714BS
Construction Bolt-on Bolt-on
Scale Length 34" (863.6mm) 34" (863.6mm)
Fingerboard Maple Rosewood
Radius 10" (250mm) 10" (250mm)
Frets 21 21
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 TRBJPII John Patitucci Signature Model

In the nearly 20 years since John Patitucci first gained recognition as a member of
Chick Corea's legendary Elektric Band, he's established himself as one of the best
jazz bassists of his time. Shifting seamlessly from bandleader to respected side-
man, John relies on his TRB JPII signature 6-string bass to fit any role.

White Perloid Peg Heads

White perloid peg heads aid in
balancing the super long scale neck
while adding great looks.

TRBJPII Custom Pickups

Pickups are a custom Alnico V design.
The low-noise double-coil pickups
deliver clear tonal image even when
playing chords.

TRBJPII
Translucent Dark Red

Solid Brass Bridge

A massive solid brass bridge delivers
a clear and rich sound.

4-Ply Laminated Body

The 4-ply laminated body is crafted
from plies of figured maple, ash, alder,
and maple. This design produces
tight and rich resonation over the
instrument’s entire range. A slap
cut on the body offers greater string
access.

26-Fret Neck
The 35-inch (889mm) super long
scale neck has 26 frets. The maple
neck is fitted with double truss rods to
sufficiently counter tension produced
by the instrument’s six strings.

q
e

w Model TRB JPII

r Construction Bolt-on
Scale Length 35" (889mm)
t Fingerboard Ebony
Radius 40" (1000mm)
Controls
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from www.Manualslib.com manuals search engine Frets 26
 TRB5PII/6PII
Model TRB6PII/TRB5PII
Construction Neck Through
Scale Length 35" (889mm)
Fingerboard Ebony
Radius 40" (1000mm)/19 11/16" (500mm)
Frets 24
Body Choice of Maple, Ovangkol, or Bubinga Top & Back /
Light Ash
Neck Maple/Premium Grade Mahogany 5 Piece
Alnico V Hum-Canceling Pickups
Bridge Yamaha BPZ-7
Hum-canceling type Alnico V pickups
Pickups Alnico V Humcancelled X 2, Piezo Pickup
are used to produce clear tone. The
Controls Master Volume, Pickup Balancer, Piezo Volume, 3-Band EQ
6-strings of fer a wide tonal range
Colors Maple, Ovangkol, Bubinga, and deliver a heavy bass sound with
presence.

Bridge with Piezo Pickup

Individual bridges reduce influence
from string vibration. Each bridge
TRB5PII TRB6PII s addl e is e quippe d wi th a pi ezo
pickup.
Bubinga Maple

Choose Your Body Top

The 5-piece neck is sandwiched
between slabs of light ash. You can
select the top material from Maple,
Ovangkol, or Bubinga.

Neck Through Design

The 5-piece neck is constructed of
plies of maple and mahogany with a
35-inch (889mm) super long scale
and 24-frets. The neck on the TRB
6PII is fitted with double truss rods to
sufficiently counter tension created by
the instrument’s six strings.

e
w
r
y
t

q Pickup Balancer r Bass

w Master Volume t Middle
e Piezo Volume y Treble

TRB 5PII/6PII Electronics

Create your favorite tonal blends using
the pickup balancer control to balance
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 TRB1006J/1005J/1004J
Model TRB1006J TRB1005J TRB1004J
Construction Bolt-on Bolt-on Bolt-on
Scale Length 35" (889mm) 35" (889mm) 35" (889mm)
Fingerboard Rosewood Rosewood Rosewood
Radius 40" (1000mm) 19 11/16" (500mm) 10" (250mm)
Frets 24 24 24
Body Maple/Alder Maple/Alder Maple/Alder
Neck Maple Maple Maple

Alnico V Hum-Canceling Pickups Bridge

Pickups
Solid Brass
Alnico V Hum-Canceled X 2
Solid Brass
Alnico V Hum-Canceled X 2
Solid Brass
Alnico V Hum-Canceled X 2
Hum-canceling type Alnico V pickups
Controls Master Volume, Pickup Blancer, 3-Band EQ Master Volume, Pickup Blancer, 3-Band EQ Master Volume, Pickup Blancer, 3-Band EQ
are used to produce clear tone. The
Colors Black, Natural, Translucent Black, Caramel Brown Black, Natural, Translucent Black, Caramel Brown Black, Natural, Translucent Black, Caramel Brown
6-strings of fer a wide tonal range
and deliver a heavy bass sound with
presence.

Solid Brass Bridge

The brass bridge transmits string
v i b r ati o n to th e b o d y w i th g re at
efficiency.

Maple Laminated Body

The laminate body is crafted from a
slab of alder with figured maple on
top. A bolt on neck is used to ensure a
secure bond between neck and body
and create a clear, powerful sound.
TRB1006J TRB1006J TRB1005J TRB1004J
Black Caramel Brown Translucent Black Natural
5-Piece Neck
The 5-piece maple neck is designed
with a 35-inch (889mm) super long
scale and 24-frets. The neck on the
TRB1006 is fitted with double truss
rods to sufficiently counter tension
created by the instruments six strings.

q
e

w
r

Controls (TRB1006J/1005J/1004J)
q Pickup Balancer r Middle
w Master Volume t Treble
e Bass

Active
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 SLG120NW/SLG100S/N

Paul Rodgers

SLG100S SLG100N

SLG120NW

Brian May

Model SLG100S SLG100N SLG120NW

Scale Length 24 15/16" (634mm) 25 9/16" (650mm) 25 9/16" (650mm)
Fingerboard Rosewood Rosewood Ebony
Radius 15 3/4" (400mm) Flat Flat
Frets 22 19 19
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Body
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Maple
manuals searchMaple
engine Maple
 George Pajon JR Glenn Hughes Greg Leisz Jack Gibson James Black James Lomenzo Jeff Rouse
Black Eyed Peas K.D.Lang Exodus Finger Eleven Megadeth, BLS, David Lee Roth Duff McKagan’s
David Catching Dino Meneghin Doug Rappoport Duff McKagan Felipe Andreoli Francis Rossi, Rick Parfitt Frank Gamb
Eagles of Death Metal Michael Buble' Edgar Winter Band Duff McKagan’s Loaded Angra Status Quo
Chino Moreno Chris Minh Doky Chris Poland Chris Rodriguez Cornell Dupree Dave Lopez Dave Menek
Deftones Mike Stern, David Sanborn Ohm Flipsyde Y&T

Photo by Michael Sherry

Yamaha Artists

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Aaron North Abraham Laboriel Amir Derakh Bill Kelliher Bill Sharpe Brandon Belsky Calvin Turn
Nine Inch Nails Julien K Mastodon Cher, David Benoit Dead by Sunrise Marc Broussard
Sandro Albert Tariqh Akoni Tony Grey Tony Kanal Troy Sanders Victor Johnson Vivian Cam
Sandro Albert Quintet Josh Groban No Doubt Mastodon Sammy Hagar Def Leppard
Photo by Tetsuro Sato
Mike "Fish" Herring Nick Annis Nick Rowe Philip Bynoe Rafael Bittencourt Robby Takac Ross Bolton
Christina Aguilera, Seal Black Light Burns Bloodsimple Steve Vai Band Angra Goo Goo Dolls
Kurt Rosenwinkel Lars Stromberg Lee Sklar Marco Mendoza Michael Anthony Michael O'neill Michael Th
International Noise Conspiracy Phil Collins Thin Lizzy, Dolores O'Riordan George Benson Band Fastback

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Jeph Howard Jimmy Haslip Joe Ayoub Joel Whitley Justin Derrico Kevin Roentge Kirk Pengil
The Used Yellowjackets Liz Phair Stevie Wonder Pink INXS
 GIGMAKER

ALL INCLUDED!

Gig Bag

Guitar Amplifier GA15

Guitar/Bass Tuner YT100

Picks
EG112C ERG121C
Black Black

Strings Winder

Strap

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 Guitar Finishes

Amber Brown Sunburst Natural Yellow Natural Yellow Natural Satin Violin Sunburst Faded Burst Blonde

Old Violin Sunburst Honey Burst Orange Metallic Mustered Pearl Effect Antique Stain Vintage Sunburst Tobacco Brown Light Amber Burst
Sunburst

Caramel Brown Orange Stain Red Rocker Red Translucent Blood Raspberry Red Translucent Dark Red Wine Red Lava Red
Red

Red Metallic Mist Raspberry Pewter Mist Purple Translucent Blue Faded Blue Dark Blue Metallic Metallic Blue

Flat Blue Royal Blue Aquarium Blue Lake Placid Blue Sonic Blue Mist Green Mist Green Satin Dark Oriental Green

Dark Metallic Gray Silver Flat Silver White/Aircraft Gray Pearl Snow White Vintage White White Charcoal Gray

Translucent Black Metallic Black Black Metallic Jet Black Black

Accessories/Amp
Parametric Equalizer Tuners & Metronomes Amplifiers
Rear Panel
GA-15 Guitar Amplifier
QT-1BR • Input/Output: INPUT, PHONES
QT-1 QT-1B * Little remaining stock. • Power supply: AC120V, 60Hz
• Output Power: 15 W
• Power Consumption: 19 W
• Speaker: 16.5 cm (6.5”) X 1
• Control: DRIVE-GAIN, DRIVE-VOLUME,
DRIVE/CLEAN, CLEAN-VOLUME,
EQUALIZATION-TREBLE, EQUALIZA
TION-MIDDLE, EQUALIZATION-BASS,
QT-1/QT-1B/QT-1BR QUARTZ METRONOME POWER
The QT-1 quartz metronome offers soft or bright sound settings, volume control and a • Dimensions: 295(W) X 300(H) X 190(D)
NE-1from
Downloaded Parametric Equalizer manuals search
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flashing LED atop its unique design. Tuning notes over a one octave range are provided mm (11.6" X 11.8" X 7.5")
Downloaded from www.Manualslib.com manuals search engine