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    Avé Maria William Gomez Flauta e Violoncelo

    Uploaded by

    jmiguelfg
    The document contains musical notation for an arrangement of the song "Ave Maria" for flute and cello. It includes the melody written out over multiple lines with indications for tempo, dynamics, and ornamentation. The piece is through-composed with variations introduced throughout.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    Avé Maria William Gomez Flauta e Violoncelo

    Uploaded by

    jmiguelfg
    22 views2 pages
    The document contains musical notation for an arrangement of the song "Ave Maria" for flute and cello. It includes the melody written out over multiple lines with indications for tempo, dynamics, and ornamentation. The piece is through-composed with variations introduced throughout.

    Original Description:

    Copyright

    © © All Rights Reserved

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    The document contains musical notation for an arrangement of the song "Ave Maria" for flute and cello. It includes the melody written out over multiple lines with indications for tempo, dynamics, and ornamentation. The piece is through-composed with variations introduced throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    22 views2 pages

    Avé Maria William Gomez Flauta e Violoncelo

    Uploaded by

    jmiguelfg
    The document contains musical notation for an arrangement of the song "Ave Maria" for flute and cello. It includes the melody written out over multiple lines with indications for tempo, dynamics, and ornamentation. The piece is through-composed with variations introduced throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Ave

    Maria

         
    William Gomez, arr. Miguel Gonçalves

      = 60      
        
           
    Flauta

        
    3 3

     

    Violoncello

               

                 
     
    7

     
    Fl.

         
    3 3 3 3 3 3

     
    Vc.

          
           

    10

     
    Fl.

      
       
    3 3

     
    3 3 3 3 
    Vc.

               

                 
     
    15

     
    Fl.

       
     
    3 3 3 3 3 3

     
    Vc.

              

     
    18

     
    Fl.

              


     3 3


    3 3 3 3 3 3

    Vc.

      
             
     
    22

                 
    Fl.

       
    3 3
    3 3

    Vc.

    3 3 3 3
         
    2

         
      
    25

     
       
    Fl.

          

    3 

    Vc.
    3 3
     

    
    3 3

                          
     
    29

    Fl.

          
      
    3 3 3 3


    Vc.

                   
    
     
    33

    Fl.

     
         
    3 3 3 3  3


    3 3 3 3
    Vc.

           

     
    36

      
    Fl.

         
        
    3
    3 3

    Vc.

           
    3 3

           
    3 3

    
     
    39

    Fl.

      
        
    3 3 3
    3 3

    Vc.

           
    

    42

      3
            
    Fl.

    Vc.
           
    3 3
    3 3

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