Professional Documents
Culture Documents
Eyrie
Eyrie
Eyrie
1925.3 - Out of the Long Ago (Quinn)(xihosu) , Ocean Lich (Long) (xihosu)
1925.5 – Radio V-Rays (Dirk) (xisfms) , The Flaming Eyes (Milton)(xihosu) , The Death Bottle
(ximy)(Mathison)
1925.9 - "The Wolf Ponkeret" (Munn) (xihosu) , Farthingale Poppy (Colter) ( xihosu), The
Stranger Kurdistan (Price) (xifan)
1925.10 – "The Oldest Story in the World" (Leinster) (xiho) , "Black Medicine (Burks) (xihosu)
1925.11 - "The Sultan's Jest" (Price) (ximy), The Terrific Experiment (von Ruck) (xihosu)
1926.2 – Sea Thing (Long) (xihosu) , The Tenants of Broussac (Quinn) (xihosu) , When the
graqves Were Opened (Burks) (xisf)
1926.3 – Stealer of Souls (Craig) (xihosu) , The Dead Soul (Lenoir) (xihosu)
1926.4 – Red Ether (Marzoni) (xisfms) , The isle of Missing ships (Quinn) (xiho)
1926.5 – the music of madness (Barrett) (xihosu), Message from space (schlossel) (xisf) ,
Swamp Horror (Smith and Robbins) (xihor)
1926.6 – The Outsider (Lovecraft) (xihoc) , Wolfshead (Howard) (xihosu) , On the Dead Man's
Chest (Colter) (ximySU)
1926.7 – The Ghosts of Steamboat Coulee (Burks) (xihosu) , Queen of the Vortex (Sarles)
(xisf), The Dead Hand (Quinn) (xihosu)
1926.9 - Through the Vortex (Keyhoe) (xisf) , a Runaway World (Harris), Fettered (La Spina)
(xihosu), The House of Horror (Quinn) (xiho)
1926.10 – The Woman of the Wood (Merritt) (xifan) , The monster God of Mamurth
(Hamilton) (xihoco) , The Devil's Graveyard (Pendarves) (xihosu)
1926.11 - The Bird of Space (Worrell) (xisf), Across Space (Hamilton) (xisffw) , Ancient Fires
(Quinn) (xihosu)
1926.12 – The Supreme Witch (Terrill) (xihosu) , Cattle of Furos (Worrell) (xisf)
1927.1 – The Star Shell (Wallis) (xisf) , The City of Spiders (Munn) (xiho), The Peacock's
Shadow (Price) (xihosu) , The Fiend of Marsh (Lewis and Cockrill) (xihosu)
1927.2 – The Metal Giants (Hamilton) (xisfms) , The Grinning Mummy (Quinn) (xihosu) , The
Star Shell (Wallis) (xisf)
1927.4 – The Atomic Conquerors (Hamilton) (xisffw) , The Man who Cast no Shadow (Quinn)
(xihosu)
1927.5 - The City of Glass (Nichols) (xisfot) , Evolution Island (Hamilton) (xisfms)
1927.7 – The Master of Doom (Keyhoe) (xisfms) , Explorers into Infinity (Cummings) (xisffw)
1927.8 – The Dark Chrysalis (Colter) (xisfot) , Explorers into Infinity (Cummings) (xisffw)
1927.9 - The Dark Chrysalis (Colter) (xisf), The Curse of Everard Maundy (Quinn) (xihosu)
1927.10 - The Man with a Thousand Legs (Long) (xisfms) Satan's Fiddle (Malcolm-Smith)
(xihosu)
1927.11 – The Moon Menace (Hamilton) (xisffw) , The Dead Wagon (La Spina) (xihosu), The
White Lady of the Orphenage (Quinn) (xihoR)
1927.12 - Pickman's Model (Lovecraft) (xihoco), The Dark Lore (Dyalhis) (xifan), "The Time-
Raider" (Hamilton) (xisffw)
1928.1 – The Invading Horde (Burks) (xisffw), The Time Raider (Hamilton) (xisffw), Other
Earths (Will smith) (xisfot)
1928.2 – The Infidel's Daughter (Price) (xifan), The Time Raider (Hamilton) (xisffw), The
Devils of Po Sung (Morgan) (xisfms)
1928.3 – The Gods of East and West (Seabury Quinn) (xihosu) , The Time Raider (Hamilton)
(xisf)
1928.4 – The Call of Cthulhu (Lovecraft) (xihoco) , The Ghost Table (O'donnell) (xihosu),
Mephistopheles and Co., Ltd (Quinn) (ximy)
1928.5 – The Strange People (Leinster) (ximy) , The Giant World (Cummings) (xisf), The
Eighth Green Man (Pendarves) (xihosu)
1928.6 – The Jewel of Seven Stones (Quinn) (xihosu) , The Cahin (Munn) (xiho) , Whispers
(Carr) (xihomo)
1928.8 - The Lurking Fear (Lovecraft) (xihoco) , The Dimension Terror (Hamilton) (xisf), The
Devil's Martyr (Toksvig) (xihosu)
1928.9 – The Witche's Sabbath (Bagby) (xihosu) The Space-Eaters (Long) (xihoco)
1928.10 – The Man in the Green Coat (Colter) (ximysu), Crashing Suns (Hamilton) (xisffw),
Red Shadows (Howard) (xihosu)
1928.11 - Crashing Suns (Hamilton) (xisffw) , The Oath of Hul Jok (Dyalhis) (xisf)
1928.12 – Restless Souls (Quinn) (xihosu) , The Werewolf's Daughter (Munn) (xihosu)
1929.1 – The Polar Doom (Hamilton) (xisffw), The Last Test (de Castro) (xihoco)
1929.2 – The Chapel of Mystic Horror (Quinn) (xihosu) , The Copper Bowl (Eliot) (xihor)
1929.4 – The Brass Key (Wells) (xihor) , The Devil People (Quinn) (xihosu), The Star Stealers
(Hamilton) (xisffw)
1929.5 – The Phantom Farmhouse (Quinn) (xihosu) , Sea Horror (Hamilton) (xisffw), The Rat
(Fowler Wright) (xisfms)
1929.6 – The Dunwich Horror (Lovecraft) (xihoco) , The Devil's Rosary (Quinn) (xihosu)
1929.7 – Within The Nebula (Hamilton) (xisffw) , The Scourge of B'Moth (Russell) (xihoco)
1929.11 – The White Wizard (Ellis) (xisfms), Trespassing Souls (Quinn) (xihosu)
1930.3 – The Curse of the House of Phipps (Quinn) (xihosu), The Life Masters (Hamilton)
(xisfms), Dead Girl Finotte (Staepoole) (xihosu)
1930.5 – The Haunted Chessman (Punshon) (xihosu) , Drums of Damballah (Quinn) (xihosu) ,
Letters of Fire (Leroux) (xihosu)
1930.6 – The Plant Revolt (Hamilton) (xisfms) , The Dust of Egypt (Quinn)(xihosu)
1930.7 – The End of the Story (Smith) (xifan) , Light Echoes (Worrell) (xifan) , The Brain-Thief
(Quinn) (xihor)
1930.9 - The Moon of Skulls (Howard) (xihosu) , The Bride of Dewer (Quinn) (xihosu)
Disproportionally SF
30
19
Lovecraft – 6
- Howard 6
- Long 6
- Colter 6
Hammerstrom – 1
Bagby – 4
Mathison – 1
Dirk -2
Milton -1
Malcolm - 1
Von Ruck – 1
O'donnel – 1
Sarles – 3
Punshon – 1
Russell - 3
Staepoole – 1
Ellis – 1
Wells – 2
De castro – 2
Fowler wright – 2
Eliot – 2
Keyhoe – 4
Terrill – 2
Toksvig – 1
Leeds – 1
Lenoir – 1
Nichols - 1
Marzoni - 2
30 – Quinn – (20%)
19 – Hamilton (13 %)
46 – SF (32%) (16% regulars) (12 – Ms) (16 FW)
1924.12 - Poe and Verne "a land of Fantasy" [Wright] (175), no historically inaccurate
caveman stories (176), Neanderthal vs. Cro Magnon, Horror stories, mystery stories, crime
stories? Astronomical tales, inventive ingenuity and scientific research? (177)
1925.1 - minority for gore stories (179), Edgar Allan Poe type, "terrible, weird, occult or
unreal", "uncanny fiction". "against 'horror stories'… beyond the realm of reason". "scary,
spooky, mystic and occult but not "blood-drinking and cannibalism". 'yes' for horror stories"
(Burks) (180). "subtle feel of horror… that attracts, instead of repulses" (Everett McNeil)
(180). Combine both science and horror" "more electrical stories" (181). "plumb the future
with the eye of prophecy"
1925.2 - "Let Weird Tales remain weird" (163), "do not lessen by one degree the horror of
your tales" (Mrs. J. Ruopp) (163) " The mysterious, the supernatural, the startling and bizarre
from all lands and all times--I wouldn't place a single limitation on locale, historical period or
race" L. Phillips, Jr". Shakespeare and Poe's lines will be banned today. "spirit" stories as
clean and wholesome – fear as good instead of sex and crime fiction (E.L. Middleton , 166).
Call for Apocalyptic fiction.
[Horror]
[clean, wholesome]
1925.3 - Catherine Hartley Griggs "the natural human craving for stories of the strange and
mysterious" (162). Woman who delights in telling her kids scary stories. preference for
astronomical stories (163) – two men – "more interesting than your murder stories". " Let us
have astronomical stories, journeys in other worlds, universes and planets" a ghost or horror
story", ' the two greatest weird-story authors in the world : H. P. Lovecraft and B. Wallis. " "
more stories of the type in which science and horror are combined" " Give us some more
stories of the outer spaces of this universe" Man; Lovecraft – Munn lauds him (164)
1925.4 – " not to heed the advice of those readers who want the magazine to cease printing
horror stories" (164) "give us the real scary kind" (gruesome), gooseflesh stories ; tales of the
:supernatural ; tales of the bizarre and unusual ; tales of the monstrosities of ancient legend
- ghouls, ghosts, familiars, vampires, werewolves, witchcraft, devil worship; occult and
mystic tales ; unusual tales of crime : tales of honor such as made the fame of Poe ; tales of
the marvelous possibilities of inventive genius and scientific research ; tales of the outer
spaces of the universe ; tales that plumb the future with the eye of prophecy ; and tales of
thrills and mystery, as well as good romantic and humorous tales with a weird slant. Poe.
1925.5 - witches, vampires, evil eye. "tales of magic and djinns", "the freshness will have
gone from life and mankind will have passed from the enchanted realm of the imagination
into the somber world of sober logic… Men will no longer be human beings; they will have
become a race of flesh-and-blood machines" (325) "to escape… the drab commonplaceness
of everyday life". "Adding to this type of stories tales of the marvelous science of the future,
wars of worlds, voyages through space, great inventions foreseen by the prophetic eyes of
imaginative authors". "favorite – local legends in various little-known parts of the world".
"horror and terror, without being repulsive… My real favorites, however, are neither horror
nor terror, but such pseudo-scientific stories of the planets" (326) "more scientifically
accurate" (327). More geographically and historically accurate.
The rise of SF
1925.6 – reprints of "great weird stories of the past" (Hoffman, Walter Scott, Gautier, W.W.
Jacobs, Wilkie Collins, Bram Stoker) – Poe is barred as everyone who reads the magazine
knows him by heart. (Ambrose Bierce, Fitz-James O'Brien, Alphonse Daudet, Kipling) against
sex-magazines (473) very much more wholesome than the sex stories of today, which are
prevalent in nearly every other magazine. I am very partial to the astronomical and pseudo-
scientific tales, though I enjoy most of the horror tales, too. (Mrs. F.C. Harris) (473) I am
thankful to see a magazine that is not about love and such stuff (Mrs. M. Gregory.) " Let's
have more planetary stories" (Ed. Shultz). Mrs. Lilla May (supernatural horror and fantasy
stories but not disgusting ones). Scientific stories are always more than welcome ; also
horror and vampire tales (James N. Graham) Elsie Ellis (best story not weird at all – The Thin
Match) (474)
1925.7 – "If you ask the editors of the various magazines whether a woman can write a thrilling
tale of adventure and red-blooded action, they will tell you that some of
the strongest. "he-man" stories are written by women, under various male pen ·names" (about La-
Spina) '(135). " more stories of the occult, devil-worship" (136) " Then someone has the gigantic,
the colossal, the stupendous nerve to ask you to desist from horror stories" (136). the stories of H.
P. Lovecraft and C. M. Eddy, Jr., whose styles,
in his opinion, are marked by. an undue straining for effect (James Godfrey Osgood) "he expects
to find in its pages, not love stories, not adventure stories, not detective . stories, nor anything else,
in short, but weird tales. If he wants love stories, he knows where to look for them. If, therefore,
he chooses WEIRD TALES, it must be for no other reason than what the title signifies, and with
the word c weird' there is associated in his mind horror, tragedy, mystery, death, fear, etc., but
nothing sick or nauseating"
[Horror but not gore, against other pulps]
1925.8 – its
"pseudo-scientific stories have ever been popular with you… and we shall print many more
of them" (273)
1925.9 - O. Henry explanation why his The Furnished Room is weird. Francis Marion
Crawford' s stories The Upper Berth, Man Overboard, The Screaming Skull . "My kind of
stories" (Laura O.Tuck) (416) ("those who enjoy the unusual") (417) "more stories on
astronomy and the fourth dimension" " I am partial to stories of werewolves, and the more
horrifying the better". bout scientific wonders and strange natural phenomena, appeal to
the imagination and provide good, clean and extremely interesting entertainment. we will give
you a story i n which scientific interest and stark horror are so closely interknit that you can not separate one from the
other without injuring the story (The Horror on the Links). (418) (Wright calls it a "horror-story")
[wholesome]
1925.10 –
Supernatural horror]
[keep "weird tales" Weird – weird=supernatural horror] [perhaps THE FIRST SPROUT OF FRACTRUE]
(562-564)
(565 – ad)
1925.11 -
(Mrs.
Harry A. Wenz)
[the return of gore]
SF - educational
(701-702)
A story by a 15-year-old girl about a beautiful woman corpse that attacks an undertaker. (702)
1925.12 –
(847)
(849)
So far – Weird = supernatural, horror and "imaginative science". Exotic places and other planets or dimensions. No
Fantasy. Some words on liking Oriental-themed tales.
1926.1 - black magic, Lovecraft, interplanetary stories, "semi-scietific and the tales of other planets" (126), supernatural,
for rational explanation (126), more pseudo-scientific stories, " possible but not probable type" (When the Green Star
Waned – SF) (126)
1926.2 – ghost stories, Frank Owen "Delightfully fantastic" (Derleth) , more pseudo-scientific stories (The Time Machine
– weird story), no humor, more werewolf, adventure stories in exotic places, scientific tales, Lovecraft lauds the
magazine's improvement, H.G. Wells compares to other authors in the magazine, WT as the only magazine satisfying
certain tastes.
[SF rules]
1926.3 - werewolf stories, popular and only second to pseudo-scientific stories, against Christian motifs in horror stories,
belief as creating power, Lovecraft – a second Poe (Derleth)
[Lovecraft and Poe]
(566)
1926.5 - story endings should not be vague (Lochinvar Lodge by Clyde Burt Clason) against " weird for the sake of
weirdness" (715), Norse old sagas as source of inspiration for authors (Howard), Poe, other planets, ghost stories, horror
stories, pseudo-scientific stories, werewolf stories.
(857)
(858)
Planets, far away places, Atlantis, trying many magazines until finding ho,e in WT.
(859)
1926.7 – twice monthly, ghost story, Lovecraft (noblest Roman of them all) (138), came to relieve a "monotony of
stories" in other magazines. Lovecraft and Poe, more scientific inventions (Mad scientist), Stark Horror" "don’t let such
stories as The Derelict Mine creep in to any. great extent, for while it is a good story it is out of place in Weird Tales, as
there is nothing weird or mysterious about it" (139) " more stories of other planets, more ghosts". Lovecraft and Poe
again (140). "a fascination for the bizarre and unusual". Mother of three praises a ghost story.
1926.8 –
1926.9 –
Nictzin Dyalhis SF tales. Themes – No conception of Fantasy or body Horror, SF – weird-astronomical, weird surgery,
weird-scientific. Monster – whether animal or different
A guy interested in science says he is more interested in stories about "abnormal psychology, madness, and perversion"
and supernatural tales than "pseudo-scientific" stories.
Fettered – weird and scary but not "horrible" like Quinn's "House of Horror"
Many people liked House of Horror
Bizarre plot with scientific fact.
Bizarre.
1926.10 –
Slamming an author who publishes in many other magazines who sent a manuscript about a scientist that experiments on
a kidnapped girl and chops her arms to make them grow -
"The theme of growing new limbs on a human being has been used before, and is not in itself a story; it needs to be
worked out in an imaginative and bizarre plot"
"
You have long ago passed the stage where you hang with breathless interest on a ghost tale which merely describes how a
ghost appeared and its appearance threw the spectators into a panic. This happened in Lovecraft’s tale, The Outsider, but
was a mere incident in the story; the author with consummate literary artistry made of the ululating ghoul who crept out
of the tomb a character that will live in the memory when most other stories have faded into oblivion."
"ghosts talk and act like real people, and re-enact their crimes to the stunned horror of the spectator whom they (the
ghosts) have lured to their cabin"
"Likewise we constantly receive sea-serpent stories in which the whole action consists in a fight between monsters of the
deep, and panic among the ship’s passengers who witness it—just that, and nothing else."
572
"Both tales (Hiatt’s and Hamilton’s) are based on the same idea that is used so often—the step¬ ping off into another
dimension, into the “holes in space”; but the authors have built up the idea into fascinating plots. Both stories will be
published soon."
"It is such imaginative treatment of threadbare themes that makes them new and living; it makes stories that are utterly
different. And it is such stories that Weird Tales is always looking for"
C.F. Chapman :" "These are not only weird and uncanny to a high degree, but are literary gems" – Gaelic legends in
modern form (Fiona McLeod fiction and A. Meritt).
Fantasy as Literary
Mrs. W. C. Hefferlin : The Woman of the Wood, by A. Merritt. I want to express my appreciation of those two beautiful
tales. ‘Beautiful’ is the only word which describes them. Poe had absolutely ‘nothing on’ Lovecraft for weirdness. Only
in Poe’s poems does one find the beauty which H. P. Lovecraft and A. Merritt put into their stories.”
1926.11 – Wright slams contributors who write about stormy night or a narrator who starts his story saying that people
think he is mad but he will tell you his story. He says this is clichéd since Poe.
stories of planets and cosmic space (716) want to see inhuman aliens that are very different from humans.
Against La Spina "superstitious" stories and for Quinn's gory descriptions. (a change from the 1924 desire for subtle to
the grotesque horror)
Price likes Lovecraft and Whitehead, lamenting that the latter dos not receive enough praise like the former.
1926.12 –
"stories that have an entirely new twist, and are distinctively told; highly imaginative stories that thrill and convince the
reader even when they deal with things that are ordinarily considered impossible"
Seven most popular stories – "when the green star waned", "The Outsider", The Ghosts of Steamboat Coulee", "The
Eternal Conflict", "Whispering Tunnels", Spider-Bite, " The Werewolf of Ponkert"
849
Like ordinary stories but sometimes likes Strange and unusual ones
"true weird experiences column" suggestion
A collector of pseudo scientific tales
Quinn the best
(136)
"Drome" –"weird scientific tale"
"scientific stories"
Someone doesn't like Poe
More spider stories
Poe – patriarch of the weird
(137-138)
1927.2 –
"relief from monotony" (275)
Against reprints
Sincerity in scientific tales
Don't like ghost stories
Sophie Wenzel Ellis likes Lovecraft and the more "dream-like" stories The woman of the Woods" and "The Dreamer of
Atlanaat" [Fantasy – dream-like]
1927 – 3 -
Weird experiences
More poems
1927.4 –
Reprints – majority
More orientales
[][][][][][][][][]
(568)
Drome – hackneyed
Surpass Poe
(569)
1927.5 –
[extremely important]
[Speculative Fiction]
(711)
(712)
1927.6 –
(859)
1927.7 - 138 –
Weird rescued by Poe and came to mean "ghostly" or "suggesting the supernatural and occult"
139 -
"Lovecraftean"
Fairy-story
140 -
1927.8 –
283 –
Some woman likes prophetic SF and Horror stories but likes Meritt's Woman of the Woods –a fantasy story. "another
type of story" which appeals to her the most – "lovely, fanciful" story.
284 –
1927.9 – 291
Wright classifies – Vampire-tale, weird-scientific, fear, weird magic (supernatural horror), mystery-tale, tale of horror,
The Adventure of Pipe – a fantastic story, The Blue City – bizarre and exquisitely beautiful gems
426 –
A woman –
1927.10 –
435 –
Some struggle about serials, price and Wright buying oriental rugs
436 –
A man for large narratives – about the world destruction and stuff
567 –
Poe, Wells and Stoker
"I like to have all kinds of weird tales in the magazine, from ghost to scientific stories"
1927.11 –
580 – Wright slams well-trodden ghost stories where the ghost is just a nail stuck in one's shirt or his own foot.
582 – more Chinese stories
1927.12 –
People wanting articles about legendary weird beings but Wright is against articles of any sort.
726 –
"most weird tales are fantasies" – Lovecraft is the realist of weird fiction (that might happen)
858
Poe again
1928.1 –
4-
Polarized views on the November issue – The invading horde at the heart of the quarrel.
6-
The dude is also against the slavery in the story and the stupid protagonist.
136 –
1928.2 –
Lovecraft's conception of writing weird tales
283 –
Against Lovecraft imitators and for historical figures as ghosts. (joint letter of six people from Los Angeles)
Stories of thousands of years in the future are always interesting. I like this story much better than The Time Machine by
that famous English author, H.
[better than Poe better than H.G. Wells, better than Verne]
284 –
A mother laments the immodest illustrations – "trashy affair" and blushing daughter.
Praise for Rankin
1928.3 –
426 –
praise for Rankin, Asking a similar publication of The Moon terror to Lovecraft tales and some other authors.
Would not your readers respond to a collection of Lovecraft’s best, or a few of the old stories of Haiti, or Invaders From
the Dark, or a selection of old interplanetary tales, or some of your old oddities like Teoqaitla the Golden, The Song
Eternal, The Phantom Farmhouse, The Earth Girl, The Pelican, or several of your always popular devil-worship stories
427-
Someone calls Dnoald Wandrei's stories "as fanciful and fantastic as Lovecraft in his field"
Lovecraft calls Worrel's "The Canal" - "a genuine weird tale"
He goes on to say
"Why in Heaven’s name can’t the bulk of the writers catch at least some faint echo of the black, brooding whispers from
unholy abysses and blasphemous dimensions which give a narrative like this its imponderable element of competence and
mastery"
1928.4 –
436 ,438
Praise for Lovecraft, slamming the covers' content.
Praise for Seabury Quinn
Someone blames Price's story "The Infidel Daughter" for marring the Klan and says he will stop reading the magazine
Price defends the story saying there is no connection between the fiction and real life.
572 –
Someone asks for more gruesome details
Against love stories
Praise for Jules de Grandin
1928.5 –
580 –
Dream stories
"the truly weird stories on which the brilliant success of this magazine is founded, together with the cream of all the
weird-scientific stories written today"
711-
Continue reprints –
"The younger generation are too prone to neglect reading some of the really great stories because they are not a product
of the ‘jazz age.’ I am especially partial to the weird-scientific tales"
712 -
1928.6 –
724 -
"readers who want more weird-scientific stories of the type that Edmond Hamilton writes"
[balance]
1928.7 -
4-
Rankin is good
Torture stories are good
Cummings and Hamilton superior to H.G. Wells
137-
The thought of unknown, malignant, powerful, outside intelligences, to whom evil unimaginable, cruelty and spiritual
bestialness are as natural as the breath of life is to man, is the quality' in a truly’ weird story which grips the reader in
spite of the instinctive antagonism it arouses in his mind.
Against Burks SF
138 –
Literary merit
Clean
1928.8 –
De Grandin praise
279 –
[against "the ordinary"]
A soldier
Ghost stories
Lamenting a regular detective story of Jules de Grandin
280 –
Praise for Lovecraft
1928.9 –
292 –
[respective classes]
Favorite scientific stories
421 –
Lovecraft – the master of weird literature
Lovecraft is the only author mentioned as master while mentioned next to Hamilton and Quinn as favorite authors
De Grandin – proper touch of lightness
Owen's stories as "beautiful"
422 –
Asking for anthologies made of WT stories according to theme
1928.10 –
436 -
568 – can perhaps use what Wright says about discovering some authors and their relationships to one another
570 –
Some letter from readers (a woman) in Germany who lament the preference of SF stories by the Eyrie readers. They
prefer pulpy supernatural horror
1928.11 –
580 –
[escapism]
712 –
Enduring literature
First thought of Wright to make reprints from old WT issues.
Desire for back numbers.
1928.12 –
853 -
Against SF:
854-
against SF
[Some praise in previous issues to Long's poems, Howard's, Smith's and Leslie's]
Jules de Grandin's stories in book form
1929.1 –
131 –
For reprints
"The Green Star Waned" – the most popular story – reprint
Frank Owen "beautiful" tales for reprints
"different"
132 –
Those who joined later want to read the best stories published before they arrived.
134 – Praise for Quinn
Lovecraft
1929.2 –
275 -
Weird Pantheon
Grotesque = weird
De Grandin
278 –
For de Grandin against scienti-fiction ("the weirder the better)
Linking Owen and Merritt's Woman of the wood as one type of story – the "beautiful" story.
1929.3 –
421 –
Quinn in book form
Quinn
Kuttner, high school student, - horror and science stories
422 –
1929.4 –
563 –
Some old fart rambling about how he likes the book form of the moon terror (it is terrible).
564 – Kuttner again telling how his schoolmates like WT.
Praise for Lovecraft and Quinn
escapism
"real weird"
"clean"
566-
"gang" likes "battles between inhabitants of the earth and other planets, using weapons of a far-advanced science"
1929.5 –
707
The magazine was created to fill a very real demand for something radically different, something that would let the fancy
escape from the humdrum, everyday life of the world; a magazine whose stories should plumb the depths of occult
horror, as Lovecraft has done in so many of his tales; a magazine that should not shrink from the terrible mysteries of
madness and wild imagination,
imaginative literature
"imaginative literature"
"physical suffering"
"space"
"fantastic tales… beauty" "litearary craft"
708 –
Literary
Voodoo stories
710 –
Against religious symbols as dues ex machine devices – praising howard and lovcecraft for lacking this element.
1929.6 –
851 –
852 –
Call for reprints which new readers heard much about – Owen, Lovecraft, Wandrei
Smith – Faery fantastical forests
Lovecraft Wandrei and Smith
Lovecraft equal to Bierce and Blackwood and Poe
1929.7 –
4-
Quinn fans
Defending the foolish thingamajig used in de Grandin stories
6-
Infant daughter likes the covers (says a woman who likes Frank Belknap Long and Lovecraft
1929.8 –
148 -
"Scientific fiction of interplanetary space and highly imaginative stories of the little known regions of our own planet"
280 –
A woman : weird=horror – a tale that "make you afraid to go to bed"
1929,9 –
292 –
Against futuristic SF
294 –
426 –
a 12 year old writes about Quinn's horrible story The House of Golden Masks – "the best combination of horror and
torture"
more reincarnation and revenge stories
1929.10 –
436 -
The Shadow Kingdom (sprouts of Fantasy)
438 -
A. Merritt praises the "Shadow Kingdom"
"horror stories"
570 –
Request for Quinn's stories in book form
"
true weird- fiction lovers, and the inimitable Edmond Hamilton, the dean of weird scientific fiction-writers"
1929.11 –
580 –
582 –
"escape from the world of everyday to a new and magical realm peopled with creatures of the imagination" – yet, he
focuses on stories of Horror.
Howard's stories –
716 –
Against reality – "let the imagination have full play"
About Lovecraft's "The Hound":
1929.12 –
726 -
728 –
1930.1 –
6-
8–
Praising the poetry of the magazine
de Grandin not coming up to his level
more interplanetary yarns and psychological occult stories
1930.2 –
148 -
Scientific education
Desire for more stories in fantastic times in the past (Atlantis sorcerers etc.)
152 –
Against SF
1930.3 – (The eyrie becomes longer)
292 –
294 –
Asking for information about the authors – especially the English ones
296 –
British authros
1930.4 –
438 –
More torture stories, more werewolf and vampire stories, poems are good.
A poem about WT
Just under it
440 –
Saying something about the embarrassing covers with sexy images (the writer is British)
442 –
1930.5 –
Poe and E.T.A Hoffmann
580 -
582 –
Someone likes interplanetary tales
No SF
Consensus – Literary merit and recognition. The imagination is more important than stories on mundane stuff. Reprints
from old WT stories.
1930.6 –
724 -
" Seabury Quinn is always good for an hour’s pastime. I can't see where
so many get their ideas from who declare him supreme. If he wrote such
stories as The Phantom Farmhouse, I would agree, but not with the present
stuff he gets out. Much of the praise of him is undoubtedly mere parrot-talk
—people repeating what they hear others say, without knowledge or discrimination.
He is* to me, just a good thrill-concoeter, neither more nor less,
and a good craftsman, handling well his effects"
729 –
732 –
"weird science"
1930.7 –
4-
6-
Someone finally notices that Hamilton's stories are all the same:
Quinn's stories are in the same place all the time
8–
Human imagination
10 –
Kuttner asks for early reprints and Smith asks for more Lovecraft stories.
12 –
1930.8 –
148 –
Whitehead calls the magazine – "a medium for the occult". Whitehead calls the genre – "The Occult story" and even
participated in writing an article on it for "The Free-Lance Writer's Annual"
150 –
But then he says that Quinn is solid entertainment and should be read as such.
152 –
1930.9 –
421-
422 –
Someone hates the magazine and calls the stories "crazy" instead of "weird"
423 –
Again, someone links Price's "The Infidel's Daughter" to "The Woman of the Wood" by Merritt.
Smith praises Lovecraft and Long again.
Consensus – Weird Tales should have stories that are more "imaginative". Weird Tales has literary merit. Weird Tales
helps one escape from the mundane life. Weird tales should mostly be "wholesome". Weird Tales is educational. The
Weird should include "weird-scientific" tales but they are not "truly" weird. Supernatural Horror is the heart of the
Weird. Fantasy is "beautiful" and "different" (and mostly more Literary) from the rest of the magazine's content.
Lovecraft is the paragon of Weird Tales with no one else on his caliber. Poe is the forefather of Weird fiction but he is
surpassed by WT's fiction. The magazine's content cannot be found anywhere else and is superior to other genre-
magazines and even literary magazines. Poems should keep appearing in the magazine. Hamilton, Quinn and Lovecraft
are the most popular authors of the period.
Disagreement – reprints from other great authors of the past, SF and Supernatural Horror – should the magazine
include more of the one or the other, torture stories, "sexy" covers, should the Weird aim at popular, cheap, thrillers or
be more Literary in scope.