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  • Enhar-I Aşk: Re Minör

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    LangónéBaloghJudit
    6 views2 pages
    The document appears to be a musical composition containing musical notation. It consists of multiple lines of musical staff with notes, clefs, and time signatures. The composition seems to transition between the keys of A minor and F major.

    Original Description:

    Piano

    Original Title

    ENHAR-I_AsK

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    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document appears to be a musical composition containing musical notation. It consists of multiple lines of musical staff with notes, clefs, and time signatures. The composition seems to transition between the keys of A minor and F major.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    6 views2 pages

    Enhar-I Aşk: Re Minör

    Uploaded by

    LangónéBaloghJudit
    The document appears to be a musical composition containing musical notation. It consists of multiple lines of musical staff with notes, clefs, and time signatures. The composition seems to transition between the keys of A minor and F major.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Enhar-ı

    Aşk


    Re Minör Mert pay

               
     
     
              
    ( = 110)

       

             

         
         


                 
          

       
    8

      
      
    
     
      
              


             
                  
       
    15

     
    
    
    
    
    
    
    
               


              
             
     
    23

     
    
    
     
      
                 


             
     
       

         
    31

                            


                        
    2

        
    39

                        
            


             
          
             
    47

                               
         


                        
      
    56

                      
       
          


             
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    63

                 
           

          
            


     
                            
       
    71

                         
           



     
         
       
          
       
    79


                              
         

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