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Punyakoti Govina Haadu
Punyakoti Govina Haadu
Poetry in Kannada has a vast spectrum of genre. From Dalit poetry to folk songs,
every poem has some sort of traditional history attached to it. One such poem is Punyakoti
Govina Haadu, a folk song that every child in a Kannada medium school has, as a part of
their elementary school curriculum. Although no one knows who the original poet of this
song is, well-known Kannada and Sanskrit Scholar Prof DL Narasimhachar was the first to
translate this ancient verse from the Sanskrit Epic Ithihasa-Samuchchya into a Kannada fable.
Punya stands for ‘virtues’ and koti means ‘a crore’, Govina is ‘cow’ and Haadu means
‘song’. Punyakoti Govina Haadu loosely translates to a ‘The fable of a cow with a million
virtues.’ It is a touching story about a cow named Punyakoti and a tiger called Arbhudha, a
moral story of sorts that talks about honesty, integrity and virtue.
Why is this poem so significant to the tradition and history of Kannadiga poetry?
Panchatantra stories first came into existence, so that teachers, back in the day could teach
lessons of morality and social norms by narrating stories of animals to slow and hyperactive
princes. And to this day, Panchatantra is still used to inculcate moral lessons to children.
Punyakoti, the cow is a symbol of truth and moral values. A cow that keeps its word and
doesn’t break a promise. It’s a story that resonates within kids and might even bring tears to
sensitive children. What is extra ordinary about this story is, that has been used as a blueprint
for truth and virtuousness for kids since ages. This Epic song has also been immortalized into
various movies, songs, plays, paintings and dance. One such movie is the adaptation by the
noted Kannada Novelist Sri SL Bhyrappa’s 1968 novel “Tabbali Neenade Magane” (Son,
you have been orphaned). And that is why the story of Punyakoti is considered to be one of
Transcreation:
Once upon a time, in a little village in Karnataka, there lived a herder named Kalinga.
He would take his cows out to graze on the fresh green grass near the banks of a river in the
afternoon. The river was located near a dense forest. While the cows were grazing, Kalinga
would call upon them by playing his flute, he would then milk them one by one. Among all
these cows, Punyakoti was the most gentle and beautiful of them all. She had also recently
One such evening, after the cows were all done grazing, Arbhuda, a very hungry tiger
spotted them and decided to hunt one down. Arbhuda walked towards them and roared. All
the cows ran, but Punyakoti was left behind because she was lost in thought, she was fondly
thinking of her new born calf and about feeding it. Arbhuda took advantage of this and tried
to pounce on Punyakoti. Punyakoti realised her folly and ran for a life but, she was too slow
for Arbhuda. Arbhuda ended up cornering her and slowly sauntered towards her. He was
prepared to rip her into pieces when Punyakoti spoke, “Sire, please do not kill me. I have a
little calf back at the farm, please let me go feed it. It must be hungry. Please let me say
goodbye for one final time.” Arbhuda laughed, “Do you take me for a fool, you stupid cow? I
Punyakoti begged and begged and promised to come back as soon as she was done
feeding her calf. After a lot of pleading Arbhuda decided to let Punyakoti go, as long as she
came back to him. Punyakoti ran back to her shed towards her calf with a heavy heart. Once
she reached the shed, she told her calf about her encounter with Arbhuda. Hearing about it the
calf started wailing, “Who will take care of me when you’re gone mom? Who will I feed
from when you’re gone? Who do I have to call as my own when you’re gone?”. Punyakoti
comforted her calf and fed it, but she was very scared for her life as well as her calf’s. So, she
asked the other cows to care of her calf when she’s gone. She said, “Please take care of my
child. Please don’t hit my child if it comes towards you, please don’t kick my child when its
walking behind you. Please take care of my child as your own.” All the cows burst into tears
Punyakoti slowly made her way to Arbhuda. Arbhuda, at his cave was cursing himself
for letting Punyakoti go. He thought himself a fool for giving up a good piece of meat. At the
same moment he noticed Punyakoti walking towards the entrance of his cave. Arbhuta
couldn’t believe his eyes! Punyakoti kneeled down, “I’m back sire. I have fed my calf for one
last time and have said my goodbyes. You can now choose me to eat as you like. Rip my
head off or bite into me. My life is yours to take as you wish.”
Arbhuda was shocked, speechless. Punyakoti’s strength and honesty moved him.
Punyakoti’s behaviour humbled him. Arbhuda said, “How could I eat such a pious and
virtuous cow as yourself? I would rather die than eat someone as truthful as you.” Saying so,
Arbhuta ran to the end of the nearest cliff and jumped to his death. Punyakoti was relieved to
be spared and ran back to the cow shed to her little calf, who was overjoyed to see her, and
ಆರ ಮೊಲೆಯನು ಕುಡಿಯಲಮ್ಮ?
ಆರ ಸೇರಿ ಬದುಕಲಮ್ಮ?
ಆರ ಬಳಿಯಲಿ ಮಲಗಲಮ್ಮ?
ಆರು ನನಗೆ ಹಿತವರು?
ಅಮ್ಮಗಳಿರಾ ಅಕ್ಕಗಳಿರಾ
ನಮ್ಮ ತಾಯೊಡಹುಟ್ಟುಗಳಿರಾ
ನಿಮ್ಮ ಕಂದನೆಂದು ಕಾಣಿರಿ
ತಬ್ಬಲಿಯನೀ ಕರುವನು
ಖಂಡವಿದೆಕೋ ಮಾಂಸವಿದೆಕೋ
ಗುಂಡಿಗೆಯ ಬಿಸಿ ರಕ್ತವಿದೆಕೋ
ಚಂಡ ವ್ಯಾಘ್ರನೆ ನೀನಿದೆಲ್ಲವ
ನುಂಡು ಸಂತಸದಿಂದಿರು
as a bed time story. Although reading the Kannada script doesn’t some natural to me because
I never got the chance to learn it, I received a lot of help from my mother. I made her sit with
me through line-by-line translation of the folk song. It was a bit challenging; I admit but very
insightful. I decided to do a transcreation of the poem because the essence of the story would
be lost otherwise. While researching, I learnt a lot about Kannadiga poetry and the song’s
significance through various blogs and posts. People commented about their experience by-
hearting the poetry as kids and how it impacted their soft hearts at a very tender age. This
paper helped me as well as my mom learn new Kannada words and the depth behind it. It
also made me realise how vast the spectrum for Kannadiga poetry is.