Scribd Logo
Upload

Welcome to Scribd!

  • Cello No Llores

    Uploaded by

    IgnacioMandrafina
    8 views3 pages
    This document contains musical notation for the violoncello. It includes rhythmic notation with rests, repeats, dynamics, articulations and tempo markings. The piece moves through several sections at varying speeds and features tremolos, pizzicatos, harmonics and changes between arco and pizzicato playing styles. It concludes with a faster, agitated section marked "Agitato" before finishing.

    Original Description:

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    This document contains musical notation for the violoncello. It includes rhythmic notation with rests, repeats, dynamics, articulations and tempo markings. The piece moves through several sections at varying speeds and features tremolos, pizzicatos, harmonics and changes between arco and pizzicato playing styles. It concludes with a faster, agitated section marked "Agitato" before finishing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    8 views3 pages

    Cello No Llores

    Uploaded by

    IgnacioMandrafina
    This document contains musical notation for the violoncello. It includes rhythmic notation with rests, repeats, dynamics, articulations and tempo markings. The piece moves through several sections at varying speeds and features tremolos, pizzicatos, harmonics and changes between arco and pizzicato playing styles. It concludes with a faster, agitated section marked "Agitato" before finishing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    Violoncello 2

                        4
    Rall off 4& Click continues

     
    49
    pizz

         4 

    mf

           
    55

          

       arco     
     
    61

       

    
    67

    Click finish 68–75


    

    
    76–82
     83–88

    

        
    89

           
    p

                        
    pp

       sultasto
    97

      
    3 3 3


    mp

                               
    102

      
    mp
    106 poco piu mosso
             
    108–114

      
    Violoncello 3
    CLICK
       
           
    115–121

     

    
    p

                     
    Click finish
       

    125

                 
       

                    
            
    130

    
    3 3

       
             
    un poco colla voce colla
             
            
    trem

    134

     
       
    pp

          
    un poco colla voce

     
     
         
    colla

     
    139 Fl/Cl dict in 4 CLICK 3,4

      
     


      3 3
    ff

                     
            
    146



    3

                           
    Agitato
    Click finish  
     
    150

          
       
    mp lis - ten to that The
    Violoncello

       
        

    154

         
      2
    4
    4
    4
    voice of Ar - gen - ti - na we are ad - ored, we are loved.

     4   
    più mosso Lento accel poco a poco

    
    Meno mosso

     
    157 CLICK 3,4 160–161 175

    4 
     
     
     
    f

     
    178

          
           

     
    186

           
    
     
     
        

    Click finish
      
    194

     







      
      7
    4

         
       7
    199
     
    ARISTOS

      
     4
    Things have reached a pret - ty pass when

                  
    
    200

      

    some - one pret - ty low - er class can be res - pec - ted and ad - mired

    ATTACCA

    You might also like