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Task 2: Points 20
Task 2: Points 20
Task 2 Points 20
Egyptian hieroglyphic relief embellishments, in representing concepts, rarely recorded ‘the truth’ realistically.
Nothing was random; for clarity of representation, everything had a carefully positioned meaning and purpose
within the final composition. Although not precise renditions, these were complex portraitures of letters, sounds,
ideas, objects and figures, wherein each element was designed to chronicle the Gods, the monarchs, their subjects,
animals, places, events, or rituals, through their age, rank, occupation, and status.
TASK 2 Appendix is a comprehension passage on the design and development of Egyptian hieroglyphic relief for
you to review.
PLATE 1 below is taken from a virtual tour of The Metropolitan Museum of Art, a facsimile created by Nina de
Garis Davies. Facsimiles created by Nina de Garis Davies on virtual display at The Metropolitan Museum of Art,
Replace the image and relevant information in PLATE 1 with ONE example of Egyptianrelief that interests
you. The example should portray the imagery of some vocation of the times. Also add to thefl “Reference”
section below the link of your search page. As applicable to the vocation presented therein, using flow
diagrams, trace the relevant sequence(s) of processes outlined within. Thereafter, using sketch, point out any
intermittent process(es) missing in the above sequence(s); supposedly the missing composition(s) that could
Dynasty: Eighteenth
Location: Original from Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Nakht, TT 52,
chapel, east wall, south side [PM (4)], MMA Graphic Section, 1908–1910
ACTIVITY
Virtual tour(s): Ancient Egypt 3
Seq
Dynasty Eighteenth