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Literature Review
Literature Review
Literature Review
that 65.51 lakh people are directly or indirectly engaged in weaving and
associated activities in the handloom sector. In India, the handloom
sector is highly decentralized and dispersed. The government has come
up with a scheme called Integrated Handloom Cluster Development
Scheme (IHCDS). In this scheme, weavers who are organized as
clusters would get the assistance directly from the Union government. It
focuses on the handloom weavers’ group to enable them to become self-
sustainable and produce the best quality of products. In West Bengal,
there are 3,50,994 handlooms providing direct and indirect employment
to around 6,66,514 people. So, handlooms in West Bengal have made
some important contribution towards the economy of the state.
According to Das et al 2016, it has been seen that both Shantipur and
Fulia towns in Nadia district of West Bengal, Kolkata are the most
eminent handloom saree weaving centre in Bengal. In comparison to
Shantipur, Fulia is a recent center of handloom sarees getting weavers
from Bangladesh and East Pakistan. The Shantipur Fulia region has
over 125,000 handlooms, producing Shantipuri, Tangail, and Jamdani
handloom sarees in cotton, tussar and silk yarns. (Shantipur-Fulia). It
has been concluded that there are three types of weavers working in the
Handloom cluster of Shantipur and Fulia such as Entrepreneur, Labourer
and Cooperative fold weavers. These two towns are weaver
concentrated areas and around 42,000 looms are operated with 95,000
people working in the weaving field. After the development of various
handloom cooperative society in Shantipur, the houselhold income level
of the people has been increased. The average earning of the weaver’s
family is between Rs. 1500- Rs.2000 monthly. However, the weavers do
not get enough finance from the commercial banks. Government is
inactive in export promotion. So, more government support is required in
order to gain success in the Shantipur and Fulia region.
It has been concluded that handloom industry is the backbone of the
economy of Fulia and the weavers of Fulia are only carrying the
traditional weaving techniques with new advanced 93 thoughts and
designs of Tangail shari in West Bengal. Though the State Government
has taken some initiatives like grant of financial aid to install ‘Natural
Dying Unit’, establishment of ‘Modern Dying and Processing Unit’ set up
of ‘Indian Institute of Handloom Technology’ at Fulia for the development
of this industry but these are not sufficient. So, the Central Government
and also the State Government are yet to take necessary steps for the
overall development of handloom industry and also for the region.
(Basak & Paul, 2015) It has been seen that handloom clusters in Bengal
are known for their unique designs and techniques. Jamdani has been
declared an Intangible Cultural Heritage of Humanity by UNESCO. The
excellence in weaving has its base in the social, religious and natural
environment, and it is translated through a particular technique and
weavers’ skill. Jamdani has been witnessed in the well - known clusters
of Shantipur and Fulia. The flowy drapes of cottons and linens from
Fulia, neighbouring Shantipur, have taken the market by storm. They are
famous for Tangail saris, and Fulia weavers have developed their own
version of the tangail jamdani on the pallu. Most weavers in Fulia are
from the Basak community, and are supposed to be descendants of the
famous muslin weavers of Dhaka, who migrated during Partition. (The
Bengal Handloom Trail). Sarees of Shantipur became the brand name of
the product of Shantipur. It is popular for the fine and uniform texture.
(Mitra, Choudhuri, & Mukherjee, 2009). The sarees are famous for the
designs used with extra warp in the border and cotton ground base.
Muga, twisted cotton, zari, viscose (art silk), and polyester are used for
the extra warp. Depending upon the designs, colour, pattern, Shantipuri
sarees are named as Nilambari, Gangajamuna, Benkipar, Bhomra,
Rajmahal, Chandmalla, Anshpar, Brindabani Mour Par, Dorookha.
(Mitra, Choudhuri, & Mukherjee, 2009)
According to Mapdar, most of the inferior and medium quality handloom
fabrics are having some poor properties inherent to them, e.g. poor dye
ability, poor light washing and laundering fastness, unevenness of cloths
because of severe variation in the fitness of the constituent yarns,
severe variation in pick density. (Mukherjee & Mitra, 2008). It has been
observed that a fabric having good drapeability, crease resistance and
softness, will be rejected by the customers merely due to poor
laundering and light fastness properties. Therefore, such type of finishing
can be applied only on quality fabrics for enhancing their elegance and
feel. (Mukherjee & Mitra, 2008). Shantipur is India’s one of the largest
Handloom Hub of 70,000 looms in the district of Nadia of West Bengal.
The major products of this cluster are Shantipur Sarees, Stoles,
Scarves, Dress Materials etc. The core cluster actors are Weavers,
Master Weavers, Dyers & Designers. Other cluster actors are raw
material suppliers, equipment suppliers & 94 Mahajan/Traders. The main
strength of the cluster is the rich resources of traditional skills in jacquard
weaving.
According to Mapdar, the major problems of Shantipur is poor quality
dyeing, fluctuation of yarn prices, lack of design inputs & product
diversification, absence of business institutions & single marketing
channel. The major threats of the cluster are power loom product,
harping on single product i.e Saree & cost-based competition
deteriorating the quality.
At Phulia people work together by forming cooperatives but they cannot
achieve up to their potentiality without significant government help.
Government is inactive in promoting this Phulian Tangail sharee industry
It is also inactive in export promotion. So, more government efforts are
required to head towards success in Phulia. All the weavers who are
joined in the weaving programme they are all not the member of the
cooperatives some weaver works through Mahajans and some are
individual workers but who are joined with cooperative societies, they are
much reacher than the others. (Co-Operative Based Economic
Development in Phulia, 2015)
According to Parinita 2018, Tant sarees are characterized by a thick
border, a decorative pallav and are woven with a variety of floral, paisley
and other artistic motifs by the women of West Bengal and Bangladesh.
The simplest kind of tant sarees take about 10-12 hours to weave. But
the complex designs take 5-6 days to weave a saree. Shantipur and
Fulia are one of the major regions of tant production in West Bengal
providing the best quality of Tant sarees.
Mondal et al, found out that Santipur, once the bastion of finest dhotis
and saris handwoven in West Bengal, is stacked with cheaper and
aesthetically inferior powerloom goods." In pockets of Nadia district,
weavers have traded the looms that earlier wove gamchha and lungi for
powerlooms that can be operated by one person and can produce 12
saris in a day. (Sengupta). In Shantipur and Phulia, near about 70,000
working looms involve directly or indirectly 2,10,000 people in the
weaving and its associated occupations. Dyeing yarns is one of the most
important auxiliary occupations in this weaving sector. (Mondal, Biswas,
& Bhattacharya). In Shantipur, hundreds of people are involved in the
dyeing process in both organised (Govt. undertaking co-operatives) and
unorganised (private) units of dye houses. The yarns dyeing process has
different steps viz desizing, scouring, bleaching, mercerization, dyeing,
washing and drying.
According to (Biswas, Bhattacharya, & Bhattacharya, Operational health
hazards among yarn dyeing employees, 2018), the handloom sector not
only provides socioeconomic stability to villages, but it also preserves
the country's cultural legacy and uniqueness. More than 90% of dyeing
units in Santipur and Phulia, West Bengal, have been actively striving to
create 60% coloured yarn and 40% grey yarn to suit the needs of the
area's weaving facilities. More workers are tired or fatigued after work as
a result of extended working hours and excessive workplace humidity.
More understanding of the hazards of the working environment is
needed to reduce the health risks faced by yarn dyeing workers.
According to (Kumar & Rao, 2018), the handloom sector has been able
to compete with the power loom and mill industries due to the
introduction of several developmental and welfare programmes. It does,
however, face a number of obstacles and issues that threaten its growth
and viability. People are dissatisfied with the implementation of the
Integrated Handloom Cluster Development Scheme (IHCDS), according
to the report, but they are hopeful for better results in the future. The
weavers' quality, social position, and social harmony improved as a
result of their membership in the cluster. Handloom items have a global
reputation, according to the study (Gera,2019), and the sector is strongly
tied with the country's cultural history.
(Avijit & Pradip, 2017) Stated that most of the cooperative society of
West Bengal has been closed day by day and the trend of production is
declining unexpectedly. There is inequality in the relation of handloom
workers. Number of challenges are faced by the handloom industry such
as financial constraint, inability to purchase up-to-date machinery, poor
working conditions, lack of domestic market and demand and so on.
People are living in a better condition due to the cooperative system but
most of the weavers are working under Mahajan.
TNN (2011) has mentioned that the state government has taken several
decisions to encourage weavers to boost handloom industry in the state.
The state government with the cooperation of the Centre has formulated
several schemes to ameliorate the socio-economic conditions of the
weavers belonging to the handloom industry.
IANS (2011) has noted that Indian consumers need to change the
thinking; they need to think 'swadeshi' rather than 'videshi’. The greatest
tragedy weavers’ face is being ignored not just by people but by
designers as well. The fashion industry is a very powerful platform to
convey the message across the masses that fashion is more than chic
dressing; there has to be an essence to it.
Shijina Shiji (2009) has marked that the weaving process is central to the
quality of the rug. As a matter of fact, handloom rugs and carpets is an
age-old profession practiced by village artisans. It is indeed unfortunate
that the handloom rug making units are under threat of closure as they
are encountering stiff competition globally from power loom units.
Mathiraj and Rajkumar (2008) made an analytical study on Handloom
products production and marketing. The study narrated the production
related problems of the Handloom Weavers’ Societies and reviewed the
marketing process carried out by the Weavers’ Societies.