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    Japanese Architecture

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    Marrielle Balagot
    Japanese architecture is characterized by a synthesis of ideas from China and native conditions, producing a distinct style. The Nara period saw the adoption of Chinese culture and forms of government. The Heian period saw further modification and naturalization of Chinese ideas and institutions. Shintoism views the physical and supernatural world as a single unified creation, emphasizing harmony with nature. Specific architectural styles like shinmei-zukuri for Shinto shrines and techniques like shikinen sengu ritual rebuilding are discussed.

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    Japanese Architecture

    Uploaded by

    Marrielle Balagot
    27 views4 pages
    Japanese architecture is characterized by a synthesis of ideas from China and native conditions, producing a distinct style. The Nara period saw the adoption of Chinese culture and forms of government. The Heian period saw further modification and naturalization of Chinese ideas and institutions. Shintoism views the physical and supernatural world as a single unified creation, emphasizing harmony with nature. Specific architectural styles like shinmei-zukuri for Shinto shrines and techniques like shikinen sengu ritual rebuilding are discussed.

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    Japanese architecture is characterized by a synthesis of ideas from China and native conditions, producing a distinct style. The Nara period saw the adoption of Chinese culture and forms of government. The Heian period saw further modification and naturalization of Chinese ideas and institutions. Shintoism views the physical and supernatural world as a single unified creation, emphasizing harmony with nature. Specific architectural styles like shinmei-zukuri for Shinto shrines and techniques like shikinen sengu ritual rebuilding are discussed.

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    © All Rights Reserved
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    Flag for inappropriate content
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    27 views4 pages

    Japanese Architecture

    Uploaded by

    Marrielle Balagot
    Japanese architecture is characterized by a synthesis of ideas from China and native conditions, producing a distinct style. The Nara period saw the adoption of Chinese culture and forms of government. The Heian period saw further modification and naturalization of Chinese ideas and institutions. Shintoism views the physical and supernatural world as a single unified creation, emphasizing harmony with nature. Specific architectural styles like shinmei-zukuri for Shinto shrines and techniques like shikinen sengu ritual rebuilding are discussed.

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    of 4

    JAPANESE ARCHITECTURE

    CHARACTERIZED BYA SYNTHESIS


    OF SEMINAL IDEAS FROM CHINA AND
    NATVE CONDITICONS PRODUCING A DIS -
    TINCT STYLE.
    LIGHT, DELICATE,AND REFINED

    NARA PERIOD
    HEIJO PALACE , IMPERIAL RESIDENCE
    710-794 CE
    ADOPTION OF CHINESE CULTURE AND FORM OF
    GOVERNMENT
    NAMED AFTEeR THE FIRST
    PËRMANENT CAPITAL AND
    HIBF BUDDHIST
    CENTER IN ANCIENT JARAN.

    HEIAN fERIOD
    785-Il85
    MODIFICATION
    CE
    AND
    AND INSTI NATURALIZATION OF IDDE4S
    TUTIONS INTRODUCED FROu CHINA

    SHINTOISM
    .

    WAY OF THE CODS.THE NATURAL


    sUPERNATURAL PHYSIC4L AND
    TRANSCENDENT WORLD ARE BOTH
    PART CF A slNGLE UNIFIED
    THE IDEAL OF A LIFE THAT ISCREATION
    IN
    HOLO/NG
    AND UNITED witH N4TURE. HARMONY WTH

    BALAGOr,MARRIELE M.
    HISTORY of ARCHITETURE
    AR. DAVD B4UTISTA
    SHIMMEHUKURI
    STYLE Or
    GINA sTYLE
    RECTANGULAR
    SHINTO SHRINE
    OF JAPANESE EMBODYING
    BUrLDING
    PLAN RAISED ON
    THE ORI

    BY A RAILED POSTS sURRCUNDED


    POST AT EACHVERANDA, WTH A FREE-STANDING
    GABLE END.
    SHIKINEN SENGU, THE RITUAL
    REBUILDING THE SE EVERY PROCESS OF
    TWENTY YEARS
    ISE JINGU
    THE ISE JINGU
    cONSISTS OF TWO
    OUTER SHRINE (GEKU) wHICH SHRINES
    IS
    TOYOUkE ,THE SHINTO OEITY OF
    EDICATED TO
    FOOD AND HOUSING CLOTHING
    INNER SHRINE (
    THE MOST
    NAIKU), wHICH ENSHRINES
    VENERATED DETY
    SUN GOPDESS. AATERASU, THE

    TORI
    THE TORII OF
    ITSUKUSHIA (MIYAJIMA)
    MONUMENTAL FREESTANDING GATEWAY ON THE
    APPROACH TO A SHINTO
    TWO PILLARS
    SHRINE
    CONNECTED At THE TOP
    2N TAL CRO5SPIECE BY 4 HORI-
    AND A LINTEL
    ABOVE IT.

    BUDDHIST TEMPLE
    TO JAPANESE PACODA , ALSO BUTTO ORTUBA.

    CENTRAL STRUTURE CF A BUDDHIST COUPOUND.


    PALACES5
    HREJI CASTLE
    THEwHITE HERON.
    TENSHU-GUN,kEEPS.
    HARAKIRI, MARU, INNER CORTYARD IN T HE
    sOUTHEAST CORNER OF THE COURT WHERE
    ASAMURAI WOLD COMUIt sUICIDE

    DOMESTIC ARCHITECTURE
    SHOIN
    MEANING RIMING HALL.
    A NEW TYPE OF RESIPENTIAL
    pURING THE MURCOMACHI ARCHITECTURE
    PERIOD (1338-15733
    FEATURES THE PROPORTION ING SYSTEM
    OF USING 1ATAMI MATS CABOUT 1x2 YARDS
    INSIZE
    TOKONONA, DECORAT IVE COLORS
    ALCOVE
    CHIAIDAA ,STASGSRED SHELVES.
    SHOJ PAPER -COVeRED WODEN
    LATTICE.

    CHASHITSU
    TEAHOUSES
    VENUE FOR TEA CE RE MONY

    ROI,ORNAIENTAL GARDEN ADJACENT TO THE


    TEAHOUSE
    PROFORTIONING
    SYSTEM
    KEN
    A LINEAR UNIT FOR
    SPACING IN
    REGULATING CoLUMN
    TRADITIONAL JAPANESE ONS
    TRUCTION. IN ITIALLY EQ UAL TO G
    UETERS), LATELY
    YVARED ACCCORDINGSHAKU1.el6
    TO THE
    TATAMI MATS
    (APPROX IMATELY 3'x ).
    THE SIZE OF A RCOM IS DESIENATED
    NUMBER OF ITS BY TH
    FLOOR MATS CTATAMN

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