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  • Social Call Horns Voice-Tenor - Saxophone

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    william
    28 views2 pages
    1. The document appears to be sheet music for a tenor saxophone piece titled "Social Call" composed by Gigy Grice. 2. The sheet music is written in a typical format with measures, bars, and musical notation including notes, rhythms, and markings for sections like introductions, solos, and codas. 3. The piece seems to follow a standard AABA song form and includes indications for two solos over the A section and repeats of sections.

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    Original Title

    Social Call · horns voice-Tenor_Saxophone

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    1. The document appears to be sheet music for a tenor saxophone piece titled "Social Call" composed by Gigy Grice. 2. The sheet music is written in a typical format with measures, bars, and musical notation including notes, rhythms, and markings for sections like introductions, solos, and codas. 3. The piece seems to follow a standard AABA song form and includes indications for two solos over the A section and repeats of sections.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    28 views2 pages

    Social Call Horns Voice-Tenor - Saxophone

    Uploaded by

    william
    1. The document appears to be sheet music for a tenor saxophone piece titled "Social Call" composed by Gigy Grice. 2. The sheet music is written in a typical format with measures, bars, and musical notation including notes, rhythms, and markings for sections like introductions, solos, and codas. 3. The piece seems to follow a standard AABA song form and includes indications for two solos over the A section and repeats of sections.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Tenor

    Saxophone
    Social Call
    Gigy Grice

     
                    
    Intro

          

            
            
    A

         
     

          1.       
        
    B

         
       

                
               
       
       
                      
    A1

       
     
         


                  
     3

                           
    Coda

        


        

      Solos on AABA                
         
    1. 2.


    FIN

          
       
                         
    3

            
     
     3 3 3
          1.                 

    2

         
      
    2.

     3
    

                 
          
    B1

       

                          A la
        
    A1
      
    
    y CODA


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