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Ominous Oracle, Exposure of The Prince, Slander of Bastardy
Ominous Oracle, Exposure of The Prince, Slander of Bastardy
Ominous Oracle, Exposure of The Prince, Slander of Bastardy
1. Introduction
2. Title
Text 2.1 – Od. 11.305-320
305 τὴν δὲ μέτ’ Ἰφιμέδειαν, Ἀλωῆος παράκοιτιν, After her I saw Iphimedeia, wife of Aloeus,
εἴσιδον, ἣ δὴ φάσκε Ποσειδάωνι μιγῆναι, who said that she had lain with Poseidon.
καί ῥ’ ἔτεκεν δύο παῖδε, μινυνθαδίω δὲ γενέσθην, And she bore two sons, but they were both short-lived,
Ὦτόν τ’ ἀντίθεον τηλεκλειτόν τ’ Ἐφιάλτην, godlike Otus and far-famed Ephialtes,
οὓς δὴ μηκίστους θρέψε ζείδωρος ἄρουρα that the zea-giving earth reared as the tallest,
310 καὶ πολὺ καλλίστους μετά γε κλυτὸν Ὠρίωνα· and by far the most beautiful men after the glorious Orion.
ἐννέωροι γὰρ τοί γε καὶ ἐννεαπήχεες ἦσαν For at nine years they were already nine cubits
εὖρος, ἀτὰρ μῆκός γε γενέσθην ἐννεόργυιοι. in breadth and in height nine fathoms.
οἵ ῥα καὶ ἀθανάτοισιν ἀπειλήτην ἐν Ὀλύμπῳ They threatened even the immortals in Olympus
φυλόπιδα στήσειν πολυάϊκος πολέμοιο. to raise the din of impetuous war.
315 Ὄσσαν ἐπ’ Οὐλύμπῳ μέμασαν θέμεν, αὐτὰρ ἐπ’ Ὄσσῃ They wished to pile Ossa on Olympus, on Ossa
Πήλιον εἰνοσίφυλλον, ἵν’ οὐρανὸς ἀμβατὸς εἴη. Pelion with quivering foliage, so that heaven might be scaled.
καί νύ κεν ἐξετέλεσσαν, εἰ ἥβης μέτρον ἵκοντο· And they would have accomplished, if they had reached puberty.
ἀλλ’ ὄλεσεν Διὸς υἱός, ὃν ἠύκομος τέκε Λητώ, But the son of Zeus, whom lovely-haired Leto bore, slew them
ἀμφοτέρω, πρίν σφωϊν ὑπὸ κροτάφοισιν ἰούλους both, before the down blossomed beneath their temples
320 ἀνθῆσαι πυκάσαι τε γένυς εὐανθέϊ λάχνῃ. and covered their chins with blooming hair.
Text 2.2 – Ael. NA 7.39 = Soph. fr. 89 Radt
39. Ὅσοι λέγουσι θῆλυν ἔλαφον τὰ κέρατα οὐ φύειν, οὐκ Those who say that does do not grow horns have no regard for witnesses
αἰδοῦνται τοὺς τοῦ ἐναντίου μάρτυρας, Σοφοκλέα μὲν who tell the contrary, like Sophocles, who said: “A horned doe came
εἰπόντα·νομὰς δέ τις κεροῦσσ’ ἀπ’ ὀρθίων πάγων roaming down from the steep crags”, and again: “lifting its nostrils and
καθεῖρπεν ἔλαφος·καὶ πάλιν ἄρασα μύξας καὶ the tynes of its horns the doe walked in peace”. And these things are
κερασφόρους στόρθυγγας εἷρφ’ ἕκηλος. καὶ ταῦτα μὲν ὁ what the son of Sophillus said in his Sons of Aleus.
τοῦ Σοφίλλουἐν τοῖς Ἀλεάδαις·
3. Plot
Text 3.1 – Hor. Ars p. 95-98
95 et tragicus plerumque dolet sermone pedestri And in tragedy Telephus and Peleus mostly grieve
Telephus et Peleus, cum pauper et exsul uterque in the language of prose, when, in poverty and exile, either man
proicit ampullas et sesquipedalia verba, throws aside bombasts and foot and half long words,
si curat cor spectantis tetigisse querella. should the lament touch the spectator's heart.
4. Tetralogy
Text 4.1 – Suid. 2.402 Adler, s.v. Σοφοκλῆς
[…] Καὶ αὐτὸς ἦρξε τοῦ δρᾶμα πρὸς δρᾶμα ἀγωνίζεσθαι, […] And he began to contrast play with play but did not compose any
ἀλλὰ μὴ τετραλογίαν. […] tetralogy. […]
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