Piano Por una Cabeza


             
Arr. By Francesco Cipullo

               
     
           

 

         
    3
  
 3

 


                       
               
4

    

       3
           
   


           
                
    
  
8


     
   



  


     



   
            
       
   
                
3 3


3


11

 
      
         

3

       
3

  



  
                  
       
3

          
15

                
  
     
3

  
3 


                     
  


                  
20

     
       
  
       
3

   
3

  

                  
    
2

                     
24

            
         
3

            
3

          
marcato



                 
        
29

        
      
 

     
3

             



                     
 
                    
33 3 3



         
         
3

     


                     
               
36

  

 
       
             
          



  
                 
         
40


   
     

  

  


     


              
         
44

 
                 
        

           
3

          
3

  
48


   
             



 3

  
marcato

     




  
              
       
3

      
52

      
   
3

 
3

  


                   
                   
55

                  

3

       
3

 


                     
    
3

      
3

  
59

        
        
3

 
3

 


   
        
 
 
63

 
     
 