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I Heard It Through The Grapevine

SONG TITLE: ‘I HEARD IT THROUGH


THE GRAPEVINE’
Electric Piano
ALBUM: IN THE GROOVE
RELEASED: 1968 q =118 Soul

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LABEL: TAMLA MOTOWN
Dm


GENRE: SOUL/R&B

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WRITTEN BY: NORMAN WHITFIELD/
BARRETT STRONG
PRODUCED BY: NORMAN WHITFIELD
UK CHART PEAK: 1

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‘I Heard It Through the Grapevine’ was written Marvin Gaye was an AmericanDsinger,m7 songwriter D5
for Motown Records in 1966 by songwriting duo and record producer who helped form the iconic

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Norman Whitfield and Barrett Strong. The song was sound that is Motown. He began his career with the
originally released by Gladys Knight & the Pips in label in the early 1960s as a session musician, later
1967, it achieved modest success in the UK (where going on to release solo hits for them such as ‘Ain’t
it peaked at number 47 in the singles chart) but was that Peculiar’, ‘How Sweet It Is (To Be Loved by You),
significantly better received in the US where it peaked ‘I Heard It Through the Grapevine’ and ‘What’s Going

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at number 2. Marvin Gaye’s version of the song was On’. Throughout the 1970s he continued to release

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released in 1968, featuring as an album track on his chart hits and became one of the first Motown artists
eighth studio release In the Groove. The track caught to break away from the ties of a production company.
the attention of several radio DJs and so went on to
be released as an official single later that year. On its
single release the song topped both the UK and US [3] Before his untimely departure in 1984 he became
charts and for a time became the most successful widely known as both the ‘Prince of Motown’ and the
Motown hit single. ‘Prince of Soul’. Posthumously, several honours and
awards have been bequeathed to the inspiring singer,
Gaye’s adaption of “Grapevine” has since been such as a Grammy Lifetime Achievement Award and

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hailed a soul classic and in 2004 it was placed 80th induction into the Rhythm and BluesG/Music
D Hall of D m7

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on the Rolling Stone magazine’s ‘The 500 Greatest Fame, the Songwriters Hall of Fame and the Rock and

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Songs of All Time’ list. His version of the song has Roll Hall of Fame.

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actually been inducted into the Grammy Hall of Fame
for its “historical, artistic and significant” value. The
single was so successful that his album In the Groove
was actually rebranded as I Heard It Through the

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Grapevine and on its re-release peaked at number

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63 on the US Billboard Album chart, Gaye’s highest
charting solo album up to that point.
Keys Grade 3

[6]

17
I Heard It Through The Grapevine Keys Arrangement

Marvin Gaye
Electric Piano

q =118 Soul

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Dm
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E 5/D
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D5

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D m7 D5 D m7 E 5/D D m7 G/D D m7

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J œ œ. œ œ œ
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[3] œ œ œ œ œ œ œ œ œ œ œ œ

G/C G/C #
j j j j j
G/D D m7 G/D D m7 D m7

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A
G/F D m7 G/F D m7 A7

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A G7 D m7 G/F D m7

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œ œ œ œ œ œ œœœ œœœ .. œœœ n œœœ œœœ
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Keys Grade 3

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[11] œ œ œ
Words & Music by Norman Whitfield & Barrett Strong

18 © Copyright 1966 Stone Agate Music, USA.


EMI Music Publishing Limited.
All Rights Reserved. International Copyright Secured.
Technical Exercises

In this section you will be required to play a selection of exercises drawn from each of the groups below. The examiner will
be looking for the speed of your response and will also give credit for the level of your musicality. Please see the syllabus
guide for details on the marking criteria.

Candidates can choose to play either natural minor or harmonic minor scales. Major, natural and harmonic minor scales
and arpeggios need to be played hands together, in straight or swung feel, ascending and descending, in the keys, octaves
and tempos shown. Pentatonic scales are right hand only. The melodic minor scale needs to be played hands separately, and
the chromatic scale on A needs to be played hands together. You may use your book for Group A and Group B. Group C
exercises must be played from memory.

Note that Groups A, B and C need to be played to a click and any fingerings shown are suggestions only.

Group A: Scales
The tempo for this group is q = 80 bpm.

1. E b major scale
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3

bbb œ œ œ
1 2
4

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3

œ
1 2 3 2

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3 1

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4 1 2 3

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? bb œ œ œ œ œ œ œ œ œ œ œ œ ? œ
b & œ œ œ œ œ œ
1 4 3 2 1 3 2 1 4 3 3
3 2 2 1

2. A major scale

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5

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3 4 1 4

&
2 2 3

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1 2 3 1 2 3 1

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œ œ œ œ œ œ œ& œ œ œ œ œ œ ? œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
5 4 3 2 2 1 1 3 2 1
1 3 2
4 3

3. C natural minor scale


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b œ œ œ œ œ œ œ œ œ
5

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3 4 1 4

&bb
2 2 3

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1

œ
3

œ
1 2 3 1 2

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? bb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? œ œ œ œ
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b & œ
1 3 2 1 3 2 1
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2 4
5 4 3 3 2 1

4. F # natural minor scale


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### œ œ œ œ œ œ
3

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1 2

œ
3

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2

œ
4 1 2 1

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3 4

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2 3
3 1
Keys Grade 3

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#
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3 2 1 3 2 1 4 3 2 1 3 1 2
38
4 2
Ear Tests

In this section, there are two ear tests:


■■Melodic Recall
■■Chord Recognition

You will find one example of each type of test printed below and you will need to perform both of them in the exam.

Test 1: Melodic Recall


The examiner will play you a two bar diatonic melody in the key of C major with a range up to a fifth. The first note will be
the root note. You will hear the test twice, each time with a one bar count-in, then you will hear a further one bar count-in
after which you will need to play the melody to the click. The tempo is [crotchet] = 95.

It is acceptable to play over the track as it is being played as well as practising after the second playthrough. The length of
time available after the second playthrough is pre-recorded on the audio track so the count-in may begin while you are
still practising.

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Please note: The test shown is an example. The examiner will give you a different version in the exam.

Test 2: Chord Recognition


The examiner will play you a sequence of chords, each with a C root note. You will hear the chord sequence twice, each time
with a one bar count-in. You will then be asked to identify the chord quality of each chord, from a choice of major, minor,
diminished, augmented, dominant 7th and major 7th. The tempo is q = 95 bpm.

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Please note: The test shown is an example. The examiner will give you a different version in the exam.
Keys Grade 3

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