Scribd Logo
Upload

Welcome to Scribd!

  • Lamento - Sertanejo - Completa

    Uploaded by

    Marco Antonio Silva
    40 views2 pages
    This musical composition is titled "Lamento Sertanejo" and was written by Dominguinhos and Gilberto Gil. The piece is in a slow tempo of 55 beats per minute. The lyrics and music describe the rural Brazilian landscape and way of life in a melancholy tone through the use of repetitive phrases and instrumentation.

    Original Description:

    Original Title

    Lamento_Sertanejo - Completa (5)

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    This musical composition is titled "Lamento Sertanejo" and was written by Dominguinhos and Gilberto Gil. The piece is in a slow tempo of 55 beats per minute. The lyrics and music describe the rural Brazilian landscape and way of life in a melancholy tone through the use of repetitive phrases and instrumentation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    40 views2 pages

    Lamento - Sertanejo - Completa

    Uploaded by

    Marco Antonio Silva
    This musical composition is titled "Lamento Sertanejo" and was written by Dominguinhos and Gilberto Gil. The piece is in a slow tempo of 55 beats per minute. The lyrics and music describe the rural Brazilian landscape and way of life in a melancholy tone through the use of repetitive phrases and instrumentation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Lamento Sertanejo

     
                                      
    Dominguinhos / Gilberto Gil

        
     
     = 55 Lento

                
    1.     
                                 
    9

                        

                          
    14 2.

           
     

      
         
        
           
                
    22


                                        
            
    30


                                             
     = 80

      
    35 1. 2. Baião

        
                
                                  
    42

    2. 
              
       
      
          
      
                           
    48 1.

                
        
             
                        
    54

               
           
       
                    
    63



               
    2

                                   
     
    69

    2. 
      
                          
        
       
     
    74 1.

    You might also like