OSS

ENTERPRISE

Hybrid Vector Synthesizer. Featuring Wavetable, Additive, Vector and Subtractive Synthesis

MAIN FEATURES
- Oscillator section consisting of four oscillators that can be switched between analog,
wavetable and additive types with each type presenting a unique set of options and features.
- Dual filters with a choice of lowpass, bandpass, highpass or notch in 12 or 24 db modes with
a dedicated envelope and LFO for each. The filter LFO features inverse modulation for a neat
stereo filtering effect.
- Vector synthesis mixing of the oscillators with dedicated LFOs for the X and Y parameters.
Morph your sound between the oscillators as well as spatially by panning each source.
- Insanely unique LFO types that include classic analog, wavetable, additive and draw modes.
- Built in effects that include Panner/Tremolo, Delay and Chorus/Phaser.
- Quirky, unique and creative features and options at every corner!
- Highly CPU optimized and CPU modular - turn off sections you don’t need and save even
more on performance.
- Over 300 factory presets - Mystical sounds at your fingertips.
- Hundreds of extra DLC presets available.

01
CONTROLS
OSCILLATOR

On: Turns the oscillator on or off.

Type: Selects the oscillator type from a choice between analog, digital and additive types.
Vol: Attenuates the volume of the oscillator.
Pan: Pan the oscillator left and right.

Oct: Offsets the pitch of the oscillator from the incoming MIDI note in octave intervals.
Semi: Offsets the pitch of the oscillator from the incoming MIDI note in semitone intervals.
Fine: Offsets the pitch of the oscillator from the incoming MIDI note in cent intervals.
Ph: Determines the starting phase of the oscillator when each new note is played.

ANALOG OSCILLATOR
Mix: Crossfades the volume of subtractive
oscillators 01 and 02.
Ring: Crossfades the mixed subtractive oscil-
lators signal with a ring modulated signal of
the oscillators with each other.

02 ANALOG OSCILLATOR
Wave: Determines the waveform of the
oscillator between a sine, saw, triangle and
square
Oct: Offsets the pitch of the oscillator from
the incoming MIDI notes in octave intervals.
Semi: Offsets the pitch of the oscillator from
the incoming MIDI note in semitone inter-
vals.
Fine: Offsets the pitch of the oscillator from
the incoming MIDI note in cent intervals.
Sync: Applies hard sync where oscillator A is
the master and oscillator B is the slave.
01 ANALOG OSCILLATOR
Wave: Determines the waveform of the oscil-
lator between a sine, saw, triangle, pulse,
white noise, pink noise or brown noise.
Oct: Offsets the pitch of the oscillator from
the incoming MIDI notes in octave intervals.
Semi: Offsets the pitch of the oscillator from
the incoming MIDI note in semitone intervals.
Fine: Offsets the pitch of the oscillator from
the incoming MIDI note in cent intervals.
PW: Determines the static width of the pulse
type wave.
PWM: Sets the depth of pulse width modula-
tion applied to the pulse type wave.
PWM Rate: Sets the rate of pulse width modu-
lation applied to the pulse type wave.

DIGITAL OSCILLATOR
Wavetable Select 01: Selects the wave shape
to be used by wavetable oscillator 01 from the
choices provided in the wavetable.
Wavetable Select 02: Selects the wave shape
to be used by wavetable oscillator 02 from the
choices provided in the wavetable.
Mix: Crossfades the volume of wavetable
oscillators 01 and 02.
Load: Allows loading alternative wavetables
into each oscillator.

Loaded wavetables save with presets and projects as long as the files are kept in Appdata\Roaming\Ocean Swift\Defiant
WT\Wavetables , copy wavetable files that you would like to use into that folder. The wavetable expects cycle sizes of 2048
samples in 44100 sample rate and will slice the table to 100 cycles to be scrolled through by the wave select knob.
02
CONTROLS
OSCILLATOR

ADDITIVE OSCILLATOR
Draw Harmonics: Sets amplitude for up to 16
sine harmonics that are added to produce the
oscillator wave. Hold Shift to control just one
harmonic.
Normalize: Normalizes the harmonics. Keep-
ing normalize off results in squaring off of the
harmonics and results in more grungy-sound-
ing waves. Turning normalize on allows for
more moderate and controlled results.
Random: Randomizes the values of the addi-
tive harmonics, based on the maximum value
set with the range parameter. The randomiza-
tion is either completely free, or it can be
mildly scaled using the scale button.
Scale: Applies scaling to the randomization of
the additive harmonics when the rand button
is triggered. The scaling is intentionally
imperfect, allowing for slight variations.
Range: The maximum range used for the rand-
omization

CONTROLS
VECTOR MIX & AMP ENVELOPE
VECTOR MIX
On: Turns the vector mix sec-
tion on and off. Note that
when the vector section is
turned off the oscillator vol-
umes are controlled solely by
each oscillator’s volume knob.
XY Grid: Can be manipulated
and set directly by the mouse,
or the X and Y knobs. Note that
the vector LFOs do not provide
visual feedback to the grid.
X: Knob for controlling the X
position on the XY grid.
Y: Knob for controlling the Y
position on the XY grid.

AMP ENVELOPE
Velocity: Determines whether the amplitude of the envelope is controlled by incoming MIDI
velocity information or not.

A: Determines the length of the attack portion of the envelope.

D: Determines the length of the decay portion of the envelope.
S: Determines the sustaining volume of the envelope.
R: Determines the length of the release portion of the envelope.

03
CONTROLS
ENVELOPES & MODULATION

ENVELOPES
PITCH, FILTER 1, FILTER 2

Env: Determines the depth of

modulation applied by the
envelope.
A: Determines the length of
the attack portion of the enve-
lope.
D: Determines the length of
the decay portion of the enve-
lope.
S: Determines the sustaining
volume of the envelope.
R: Determines the length of
the release portion of the
MODULATION (LFOs) envelope.
PITCH, VECTOR, FILTER 1, FILTER 2

On (Vectors): Turns the Vector LFO on or off. When turned on the LFO overrides the corre-
sponding vector knob position.
Mod Type: Selects the LFO type between analog, digital, additive and draw types.

Depth: Determines the depth of modulation applied to the filter by the LFO.
Rate: The speed of the modulation. When in sync mode the control and rate are determined by
a division of the incoming BPM. When in free mode the control and rate are
determined by frequency in hertz.
Sync Button: Switches between free rate and bpm sync mode for the LFO’s speed.
RT: Retrigger Button. When turned on, retriggers the LFO cycle from zero phase with each new
MIDI note.
Range: When in free mode determines the maximum range of the rate knob.

MOD TYPE: ANALOG

Wave: Selects the waveform of the LFO between a sine, saw, triangle, square, glide or sample
& hold.

MOD TYPE: DIGITAL

Wave: Selects the waveform of the LFO between the shapes available in the wavetable. See
the Oscillator wavetable load section on more information on loaded wavetable files.

MOD TYPE: ADDITIVE

Draw Harmonics: Sets amplitude for up to 16 sine harmonics that are added to produce the
oscillator wave. Hold Shift to control just one harmonic.
Normalize: Normalizes the resulting wave. Keeping normalise off results in squaring off of the
harmonics at the clipping point and results in more grungy-sounding waves. Turning normal-
ize on allows for more moderate and controlled results.

MOD TYPE: DRAW

Draw Waveform: Allows drawing of the wave with the mouse.
Normalize: Normalizes the resulting wave. Keeping normalize off results in squaring off of the
wave at the clipping point and results in more grungy-sounding waves. Turning normalize on
allows for more moderate and controlled results.
04
CONTROLS
FILTERS

FILTER 1 & FILTER 2

Type: Switches between Bypass, Lowpass, Highpass. Bandpass, Notch filter types
XY: Turns the filter XY pad on and off. When turned off the cutoff and resonance knobs are
visible. When turned on the view switches to an XY grid where X controls the cutoff and Y
controls the resonance.
12/24 db: Switches between a 12db and a 24db filter slope.
On: Switches the filter on and off.
Inv: Inverts the Filter LFO modulation of the right signal for a stereo filtering effect.

Cut: Determines the cutoff point of the filter.

Res: Sets the resonance of the filter.
KBT: Sets the amount of tracking applied to the cutoff point by incoming MIDI notes.

05
CONTROLS
MULTI EFFECTS
Effects View Selector: Switches the GUI view of the
effects section between the available effect units -
panner/tremolo, delay, and chorus/phaser. When an
effect is turned on, the corresponding switch on the
selector will shine in white, indicating the on state.
PHASER
On: Turns the phaser effect on and off.
Stages: Determines the number of phaser
stages.
Delay: Determines the pre-delay time applied
to the signal inside the phaser circuit.
Feed: Sets the amount of feedback in the
phaser circuit.
Rate: Determines the rate of modulation of the
phaser circuit.
Mod: Sets the depth of the phaser effect
applied to the signal.
Wet: Crossfade mix between the original and
phaser signals.
PANNER / TREMOLO
On: Turns the panner / tremolo effect on
and off.
Panner / Tremolo Switch: Switches
between panner and tremolo effect types.
Depth: Determines the depth of the pan-
ning effect applied to the signal by the
dedicated LFO.
Rate: The speed of the modulation. When in
sync mode the control and rate is deter-
mined by a division of the incoming BPM.
When in free mode the control and rate are
determined by frequency in hertz.
Sync: Switches between free rate and bpm
sync mode for the LFO’s speed.
DELAY
On: Turns the delay effect on and off.
Feed: Determines the feedback in the delay
circuit.
Cross: Enables and disables cross feedback
between the left and right signals.
Time L: Sets the delay times in milliseconds
or tempo divisions based on the sync
switch for the left signal.
Time R: Sets the delay times in millisec-
onds or tempo divisions based on the sync
switch for the right signal.
Sync: Switches between selected time in
milliseconds and BPM sync mode for the
delay times.
Wet: Crossfade mix between the original
and delayed signals.
CHORUS / PHASER
On: Turns the chorus/phaser effect on and
off.
Chorus/Phaser Switch: Switches between
chorus and phaser effect types.
CHORUS
Depth: Determines the depth of the chorus
effect applied to the signal.
Rate: Determines the rate of modulation of
the chorus effect.
Feedback L: Determines the feedback of the
left signal inside the chorus circuit.
Feedback R: Determines the feedback of
the right signal inside the chorus circuit.
Cross: Enables and disables cross feedback
between the left and right signals.
Delay: Determines the pre-delay time
applied to the signal inside the chorus
circuit.
06
VIRTUAL KEYBOARD

Octave: Allows offsetting of the base octave of the virtual keyboard.

Latch: When turned on, keys played on the virtual keyboard will sustain in the on position until
a key is pressed again. When turned off the virtual keys function in the classic manner and
sustain as long as a key is held down.

MAIN OUTPUT
Mono: When turned on the synth is placed in monophonic
mode, when kept off the synth is polyphonic.
Glide: Determines the glide time between MIDI notes, only
active when the synth is in mono mode.
P.Bend: Setting the pitch bend range of incoming MIDI pitch
bend information by semitone intervals.
HP: Turns a very mild high pass filter on the overall output
on or off.
Clip: Turns soft clipping on the overall output on or off.
Main Output: Determines the overall volume output of the
synthesizer.

Help ?: Launches the manual in the default PDF browser

DLC: Launches the Enterprise DLC presets page at the
Ocean Swift website.
Skin: Selects from several choices for the synthesizer’s
background graphics.

PRESET SECTION
Preset Next: Selects the next preset in the loaded bank.
Preset Previous: Selects the previous preset in the loaded bank.
Save: Saves the current preset.
Presets are located in: Appdata\Roaming\Ocean Swift\Defiant WT\Presets\
* Note: When making changes to the preset folder manually such as creating folders and
moving or renaming presets - right click on the preset name area of the plugin to refresh the
preset list.
* Note: Preset sub-folders should be named starting and ending with dashes in order for the
preset system to organize the files correctly, e.g. "-Bass-"

CREDITS
Circuit Design: Yaron Eshkar
Gui Design: Fernando Abreu

WEB
https://www.oceanswift.net/enterprise
https://www.facebook.com/oceanswiftsynthesis/

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