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QENQO
QENQO
We are still in the archaeological National Park of Sacsayhuaman. This site was declared
a Cultural Heritage (Patrimonio Cultural) of the Cusco Region by the National Institute of
Culture.
It is one of the largest huacas (a holy place or sacred object) in the Cusco Region. Many
huacas were based on naturally occurring rock formation. Although it is not its original
name, in the language of Quechua, Qenqo means labyrinth or zig-zag and the temple is
named for the crooked canal cut out of its rock.
These are not precisely ruins, for Qenqo is one of the finest examples of that Inca
hallmark – the great rock carved in (situ) the original position.
It is an eroded limestone outcrop, riddled with fissures, all artfully carved to utilize the
rock's natural shape.
The purpose of Qenqo is unknown, but one common theory stands -- it is believed to be
a holy place where death rituals took place. It is also clear that the canals over it were
used to carry liquid that could have been corn beer, holy water, or even human or
animal blood. The liquid may have been used for sacrifices or as a process in death
rituals or as a way for religious leaders to determine whether the dead lived a good life
by the direction of the liquid flowed. The canal then leads to an underground chamber,
that is aptly called the Chamber of Sacrifices.
This part, which is thought to be an amphitheater (an open circular or oval building with
a central space surrounded by tiers of seats for spectators, for the presentation of
dramatic or sporting events) is formed in a semicircular shape with 19 trapezoidal
niches along the wall. It is believed to be a seating area for ceremonies and rituals.
Recent theories suggest that it was once part of a base of a large wall, where some idols
were displayed for worship, but this is only a hypothesis.
This rock was perhaps a phallic symbol or a sitting Puma, its original form was
obliterated by the conquerors and was evidently a focus of some religious cult.
Inside its caves, we find large niches and what looks like an impressive altar, where in
the eighties archaeologists found alpacas’ bones, clear evidence of some rituals,
perhaps being grateful for a good rainy season, or to apologize for droughts.
This stone altar was carved in this cave using stony-iron meteorite (jiwaya), and in this
trapezoidal niche set an important mummy or deity. As we can see, everything was
carefully carved such as the floor, the ceiling, and walls.
This must be the most impressive alter we have in all the archaeological parks we will
visit. We do not know why this altar was not destroyed like the others if it was a pagan
altar. To cover up this place (temple), the whole area was completely covered with soil.
In fact, conquistadors wanted to hide this temple, for that reason the Viceroy Francisco
Toledo decided to erase this place from the map, ordering to cover this temple with
tons and tons of soil. This altar was a worship place for making offerings with sacred
corn, coca leaves, some gold and silver artwork, and probably a mummification spot.
Early chroniclers mention caves around the city where the mummies of lesser royalty
were kept in niches along with gold and precious objects. This was almost certainly one
of them.