This document profiles 5 influential Filipino photographers: Felix Laureano, considered the first Filipino photographer and photojournalist in the late 1800s; Eduardo Masferre, known as the "Father of Philippine photography" for his portraits of indigenous peoples in the 1900s; Paul Quimbao, the official photographer of the University of Santo Tomas' 400th anniversary; Xyza Bacani, a street photographer documenting labor issues who has won many awards; and Niccolo Cosme, whose conceptual photos on HIV/AIDS and migration have been widely exhibited.
Original Description:
A list of Filipino photographers that has an historical contribution in Philippine Photography.
This document profiles 5 influential Filipino photographers: Felix Laureano, considered the first Filipino photographer and photojournalist in the late 1800s; Eduardo Masferre, known as the "Father of Philippine photography" for his portraits of indigenous peoples in the 1900s; Paul Quimbao, the official photographer of the University of Santo Tomas' 400th anniversary; Xyza Bacani, a street photographer documenting labor issues who has won many awards; and Niccolo Cosme, whose conceptual photos on HIV/AIDS and migration have been widely exhibited.
This document profiles 5 influential Filipino photographers: Felix Laureano, considered the first Filipino photographer and photojournalist in the late 1800s; Eduardo Masferre, known as the "Father of Philippine photography" for his portraits of indigenous peoples in the 1900s; Paul Quimbao, the official photographer of the University of Santo Tomas' 400th anniversary; Xyza Bacani, a street photographer documenting labor issues who has won many awards; and Niccolo Cosme, whose conceptual photos on HIV/AIDS and migration have been widely exhibited.
the first Filipino photo-journalist. he opened a photo studio in Iloilo in 1886 Laureano was 21 when he participated with 40 photographs at the 1887 Exposicion General de Filipinas in Madrid where he received an Honorable Mention. he had participated in the 1888 Universal Exposicion de Barcelona where his works received Honorable Mention. He travelled in Europe, studied the latest photography developments in Paris, and attended the 1889 Universal Exposicion where the Eiffel Tower was launched. Back in Barcelona, he received citation at the Exposicion National de Industrias Artisticas, and was singled out by the newspaper La Vanguardia. Between December 1892 and 1901, Laureano opened three photo studios there. In 1895, Laureano published ‘Recuerdos de Filipinas’ in Barcelona. This is considered to be the first photo book by a Filipino. The book and his other photographs were exhibited in the Exposicion Regional de Filipinas, in Manila that year. His works began to be published in 1896, and until the end of that century. His photographss appeared in La Ilustracion Artistica, La Ilustracion Espanola y Americana, and Panorama Nacional. Two of his colored photos were published in an 1899 issue of Album Salon, the first Spanish illustrated magazine in color. He could be the first Filipino press photographer, his photographs of the Spanish warships anchored in Barcelona during the Spanish-American War in Cuba were commissioned works.
2. EDUARDO MASFERRE
regarded as the Father of Philippine photography.
He was a self-taught photographer When World War II ended, he opened a photographic studio in Bontoc. Masferre's first exhibit was held in Manila in 1982. After a second exhibit in Manila the next year, his work traveled to Copenhagen (1984) and Tokyo (1986). In 1988, his third Manila exhibit was mounted, and the book of his works, E. Masferre: People of the Philippine Cordillera, was produced. Funding from Mobil Philippines provided 1,500 copies to Philippine schools, museums, and libraries. Mobil also funded the touring exhibit of Masferre's works to Baguio, Cebu, Cagayan de Oro, Davao and Bacolod. In 1989 he was invited to exhibit his works at the world's most prestigious photographic exhibition: Les Recontres International de La Photographie, in Arles, southern France. He is the only Filipino to have been accorded this honor. In 1990, the Smithsonian Institution purchased 120 of Masferre's original prints, and exhibited them for six months in the main rotunda of the American National Museum of Natural History, in Washington DC.
3. PAUL QUIAMBAO
the official quadricentennial photographer of UST and a former editor of the
school publication The Varsitarian His atmospheric pictures of the university’s ancient grounds and buildings were culled into a book and a photo exhibit, which launched his career in the Philippines. Has founded The Thomasian Photographers Guild. In 2006, the Varsitarian photo editor announced an opening for photographers in the paper. Paul submitted sample works and was immediately taken in. This was the same year he won in ArtPetron (now Vision Petron). On March 9, 2011, Ash Wednesday, the officials of the Guinness World Records (GWR) watched as UST community of 13, 266 UST students and faculty formed a human cross and was still for five minutes in prayer. Paul was assigned to photograph this historic event, which was UST’s concrete collective contribution to its quadricentennial celebration. He first thought of the 400 photos to mark its quadricentennial anniversary. Entitled “400 Shots to Immortality, Timeless Photographs of the University of Santo Tomas Towards its Neo-Centennial”. Paul holds the distinction of having been awarded with the most Benavidez trophies – four (out of the five years he has been a student). Two were for his two grandprize wins in ArtPetron. His third Benavidez award is a collective one, as he was part of the Varsitarian Quadricentennial coverage as its photo editor. The fourth is his being the Philippine delegate in the Asean Youth Camp in Indonesia in 2012. Currently, he is part of the forming of Fotomasino, a UST-based Photo club, initiated together with alumni and more advanced photographer students.
4. XYZA BACANI
is a Filipina Street and Documentary Photographer based in Hong Kong, she is
particularly interested in the intersection of labour migration and human rights. She is one of the Magnum Foundation Photography and Social Justice Fellows in 2015, has exhibited worldwide, and won awards in photography. She is also the recipient of a resolution passed by the Philippines House of Representatives in her honour, HR No.1969. Xyza is one of the Asia 21 Young Leaders (Class of 2018), the WMA Commission grantee in 2017, a Pulitzer Center and an Open Society Moving Walls 2017 grantee. She is one of the BBC’s 100 Women of the World 2015, 30 Under 30 Women Photographers 2016, Forbes 30 Under 30 Asia 2016, Fujifilm ambassador and author of the book We Are Like Air.
5. NICCOLO COSME
Niccolo Cosme's conceptual pictures disrupt and provoke, as well as inspire, as
well as bring hope and reassurance. In this collection of photographs titled “Resplendor: The Blinding Light," Niccolo delves deep into the experiences and aspirations, insights and emotions that comprise the realities of HIV and migration, particularly for overseas Filipino workers (OFWs). The Resplendor photographs have been exhibited in the Philippines at the House of Representatives, the Department of Foreign Affairs, the Asian Institute of Management, and at various events supported by the Joint United Nations Programme on HIV/AIDS (UNAIDS). Three photographs from the Resplendor collection have been exhibited at the UN regional center in Bangkok, Thailand. One of Niccolo’s most significant works, “Pagsubok” (“The Trials”), will soon be installed at the UNAIDS headquarters in Geneva, Switzerland. In 2011, Niccolo topped the 7th annual PPA (Professional Photographers of America) Affiliate Asian-Pacific Image Competition in Seoul, Korea with his artwork "The Brotherhood of Men." The photograph ranked first among more than 400 entries from different countries that included Australia, New Zealand, China, Japan and Korea. In February 2012, he was one of the recipients of the “Ani ng Dangal” (Harvest of Honors) awards of the National Commission for Culture and the Arts of the Philippines. Niccolo is the founder and Creative Director of Headshot Clinic, an electronic platform which blends photography and social networking for advocacy as well as commercial purposes. Appointed as a goodwill ambassador for Levi’s (Philippines) in 2011, he had maximized the opportunity to reach a wider audience with messages on HIV prevention and non-discrimination. In July 2012, Niccolo became a goodwill ambassador for the Philippine youth movement “Project Pagsulong,” which again gives him the opportunity to encourage and inspire young people to become involved in HIV prevention.