The rubric outlines musical concepts for Irish fiddling from introduced to mastered levels, including technique, rhythm, intonation, collaboration, and cultural understanding. It shows a progression from beginning knowledge to consistently demonstrating good posture, steady beat, focused tone, leadership, and understanding of traditional Irish music forms and dance styles. The goal is for students to confidently learn and play by rote while understanding how to accompany different dances in various meters at the appropriate tempos.
The rubric outlines musical concepts for Irish fiddling from introduced to mastered levels, including technique, rhythm, intonation, collaboration, and cultural understanding. It shows a progression from beginning knowledge to consistently demonstrating good posture, steady beat, focused tone, leadership, and understanding of traditional Irish music forms and dance styles. The goal is for students to confidently learn and play by rote while understanding how to accompany different dances in various meters at the appropriate tempos.
The rubric outlines musical concepts for Irish fiddling from introduced to mastered levels, including technique, rhythm, intonation, collaboration, and cultural understanding. It shows a progression from beginning knowledge to consistently demonstrating good posture, steady beat, focused tone, leadership, and understanding of traditional Irish music forms and dance styles. The goal is for students to confidently learn and play by rote while understanding how to accompany different dances in various meters at the appropriate tempos.
Technique/Posture Student is showing Student is developing Student consistently beginning knowledge good posture and shows good posture and of good posture and technique. Sometimes technique. This includes technique. Learning to playing with straight straight wrist and curved play with a straight wrist and curved fingers in LH. In Bow wrist and curved fingers in LH. Bow arm arm; curved pinky, bent fingers in LH. Bow arm has minimal thumb. Bow stays in has been introduced inconsistencies with “lane 2” (straight across and student curved pinky and bent the strings). occasionally plays with thumb. Often plays in a curved pinky and “lane 2.” bent thumb. Rarely plays in “lane 2.” Beat/Rhythm Student is showing Student often plays Student can play beginning knowledge with steady beat and consistently with a of steady beat and rhythmic accuracy. One steady beat and rhythm. Three or more or two minor rhythmic rhythmic accuracy. rhythmic errors. errors. Student stays Student always stays Student struggles to together most of the together when playing stay on beat with the time with other with ensemble rest of the ensemble. ensemble members members. when playing in a group. Intonation Student it showing Tone is often open, Tone is open, resonant, beginning knowledge resonant, and focused. and focused throughout. of intonation. Tone is Bow usage is Bow is used lacking focus and considered by the appropriately to quality sound. Bow is student and used produce a quality tone. not yet considered for appropriately some of quality sound. the time. Citizenship and Student is showing Student is usually Student leads by Collaboration beginning knowledge prepared with example. Arrives of citizenship and instrument, music, and prepared with collaboration. Often pencil. Has forgotten instrument, music, and forgets materials and materials 2-3 times. pencil. Shares music and struggles to share Often helpful towards stand. Always helpful stand and help other other musicians, and towards ensemble musicians. Student has usually comes to class members. Has a positive been introduced to with a positive mindset throughout concepts of growth mindset. rehearsal. mindset. Cultural Understanding Student is showing Student can learn and Student can confidently beginning knowledge play by rote. They are learn by rote and of understanding the showing an understands the form of cultural elements of understanding of the traditional Irish music. playing and learning by form of traditional Irish They can play in all rote. Fiddling students music. Student meters (4/4, 6/8, 9/8. have basic knowledge understands the 12/8) and understand of the different styles different meters used the tempo markings of Irish dance and how for each style of a jig or needed for dancers for to move to a steady reel. each style of jig or reel. beat in a variety of meters.