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The Write Stuff Unit Plan: The Whale by Ethan & Vita Murrow
The Write Stuff Unit Plan: The Whale by Ethan & Vita Murrow
YEAR 4
Instructions
To achieve maximum impact in the classroom, we recommend purchasing the following
books to support the teaching of this unit:
• The Write Stuff - Transforming the Teaching of Writing by Jane Considine, which fully
explains her progress-boosting teaching methods www.thetrainingspace.co.uk
We recommend these structured days are followed by an independent pupil writing task.
The following resources will also support the teaching of this unit:
We love to hear your success stories and see your pupils work examples. Please get in touch by:
email: info@thetrainingspace.co.uk
Facebook: janeconsidineeducation
Twitter: @janeconsidine
Watch training sessions on YouTube to understand how this unit of work supports teaching
and learning.
YouTube: thetrainingspace
www.thetrainingspace.co.uk
Please note that narrative units are built from two modes of teaching.
Sentence Stacking
Lessons concentrate on the teaching of writing with a sharp focus on the craft and
construction of sentences. Each Sentence Stacking lesson is organised into three learning
chunks. Sentences created by pupils should be celebrated and examples used to form a large
class Sentence Stack. This Sentence Stack should build over the duration of the unit to display
the whole piece of text. See appendix for example of complete teacher model for this unit.
Experience Lessons
Immersive teaching to stimulate ideas. Experience lessons can take many forms - visits out,
visitors in or drama conventions deployed to strengthen context and build imagination. The
number of experiences included in a unit is at a teachers’ discretion. Experience lessons
can be added or removed from a teaching sequence depending on the needs of pupils and
knowledge of their previous experiences.
Plot points should be slowly revealed and added to the narrative map as you progress
through a unit and teach each Sentence Stacking lesson. We recommend narrative maps
show a journey of nine plot points or less. Our narrative units therefore contain nine or less
Sentence Stacking lessons.
There is an example narrative map for this unit included. As plot points are added, use the
positive/negative axis to discuss if the plot point was a high or low for the character. You can
also change the character shown and add annotations.
Independent Writing
It is important to map the plot points and analyse the highs and lows of the narrative built
across a unit, as this will generate the task for independent writing at the end. Using the
‘Independent Writing Teaching Sequence’ included, teachers move through the steps to guide
children from the highly modelled Sentence Stack to writing independently. When writing
narrative, the pupils independent task should be to craft their own text which mirrors the
highs and lows mapped. It is within the teacher’s discretion to choose a big idea focus for
pupils to build their own ideas e.g. story about a character who shows their bravery. This
gives pupils real freedom to develop their plot points independently.
DAY 17 DAY 18
Independent Independent
Writing Sequence Writing Sequence
Key: English Lesson Sentence Stacking Lesson Experience Lesson Independent Writing Sequence
(see appendix)
Pupils plan, independently write and edit their work over 3-5 sessions as part of The Teaching Sequence for Independent Writing.
Lucy
Plot
Plot Point 1 Plot Point 3 Plot Point 4 Plot Plot Point 8 Plot Point 9
Plot Point 2 Plot Point 5 Point 7
Lucy accepts A storm Storm havoc Point 6 A glimpse News
Heading out A silhouette Repairing
the poster swells & a splintered A whale of the report
in the boat her boat
challenge boat talks to magnificent
her creature
1
2
3
4
5
6
7 To understand how to
8 use this map, please
Character 9 read the page titled
‘Narrative Journey’.
Lows -10
Whale
research
• Watch clips from BBC Blue Planet. Pupils to note down new pieces of
information.
• Watch YouTube videos of experts talking about whales and make
notes, including technical language.
• Organise the class into 5/6 expert groups, with each researching a
different type of whale (e.g. blue, killer, sperm, humpback, mink, gray).
• Discuss the various species and the oceans they inhabit.
• Recap on the rucksack activity from Provided sentence: Lucy stood Pupils to use expanded noun
Experience Day (2). and pondered the question that phrases that suggest Lucy is ready
• Zoom into the first picture of Lucy and occupied the wall. for adventure.
discuss her appearance – e.g. hair scraped
Teacher model: Hair scraped back, HA: Deepen the moment.
back; ripped, baggy jeans; loaded rucksack;
ripped, baggy jeans and a pair of
binoculars at the ready. What does her
binoculars at the ready, she was
appearance tell us about her personality?
• Pupils to paste this picture into their books.
always seeking adventure.
• Discuss how some rhetorical questions don’t Provided sentences: Her eyes were Insert three short rhetorical
start with question openers (because they drawn closer and closer. This was questions, answered with
are inner thoughts in someone’s mind) – e.g. no ordinary whale. exclamations.
Really? A spotted whale?
Teacher model: A spotted whale? HA: Deepen the moment.
• Explore exclamations that start with ‘how’
How strange! Close to these shores?
and ‘what’ – e.g. How strange! What a
Not possible! Is it real? I must find
mystery!
• Explain how the short, punchy style of this
out.
section helps to convey that Lucy’s mind is
racing.
• Provide the sentence…Lucy was Teacher model: Lucy, who Add a relative clause that provides
determined to find out if the wasn’t fazed by a challenge, extra detail about Lucy’s personality.
mystical creature was real. was determined to find out if the HA: Deepen the moment.
• Gather a bank of relative clauses mystical creature still existed.
to drop in after the first word –
e.g. who loved adventures; whose
brain never stopped working;
who was always on a mission.
Steps to Success:
Heading out
in the boat Plot Point 2 Complex sentence
Inner thoughts
Smell
• Pupils to generate powerful Teacher model: Without hesitation, Open with a powerful verb (or
verbs and phrases that give a she tightened her trusty backpack phrase) and describe one of her
sense of urgency – e.g. paced, and headed towards the harbour. smaller actions (showing she’s ready
sped, powered, sprinted, darted, for adventure as she rushes towards
without a second thought, the harbour).
without thinking twice. HA: Deepen the moment.
• Collect suggestions for Lucy’s Teacher model: Lucy thought about Write three sentences to evidence
inner thoughts about the sea how she had always loved the sea. her positive feelings/association
– e.g. her happy place, evoked The ocean was in her blood. As soon with the sea.
family memories, in her blood, as she stepped off dry land, she was HA: Deepen the moment.
felt like home. home.
• Generate vocabulary (including smells) Teacher model: Salty sea spray Use an alliterative opener to set the
that suggests a storm is brewing – wafted up her nostrils. Lucy knew a scene, followed by short sentences
musty, damp, salty, sulphurous, grey, change was coming. Musty. Damp. to heighten the tension around the
dull, dark, isolation, lightning, spume. Sulphurous. The sky darkened. brewing storm.
• Group this vocabulary in an HA: Deepen the moment.
alliteration bank – e.g. damp, dark,
dull; salty, stagnant, sulphurous, spray;
wild, waves, whipped.
• Collect synonyms for ‘smell’ (noun) –
scent, waft, odour, whiff.
• Collect a bank of ‘sudden’ Teacher model: Suddenly, out of Use an adverb + adverbial to create
adverbs – immediately, instantly, nowhere, a storm swelled. a moment of tension before the
swiftly, abruptly, instantaneously, storm.
unexpectedly. HA: Deepen the moment.
• Gather ‘sudden’ adverbial
phrases – all of a sudden; all at
once; without warning; in the
blink of an eye; as quick as a
flash; catching them unawares;
at that moment.
• Talk about the storm being a Teacher model: It picked up the boat Write two personification sentences
monster. and tossed it across the ocean. It (one action; one communication).
• Gather ‘angry’ human actions screamed incessantly. HA: Deepen the moment.
– throwing, kicking, punching,
screaming, thrashing, pushing,
pulling, punching.
• Collect human ‘shouting’
synonyms – screaming, bawling,
wailing, yelling, ranting, shrieking.
• Read Grandma’s letter (see Provided sentence: Lucy’s troubled mind Pupils to choose their own advice
Appendices). Pupils to choose drifted to her Grandma – the strongest from the letter and include a
their favourite lines. lady she knew. What would she do? ‘watery’ verb.
• Gather ‘watery’ verbs to explain Teacher model: Some words from HA: Deepen the moment.
how Grandma’s words washed Grandma’s letter washed over
over Lucy – e.g. floated, drifted, her…"even at your lowest ebb, your most
sailed, cascaded, submerged, difficult moment, when you feel like
flowed, ebbed.
there’s no way out, battle on, persevere
and hang in there. It will be worth it."
• Explore negative/chaotic Teacher model: Panic. Distress. Fear. Pupils to use repetition for effect
emotions and states of being – The storm wreaked havoc. Chaos. and single-word sentences to create
e.g. hopelessness, terror, disarray, Turmoil. Dejection. The boat drifted tension and summarise the impact
pandemonium, disorder, bedlam, away. Relief. Devastation. Confusion. of the storm.
anxiety, nervousness, alarm.
The adventurer was alive. HA: Deepen the moment.
• Discuss how the sky/ Teacher model: The sky was Describe an aspect of the
environment can mirror the hurt/ battered and bruised while Lucy felt environment that mirrors Lucy’s
damage caused by the storm. the pain of the attack. pain.
• Display images of ‘wounded’
HA: Deepen the moment.
skies and collect vocabulary
– bleeding, purplish, bruised,
red, pulsating, crumpled clouds,
hurting, struggling to recover
from the onslaught.
• Gather a bank of everyday Teacher model: Like shards of Open with a simile and bring the
‘broken’ items for a simile – e.g. broken glass, the splintered wood ocean back to tranquillity.
dropped jigsaw, smashed vase, dissipated into the depths of the HA: Deepen the moment.
shattered window. now calm ocean.
• Collect vocabulary for a ‘calm’
ocean – still, glassy, tranquil,
rippling, smooth.
Steps to Success:
A
Noticing/sights
silhouette Plot Point 5
Actions
Alliteration
• Explore synonyms for ‘giving Teacher model: Just as she was Use onomatopoeia to introduce the
up’ – admitting defeat, giving in, about to admit defeat…whoosh! She whale and describe the silhouette/
surrendering, calling it a day. turned to see a silhouette poking shape that Lucy sees.
• Generate onomatopoeic words
above the crest of a wave. HA: Deepen the moment.
for the whale surfacing –
Provided sentence: At that very
whoosh, fizz, splash, splosh,
moment, she noticed the lookout
slosh, splatter.
• Collect synonyms for ‘silhouette’ tower. Her prayers had been
– outline, shadow, shape, figure, answered.
entity, profile, image.
• Collect ‘ing’ verbs for ‘wanting’ Teacher model: Craving a better Open with an ‘ing’ verb and
– desiring, yearning, hankering, view, she dashed towards it, describe three of Lucy’s hurried
hoping, longing, hungering. scrambled to the top and craned her actions.
• Gather powerful verbs for Lucy’s
neck for a clearer picture. HA: Deepen the moment.
actions as she rushes to the
lookout tower – sped, raced,
sprinted, dashed, clambered,
climbed, stretched, strained,
lengthened.
• Explore alliterative pairs of Teacher model: Curious and Write a sentence including two
feelings for Lucy – hypnotised captivated, mesmerised and alliterative pairs.
and hopeful; mesmerised and mystified, she scrutinised the HA: Deepen the moment.
motivated; captivated and horizon.
curious; fixated and fascinated;
tearful and transfixed.
• Discuss with the children how the Teacher model: Through the Use a fronted adverbial to describe
moment spurs Lucy on but she still hazy lenses of the binoculars, the the state of the binoculars.
feels unsure. mystical outline arced across her HA: Deepen the moment.
• Gather a bank of words for ‘dirty’
view.
– unclear, indistinct, bleary, blurred,
fuzzy, hazy, granular, vague, grainy,
obscure, ill-defined.
• Collect words for ‘mystical’ –
mysterious, strange, magical,
unusual, mystifying, puzzling, baffling,
shadowy, perplexing, dark, curious.
• Explore objects/people/animals Teacher model: The moon was the Build a moon metaphor, where it
as metaphors for the moon – e.g. glowing halo of an angel guiding appears to be guiding Lucy
silver coin, lighthouse beacon, Lucy. HA: Deepen the moment.
torch, lantern, flame, unblinking
eye, diamond, platinum pendant,
silver compass.
• Collect adjectives for the moon –
shimmering, glistening, ghostly,
glowing, glimmering, gleaming,
captivating, mesmerising,
haunting, radiant, luminous.
•
• Talk about cohesion and the use Teacher model: As she listened to Add the whale’s message, using
of the pronoun to avoid the night, she could hear a whale inverted commas.
repetition e.g. she talking to her. “Follow me. I’ve HA: Deepen the moment.
• Listen to a YouTube video of been here all along. Tonight is your
whale song.
chance to find me.”
• Remind pupils of Grandma’s
letter: the whale song providing
the answers.
• Pupils have 20 minutes to build a boat/raft that will float with a ball of
Plasticine in it.
• Provide groups with a collection of materials, e.g. string, lollipop sticks,
masking tape, corks, cotton reels, paper, card, glue.
• Boats need to float for 20 seconds.
• Mark teams out of 10 for resilience, resourcefulness, logic etc.
• Explore ideas for exclamations Lucy might Teacher model: Hastily, she leapt Open with an adverb to introduce
make to her boat – e.g. I need to fix you up! to the aid of her boat. “It’s up to us the action. Write two or three
Let’s do this! It’s up to us now! now. Let’s get you patched up. We sentences of dialogue from Lucy.
• Pupils to recall their own boat-building
can do this!” HA: Deepen the moment.
experiences and suggest verbs – e.g. seal,
stick, fix, fasten, attach, secure, screw, bolt,
join, seal, patch up.
• Gather ‘fast’ adverbs – hastily, quickly,
briskly, rapidly, speedily.
• Collect verbs for Lucy springing into action –
jumped, scrambled, leapt, rushed, dived.
• Refer to a boat diagram and Teacher model: Broken bow, leaning Use adjectives for three broken
collect technical language – e.g. mast, splintered deck – where parts of the boat, followed by a long
stern, bow, hull, keel, mast, deck. should she begin? dash and a question.
• Collect ‘broken’ adjectives for the HA: Deepen the moment.
parts of Lucy’s boat – shattered,
cracked, split, snapped,
splintered, fractured, buckled,
warped, bulging, crumpled.
• Gather adverbs that mean ‘as luck would have Teacher model: Fortunately, Lucy Begin your first sentence with an
it’ – fortunately, luckily, thankfully, mercifully. was renowned for her quick- adverb and your second with a time
• Explore Lucy’s positive personality traits that
thinking nature. Before long, her adverbial.
will help her in this situation – quick-thinking,
boat was seaworthy. HA: Deepen the moment.
nimble, resilient, brave, determined, resourceful,
courageous, inventive, ingenious.
• Gather time adverbials – before long; in no time
at all; some time later; after a while; as soon as;
minutes later; an hour later; shortly afterwards.
• Explore how we can reveal Teacher model: Her eyes widened, Include three clues to the reader
Lucy’s ‘shock’ without her her heart fluttered and her jaw that Lucy is shocked.
talking – e.g. eyes widened, jaw dropped. She couldn’t believe what HA: Deepen the moment.
dropped, sharp intake of breath,
she was witnessing.
gasped, reeled, heart raced, skin
Provided sentence: In the blink of an
tingled/had goosebumps, hairs
eye, it was gone.
on back of neck stood up, blinked
rapidly, smiled from ear to ear,
clasped hand over mouth.
• Provide a close-up image of Lucy Teacher model: Could it be true? Use three rhetorical questions to
spotting the whale. Where had it come from? Where establish a cliffhanger moment.
• Set up a freeze-frame, with had it gone? HA: Deepen the moment.
pupils staring at the whale and
provide enormous thought
bubbles to thought-shower
rhetorical questions – e.g. Where
had it come from? Was she
dreaming?
• Build alliteration banks for each Teacher model: Dynamic diva Summarise the plot using
segment of the strapline – 1. Lucy dodges danger and makes dream alliteration.
(ardent adventurer; dynamic diva; discovery. HA: Deepen the moment.
terrific teen; magnificent miss;
wondrous warrior); 2. Triumphs over
adversity (dodges danger; survives
storm; braves battering; bails out boat;
mends mast); 3. Whale experience
(dream discovery; magical moment;
watches whale; spies sea monster).
• Show pupils a question frame Teacher model: Lucy (aged 10) Answer the four 4Ws in one punchy
commonly used by journalists last night rediscovered a species sentence.
to orientate the reader – who, of whale in Cape Tribulation that HA: Deepen the moment.
what, when, where. marine biologists had previously
• Determine the 4Ws for Lucy’s
thought extinct.
story.
Teacher Model
Letter to Grandma
Guidance on editing.
Without hesitation, she tightened her trusty backpack and headed towards the harbour. Lucy
thought about how she had always loved the sea. The ocean was in her blood. As soon as
she stepped off dry land, she was home. Salty sea spray wafted up her nostrils. Lucy knew a
change was coming. Musty. Damp. Sulphurous. The sky darkened.
Suddenly, out of nowhere, a storm swelled. It picked up the boat and tossed it across the
ocean. It screamed incessantly. Lucy’s troubled mind drifted to her Grandma – the strongest
lady she knew. What would she do? Some words from Grandma’s letter washed over her…
’even at your lowest ebb, your most difficult moment, when you feel like there’s no way out,
battle on, persevere and hang in there. It will be worth it.’
Panic. Distress. Fear. The storm wreaked havoc. Chaos. Turmoil. Dejection. The boat drifted
away. Relief. Devastation. Confusion. The adventurer was alive. The sky was battered and
bruised while Lucy felt the pain of the attack. Like shards of broken glass, the splintered wood
dissipated into the depths of the now calm ocean.
Just as she was about to admit defeat…whoosh! She turned to see a silhouette poking above
the crest of a wave. At that very moment, she noticed the lookout tower. Her prayers had
been answered. Craving a better view, she dashed towards it, scrambled to the top and
craned her neck for a clearer picture. Curious and captivated, mesmerised and mystified, she
scrutinised the horizon.
Through the hazy lenses of the binoculars, the mystical outline arced across her view. The
moon was the glowing halo of an angel guiding Lucy. As she listened to the night, she could
hear a whale talking to her. “Follow me. I’ve been here all along. Tonight is your chance to find
me.”
Curving powerfully over her head, there it was. The most splendid, the most divine, the most
magnificent creature she had ever seen. Her eyes widened, her heart fluttered and her jaw
dropped. She couldn’t believe what she was witnessing. In the blink of an eye, it was gone.
Could it be true? Where had it come from? Where had it gone?
WHALE HELLO THERE! Dynamic diva dodges danger and makes dream discovery. Lucy (aged
10) last night rediscovered a species of whale in Cape Tribulation that marine biologists had
previously thought extinct.
If you are opening this letter, then it’s your tenth birthday. You may not know,
and I feel it my place to pass on to all future females of the Ross family our rich heritage
of discovery and adventure. For the past three hundred years the Ross women have
always been brave and fearless adventurer and explorers who have had a calling
for the sea.
A life of intrigue, risk-taking and exciting escapades await you. Because of this I feel
compelled to offer a few words of advice. Always follow your instinct, you will know
when you have a calling and it is futile to resist. Secondly, even at your lowest ebb,
your most difficult moment, when you feel like there’s no way out, battle on, persevere
and hang in there. It will be worth it. And finally, when your lost and confused, and don’t
know what to do, stand under the light of a full moon and listen to the whale
song and the answers will find you.
Grandma Edith.
xxx
1 2 3 4 5 6 7 8
PLAN
Success criteria should include a mix from the ‘Three Zones of Writing‘.
Example
1. Feelings
(Add description)
2. Noticing
(Add description)
3. Punctuation
4. Complex
Sentence
5. Repetition
(Power of 3)
6. Personification
Please ensure that success criteria does not include examples. Please also
ensure that there is no modelling or over scaffolding during the Independent
Writing Teacher Sequence.
Character
1
2
3
4
5
6
To understand how to
7
use this map, please
Character 8 read the page titled
9 ‘Narrative Journey’.
Lows -10
High in the sky, Ben watched the bird soar gracefully in the shafts of sunlight.
Pupils to be made aware that a plot point should make a paragraph. Children should spend
time writing in silence.
Once the independent writing process is over, it is important pupils are given space and time
to edit their work. Pupils need to be aware that there are different ways they can improve
their writing.
Edit Type 1: These are often “little” adjustments or changes and tend to fall into one of these
categories.
Edit Type 2: This is crucial and particularly for primary age pupils’ thinking needs to be
attached to sentence rewrites. A rewrite would be appropriate if a sentence doesn’t make
sense, could be restructured or generally improved.
Edit Type 3: This is when a writer wants to add more sentences to develop an idea further.
Pupils are often resistant about adding more as it presents the problem of where to fit
additional sentences. This is an ideal opportunity to train pupils to use ‘editing flaps’.
Editing flaps are extra pieces of paper that stick onto their writing and show the additional
sentences added into their work.
The Writing Rainbow offers a complete view of ‘The Write Stuff’ methods and systems. This
is an excellent tool for teachers and pupils that have adopted the approaches found in Jane
Considine’s book ’The Write Stuff’.
The poster is perfect for working walls; to add pupil and author examples of sentence
types and structures, e.g. a complex/multi-clause sentence, a simile sentence. The poster
is organised into three tiers to match the ‘Three Zones of Writing’; the FANTASTICs, the
Grammaristics and the Boomtastics.
The Writing Rainbow provides guidance for pupils writing at greater depth. Pupils familiar
with this poster use it as a visual reminder of the wealth of ways they can showcase flair and
select a focus for Deepen the Moment.
The poster is also a bright and colourful reminder that can be referred to during
demonstration writing.
Digital and print versions are available to buy from our online shop
Print version
www.thetrainingspace.co.uk/product/the-writing-rainbow-poster/
Digital download
www.thetrainingspace.co.uk/product/writing-rainbow-poster-electronic-version-for-
whiteboard-use/