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Annex1B to DepEd Order No. 42 , s.

2016

GRADES 1 to 12 School MAMBAJAO NATIONAL HIGH SCHOOL Grade Level GRADE 9


DAILY LESSON LOG
Teacher NIKKI MAE P. LACUARIN Learning Area MAPEH (MUSIC)
Teaching Dates and Time Quarter 1ST QUARTER

dsd

MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY


Objectives must be met over the week and connected to the curriculum standards. To meet the objectives, necessary procedures must be followed and if needed, additional lessons, exercises and remedial activities may be done
I. OBJECTIVES for developing content knowledge and competencies. These are assessed using Formative Assessment strategies. Valuing objectives support the learning of content and competencies and enable children to find significance and
joy in learning the lessons. Weekly objectives shall be derived from the curriculum guides.
A. Content Standards

The learner demonstrates understanding of characteristic features of the Medieval, Renaissance, and Baroque period music.

B. Performance Standards
The learner performs selected songs from Medieval, renaissance, and baroque periods a) Chants; b) Madrigals; c) excerpts from oratorio; d)
chorales; e) troubadour.

C. Learning Competencies / The learner…  listens perceptively to The learner…  listens perceptively to
Objectives
selected vocal and selected vocal and
Write the LC code for each
 relates Medieval, Renaissance, instrumental music of  relates Medieval, Renaissance instrumental music of
and Baroque music to its Medieval, Renaissance and and Baroque music to its historical Medieval, Renaissance and
historical and cultural Baroque music and cultural background through Baroque music
background through MU9MRB-Ia-h1 dramatization MU9MRB-Ia-h1
dramatization  explains the performance MU9MRB -Ic-f3  explains the performance
MU9MRB -Ic-f3 practice (setting, practice (setting,
composition, role of composition, role of
composers/performer s, and composers/performer s, and
audience) during Medieval, audience) during Medieval,
Renaissance and Baroque Renaissance and Baroque
periods periods
MU9MRB -Ia-h2 MU9MRB -Ia-h2
 sings Medieval chant,  sings Medieval chant,
troubadour song, madrigal, troubadour song, madrigal,
chorale and selections from chorale and selections from
oratorio with correct pitch, oratorio with correct pitch,
rhythm, expression and rhythm, expression and
style style
MU9MRB -Ib -h4 MU9MRB -Ib -h4
 describes musical  describes musical
elements of given elements of given Medieval,
Medieval, Renaissance and Renaissance and Baroque
Baroque music music MU9MRB -Ib -f5
MU9MRB -Ib -f5  explores other arts and
 explores other arts and media that portray
media that portray Medieval, Renaissance and
Medieval, Renaissance and Baroque elements
Baroque elements MU9MRB -Ib -f6
MU9MRB -Ib -f6  improvises appropriate
 improvises appropriate accompaniment to given
accompaniment to given Medieval and Renaissance
Medieval and Renaissance songs
songs MU9MRB -Ib -d7
MU9MRB -Ib -d7  create and or perform
 create and or perform songs in Gregorian and
songs in Gregorian and troubadour styles
troubadour styles MU9MRB -Ib -h8
MU9MRB -Ib -h8
Content is what the lesson is all about. It pertains to the subject matter that the teacher aims to teach. In the CG, the content can be tackled in a week or two.

MUSIC OF THE MUSIC OF THE RENAISSANCE PERIOD RENAISSANCE PERIOD


MEDIEVAL PERIOD (700- MEDIEVAL PERIOD (1400-1600) (1400-1600)
1400) (700-1400)  Historical and cultural  Mass
II. CONTENT
 Historical and cultural  Gregorian chants background;  Madrigal
background  Troubadour music  Composers - Giovanni da
 Composer - Adam de la Palestrina and Thomas
Halle Morley.
III. LEARNING RESOURCES List the materials to be used in different days. Varied sources of materials sustain children’s interest in the lesson and in learning. Ensure that there is a mix of concrete and manipulative materials as well as paper-based materials.
Hands-on learning promotes concept development.
A. References
1. Teacher’s Guide pages pp. 7-10 pp. 7-10 pp. 7-10 pp. 7-10 pp. 11-15 pp.11-15 pp. 11-15 pp.11-15
2. Learner’s Materials pages pp. 2-8 pp. 2-8 pp. 9-12 pp. 9-12
3. Textbook pages
4. Additional Materials from
Learning Resource (LR) portal
B. Other Learning Resources
These steps should be done across the week. Spread out the activities appropriately so that students will learn well. Always be guided by demonstration of learning by the students which you can infer from formative assessment
IV. PROCEDURES activities. Sustain learning systematically by providing students with multiple ways to learn new things, practice their learning, question their learning processes, and draw conclusions about what they learned in relation to their life
experiences and previous knowledge. Indicate the time allotment for each step.
A. Reviewing previous lesson or The teacher will play a The teacher will recall The teacher will ask the The teacher will ask the
presenting the new lesson video clip about dark the previous lesson by following questions to the following questions to the
ages or Middle Ages. asking questions to the students: students:
 What have you noticed students:  What is Troubadour  What is
from the video clip?  What is Medieval music? Renaissance?
Period?  Who is the composer of  What important
 What historical medieval period? events happened
during the period?
events and culture
that medieval period
has?
 What is Gregorian
Chant?
B. Establishing a purpose for the The teacher will ask the students The teacher will ask the The teacher will ask the students to The teacher will ask the
lesson to name the following pictures following questions to arrange the following questions to the
posted in front. the students: rambled letters to form words students:
1. CHURCH – • Which music are about the Renaissance period. • Have you been in a
you familiar with? chorale?
• Which songs can 1. MASS – SMAS • What do you feel in
you relate with? 2. MADRIGAL – joining the
Sacred or secular LADRMAGI Chorale?
music? 3. RENAISSANCE –
ENASSIACREN
(5 min) 4. THOMAS MORLEY –
HMASOT LERYOM
5. GIOVANNI
2. POLITICS - PALESTRINA –
IANINOGV
TELSARINAP
(5 min)
3. POPE –

4. MIDDLE AGES -

C. Presenting examples/ instances The teacher will post The teacher will play a The teacher will post pictures The teacher will play
of the new lesson pictures that represent gregorian chant and a that illustrate the cultural and examples of sacred music
Medeival period. troubadour music. Let historical background of the and secular music. The
the students listen to the renaissance period and students will listen will ask
music. medieval period. the following questions:
 What can you say
 What can you about the music?
say about the  Are secular and
music? sacred music the
 Were you able to same?
describe the (10min)
musical elements
of the music? (10 min)

 What can you say


about the pictures?
 Are historical and
cultural back ground of
medieval and
renaissance period still
the same?
(10 min)

The teacher will discuss the The teacher will discuss the The teacher discuss the The teacher will discuss
historical and cultural Gregorian chant historical and cultural the mass, madrigal and
background, gregorian chant troubadour music and the background, mass, madrigal the composers of the
the medieval
composer of Medieval and the composers of the Renaissance period
D. Discussing new concepts and period through power
point presentation and period through powerpoint Renaissance period through through powerpoint
practicing new skills #1
video clip presentation and audio power point presentation presentation and audio
clips (15min) and examples. clip.
See attachment tool
(15 min) See attachment tool See attachment tool (15 min)
(15 min)
MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY

E. Discussing new concepts and


practicing new skills #2

F. Developing mastery Group Activity: Group Activity: Group Activity: Group Activity:
(Leads to Formative Assessment 3)

The teacher will ask the Each group will receive a The teacher will play a The teacher will play the
students to make a short chant task card which contain the short video clip about the “Five sections of a Mass”
of historical and cultural task they need to perform. Renaissance period: and “April is in My
background of the Medieval The students will be asked Mistress Face”. The
Period. (10min) Group A – Listen to the following questions: students will listen and let
troubadour music and  What can you say them
explore the art and about the video clip? describe the musical
media used in the music.  What events happened elements in the music
sturck you most? Why? through venn diagram.
Group B – Listen and (15min)
Create an improvised
accompaniment of the
music.

Group C – Listen and sing


the given troubadour music.
(25 min)

G. Finding practical applications of The teacher will ask the The teacher will ask the The students will create a Each group will receive a
concepts and skills in daily living
students to relate their chant following questions to the short skit or dramatization task card which contain
about historical and cultural students: that will show the historical the task they need to
background through short and perform.
dramatization  What did you feel in cultural background of the
(10min) improvising an Renaissance period. Group A – Listen to a
accompaniment of mass music and explore
the medieval music? (15 min) the art and media used in
 What art and media the music.
used during
the medieval Group B – Listen and
period?
Create an improvised
 Explain the accompaniment of the
performance
madrigal music.
practice of the
period.
Group C – Listen and sing
(15 min) Five main sections of mass
like a chorale.

(25 min)
H. Making generalizations and The Medieval period is also Gregorian chant remains What is the significance Based on what you have
abstractions about the lesson
known as the “Middle Ages among the most spiritually of learning the historical heard and learned, do you
or Dark Ages” that started moving and profound music and cultural background agree that the compositions
with the fall of the Roman in Western culture. An idea of the Renaissance of the composers reflect
Empire. During this time, the of its pure, floating melody period? Why? their personalities? Why or
Christian church influenced can be heard in the Easter why not?
Europe’s culture and political hymn Victimae paschali (10 min) (10 min)
Affairs. laudes. It comprised a
single melody without any
(10 min) harmonic support or
accompaniment.
(10 min)
I. Evaluating learning The chant created by the The performance of the Use Rubrics based on the Use Rubrics based on the
students will be graded by students will be graded by group presentation (letter group presentation (letter G)
using rubrics using rubrics G)
(10 min)
J. Additional activities for application The teacher will play The teacher will play other The teacher will play Le Jeu The teacher will ask the
or remediation
video clip of historical examples of troubadour de Robin et de Marion and La students to hum the five
and cultral background of music. Chanson du roi de sicile. main sections of the Mass
Medieval Period. (10 minutes)

V. REMARKS

VI. REFLECTION Reflect on your teaching and assess yourself as a teacher. Think about your students’ progress this week. What works? What else needs to be done to help the students learn? Identify what help your
instructional supervisors can provide for you so when you meet them, you can ask them relevant questions.
A. No.of learners who earned 80% in the
evaluation.

B. No.of learners who require additional


activities for remediation who scored
below 80%.

C. Did the remedial lessons work? No.of


learners who have caught up with the
lesson.

D. No.of learners who continue to require


remediation

E. Which of my teaching strategiesworked


well?Why did these work?

F. What difficulties did I encounter which my


principal or supervisor can help me
solve?

G. What innovation or localized materials did


I use/discover which I wish to share with
other teachers?

For improvement, enhancement and/or clarification of any DepEd material used, kindly submit feedback to bld.tld@deped.gov.ph

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