UNIVERSITE DE Mit can - MUSIOUE - BIBLIOTHTOUE Fiying Lessons Six Contemporary Concert Etudes he D3 For Flute Fd WINNER: 1985 NATIONAL FLUTE ASSOCIATION NEWLY PUBLISHED MUSIC COMPETITION Robert Dick REGU LE22./0.2¢ NO. EATREE. 27762 (29) Multiple Breath Music Company 10 Leonard Street New York, N.Y. 10013oneise « ba MUSTO bebe os3 4 Key click+ use regular fingering of pitch given, and G-key ag / 5 striker. Only the click is Sounded, no breath is used. Percussive Sonorities ch Key click with embouchure hole stopped: cover the embouchure hole by placing it against chin or by rolling flute up ogainst upper lip. Embouchure hole must be completely sealed, Pitch sounding is given. (T) Tongue stop: with regular fingering of pitch givens make a percussive attack by rapidly and forcefully thrusting tongue into embouchure hole. First, place embouchure hole between lips $0 that all air blown will pass through flute. The tongue is aided in striking by a strong, fast exhalation. Singing and Playing PR Square noteheads indicate pitches to be sung, either with or without regularly played notes. Always sing softly! Use the syllable given and be sure to sing in the octave written. (Tha sung notes ‘should be in every vocal range.) Octave transpo- sitions will interfere with desired effect. Other Notation 2x) Bending: by rolling the flute inwards and lipping the pitch downwards, the pitch range indicated can be produced. sp Glissando: by making the fingering changes indicated under the baginning and ending pitches in each case, smooth glissandi can be produced. Residual tone: an unfocused air stream that makes a noisa-likey rushing sound. Use the regular fingering of the pitches given. I thank Diana Greene for her beautiful autography and Many valuable suggestions.219gNS ana symooils usca In riying Lessons TORTS WE ur ae eye 6a f D353 Intonation Fs # quarter sharp + slightly sharp d= quarter flat } slightly flat Fingering Diagrams Fxey eax ir aney tl Key om " y tia ofxey OAKEY DETR KEY muna DTAIL. Okey up © — open hoie key with rim depressed © key depressed and center hole compietely open @ key trilled @—~O = slide Finger off center hole of open hole key while keeping rim heald— hold Fingering depressed, or vice versa(o—ee ). until indicated Angie of the Flute U--normal playing angle -slightly turned out \S- slightly turned in Natural Harmonics =—S— pitch of harmonic SS fircaring Multiphonics Multiple sonorities are produced in two ways; when a regular fingering is used, the fingering is indicated by a diamond-shaped note next to one of the pitches sounding. 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OREE 27079 (33/) Multiple Breath Music Company 10 Leonard Street New York, N.Y. 10013Signs and Symbols used in Flying Lessons Trionation # — quorter sharp ds quarter flat Fingering Diagrams cxay Vi ~0° , , FKey at tl] axey & EKEY Ne od sit DS3 gNevEssit f . 2 7X wagner iy slightly sharp slightly Flat Ae oe i. TRILL KEY ‘THUMB ab KEY OTRILLKEY Okey up @ = sey cepressed BD xay trilled hold—4 noid fingering until indicated Angie of the Flute U-normai playing angie Natural Harmonics ——. ———— Muitiphonics 's se pitches sounding. e—-0 open hole Key with rim ceoressea ana cantar role compierely open slide Finger off cantar hole of open hole key while keeping rim cepressed, or vicz versa(o—ee ). © slightly turned out \S- slightly turned in pitch of harmonic Muitipie sonorities are preduced in two ways; when a regular fingering asad, the fingering is indicated by a diamond-shaped note next to ane oF When a non-traditional fingering is used, the finger is given directly below the sonority; (when specific multipnonics are repeates Clasely together, the finaering diaaram ig not reoeated).= pp - BIBLIOTHECUL MUSIOUE UNIVERSITE De tix 1 powe rfully, with rubato throughout sub. =f > Sf 0 => eee! 0S <> °, eee) 0, JS eee! oee(S = e eelo09 de ©Robert Dick 1987sudden| an Ui nope eg faster dee ” P<1f>PP PEP PP—P nf eS nf —PP Sf P ¢ ° “ « e . . = : 3 8 $ =a a 2 Ww 0 oo 3 Bet Sent! == = =f 3 f ——f ° ° e o o e e e & oe x oo of Ss Qa S SS!UNIVERSITE DE sits! 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P Dn 2 4 os3 S88. S20—9-0 + 08 0 Pd & a & © Oopoco pocg, molto a accell. ——— St -21-UNIVERS: i, 1 ost MUSIQUE - BIBLIOTHiW.. FSG presto possible > > SOP f2P foP foP frP f— frP f>P -22-~ BIBLIOTHEOUF UNIVERSITE DE inONEREAL MUSIOUE V =36-42 dreamily ¢ ws , norm. ws ws— ° erctoee4= o_ccloee(= ws ws ws e erloelS oe Oy 000 ald °,' ee loses iS osrlonels -92-ak Ml aT Pa oe. 2 | : : 1 a C ds opllnsnntg | (ul | Saw it odin ; | « SHH |S odin STS ° i it ( rm oclenefS £ a eel e0fS [ & cers ue 4 Call © 00) => AW | I as =e eee LoS ( ° ” “or & as 8 ogecleoofSU->U->U ars oa UIIVERSE De beset ca MUSIOUE - RIBLIOTHEOUF eer ys eee Eats ds3 FSI ps = t ote Sub os ~25-slow, “electric” blues fast slides > ¢ >> -26-Oss pera er MTHOUE «IBLE o Psa Zobe be, F tebe wo . phe be a ——— fa ies uP | jS——— e e-0e0e eoe0e & eo Oo i 00 fast slides Od ee Oy e e eo @ ° e & Ss 4 oo e @ x e cele gS ] r als Et pettee = “potecbe 3 ee bopof e oclecefS eS PUT eee 04S eee! Oy => ts3 ~28-wudhtinte Ub nee UsIOUR - aTRLOFHEOIE & a fast slides > Psy & A ——— —— fe Sa u3— T Sf Vas e I=. SS , e eooe eo ope eo 2 ‘O =. tttesee etheethetee .. “6 } f o i SS i =f rf? -29-x Soe ¢ | oe bP) o cole, , i= ; ' eel 7 Ha. Sp S — : \. elon = 1 ° Cr i i ; colds il Ee be Re ae -30-m GNIVERSITE DE MONTREAL a MUSIOUE ~ BIBLIOTHFOTT APTERLIGHT. For Flute Alone by ROBERT DICK AETERLIGHT is a dramatic work, and is meant to be performed with a sense of power, expansiveness and control. It is notated without bar lines in order for cach performer to phrase with freedom while still respecting the score. As the flutist achieves an increased dynamic range for the multiphonics, the tempo may be slowed. AFTERLIGHT should be played with the maximum range of tone colors and dynamics. AF TERLIGHT is dedicated to James Pappoutsakis in gratitude for the artistry and humanity he so nobly taught. Notations used include: Intonation: # quarter sharp + slightly sharp quarter fat } slighty fat Firgering Diagrams: Key ww res a hie Oa TAILLKEY THUMBBDKEY OTRILLKEY key up © —open-hole key with rim depressed and center-hole completely open key depressed O—-o _ slide finger off center-hole of open-hole key while keeping rim depressed, or vice versa multiple tremoli: start with the fingering indicated ana alternately It. open and close the keys given by the bracket aeo key trilled © Robert Dick 1985 MULTIPLE BREATH MUSIC CO. 10 LEONARD ST. NYC 10013 (212)226-6718UNIVERSITE DE MONTREA}. MUSIOUE - RIRLIOTHEOI” Dear Flutist, A REMINDER: the AFTERLIGHT CASSETTE is a valuable tool in learning this music. On the cassette, Robert Dick performs AFTERLIGHT, then gives clear, effective verbal instruction on how to learn the sonorities an how to practice them. This is followed by interpretive explanation and advice. The AFTERLIGHT CASSETTE prepares you to give a confident, musically aware and emotionally involved performance. Robert Dick is an imaginative, articulate teacher whose extensive experience in teaching music with exteded techniques enables him to anticipate problems, provide solutions and to relate new music to traditional repertoire both technically and aesthetically. The cassette is 90 minutes, chrome tape with Dolby B, and is priced at $10.00 plus $1.50 postage/handling ($4.00 foreign/airmail). Please include payment with your order: Multiple Breath Music Co. 10 Leonard street New York, NY 10013 (212) 226-6718 New York residents, please add state/city tax. Thanks.UNIVERSITE DE MONTREAL MUSIOUE - BIRLIOTHEOM Expansively J = 60 oF tess fot James Pappoutsakis AFTERLIGHT Robert Dick ° g3 ee 8 _ < oop hw w Gee f ER Ge eee 2 _ re eee re EEE Ce tee e 4 go =z “F >—_—== f ee Lk es 3 8 & @ Robert Dick 1975) Bloopers dsuee va eo = eee feroece%e [ i Bieoojee roy f i : 2 s _ i Zhesojesto A ft +dlllp f ¢ s 7 t Lp al i ann Ml i ySTi) Srecnes ye hy ADeveete gs Ih pace pate Alocetbte Efove,ee'o Zynvegeeret al Efoweees Edereieete * Beoeeots Booojeote BYoeeee’e erry ail dt | S| hye = Epeor,eate ey ere 2 oy Sng, be Evenyep Sip \ =F = . === SS B45) ae fot?foooyeeto s eG Epoveeot Ht Ghowe ores Hite: s Soveyeee “Ht Derry = pte e a = EheoeyeoPoT ll iN . im its SS Fitnm s EF Epeeeee% H hi Epeee,po%5 ee Bhovogeckers looe o8%o. Joostecte | : — 7%, i Qhoreeetoy i ad i SDegeingt : by Speensgetes s ra fe p>