EXPRESION MUSICAL LA NOBEL

SUR DE AMERICA LIMA PERU EL YANQUI

POR: NILTON CALDERON TORRES
(MAMBO)


Flute
         
                       
 
p
mf
9      1.           

                         
 
17
        

              
2.
      
 
24
       
             

               
32
      
         


37                
  

          

    
1.  h=90
42
  2.
SIGUE   
D.C.    
    


  X ultima vez

        
 Doblar el RITMO
 
50
           

                      

58
    1.            2.
   
      
       


63  
             

          
     

69      
            

             

       
      
76
          
     


81                         

       
   

          

 1.   2.
85
   
   

   
 EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU EL YANQUI
    
(MAMBO) POR: NILTON CALDERON TORRES

   
1º Clarinet in Bb

                 
      
13
       
1.
           


              

17 2.     
    

               


        
   
23

         

           
32
   
  
           
 
 
     1.      h=90

 2.  
41
    

      
 
SIGUE
Doblar el RITMO 
50
  
  
         

                
 
58 2. 
    
1.
          
  

 
63
  
    
    
             

       
 
69

                

     
      
     
78
 
   

 
   
 
85      1.      2.   
         


 EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU EL YANQUI
POR: NILTON CALDERON TORRES

 
2º Clarinet in Bb (MAMBO)

                         
  

13 2.

1.
   
                       
   
  


       
18

                    
  

24

      
   
          

    
34
                 
     

        


    

h=90

     
42
   2.
1.

  
     

   SIGUE
Doblar el RITMO



51 
                             
   

2.   

59
          
1.
             
  


       
       
64

           
      

70
   
   
        
      

         
       
83

       

 
86
        
  
1. 2.
       
 EXPRESION MUSICAL LA NOBEL
EL YANQUI POR: NILTON CALDERON TORRES
SUR DE AMERICA LIMA PERU
1º Alto Saxophone (MAMBO)

     
         
   
             
 

                
5
           
         

 
                     
9

     

12  
           2. 
    
1.
     



          
  
18
   
Solo



   
23
      


28
       
    
   


      
          
32
   
   

                   
36

    

39
                        
  

  

 1.      2. 2.
42

          
 DC 
Doblar el RITMO 
PARA FIN
EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU EL YANQUI
2º Alto Saxophone (MAMBO) POR: NILTON CALDERON TORRES

                 
 
             
    

                  
5
              
      
9
                     
        

12
         
   2. 
    
1.
     



         
solo

18

     

23
  
           

      
28

          

               
32

      
 
 

                     
36

   


                       
39

    

 1.        
42
     
2.
  2.      
 Doblar el RITMO 
 
 D.C.

Para fin
EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU EL YANQUI
Tenor Saxophone POR: NILTON CALDERON TORRES

              
(MAMBO)


                
     

                      
5

              
    
9
                   
        

                
12
     
       

15        2.    

       
1.
  

   


19
  
   

  

  

25
             
       

                        
30

 

               
34

       

                       

38

   

  


42
     SIGUE   
1. 2. D.C. 2º Veces 2.
   
 

 X ultima vez
Doblar el RITMO
EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU
EL YANQUI POR: NILTON CALDERON TORRES

 
1º Trumpet in Bb (MAMBO)

                     
      

 1.   
      
2. 
         
13
     
  

 
19
  
    
    
                 

25
           
          

32
    
       
         
  
   


41    1.

   2.

h=90

     
     

 
 SIGUE
 Doblar el RITMO 

50
            
 
         
       
 

58        
1.    2.     

        
 

 
64
  
         
                

70
      
 
          

78
   
      
  
   

       

85    1.

   2.
   
     
   

 EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU
EL YANQUI POR: NILTON CALDERON TORRES

 
2º Trumpet in Bb (MAMBO)

                         
  


               
1.   2. 
13

       


          
19

            
      

25

      
      
              

32
         
        
          
 

41
  
1.
    2.
h=90 
  
   
     

 SIGUE
Doblar el RITMO

 

50
            
                    


 
      
58
 1.  2.   
             


       
64

           
              

70
   
       
          

78
       
    
         
 

85
  
1.
   2.   
          

 EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU
3º Trumpet in Bb
EL YANQUI POR: NILTON CALDERON TORRES

 (MAMBO)

   
                      



         
13
                    
1. 2.

           

19       
        
                



25
  
     
                        


32
     
                   
  

41
  
1.   2. h=90

                

SIGUE  
 Doblar el RITMO  

50        
                 
          
 

58
   
                   
1. 2.
        
   

64    
 
                    
    

70

      
          
    



78      
    
            
 

  1.   2.   
85

                   

 EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU EL YANQUI POR: NILTON CALDERON TORRES
(MAMBO)
1º Trombone           
         

    

 
   

9         
      
     

1.         2.
15     
  
            

    
29 
 
   
          

35 
        
       
      


41   1.      2. h=90   
        SIGUE      
 Doblar el RITMO 
 
50     
         
          

 1.        
56            
          
  
61 2.      
            
 
   
75
  
           

82 
         
     
     


86 1.
     2.
   
        
 
 EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU EL YANQUI POR: NILTON CALDERON TORRES
2º Trombone (MAMBO)
 
           
             
  
9        
       


   
  
1.    2.
15           
           


29        
          

35 
         
     
   
         
41  h=90
  1.       2. 
        SIGUE   
Doblar el RITMO 
     
 
50 
             
          

1.   
56       
                 
 
         

61 2.      
            
 
75    
            
    
 
82 
 
       

           

86 1.  2.   
       
      

EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU
EL YANQUI
1º Euphonium
                
(MAMBO) POR: NILTON CALDERON TORRES

 
SOLO SAX


              
  

                              
5
  PLAY
           

                    



2. 
       
14 1.
          

  

     
18

         
 

24

            



29
     
               
 

34
   
             
   


39

   
   
   
            

42
      
       
1. 2. 2.
    D.C.
Doblar el RITMO

SOLO PARA FIN

EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU EL YANQUI
2º Euphonium
   
SOLO SAX (MAMBO) POR: NILTON CALDERON TORRES

                         
       

 
5
   
  
  PLAY
                           


       

  

                 
   


14
    
1. 2.
                       


  
18

          
 

24
            
    

     

29

                  


34
  
                    

39
       

                

42 1. 2. 2.   
                   
 D.C.
Doblar el RITMO
SOLO PARA FIN
EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU EL YANQUI
(MAMBO) POR: NILTON CALDERON TORRES
Tuba Bb
    
              

6
   
    
       
     

11 1.
   
         
       

16 2. 
          
 
            

21
            
       

27

         
       

33
 
          
    

38 1.

          
         


43 2. 2.   
   D.C.  
 Doblar el RITMO      
SOLO PARA FIN
EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU EL YANQUI POR: NILTON CALDERON TORRES
SAX Play (MAMBO) similar
DrumS

 
                 

  


13 1. 2.
                
 

19  
               


29  
                  

34 1.
          
          
   

43 2. h=90
    SIGUE          
        
Doblar el RITMO

50   1.
                    
 

61 2.  
           
    

70 

                

77 
               
   

83 1. 2. 
 
 
                 