eee ue Tega eesti ray re Mele ~ ED Se \_THE Includes superb quality, live recorded backing tracks plus note for note transcriptions to HOTEL CALIFORNIA Te Beet | ee Bid ie) ER NEW KID IN TOWN ih Ma TAKE iT EASY BEST OF MY LOVEHotel California Words and Music by DON FELDER, DON HENLEY and GLENN FREY J=74 Ballad Bm F{7 Asus? E9 1 Capo at 7th fret => = > => Acoustic 12-string = Let ring throughout Q Perey 7-—-# 7 i L —_ PP 3 F Number 7 in Tab = capoed open string G D Em Ft7 @ 73 earl > sory _ Sp p> _« Mn Ek ee > fry a eS mn’ ey! o+-—— ee ee ee ee ee ot — att @---| 1 ris Ps [E+ }——| | -9 9-9 CA re a Pt =a py | | se ay | a | Se Le Le a z —— eatneny — pease g Bm F7 Asus2 EQ (Acoustic 12-String} = => > (Acoustic 6-String) = (Electric 6-String ) = ———————— Volume fade in —=__ -4 2 © 1977 & 1996 WB Music Corp, USA Wamer/Chappell Music Ltd, London W1Y 3FA| 10 = — oo Volume fade in and out TE On a dark des- ert {Acoustic 12-String) high- way—. > col— wind in my hair, warm smell. of co-li- tas— Let ring throughout | 7 4— —F— —#-F 7? F -F— —# 7-9— —9- ——3- —3— 9 |—@— 8 —_34-— {Electric 6-String) } aad = = = r [ f F — x OK a4 5 OK Ke XK 4 x x ys] % ms Kk ea Co KR x eT ae pe fd a ee (Electric 6-String} => Light PM throughout == SSS SS ji” - ——_—__9_3—_—_—_mis- ing up in the air——. Up a- head in the dis - stance I saw a shim- mer- ing light. H tT = = = = x x x 4X x ox x xX L = = > = > => = = fA, ¥ h h heh he oS yx x xX xe xX y eo UR eR t—— I L , , be he | RRS RST wl. i kek heh be "is K Kok k f Rok BS bo BS bo Kx iG) 1 a Sl wl r r F PPB RRR — es _ _ o— PJ P 7? 77 33 8 88 fF tt 7? FF 44-4 4-444 6—6- 6—6 6—6 €—£ Em Fi7 el — [377 eA 4 — ‘ —, _—a — ye Pee —=DO ._ft «|. or Le po EE eee He) rrr | — [eee EF] My head grew heav- y and my sight grew dim—, I had to stop for the night. > > _— ee eo ele ee ne ee et r] He rn = 0 a ieee! = ~-f O = = => = cae = = = fF — be Re— fe Re fe i ROR CS Rh r IX Zz ne ie re ft ee re rt Le Ra 7 ae Fe ee Tamim RR EERE BERR a ix i er PR RRR PT Le Cs Ld || Rhythm guitar continues sim. —-§ 5 5 5 7 é 4 4—4 33 Yh 3—3 5 $ & |_f — ——— i} — ie = _————— et ae a a LAY 0 ~ 2° > a. Rhythm guitar continues sim.12 Verse 2: Bm F4{7 aso %s ee cig #0 fe ee A a ion es a a a rae ————— “ y v. e There she stood in the door - way, I heard the mis - sion bell. Acoustic rhythm Twin electric lead E9 G o p37 38 87) [37 a en ae a ee a ee eee ee a a i /.. a ees — sang) ——! a inones 28 me the way heav- en or this could be hell Then she lit up a can- dle—. an’ she showed SPNo = f\ 4 | = LY eB | [i a a 5 Lees oe os WZ wi = = = => PPPOE nnn PPPAPPPAAD ALP PPALP ALAA ereF37 Em7 pd eg luster ta say, them—_ heard thought I I cor - ri - dor—, were voic - es down the There . . Chorus — A f ie ie aes "Wel such a Cal tel Ho e th oO t come —— (Acoustic 12-String) oO = Z {Electric 6-String) ys Bs RS pe ps rs ke bt ie cK pcp] Ke bs es eX t Ved eS Ry , ps ho? x x, he Ks Py x | > fe i Boe bebe Re i P 393 —__ 5-5 3-4 4—44__4-4-4-4-4 3 3 (Electric 6-String) 46 —1)—-10—_42 13ly face—. 4 love md Pd od ad Md nia. a such ly place—) love tel a —_3—-3 Ho (such the at place — ly of room— lov Plen - ty 4 1, Bm —3— F}7 by om, f\_ a gl ry Cy aU OE Sd —_ y 7? OS bps tt a f= ee TY lL — ce Her mind is tif - fa - ny twist - ed. She got the Mer - ce des bends__. (Uh) = = — {__|___j._| — Pe EO Tr ee Se e ee ——She got a lot of pret-ty. pret- ty boys—, that she calls friends D Em7 Ft7 46 3] ' _ r | f 2 a en, Cy RG 7 e— = je om fe | sweet sum - mer sweat. Some dance to re- mem - ber-—_- . some dance to for - get—- ae => > — Fe tt tn ate ye Co Ce [_@ [t " eee I <_< CY -— fe amned — eas —r U > an pg —+1 —F-408—T 3—— + +8— -48-46— §— 4— —8-F F 4+4-— 44 7 #—F 7— -9—_——_—9 —3- ——T 9—3 t —F > a We ‘ RPA eee ——e ee i = > all ~ 1617 ea PT | He i va e__ I | ee a ae said that, J = - | = Cy a Ee nine . — po] | wine —_ P amma P — Cs [a — ian { yd _ my— \ ; p Tr) pe j | Ld ty —_ ee aang Poa ieee bring me A? le A Ail) . 1) Aa Adiget i r ~ Hil | all raeadel | | se TIT | wy, ) tr) TR h M me A J | ee” / , y —_— Ya a ee [eee nine - teen six - = . ——___—_——-f . .———____ J ee Sle i fn : | » Be re A A / ms Pq il A | ee ||| ees Me AUT | i | Aqmt = A A Nr | A A Lig spell, |. Peil| 3 il sil ne (Lp. (Di | ' o(| 3 Adm mPa A A = * 3 h ll * “( ~ i kod a a +3 3 a i b = hi ren | a & Aq es | nPop 2 apa : , T oy ne |: dpe ype ell I || at PS at ey, ae > oo o < Aq ms m2q ry . : LH Ul iL a TE a Tt al a 2 IM iT = UM nnd 4 he—s = pee a nr voic - 68 a- way far ing from are call those still An'_— > [ya ri LU wl | FAN ‘FAT Em them — say to hear just you up. in the mid- dle of the night—, Wake 1857 — _ . k 4 — an a, y a mn, Le 2 — 77 fas tS oe i= 3 SSS . ‘ "Wel- come— to the Ho - tel Cal; i- for - nia." such a = = = a 2 Pa © Ne Ne x LF 4 Se ee Lt Heavy PM throughout 3—3—___33 a3 2 a a q rake i Full : [oN | a ia oy rt | Pa rake-—— Full Full [oN x HH P 3 Fr Bm Alc} Bm ALE pie pS Sg gg oh a Ee et love - ly place— (such a love - ly place_) such a love - ly face. They're — oe = eo P _o~\ i G Ue f a Z ef & 7 4 i ae i P 9—9 9 G 9 g g S ay O o ~ 7 Ma i 9 3—__3—_-39—--+7 = = Ee whew eee weeeeeerne PPL LALA ee Py BS eT KS xPePd | fi Pept] TT Ti | )(pinch) Full Fuil Full al i- bis_—. Bring your sur - prise¢-—). a nice (What sur - prise. nice —_— vO (#7 a = = a |g = g [AS ++ tae i. ee al 37} Que----4 — Fu7 she said, ice—, An’ pagne on the pink cham * ling — ceil the on Mir - rors— tAcoustic 12-String) (All other Guitars tacet) Let ring throughout 203 3 67 rT a [ yt — —— — _ # e p>? CfAS tt rel cn) I em! a jeammnueneenen—— "We are all just pris - on - ers here— of our own de - vice." = fo eo a = ot —-— So ——W_ _————— CD OE EE UL Ur? ane as —— a fee a —— ——————— t 7 7 7 +t G D e,,- Fro. 3 a } yap a re fie = ———— An’ in the-— mas - ters cham - bers—.. they gath - ered for the feast. ——" Fi7 [3] p38 7 — —_. ss = es i. ft» —__# ff, Ji oe Oe Ee Lemmons stab it with their_— steel - y knives_— but they just can't—__ kill the beast__. 7 a See eee tt H oneal aml [ | « . » “¥ 7 = | es ee ae 21Verse 6: Bm F47 73 Cy eo feos LAS the door—. for was run - ning — mem ber. re - I thing Last be - fore place I was — the to had to find the pas - sage I (Acoustic 12-String) = = {Electric 6-String) div. (Electric 6-String} 22SS = pro - grammed— to re - ceive but you can__ nev - er leave." ies To = pte => = => = ; i ; ; ; = ; ; : ; oi = s — ———— H ee —?— = 9-—9— 9-99 9» 9g i —-?}—_ 7 —___7 7 3 pS —8— 99-5 59 gg "gS ?¥—?} — 77} ———s a——§ 3-—_» 3 — ¥—__3—__+-4— 1h ‘ l Ae Soloist I (Joe Walsh) % sl } 2324 Guitar Solos: (Electric 6-String } om Me 2 ~— Full / . / rake SN Sane H ae i H P _ wh SH ~H a ey —, a on i tH To Ep ep Sl er yl e, 1.| ir ee Oe ee ee i) a A A | SS ee ee pe mASY, — — — rH — a ————_—— 8, TS | a st P P — Bel (14) 1 1/2 Full sl ~e~ H —~ wen H OP rake TH am %H P P Lo a [ee gp ge BH a a a a ee ——- fo a eT “xX s€ E Full Hold Bend Full Full Hold Bend Full Full Full Hold Bend 12 TN it 12 D Em F47 ih —t at Hh? =H a < Sd LK : i « +3. _ 8 al > ~ > = 12 PPP ALP AL ALA ALAA A ADA AL ALAA AL PALPBAPAPORPRAAP AAA APALDP AAPA pr el =p ees a ee Lee ee v2 va we ra a Foe en FPR ft ft Ket H / P P PLL / > Ed fj 4 A™ aoF ——S> w = 4 = o> ! a a es . . —o—f Pr Le ey F.. Brean ae ee 2 Ee) eee A. yj tt Ee Pf |_| 4 }—_+ 4 f-— + Ff +f _f{_t Eee eer he | [| ft Te _| {fF rr ee ee eel So a na | nl => — 12 12 12 Full Full v2 4/2 1/2 Full Fult Full u Full Pp eee H _ PH Pp ~ P OR ee FN Ns es OSFull " Full Full ony 1% | A Full ~ } é } J me | an~eaeeee si Lon Soloist 2 (Don Felder) Full Full Full Full Full rake—— Full Full 1% . P nn a eth e sl ae 7? weg Ss {9}-7-9F {9} — sl ae “ene s/ a b ws ve ~~ 62." a- Full Full Hold Bend Full / ¥l\e 4 / ~ ae p / : we / = s Fult Hold Bend Full Full Full J wer NP (Soloist 1 plays upper part)Bm FR7 A (Electric 6-String} Sotoist 1 (doe Walsh) 1% 1% 1% “ sl sl P eye Mel el el ee Aa 45 1 _ ; fe 2 | CCS Full 12 172 = grad. vane f A rake uh Full 1/2 1/2 grad.105 a . J eo Pt eo Pr SS SS SS SSS EEE Sa OO C~*”Y P P Pp P P P P P sl as as aS a — — — ——, ALLL iy aim SCSd109 Sy) Aq ae Full NAG => ann = => a a ee Se Se ee je ee = el f [Lea CA} [PTT eleeelemnonnes [OA eerie a P — ot P P ._o\ 9 a pg Te“ wre rr P| pA sl 28Life In The Fast Lane Words and Music by JOE WALSH, DON HENLEY and GLENN FREY J=112 Driving rock beat Lead Guitar sl H H a ps Pines Ss Lee Te eee Ell {//* i — “ Pepe ES aa Nase H sl sl 4 Be I | ti) i Lead guitar 2 a | : H = a > i sl H a = wane tl —_—— _ Ee SO Tt A? oe — ~ — H ~— H sl POSS Pe a Se a H sl H Cy | = oe fe * sl = > i = sl sl = Sas ° = = = ae s sl s 29 << “a 2 S w = = Do 3 2. O oO o a TC c co 2 w — = = Cc a o oO ” w o Oo Q a 3 = ® Lb = LL a Cc wo = o = © Oy a re 08 ~ ~ Oo rT © Warner/Chappell Music Ltd, London W1Y 3FA10 NC Sh Me ee ~~ [fe ee 7 Ee Pr J HC) —_ rm a = =p x = P sl Reyteg y ee CT ee eee oS ee ee ee " P P sl 122 ) Verse I:a EQ A E E9 : iv —~ ft #—fo = Le = f — — She held him up and he held her for ran som in the heart__ = is = => > ry A LU ye -s @ se ; ss L ts A! a ee 5 w Oy = : Hes 84 = Py Hee} — nan —4— 5 si 7? —4— ?—7—7 -?—___42 tT : iF —-F— 5§—_—__- §——_— 7—?—# —i2- nas - ty rep - uSES They had he was crude said (they) was ruth - less, he said they ey I oa a Oe oT fle Co Pg Oo ee 32AA [=] Ce CTT we Saal. g = g aeetrany ess | A _—— mind . Vf2 7 rd el lose | ee your Pe P = si ww = n a +|—_# SS He i - * ¢ sl aw Leg COC "g Ne] Po a. ae PT ae Le, ES ed H sl EE Oo a TEE ee TO EO ETO... | a H ee ; — il fa qT A meg dM mye | ; Ws. He Tt Chorus: NC ai a — & By f a rf ha re PP rp Life in the fast. lane__. ae ore Po , er > x a : — = a . sl —~ ~~ OE EEO Pe SCisd [oe C—COOC“(NNNNNNNCC'*SY [ee oe eh Ur UL ™~—TCCCCY : sl Ee Pe Oe id TOO OOo st — Full ae 1d SS ee =| dl Are you with me so_ far? ae a ee 1 ee i gg

si = f+ — S$ 3 — tt a 3 rt F oi a if i |. a a Tf 4) __ Pd F—+— = i —— a A et _ Le =; oe elem een = sl sl —__—._ LL | sl sl oa sl slE ra 8-4 Ul fT] = She on tt 4 IM in the up caught she was to no - tice, tend - ed not pre her face. on lines — Guitars I & 2 Guitar 3 . Yo Ls P - t == Po a feo oe Comarured Pp a | fas LAN L slChorus mind your lose you Sure - ly make— in the fast.— ftane Li a- bout it. to fight tired too 2 , g Ie : ms Wis ) x ihe rr {hd ie ; tf I ‘) qe a Ht | | My ( ht ur | ° D oS H : tie 5 rte ~ | Oo! ie ear - 3h il .W i fl ni Tl | \ s | ; I), | Cg HS \ li) : i wp Hy A ~ H a Lr Guitar 2 _——— 4 tldae ha Ab, lane__.. in the fast. Life 2 the time all— - Q ( With bottleneck moa Gmm wa Open tuning Q A i Full * e Guitar Solo => Full Full Full J\ | E a. , 5-9 _5-—_9- 9 LT Co PT TT sl sl = i | ne sl poh § == LT KS I CWS WL sl Y | ( oO | (Slide Guitar}te ~ 2 ee 1p Pick Scrape : PON PS NS PO CMS Ee ee = Cd a3 ve 7 vw = P H . sil (A ol sl tists ee 7 TE EEE OTT TTT SE OOOO | Of OE eeeeeeeeeeeeeeeee—eeeaeaoaeawaes esas a anne eeeeeaeenhneneeenenhnhnhDneaea aed E “Poke 2 a ee et ee 8 8 Ee ee SEE sn oe ~el a ——— | I to te ote i eT Poy (eG P sl sl Pe mai B 1 Full ve a, aT, 4 nee TTC 1/2 Full V2 J 42 13° 44 PT P —— | md a SS ee ee 64 sl t an re sl CE eS Co ee ee se si 64 2 eo OO 5 {Slide Guitar) (Slide Guitar) Lid ie = 67 a a | 5 t 4 < a we had i | cf ead iS CZ fan CYGuitar 3 4 70 f) F 70 ape fs —t [AS = P — yw le le le | Leth eh el maces —— J = Pp _— rer fant NR . Pe > P ——., yy pt Wis ~~ Guitar 1 Guitar 3 404} you Full Full Baal LY — ba - by, 12 2 thirst, = a Ty) , [| PT [ant ten, | ed by , I [ | uu \ ewarn ; | i < WG ek UL | | | | | AMA my dy) og lie | ; aearareanna iy. "lis - E9 blind => > | ys pd] She said, et mh Hoa ; | s << 1 5 A om at b | 2 | g : ll. “ = alll z See seme l bud | : I s ‘vr . ‘ rs wi At “s | ql |. TES : 7 Pry ei) og ‘a | : |: mil N wal Kt woilel ath oy | fT a, E A “Ty MN y|] 2( rT : mn | i 4 | al Wa) ie 2 ine it if at op ADT (TH aC Pay 1 AL per il al Le A al p mi A - zr > i | ts | oH a4 te etl etl The at iT - ins iY Ti Png Poe TN?: A Ly Ag . 3 TH : 5 | ll va IT e e dll ay ; 3 ul f sadealll 8 . L ; lr 3 A " he < iW . = i uy ‘I « Ul a 4 : “ " IN # | = I ay er a << A “ y sl = sl sl > Guitar ! (flanged) 2 es ee ae ee Ate | | | | — pF 5 ie Po —3— 8 ‘ H sl H sl H sl H = = = = = = =~ = = = = = * * eet ceeeeee fee eee # = Guitar 3 (flanged) 42-42 42-42, 42-42 42 12 12 42142 422A H- C/E 100 — oo Life in the fast__ lane ri . , 12 100 te / ~~ ae, ~~ ) | > rT >? y Z —t Ye. > S ~ a... —T HH J = JH sl a oe sl > V2 V2 ~~ ~~“ ~~ ws A i, —i- 5—F “F Ss 8 PSS 3 sl H sl H sl => > > > => >= => = = = i > e 2 2 2 ° * E ft — 99 —9—-9-9-9--9A/E Guitar 1 (Rhythm figure 1) 103 ~ ~~ ~~ ae —? > re Z — = () ~ = H SS H P , si! sl Lie mg: ow ae 5—+ f t TS a8 H sl H P sl = = = ae = = > = e Guitar 2 —_ P sl Pick Scrape a we 42-42 42-12 42-42 -9-—-9—9—_9_9 9—9-——_9_9_9_$ Pp sl (End rhythm fig 1) Guttar 3 A, al = SI —— = if 4 x ge XT ee. ee " Ly Er aT fon b> ¢ FC NK SE A a ee a a ee | or = Full 1 PS ES —e.fof” ae [ee Guitar 1 continues rhythm figure 1 simile to end. PY epee, os ee = ; 4 —_ =Hold Bend rN Pick Scrape Full Hald Bend Aaya eee 32 H SPPPPPL AS — 2 ? , | / 45 ; +4 +4 E A E7 A E E7 A E A E7 121 —y-9 [a bt = — | fat 9 A a — ae atts te et <6) —___-# , 2 = it et | = po hlUde 1s > > > > > aie H sl = = H ~~ ~ | \—9 p 6—8—2 3 {———_+-4+--2—__4-x 4 4294 4-4 t—t—+-4+—B---" 4 4 2 2 2-2 p 222-222 4 2 = sl nf tO jr Tw I. oH 1 i yee: UG r eq ya yo SS eae pg Y= _ SeLead Guitars One Of These Nights Words and Music by GLENN FREY and DON HENLEY +2 i i ¥2 a | | ——— 5 pea —— U 12-17} 6-17-42 = si sl sl sl sl sl sl si sl sl sl H 1 => f\ : =p: SE a 5 A (2nd time only) div. H , Leg 5 Po f bg CT Po © 1975 & 1996 Benchmark Music and Kicking Bear Music, USA Warner/Chappell Music Ltd, London W1Y 3FAthese__ of One he ~~ S>lUD => sl i _, sl t—# {TT | = | (). palit | sada | 1 iw" le r) ' @ ! L | + ={ WT * HT s H 5 hn Verse 1: g = Ss | z ° MM 1 my fF a oO ' s Sh : oD so 5 Set ° 2 2 @ | Q A ; £ wi ‘i z = S wm = 3 Q pa) % ~ g§ 3 G S - = x ) g a E g = Ww i a a sl sl sl sl (Rhythm Guitar - clean sound)| s af 2 ' in IN Hf * ie = ll s Ar @al a dice : VE > ll % 8 & he ach bred : i | 'S bred ni . om od | EQN 4 rT = u = 5 s ; A> eo +4 A oe 4 a i reddl 1 thea | iS | | ° E | 5 : ,° A: @@@ i + \@e@cch d | > \ 7 store ti im haan | . : | ft 2 Ae ial Lady 3 _ Ma il _ 3 A Od i : /) q A+ lan Rad d an hh 3 | i | | | % a TN a ul h D4 hewetn 8 | doe win, ||| NAS Ht Hl) g i E}| Fi was! ll Li §moans and whis - pers Am a few of my own got JW__ well, mons, got your de - You 52