Professional Documents
Culture Documents
AJ Stories Modified
AJ Stories Modified
AJ Stories Modified
@AljazeeraStoriesEn
@AljazeeraStories
@AljazeeraStoriesEn
ª©¼³¡n¡«1Ín}¥
ª¨Í³«n«¸ " n©«³Z.i¥
§°p nzs1§°¡IJΫ1"n¬¥ 0nZĪÍ¡ĩͬ¨ ¦«0
_¥ª¨Í³«n«¸§°p ±¥
Ϋ0ò1( +±« ¤q¡
nzs1§°¡IJΫ1"n¬¥ _¥Î«0ò1( ±¥+±«
¼²yo¥±¡1o³¥n[tq«³Zͳ©¡¥n¬òn°sÎt¥Í³p¸1}¥
ͳ}¥³¥n¢t¥1o³¥n¶ª¨
ͳ}¥³¥n¢t¥1o³¥n¶ª¨ }t«§°¡±pn¬n| ©s ±1(q¨.» }t«§°¡±pn¬n| ©s ±1(q¨.»
+974 4 4897666
Íw²}¥n³¬¢t¥¬©²n¨1
±¥³|.±ª¨Í¢¥ 1n°¦¥12±¦¥%tº1Ͳ¥
q¥2¥_«º1¼nqò nq¶¼h1ª³p
±¥³|.±ª¨Í¢¥
ln¢}¥ ¬©²n¨1q¥2¥_«º1¼nqò ln¢}¥«»
«» institute@aljazeera.net
ª¨ Ít¦¬ò ͳ©¡¥ n¬ò ª nq² n©y ͳ}¥ Í¢¥¤q¡
1qs ¡ i n s t i t u t e . a l j a z e e r a . n e t /e n
ª©¼³¡n¡«1Ín}¥ " n©«³Z.i¥ ª©¼³¡n¡«1Ín}¥
0nZĪÍ¡ĩͬ¨ ¦«0 " n©«³Z.i¥0nZĪÍ¡ĩͬ¨ ¦«0¤q¡
ĪÍ¡ĩ ͬ¨ ª[¥ ¼±°¢¥ ª³yn¬1 ¢¥1¼²yo¥±¡1o³¥n[tq«³Zͳ©¡¥n¬òn°sÎt¥Í³p¸1}¥
ĪΦ³¥ĩ ±p Ím³¦ò1 ͨ¥
¼²yo¥±¡1o³¥n[tq«³Zͳ©¡¥n¬òn°sÎt¥Í³p¸1}¥ /»¹¥¼²z¥°¨=;=;_¥1¶Íq¥
¡ıÍnq¥r©s㨠ÄÎ¥1¥§¡¥Í²¢¥ot[¥ ı(²¸§¡
n²n[| o³Zs1n°¦¥12±¦¥%tº1Ͳ¥
Íw²}¥n³¬¢t¥ ³s1 n¨ ±¥1 n©¦[¥ n°p Íw²}¥n³¬¢t¥
¤ntsnq¶¼h1ª³p
Í|n¨ zs1n°¦¥12±¦¥%tº1Ͳ¥
0 rnt nq¶¼h1ª³p !°p¥±£²§mY
̱m¨~¨|§
ͧs«§01 }ò
º "n¬¥ ± ª¨ ͨ±¦ò hs ( ±¥ q ͦ| ı ͬ[¨¶1 $±¥ ¯§/¨+»¥¼ ±
ª¨ Ít¦¬ò
Í¢qòͳ©¡¥ n¬ò
/n[|¶1 ªÍ|»ò1
2¥ º nq² n©y ª¨ Ít¦¬ò
ͳ}¥
(nq«º ͳ©¡¥
Í¢¥
01s1 1qs
ot[¥ n¬ò ª nq² n©y ͳ}¥ Í¢¥ 1qs ¡
¡ ª¨
n} ²rmom
±°o§³©s
ĪÍ¡ĩ ͬ¨ ª[¥ ¼±°¢¥ ª³yn¬1 ¢¥1 ĪΦ³¥ĩ ĪÍ¡ĩ ͬ¨
±p ª[¥ ¼±°¢¥
Ím³¦ò1 ͨ¥ª³yn¬1 ¢¥1 ĪΦ³¥ĩ ±p Ím³¦ò1 ͨ¥ /»¹¥¼²z¥°¨=;=;_¥1¶Íq¥
© =;=;/»¹¥¼²z¥°¨Í±}¨,±¢}¥³©y /»
t¨ IJ §¥n¥ .±| ¦p ?𠪨 wZ ı ( ±¥ n¬ 7 ª³¨n ½¨ IJn©¦[¥ n°p ¤nts Í|n¨ zs 0 rnt ¡ıÍnq¥r©sã¨
¡ıÍnq¥r©s㨠ÄÎ¥1¥§¡¥Í²¢¥ot[¥ ı(²¸§¡ ÄÎ¥1¥§¡¥
n²n[|
n²n[| o³Zs ³s1 n¨ ±¥1 n©¦[¥ n°p ¤nts Í|n¨ o³Zs
zs³s1 n¨ ±¥1
0 rnt
!°p¥±£²§mY
̱m¨~¨|§
ͧs«§01 }ò!°p¥±£²§mY
̱
n©Z±
º "n¬¥ 0n[ò1ª¨0n«¸
ͨ±¦òªhs
Í¡(ð;;1
±¥¼q
± ð;; ª¨ wZ
º "n¬¥
ͦ| ı n°¥»
± n¬©y
ª¨$±¥
ͬ[¨¶1 ͨ±¦ò hs
n¡ ð ( ±¥ q ͦ| ı ͬ[¨¶1 $±¥ First published in 2020¯§/¨+»¥¼ ±Institute
by the Al Jazeera Media
+±«
Í¢qò n¬¥! n¨12¥
/n[|¶1 Í¡º<;;1 ¼ ± <;;(nq«º
Í|»ò1 §[¥ n«t nt[¥
Í¢qò
01s1 ¯ ı1
/n[|¶1
ot[¥ n°pn}
n} º n°²1²
2¥ª¨ Í|»ò1 (nq«º 01s1 ot[¥ n} ª¨ ²rmom
±°o§³©s
Legal Deposit n°: 2020 . ISBN: . Printed in Qatar
=;=;/»¹¥¼²z¥°¨Í±}¨,±¢}¥³©y
© Montaser
Editors: Marai . Muhammad Khamaiseh . Camille Delbos © =;=;/»¹¥¼²
t¨
t¨ IJ §¥n¥ .±| ¦p ?𠪨 wZ ı ( ±¥ 7 ª³¨n
n¬IJ §¥n¥½¨
.±|
IJ¦p ?𠪨 wZ ı ( ±¥ n¬7 ª³¨n ½¨ IJ Cover Image: Imran Mazhar . Graphic Design: www.boris-sabatier.com
Al Jazeera Media Institute . Doha, Qatar . 2020 ©
n©Z 0n[ò1 0n«¸ ª Í¡ ð;;1 ¼ ± ð;; ª¨n©Z
/»¹¥¼²z¥°¨ wZ0n[ò1
n°¥» 0n«¸ ªn¡Í¡
n¬©y ð ð;;1 ¼ ± ð;; ª¨ wZ n°¥» n¬©y n¡ ð All Rights
First published in 2020 by the Al Jazeera Media Reserved
Institute First published in 202
+±«
+±« n¬¥! n¨1 Í¡ <;;1 ¼ ± <;; §[¥ n«t nt[¥ ¯n¬¥!
ı1 n¨1 Í¡ <;;1
n°pn} ¼ ± <;; §[¥ n«t nt[¥ ¯ ı1 n°pn} n°²1²
n°²1² Legal Depos
Legal Deposit n°: 2020 . ISBN: . Printed in Qatar
Editors: Montaser Marai . Muhammad Khamaiseh . Camille DelbosMontaser Marai . Muha
Editors:
Cover Image: Imran Mazhar . Graph
Cover Image: Imran Mazhar . Graphic Design: www.boris-sabatier.com
Al Jazeera Media Institute . Doha, Qatar . 2020 © Al Jazeera M
/»¹¥¼²z¥°¨ /»¹¥¼²z¥°¨ All Rights Reserved
1°±.m§
±nn¬³Z ±p2±²
IMAM OF RIGUI
R I G U I , B U R K I N A FA S O
J A C Q U E S P I O N
-
0ntZnpr³ò±
°¥Í³òÍ¢ı¼|1¼±Z½±Í²³¦¢t¥Î±¥¤lnq¡±³pızsª¥¤òn¬wtnp
9
³q[¦¥²1/±¦¨0n[¨r³q¥ı¤[¥1¡±ò0n²s1
©¥Í.±0n¼±[¥
b
º1p¶n¯}pÍyn}¥ª²²»nv¶n¨%
9 3
¶ª»³¦¡Ís¨Íq¨IJ¡±ò¡0n[¨
9
¯n¨1 Í|¥ nq ª¨ ²ò ±tt Íw²}¥ ª³³±¥ ±³p ı n¨ ~qò %1 Í«±ò ª²t¥
wZ+p±³pª0±w}q³IJ¤½±t©pt©tsÎt¥Í©¦tòÍ¢q¥n¬pª³p£¥1ͨn¥
9
ͳ¦¶Í²±°¦¥n©t«º¤²În©tyº ³9 t¥¯ª¨§¥npª[¥np°Z1ͳ}²©s11~pn¨1
Ͳ³¦¢t¥_¢³±ònp/n©t¯º¯n¨½t£¥³ZhsIJ©tzò¯$}²1n²Ê ±¡Î±¥o¥
Ͳ9 ±¯»p¼²y,nq{¥n¥¤©°7s u³|Ͳ³¦¢t¥Í©¶±¯¼n³²n¨.1ª[¥Í³¦¶§°t¥1
9
n¨Í¦tòͳl¥¦¥±tsu³|Ͳ nzt¥,¥IJ±y±¥n¯
7 nt«ı§°Í}1ͳn¢v
ıº/n¥l±òn°¢²zsº1z¥1n° 9 9̈ ¶pIJ
3 [| 9
¤tÍ ³9 ±¥Í²³¦¢t¥,nq¶
¤w¨1n³¶1+n¥»|ı1²yr³p_¥.n¢t«º¬/n¢sÎt¥Í©³¥±¥nZÍnͦ³¦¡nqn¬¨ 9
©òr²!1"±¨nz¥ªqy1¨n}¥ªq¦¥1{©¢¥ª¨ b }6 ²7 2¥1¼ò¯}s2¥ q¥¯
9
GRAL
G U L M I T, P A K I S T A N
Apart from the front door, traditional Wakhi constructions have only one opening, located
on the roof, to allow both light to flood the main room and for smoke to escape from the fire
pit. Each person here has a dedicated place. For example, the oldest people sit high up near
the fire pit. Furniture is kept to a minimum, usually just a cupboard to store groceries and
kitchen utensils. The Wakhi house has become more comfortable as educated children
with higher incomes look for a house with more rooms, a more spacious proper kitchen and
electricity. Proud to be Wakhi, upward mobility allows them to affirm their cultural identity,
where traditional music and the Wakhi language have been preserved. But their cuisine is left
behind, with traditional dishes being replaced by generic dishes with no cultural signature.
Access to trade routes has led to the introduction of new food products. Knowledge of
traditional Wakhi dishes, prepared from wheat/barley, sour buttermilk, yak cheese (if
available) and apricot oil, are the secret of mothers and grandmothers, and have therefore
already been relegated to special occasions such as housewarming parties, weddings,
and village festivals. Here she can be seen preparing a traditional Īgraalĩ meal for me.
C A M I L L E D E L B O S
Ío°Z¤Ì±{µ
8 8̈ ¥§
np±Zª²±¥±¯
7
®³¦ p 2¥ ¥ 7 ¢¨ Î¥± nv1 ³qZ /n©t¯np ±t³¦³« r¦¨hs
6
ı±¯1¤©¥¯±t³¦³«pͳ¡¥np±Z( ±ı®¦6©" n©²±¯1
7 0 ά¥h n 3̈ n @? 0´ ©¥ ª¨ ¦p ¡1 ͬ¨nw¥ ª
ª 8̈ rn ¡ r¬Z
o}²
c ®9« Ϋ6 q1 ª¨¥ ª¨ ¼t¥ ¯ ¤wò |1 3 3 .6 16 ! n
»© 3 7
¤q¡
ΰ n¥np i¦©s ͬ°ò ¯ 01 9 Ítpnv ³±©p ³b ¢ 7̈ ³ ®«¶ ®¦©
ªlnp¥ ª¨ ²¥ 0 Î¥ .±¢² ª²´ ¨ ¤±t¥ ı Ín¥ ®t¢²
§°t²| ³©¦s ı Íq¥ ª¨ wZ ®¨ u²}¥ ı ª³q ®³¥ 0±sh²
§°¬¨ ª²³wZ ¼n³| ¤³ns +²1 Î}¥ 0n[ ³©y 6 ±t³¦³« +²
Ͳn°¬¥ ı ά|6 6 !n¨ Î}¥
9 nq 7 ®¦7 6
8 s ®¬lnp! |
7 1² ¼9 ¨ ¤Z Î
®¡!8 6¨01 9̈ ³Î¦w¨Ī.¬¥ĩ01s²ª²¥6¼n²!0hpΫq1
HOLGUIN, CUBA
A L I S H A V A N B E V E R
mpyª »mpİͪm
n³«¬s nqz«!
/±² o n°¦¯nZ ª ¬s1 ¤p±t¥ 2n p Í|¦¥ nt¡1 ©|¶ ¥ ¢ts
Í°y1 ı }q¥ IJ ¤ò Îq¥ Ī±pnpĩ _°¢¨ ı ĪΫnĩ ͳq¥ ¤©s ¤²±
ͲÍn|ª¨y±¯1 nqz«!¼²yı_©sn©ZͲ¥Í¬²ò1Ͳz}¥Í¬²ò
ı Îp¥ !¥ IJ ³9 7 ͳ¬php ¤tò ¤b ò
6 ®q² n¨ 1 }q¥ ¤|n ª Ís¨
¦
©¥10±q¡²/±³¥.»r¡12ª¨wZ 1!_°¢òns²¤³¶Ín
ĪΫnĩ ²s 2¥ ³¥ _°¢ò .1n}² ¶ qs Í©²¢¥ ͳ¥ ª¥1 }q¥
0n[ò ı Ív| wZ¶ ½¶ ίn¢ò ¨ Ín¬¨ ı ª³}ln¥ n¢t 6 n°¢³ 1
±¥n|¢n¯±n¬¨n¨¤p±t¥¼²yı2³¦¢t¥¤p±t¥2nsĪΫnĩr¥!n¨®s
o¦h Ͳ nqz«! Í°[« ¨ ͳp¥ ¥1 /n¥ §l±¡ ±¦1 ±¦[¦ _¥ ¼²z¥ s
³y 0±©¦²1 Íòn}¥ ,¥ ¼ ± §°s±°t ª²¥ o«ny¶ ª¨ ίn¢ò ¯ n}
Í©¢¥¤yª¨Î¯n¢òn}¼ nz¨Î«n.1n}sn©p Îp¥{ln¥tZ¤Zi²ª²ª¨
nqz«! ¼nq ª¨ s 0 01 rnt n¨ n¯n°¢¨ Í¥n IJ n}s n°¬[¥ ³¥
SHANI IN RED
Z A N Z I B A R , TA N Z A N I A
Shani drinks a cup of traditional spice tea, taking a short break from a long
day’s work at the Babu Café on the seafront of Zanzibar’s Stone Town. This
rough and ready establishment is one of many Arab-style buildings crammed
onto a rocky promontory overlooking the sea. As the evening draws in, the café
is at its busiest. Customers come to watch the sun disappear beyond the sea
as old-fashioned sailboats criss-cross the horizon. Shani and her business
partner compete for clientele with other more modern cafes in the same area.
While Babu still serves Zanzibar’s traditional spice tea, their competitors offer a
pastiche of local culture: western food and drink with a Zanzibari twist. Most of
the owners are themselves foreigners drawn to by the allure of the “romantic”
East and know exactly what tourists are looking for. But while Shani may have
to follow her rivals’ lead in order to make a living, she does it while staying
true to the café’s spirit – all the while wearing her traditional Zanzibari dress.
M O N T A S E R M A R A I
/m|¤¯ı»m
0nt³³¡
¤³¥0n}¥°IJ/n¬²Îq¥¯y10nt³³¡ı.±Z«±¼³}p+IJ
7
n°t«p¤|b c ¥¤lnq¢¥
n°¬Î¬tsº}¦¥_t|°òª¨n¬¯"n¬¥¼n³|ª¨Îny
ı¼1w¥¯r©«_t|n¯1¤³¥npnt¥7¼n"n¬¥ª³p°Í³t³±¥Íq¢}¥
ın°¨tº.±³¥"n¬¥2t²0n|¥ï;;ª¨wZ_¥/±³¥n¯s¤11»q¥
§np-n¬¯+1ò©tòn°vn«o³¦|1n°¨±}¦¥n°³¦©t²7 n©Zͳ ¥.n©¶1¤¢¬t¥
.nt¢¥ın°¡±tp+7s r«nZͲ³³¢¥¤lnq¢¥n- nòın©²¡r¨t1Ī³©³Zĩ
3
qͳ¥nt|º§±òª¨²¥ı.±³¥np"n¬¥Ît}²/±³¥1n°²¥Ît¥.±³¥¤p
.±¢}¥ıt¥n°¥±³¤|¥¤lnq¢¥-t6
9 s³¥ı1¤³¥n°³/t²7 Ínn¥
9
c ²7 1n°vn«o¦}pn¬¥/±¢s1§°¥±³.ny¥©z²¤³¦¥¤}²0¤q¡1/±³¥.±
Ͳn¦¥ ³v1n¬¯§°¥±³1"n¬¥ª³p&nqs ºn6n¥®q[s²ª©p 7 }¦
8 ²7 nq3 ³n°¦1.±³¥
®³¦/n¬²2¥0n}¥1.±Z«±ı¤¥ª³p¼³qZÍ¢vª¨¼ ±¥¯®pÎ|±sn©Zn 3̈ n©s
SLEEPING BOY
K Y R G Y Z S TA N
A R T H U R T H O U R E T
m±°p¨Yİ µ-°¡{
n²±q©Zo² /n³
3
³¥o[¥»³q"n¬¥ §¨z²ºn²±q©Z.n©©°ò²¥ı
¯ı§°s»lnÍZ nò.n¶²n¨nq3 ¥n1! ¶.±¢|ı¤©¥½±
% ¶np0±¬t²1! ¶ 1p01w¬²1ͱ¥.±¢}¥0± ò}²¤©¥
ª³ ò o¦ ³t² º ° Í© n°¬¨ ¼|±¥ ,ts 1 ı
ª¨Í©n 3̈ nz|! ¶»to¦ts10³w¥IJ01©t²£¥¥1 9 y
±z¦¥! ¶Î ¨IJoz²ªt¥1n¥ª¨nq¬¥IJn|1n³ò
3
ί1n²±q©Z_¥Ît¦| n¬vΫn±pr³¢t¥2¥ıÍno³¥n_¥
9
ª}sn[¥np1n 3̈ n<𩥪¨Î«n±¦qs! ¶Í !ı¤©sͦlnͬp
®¬¨Î¬z«º1,n¤©¥ĩ¼².n³y¶! ¶Í !ın°t¦ln¤©s¼¢¥
§ 1Ī¤©¥$£¥n¬¯
³¥®¬}«2¥³|±¥¤©¥®¬[¥1nm3 ³
n¢¥Í°y±òn¬¥np§°¦©n¬v0±¬³t²0± òºi¯0nZ£¥¤Z
PA D D Y F I E L D C A M B O D I A
S I E M R E A P, C A M B O D I A
V A L É R I E L É O N A R D
.º
±nn¬³Z ±p2±²
7
Í¢¦|ί1±nn¬³Z ±p,.n©ıñ[² Ä_7s Ͳ¡ı¼±¬¥7¼³qZίĪnt²!ĩ
¼¯n n}s1 Ͳ±©¬t¥ ² nò §s Ît¥ ͳ«ò n©¬ò1 Ͳ¢¥ n« ª³p ¤1
²z¥ /n¬¥ 16 1 n¬¯ .n Íp ¤Z ª³p ª¨ ¤ n°¬¨ Ϋn² Ît¥ Ͳt¥ ±
Z¨ IJ qZ ¤[p n©tº 9 ¢s Ͳt¥ ± Íq¡ò Í}¥ ¼ !1 ¤q¡ ª¨ qbtò
.n ª¨ Bï𠤲±¥ ½ò IJ ¼ !±¥ x¨p ͳ¥n ²s ¤y ª¨ ͳ©tzò Ͳn¬¥
Ͳt¥ ± ª §yn¬¥ /c¢t¥ ª¨ ͬ²nqt¨ .n[ ª¨ 0±«n² ͨn¥ ª
9 r}s Ͳ¢¥
|1 º1ª¨¤¡IJͲ¢¥0n[§¨³²u³|Ͳt¨Í 9 ²9 nt¡(n1¤ı
Ît¥¼pn¥n¬¥¤³t(«ın°t©[}¥"n¬¥ª¨³qZ/t|npnt²!_}s/±³¥ı
IJ®¦sn¨¤Zınt²!$}s.n¶Í³psı1Ͳ¢¥0n[ª³p¤n[t¥ıvis
Í¢²¥³¥n¢sIJn}²©tz¨ı.n³y¶ª³p ±}¥1¤©¥§¥1/»¥_¥¼±¥
d
PEACE
R I G U I , B U R K I N A FA S O
J A C Q U E S P I O N
/°ªm§0m«¤
" 1«±¯³n¨n«
Ͳ¡Î¯1Ãn[³s±¥±Ä§³¦¡ı" 1¬°¥±¬yıón¨n«ÄͲ¡¢s
.ny¥0±01ª°«1i³ps0tÎs±¦¥n¬¥ª¨n°³¬Znͳq¦
3
»³q ¼±¬¥ ºi¯ y1 ¼}tò n²º±¥ _¥ §°©¨ yn¯ ª²¥
_s ͳ©y 0h«1 Ī0±« n¨ĩ _² ±yn[¥ ª¨ (±« Í ! q ,!¦¥
Í¢¬¨ı½¡
©ª³p01nt¥²s_¥+°sÎt¥1Ī.±n©²nq²Zĩ
Íq+1ın¬¯n¬¥³s2±¥±yn[¥Í !¤yª¨n[³s±¥±
Í«!±òIJ£¥¤Z§ n¡ªZª°«º±³q¥ın¨º1np°Z»p
9
Ãn 3̈ nñAÄn«n²³¥np
³«.±¢}¥ı¤©¥1.n¶1r³q¥nqy1ª³p
rqz«n 3̈ nðñª¨wZ¬¨±yn[¥Í !ı¤©sͲ¢¥¯ıÍ ¨
/±²p1ͳnò±¬¥.»Í©ª°¬¨¢.n¶ª¨¼
9
Ͳn¬¥ª¨³qZ ¡_¥nt}sÎt¥±yn[¥ n©vͲn 1¤©¥ª¨ª¨ 5
²ÎZn°²vn°¬p§¢¦sÎt¥Ī±¥ĩn°y1!ͬp¨n°t³pı
³«
¦zs
MUJERES Y MARAÑON
NAMASIGUE, HONDURAS
M A H E E L I P E
©²¨
m±
n³Zs.±q¬
-t¥ }¥pª³|ª[¥o¦|ͨnyıÍq¥nr¬Zĩ
¼±¥ ¡n¬¯ 7 ¢t0pn³Zt¥±z¦¥1Ψnz¥2¢¨
s ı Íq¥n ±¬ ï ¤q¡ .n}¥ Îp _°t«1 Í ¦¥
Ît .nz¨ rqq| .±q¬ ͨny ı ͳm³q¥ ͬ°¥
§l»¨ª[ªu}q¥£¥ZÎyn¯0nZͦ¥ lnª[¥y
n3«n³|®y1Ϋ¶n²
6 ±ª¨Î«Î¥±|ª¨+²ª³|s±tp
Ímyº r¥ Î9¬[¥ Ͳ9 ± Ϋ¶ ¢ ά©s9 Ím³¨ n¢³¦tp
Ͳ±¢t¥nt|ά«¨¶ın¨¤Zn¬¯r³p4 2¥1¤©1"
9 n«
/t|oZ1²z¥©tzò¯ıx¨«ÎZͳZt¥Ît¥
9
ln¥¯ª¨ª[©t¥IJͦq¢ò¼t¥.»_h³©z¥
e¨n =𠪳©n² Ç Īͨnz¥ n}¨ ı ά¨!»² n² ±°
JASMINE
I S TA N B U L , T U R K E Y
M A R I E T I H O N
¦¤m¤İ
.n´ nZ
AZIZ CHRISTENING
DAKAR, SENEGAL
Aziz Diop and his wife are attending the celebration they organized
for the birth of their new daughter. In Senegalese social life, this
celebration is very important. In their large home, on the outskirts
of Dakar, their entire family and neighbours are gathered together.
They are happy to see the celebration is successful: all day long,
men will celebrate the child with words of blessing. Aziz Diop is
a prominent figure in his city. He is successful and shows it by
this display of wealth. Guests are offered food and refreshments.
ĪI am the happiest father today,ĩ he says. Everyone knows him
in the neighbourhood. For a long time, he has been helping the
mentally ill abandoned on the streets. According to custom, his
wife went to the hairdresser with her sisters to get her makeup done
and be dressed. The celebration will continue until late at night.
P I E R R E G A U T H E R O N
/m±İmñ²
¬¦²ns1nZns
¤t}²®¬¨<ð*¥_t|<>*¥ª¨3 tp/n¤Z¤²p°ª¨/n²Ív»vı
ıÎt¥Ív}¥¯n¨¤Zª³p1Ͳ±q¥¼²z¥Í¬¥np0±²¬¦²nt¥
3
"n¬¥.²n¨»q¥Î¡Î¥n©0n²Í¢¬¨ın¬¯-±[«npÍ©n¥
_s¼³Í²¡ÎÍ¢²¥n¯³¥n¢s1Íqn¬ò¯_¬©p0±t}²
n¨»ln¥©tzsÍ©|ò»n}¥ınn¼¥Í¦|
3 p1Ī1nZnsĩ
³©y§¯n²1/n¥1n²°¥1Ϋn°t¥.nqts1ºnt|ºª¨/n²Ív»vı
.»£¥1Ͳ¢¥ nqZ¤³zqs1±pÍ©[| nZt1.nt|º§³¬sıª²n}¥
ı3 ¢¶Ī0n²ĩÍ¢¬¨Í©¥ÍZtòÍ©³¥±¥ q²/n.nt|
¯0n[¥/n¥Í¢³¥1¥ªn¬¥[sn³9 ¥ª³ª¼³q¥1«»²ns
ͦln¥§³¢p£©t¥1³¥n¢t¥1t¥
9 /t|ın¬¯"n¬¥ ©toqp»q¥
SONGKRAN IN ISSAN
TA K AW, T H A I L A N D
Every year from the 13th to 15th April, Thai people celebrate
the Buddhist New Year. Far from the excesses of the capital,
Bangkok, the region of Issan located in the northeast of the
country still retains all its meaning and tradition. In the small
village of Takaw (Nakhon Phanom province) after a journey of
several hours in crowded and often fully laden buses, families
get together for 3 days of festivities and sharing. The whole
population gathers to organize the celebration, celebrate the
wisdom of Buddha and honor the place of the elders in society
with dignity during a public ceremony followed by a great
collective meal.Issan, the poorest region of Thailand abandoned
by foreign tourists, still reveals to us the sensitive soul of the
inhabitants of this country who retain strong family values.
J A C Q U E S P I O N
Ī"°{ĩ§ r°r
òÍ«±[¨Í¦¡
³q[¥
¦¶ı³p¶°¬¥1Īª¥±¦¨³ĩ+nIJĪ¤³¦¨ĩª¨
±¥ 0ny°¨ ı ¡t¥ §Z <Að Ī#±|ĩ Í¡ ¨ ±s r¡ Ρ¥
0nZ1 ͳ²!n¨¶ Īr³}¦nsĩ *¥ Íz°¥ }ts b r«nZ Í«±[¨ ͦ¡ ı
n¨t¥ ±s 19 ts §¥ ͳpò ĪÍy ĩ *¦¥ n°¨»Z §yt²7 Í¡¥ n |
.ny¥ IJ 2² º ®¬[¥ Ī#±|ĩ *p ͬò ¼ò IJ %²7 &p 5
n°n¢²1n°¦[p¦tsÎt¥¼iò¡¥nZ|ı§°³©y011nt²
n¬¥ ά² 2¥ Ī#±|ĩ *¥ ±s r¡ Í¢¬ò1 Íqn¬ò o|
n¡¤©}sn³p¼nq1n°³¦}p±sr¬²sÎn©z¥¡¥IJ ¦²1
1s Í¡¥ .ny n©¬³p Ī!º r²ĩ ͦ³q¢¥ qts n°« ά² n¨ ͨº Ͳ¢«
n}ò 9 n¨n©
6 1 Ī¡ĩ *¥1 ͳ¥ yn¬¥ 1¦¢s1 n³p np»y1
ª¡ 1 0b n¬¥1 ±9¬ §¯ n¬q¥ ± 1 ÍZ ò Ͳ³¦¢t¥ Ͳ¦z¥
K A L A AT M ’ G O U N A , M O R O C C O
From Imilchil on the banks of the Assif Melloul (the ‘White River’)
in the Eastern Atlas, Touda has travelled some 195km to dance
with her Ahwash troupe at the Flower Festival in Kalaat M’Gouna.
She speaks to us in the Tachelhit dialect of Amazigh, while
another member of the troupe translates for us. Ahwash is a
collective Amazigh performance style whose name is linked with
the Sufi concept of fana’, the ‘annihilation of the self’ in religious
experience. While the men sing, the women chant and dance. The
movements vary considerably from village to village, area to area.
Touda wears jewelry and a white robe adorned with shining coins,
showing she belongs to the Ait Laza tribe. The men of the troupe
wear turbans and flowing white jellabas and carry silver daggers
and traditional embroidered leather pouches. Like all female
Ahwash dancers, Touda is unmarried - a requirement not imposed
on their male counterparts. But during the dance, all are equal.
W E S A L A L- S H A I K H A N D K A R E E M A C H A L H I
m«²rm±¢¥§
±nn¬³Z ±pn²±³¯1
r¦ Ît¥ αò £¥n©¨ ½| Ãn¬³sn²Ä ı ïA*¥ £¦ò ±¯ Īnq³Z npg«ĩ
±¨ nt¥ 0¢¥ Ͳn°« ı Ϋ¥ n©tº /1¡ _t| Í©ln¡
³t1=;;< " n¨ª¨n¥ıÍ[¦©ò#_¦tn¢t¨Î¨±[|
n²±³¯1ı±t¨¡ınq³Znpg«³² pn¥£¦òͲ ª³pª¨
ª¨ 1 % ¶ IJ Í¢³¡¥ q¥ p t¬s 1 n¬ ®±t²
ͳ©¯¶ ¥np 4 1 nq³Z npg¬¥1 ~qò u³| Φ n¬1 ͳq¥ Î[¥
Í¢¬ò ¯ ı În©tyº §n¬t¥1 ά²¥ ²nt¥ IJ 'n}¥ ı
npg« ά¦q¢t Φ}ò
¦zò 0n³ ¨ ®¥ (n©ty p ±n n¬³Z ±p ª¨
ͳpͦ²±Í[² IJ
¦z²0nZu³|Î¥®±Zı/Z1¦p
n¯±pΫq1±nn¬³Z ±pı(n1¶¤q¢t¨ª»²±n¬v}s1 3
3
Ī ¢tºn³ª¨»ln¯ 3¡n°³°¬¼tIJ0±¦q¢¨ª}«ĩ ³©1
:
T H E K I N G O F YAT E N G A
O U A H I G O U YA / B U R K I N A FA S O
J A C Q U E S P I O N
/0 m§µı̤°¥²
1³q¥01!n¨¶°«
ºª[¥²«¶.nqyı±Z!±ZıͲv¶olnz¥n°¨Z7s1º1³q¥Z7sº
n°t|n¨ª¨Bñ;ª¨wZ¤[sͳl±tÍpno¦¡ı¢s1³q¥0_¬«
"±s±Zͬ²¨¢sÍpn¥¯o¯n³ı§³¥01!n¨¶°«q¬¨Î¯1
9
Í©«0±³¦¨«§¯s¥nq¥n°«n[p§¥n¥ın°±«ª¨¼³|±¥Î¯1
Î/n²?,tsͦ| ı n¢¥q1±yºn°³¥.±±¦¥¤³qºu³|
Ê
3
01h²1"±t³Z_¥º±1½_¥Í²¡ª¨"n¬¥¤¢t¬²Îq n¡
/n¬sÍ¢¦9¨Í³n©¡Í¨n¬¨IJ¼³¶§°t°y1 nt«ı/±¬¥ª¨n¡ 3
p¤¡¶IJÍn<>pn°t²¡_¥¤tu³|ͦ|¥¯ın«n²
tĪͬz¥!±¨ĩª¨n¯¥1n¬yn¨Í¬²ò,±ın°t1ίrnp0
Í©¶ ª¨ n¯³1 ª³}¥1 r²¥1 [¥ p .n¨ ª¨ ®t¬y n©p n«n²
01!n¨¶ ,n© ı §°t²¡ ı n°³¦ ±¦}² 0 ª[©² º Ît¥ Ͳ 1¥
V A L É R I E L É O N A R D
8
¢¨¤«§
ò¼²±¥
0±[² §°¨±² ³p kn¥ _¥ ¼±¥np £©¥ 2n³ ±¡ qs nòn|
n¬³òp²2¥n¬³òınq¯ht¨£©¥³¬sª°t©²2¥n¥¯
²7 1 £©¥ ®p ¬³¥ nò ª¨ Ív»v 1 ª²±¥ o¦z² Í©²¢¥ ͬ²ònp
ªlnp¥ .1 /1¡ t¬²1 ³¥ ®³Z ²1 ª³[¥1 ³¢t¥ ±¥
|±¥ ªlnp¥ Îsh² £©¥ ¡8 ª¨ n°q³« t¬s " ±¬¥ ±³ ®¡±1
n¥
9 ¯ ª¨ o¦²6 1 ±t¦¥
9 n¯t Ît¥ Íy!n¥ ®Zn© ¨ ¤̀Z ´ ±¦s
Φ¥1Φ¢¦¥$n³¢s£¥n¬°®tq
9 o|n°³¢s1n°³¬s
Ͳ±¥
9 IJ _°7 6 t¥ Ī®³¦³ĩ ¡ {qt¥ §¥ n°¬ (¬²7 0 ª[©² n©Z
Í¢v1 ͨntp ®°y1 ±¦s1 Í1 Í¡p 9 ®¦©p £©¥ ¬¨ 9 /±¢²
ESSAOUIRA, MOROCCO
S E I F K O U S M A T E
mom¤zp©§Ís¤
" 1¬¯nq¥n³±³s
0±t[²1 ®t¦ln1 ®« IJ ¼³¥ 9 ¦² n¨n >ï *¥ 1 Ī0n²pĩ
9 ®t¢
9
±|«0p§°«n[¨+²7 0ª¨n±Í©t8 òÍ¢³¥n°ı- 9 }t¥np
n¯§¥n¥ı0òª¨¼|11" 1¬°¥Í©nĪnq¥n³±³sĩ_¥
9
®¬³pͳ9 ¨»Z¼n¨»q¥ª¨¤³|9 ¦¥Í¢²ı[²1²IJ ¦t
5 7̈ ±¯
®sn³|¤zpͦ³Zr«nZ" 1¬°¥npÍ1òĪ nòĩnpn|ª³p1
©¦¥ x²1t¥ ı nq¥1 .n¶ Ípn¥ ¯ ¤t² ¼°¨
®t¦ln10n²pn©Zºi¯9 ²0n[¥IJ®«± n©²2¥¬¥oqp1
[² §¥ ®9« 0n²p .±¢² §°sn³| IJ n± " 1¬°¥ ı e³¦ 1¬¦¥
®¥±|r«nZ1¤¢9¬¥(n¡ı³y¤©®²¥0nZ¢¦p-sın¨±²
¤ !n« ¥ <?ï -n¬° ¼³|±¥ r³¥ 0n²p ͦln ¼¢t¨ ͳ³ò
" 1¬°¥ ¤[s 9 ͬ²¨ =A@ ¤ ª¨ ͬ²¨ ª²¥ 0±|¬² " 1¬°¥
§°sn³| IJ 'n}¥1 »q¥ ª¨ 1¦¥ Í ª 0±w}q² §°³©y
T E G U C I G A L PA , H O N D U R A S
Neither Brian, 34, nor any of his family members often leave the
dark confines of their small flat in Tegucigalpa, one of the most
dangerous cities in the world. They are afraid that news will find
its way back to the people they are running from. Here, lying on his
bed, Brian is trying to think of a way to escape his home country.
A few angry words to a member of the infamous Mara gang were
enough to put Brian’s life in danger. This gang use children and
young men to sell drugs, and the violence they use forces people
like Brian and his family to relocate to other parts of the country
for fear of their lives. Brian says that before he would have never
considered leaving Honduras: he had a good job in the haulage
sector and a decent, stable income. But now Brian’s family are
among 174,000 IDPs concentrated in twenty of Honduras’s 298
cities, all of them looking for the first opportunity to escape.
D É L M E R M E M B R E Ñ O
£|Yµ-°²~Í
0nt«n©Zs
¤³¥ ί1 ͳ9 ¢« ¢ n°¬¨ Ív»v .±³¥ ª¨ Í¥» =ð; 0´ §¥n¥ ı
0
9 +1¨ĩ Ϋnt«n©Z9t¥ ĪÎ[³sǤ}Z¶ĩ ¤³1 Îp¥1 9 2³¦z«¸
9
¼!n¬y ı n°¬« n¬9« _9t| ¼³qZ Í«n[¨ Ç0n©Zt¥ ª}«Ç n«¬ ¤³¦¥
3
ĩ²Īn°¦t¢«0ª[©²º1»¨nZn¯©³s0IJ$}«1Íq³°¨
Ín¨ qs Ît¥ Î[³sǤ}Z¶ .±³¥ Í ¨ ®Z»t¨np Ī³ ³²¦³
Í1¨ rsnp Í ¨ ί1 0nt«n©Zs Í©n np ª ft¨±¦³Z ð=
ı .±³¥ º» ° | Î[³sǤ}Z¶ .±³ Ͳn©| ı n¯±°zp
Ǥ}Z¶ ¤³ °t²1 §°¥ n³Ê ¬1 3¨ 0n©Z9t¥ n¯9s Ît9¥1 0nt«n©Zs
9 ¤©}9
¼³9 ©ò ®«±¥ _¥ Ín nZ¥1 9 t¥ IJ ¼ ¢¥1 Í¥np 9 Î[³s
±y±¨ n°©¨1 ¤³ ññ;; Î¥±| §¥n¥ ı n¯s ¦q²1 ͨ» 9 ¥
3 n°p1 n³1 1 0nt«n©Zs ı
ͳ9 ¥n©¥ n[²¨1 np1 1 ı ±y±¨ n²
A K H A L- T E K E H O R S E S
T U R K M E N I S TA N
“Of the 250 horse breeds in the world, there are only 3 pure breeds,
English, Arab and Akhal-Teke. We have huge respect for our horses
in Turkmenistan; we even give them a burial ceremony. Horses
should only die from a natural death.” Ada Geldiev Ashir is the proud
owner of the Ahal Dayhan Birleshik farm, 52 km west of Ashgabat,
the capital of Turkmenistan, well known for breeding Akhal-Teke
horses, a breed from Turkmenistan where they are a national
symbol. Akhal-Tekes have a reputation for speed and endurance,
intelligence, and a distinctive metallic sheen. There are currently
about 6,600 Akhal-Tekes in the world, mostly in Turkmenistan and
Russia, although there are some in Europe and North America.
G E O R G I N A G O O D W I N
momp¤»°0/msx0
01³¨n[¥Î¦²±
GUILI, CAMEROON
V A L É R I E L É O N A R D
Í¥²°o00m²8
n[«»²Î¦³±p
UPPUVELI FISHERMEN
C A M I L L E D E L B O S
/0 mZ¤m²8
£³[òÎt«1!n¨
§np +1ò 01!n[¥ #¡ -n© ³ &n« ²±tp Ψn©t¯ oq 0nZ
¨¶Í¦²±Í³¦n¬s3¼ 1#¢¥-n©ª¨(±¬¥°¥0±¯(school shark)
3
(±«·¥©}¥Í©ln¢¥ıͳq¥Í²n©}¥Îòn¥n}s»¥n¢1¬¨±¯1
¤z²2¥n¨ª[¥n°t²n©|n¬³¦oz²Ît¥(±«¶|®«%¢«ºnp¼°ò
0±¯oq¥#¢¥-n©ª¨®¬³p(±¬¥¯0±°t²ª²n³¥ºi¯
3
§°«¶¼³y nhp0±³«npn³¥n°²t²u³|0npn³¥ın¡±Í[©¥«n¥
0j£¥¥1άz¥¥x¥n²®«01¢t²n|¬ın°«±¨t²
3
n³¦¥r¦¡n²²¥®©}¥0j®«n!_¥Ín1n}p¨
3 3
»©qt²³
Ϋqh %¢«ºnp °¨ #¢¥ -n© ª¨ (±¬¥ ¯ 0 ®¨ rqZ 2¥
Î¥.n¡1ͦ|¥ª¨ı¯+±¥®t¢pΫh³¥0nZn¨®«opn³¥
§°t|±¢¥Í¬°òıÎ¥n¡+¤©¥°p³Î¬«¢ts¤¯ĩ
Ín n¬©¯s n©p §t« n°«±[¦t©s Ît¥ Í|»ò 1 £¦©« º ª}« n¬¯
³¥Í©¢¥§°¥ª¨0Φº1
b 2¥Ínp¤[pn«¨Î°t¬²1Ímyn¨
9
Ī01i¥¯ın¬³¦¦t³¥Îp1 1n¬³¥Îsh²0¤°n¨§¯n1
T H E L AT E S T P R E D AT O R S
MAZUNTE, MEXICO
F A B I E N D U P O U X
°¥±mxÍ|
0nt³³¡!±1Ît³y
(
5 6̈ ί1±¦²nyÍ¢¬¨_¥¼n¥®y±t²0nt³³¡ı³¥§±¨.»
¨¼n¥_¢q²1§°t³n¨±²ÎZÍ¢¬ò£¦sns¨IJ¢sÍ1 4
6
Í1òͲ³¦¢t¥§°¨n³0±q ¬²°Ít¼¨1ò£¦sı§°¥n
8
°IJ±¯1Î¥°pr³¢t¥_±¥n³ıͦ¢¬tò¤lnq¢¥ª³p
Ψ n1¥¤y¥_¦9ͦ³¦¥£¦s®s¨r³q
6 ò 6 Φ%1®«n|
b
¯ĩÎ¥.n¡1n¬¨n¨nsòIJ¼³n³p&n¢«±}«³p n1»³¦¡3
6
³¢¥rqvn³3 ¥n3 ³ ¦1®©ı®³q1Ī0´«Î³¡
.nqz¥£¦sq°s n¢p¶0Î¥p1§³ò±}«¼hz-}t¥p§v®«n[¨ı
n°y ±sαò©t¤¥np1n°¡±²0|¶ª[©²º¼³qZÍp
9
¢s1®³¡IJ 7
¤y¥ 0h©ª³|1n°¥ò0n[ò_¥n¯|1
9
®t©³ ı Í¢¥1 q¥ ¨ ¶ 2n¥ .1n¬t¥ Ϋn n°¬¨ ¤1 ª 6̈
SHEPHERD WHISTLE
J E T I O G U Z , K Y R G Y Z S TA N
C A M I L L E D E L B O S
.°±ñ'0§¦¥{
#»¬p
7
rZ nª³|1n°ls tÎt¥±¥ n¬¥1ª 9
6 ¡±t¥ 7 9 ¡ĩ
ͳ³q 1p ά«hp §¯| Ϋq Ît ¨ ı ͳn¢v ͳ¥n ı
<ñÄ /±²¨ ¢ts Ī n« 01p Íq² £¥ 1p ¤¯1 ®t¥h n¬¥np
nm³Îs0n°³¦0sºn°¬[¥§°¢«n¸0±¦³©²"n¬¥0Ãn 3̈ n
º1 n°sn³| ı nm³ /±²¨ s §¥ Īάòi² º ¨ ¯1 Ͳ¥ ³t º n«ĩ
n°¥±| ª¨ ±y±p ±¥ ³ts ΰ ©¥ 1
©¦¥np º n³¶ +s
¬¨ n°ò ¯ 2¥ ±sĩ n°tò n°p ³}s Ît¥ n³¶
©¦ts1
ª¨ {qs 0hp §¦}s1 "n¥ ¥ ı 0´ ί /±²¨ .±¢s ĪÎt¥±
¡101´®³«n²n¨Í¢³¢|- ²0yo¥ª¨ĩ
Ê ¢¥(n¬
³ Ω
9 o¬òͲz¥n¡n¸21ª¨n«|¤²0hp¨¶o¦t²
Īq¥Í³¢qZγq0n«Î¯Î¦w¨¼²¼nt0"n¬¥.±¢³n¯¬1
MARIYUM
BANGLADESH
F A B E H A M O N I R
̲ Y
.n´ nZ
:
0hp n°t¥± ¬¨ r©¦| ¡1 n 3̈ n =; ©¥ ª¨ ͳ¡ ¦qs
n°7t n©¨}¬sn[sͬ°¨Î¯1 n³¥{³¦sı¤©s
(±¬¥¯¤w©p±©¥_¥3¼nn³t¥¤³©sº1.ny¥ª³p
3
¨ı9t¦¥Íy1£¥§ ͳ9 ¡ ª[¥¤©¥ª¨
9
§¦ts n°¦w¨ ¼¨º Í4 ³9 [¦¨ ®«¶ £¥ nZ ı $n {³¦s
n°s»³¨!¼qª¨³ts1nqZò{³¦sòıͳ¡
6
ª³| 0n[ò
6 ¯ + r¬Zĩ 7 7
n¬¥ ª¨ n¬¯ ª³¦¨n¥ ¬
¯ Ϋ¨ b n¬¯ ¤©¥ ı 3 ³wZ [ r¬Z1 Ît p
"` :
6 ¬ 7̈ n°7 1Ç Í³¡ .±¢s ĪΩ¦| ¢|¶ Í©²¥np 0n[ò7
np±¥ ª¨ ³w[¥ Í©v Ç®|» IJ ¤©s -9 }¨ ı
¤©¥ ¤°s 9 Ît¥ òn
9 .n¬¥ ı ¤©¥ ¯ ı
º ¯ ª[¥ 9 ¼±t¨ ³ ½¶ ±ò1 ¢¥ 0 n©Z 4¼ n«
¤©¥ ¯ ı º n°« zs º Ît¥ ͳ¡ Ín¬¡ ı vi²
G A R A G E R O K AYA
DAKAR, SÉNÉGAL
P I E R R E G A U T H E R O N
Írmom
¬°¥0nty
C H A PAT I
RADJASTHAN, INDIA
Rabari tribe dishes are usually very basic: chapatis (bread pan-
cakes) and dhal (lentil soup). Lakshmi is cooking chapatis for
lunch. Her son Divak, 2 years old, is quietly lying on her. She wears
a gold ring in her nostril and large white plastic bracelets that
completely cover her arms, from elbow to shoulder, a sign that
she is married. Rabari women are limited in their ability to speak to
their own family through very strict rules of decency, and are also
forbidden to sit on chairs. Their days are divided between the en-
dless task of making chapatis for the whole family, collecting water
and wood and sweeping the yard. Rabaris lead a simple existence
that meets the basic needs of everyday life but always with great
dignity never showing their poverty or their desire for materialism.
V A L É R I E L É O N A R D
»y¯¥¤Ì¨Yºñ
«±sÍ©n¥ «±s
Í©Z»©¦¥ ĪͲ9 «ĩ 2n« {t² n¨ ¤Z 9 ı1 Í©n¥
«±s o¦¡ ı
°¥ ±² §²¡ _¬q¨ ¤ ı Ͳ9 ³¦¢t¥ o² t¥ n¦z¥ ®p±p
3 {q 0 ² n²
»p 3 n«ĩ .±¢²1 _t3 2±}« Îsh² Ϋ¥ n©tº
Îq¥ o¯³ n}¦¥ ³p3 « Īyn¯1 {z« 0 ² n¬¯ ¤¨ y±² º
1p +p ® ³¢}t¥ tº Ͳn ı ò /n¨ ¢³¥
Îq¥ ®y1 ı ®³¬³ n3tqw¨ ®¨n¨ ò
¦z² zò /»|hp Ít¨
Í©Z»ò .s n¨
¬¥ q1 }¥ ª "1 ¥ p ®©¦9² §¥n}¥
Îq¥
9 °¥ nz¬¥ ³¢}s1 ¢¥ ¼n³| ª¨ 1¦¥ n¬¯ ª²³w[¥ ¤¨ ί
±tò
9 ª¨ ´ o«nz¥ IJ t¬s ½ ¼n³| 0hp n©p9 §¦}² 2¥
B O X I N G T O M I G R AT E
TUNIS, TUNISIA
J A C Q U E S P I O N
Í«²§0±¦²§
0n«±³¥Î¬³¨1²
&n¢« ½qZ ª¨ r«nZ1 n³«1¢¨1 0n«±³¥ ª³p 1}¥ IJ Ãά³¨1²Ä ¢s
¯ ³³s ¤q¡1 np1 1 ±}« §°¢² ı Īª³my»¥1 ª²yn°òĪ*¥ ©zt¥
6
Íp ª³p1t²¥n3t¡i¨Ê ¢t¨0n[ò0nZ=;<ð/n¥Í²n°«ı§³ò
Ît¥ Í[ln¥ -»¶ ¡ ͳl± /n³ ı 0±t³q² 0n« +º Ít1
np{³pn¨±³¬s10n[òIJÍ©t¥q°sª³|np1 1ª§°¦s
9
ª¨¤¬sͲpny.»½s²}¥£[IJ
[¬sÎt¥/±²±¥
¤w¨Í¦³¥ı1ͬn¥np1ò1/n¥²!±s&n¢«±}«Í°y±t¨n°¨n³
IJͨ nͳ¬¨Íq¡¨r1®³¬n¡ª¨n 3̈ n©s§³ò)7ͦ³¦¥¯
n¬³v ¡ ½ n©zs _¥ ò1 n³¢² ª¨ yn°¨ 2 ¤²±}t¥ 0n[ò
ά³¨1² ı ¤¨¶ /7 [¯ Îp1 1¶ n}s»¥ Ípns n°y + r}s
IDOMENI
IDOMENI, GREECE
J A C Q U E S P I O N
ͤm§{
8
Î¥n¨±Zn¨np
³©¨ 1n°¥Í¢qn¬¯01}¥¤
9 w9 ©²Î¥n¨Í©n±Zn¨npª¨|1³
9
Ît¥ n»¥ ¤| ı ±±t³¥ §°³¥ (±y¥ §t² Î¥nò ©tzò ı
01°².ny¥0nZu³|Í ±¥°p ¨/n²¶|ı"n¬¥ª³ph¬s
άp² nZ1 ±¥ IJ ά©yn° ³¨nZ ¤©| Ϋ §¯| ½ ²}¥
o¦1 ÎtZ ª¨ άq}1 ¤q¡ ª¨ ® ªZ §¥1 1³ ¤s 0 º±¥
1³ ½n« Í ±¥ ͳ IJ _¢¦¨ 0nZ ÍqZ¨ n IJ
¦y 0 ά¨
n¨ nm3 ³ }² 0 ®¬¨ o¦1 .nò p
6 n1 Í ±¥ ı Îq
9 IJ
1³¥ n°¬©v 0 h .n¢sp ³1 ± Íyny! ®¨1 Îq¥ n
Ī£¦w¨¼¨np½¶ }¦«0ª[©²ºĩ1³Î¥.n¡nn¡n 3 3 ®¬[¥
o[² 1³ Í¢¢}¨ Í 1 ª¨ Ϋ¢« ®«¶ Í}¦¥ £¦s ı Î[p Z
n¯ ³t² º ®«¶ p3 ±¥ ² º1 nq3 ²¢s /±³¥ ı º1 @
n¥1 /[¥ ı n« 0 ª[©² º n3 n°¨±² ά©¦ Ψ ®1¨ ª[¥
BLACKSMITH MALI
BAMAKO, MALI
V A L É R I E L É O N A R D
1ªm
"n¬¥ª¨³w[¥n¯ ¢²ºÍ«n[¨Í
9 ò¼©¦¥02«n.±¢sn¨3 ³wZ
ª¨n°¥±|ª¨¬¢t¥n 3̈ 1nt}s1n°«%ıÍp±zsΰ
²!±¥ı¯}²¼¨¤Zz¥¤©}¨IJn¯1h²0hp.ny¥
n°y1!¨/±²¤ZÍ ¨ı2«n¤©su³|01 n10 ns§³¦¡ı
0±¬<;¤q¡n°²¥1ª¨% Í¡rv 10¬¨2«n.1n}s
9
/»|1/±³¥ºn«ª³p ±s1Í ¨1/1¼5 ¨nZn°sn³|ª³p©zs
6
6
ª¨®¥%tsn¨§ ¤©¥°¥n°q|IJn}s01¤q¢tò
n3«n³|2«ns"n¡1
5 [t¨¤[p+nt«1n¢²n¨
¯ın°«n³[ps£¥¨n°¬[¥,n¯ ¸n°³¦³²1ot¥np
ª¨}²00nZ2¶{©sº1
b 1¥n°³¦¤²n¨®³zs1¤©¥
n°t ¨Í²n 1% ¶npͲn¬¥.ipn 3̈ 1Í«±[¨n°«n°sn|±©
wZIJ¤©¥n°¬¨o¦t²n¨n°¦©¥Íl n¥nyn³t|º¨¤¨nt¥1
³¥!¥ª¨Íp n}¨1Í ¨¼¨2«n|10ıÍ°qyª¨
SANDY
L A U Z E R T E , TA R N E T G A R O N N E , F R A N C E
M A H E E L I P E
ͤm¤ñ
Î¥n¨1 ±[³¥±Z
Ípn³¥_¥¤¢¬t¥ºı.n¨¥±©z³¥z³¬¥°«¡_¥n¬¯.ny¥$±²
9
άò¤©¥§ 1¼ n°¨1Ípª°1 IJn°¬²1n¬¥n°©¦ts1
² ,n¯ ¸ º1 ¤©¥ » £}¦¥ Í} n¬¯ n¬¥ zs ¡±t² º 2¥
¢2²¶npn¬¯§t²¤©¥nºº1¨2n¬¯±tsºª°y¨
9 ª°³¦
9
n[¥np¦q²y¤pn¢¨(±q¶ı/n²Ít¥/±³¥ınn<;¤©²³©z¥
ª¨±¦sºÍ 4 n©¨¤¨¥IJ.±}¦¥°¬¥¯,n©ı$±¥ º1ð
7 ®n¡_¥$±¥.¬²°¬¥0n³§±¨ıÍnnò
ª³p1ts5 6 ò
3
¤q}¥¯¢¬²0n3«n³|}²1¤q}pn±p¨0±[²1 ln¡»v1Í¢³¡
¥¼n1_¥2i²n¨´1oq¥{¥IJ´¥®Zt²1
ª¨Í²n©}¥npn³Ê } 6̈ 0±[²°¬¥ı$±²ª 6̈ 0n¬¯"n¬¥.±¢²¤¶ı
9
,¡n¯n0hpnsn¨±snάsq°¬¥ª[sÎt¥¼²¥1¥Î¯1Ī1 nnpĩ
r}s±¯1n¨¡©zs°¬¥0n³ĩr¥n¡1Înò/n¥°¬¥ı
9
Ī®¬¨0±¨±¨ª}«1ª³}¥£¥¬¨1~³¥¼ n²¥n¯pΦ¯o¯nò
KOULIKORO, MALI
V A L É R I E L É O N A R D
°¥y¤-ms8
ò"n
TA N N E RY F E Z
FEZ, MOROCCO
A R T H U R T H O U R E T
ÌoµÍ
Z¤0°m²o
_±¥n³¢²Í² ±°©yÎs³pp
±n³p ¤¬² nz¶ ½| ¤ r}s1 /±³¥ £¥ ı ,n² º ³z°¥ 0nZ
/nz|hpÎZn°¬¨¬³¥Í¦²±¥0
9 ³¥0n ±¡(:¬pÎpnZ±³¬³¬³p
³q²ª³¥±ztòÍnq¥¤q¡ª¨,±¶ın°1Ínq¥¤©}¥Í¦t¨
8
«Î¥±|ÎZı{p²1/±³¥ıÎZÍp
9 Ãn 3̈ n>?ın³p
n¨ ©z² n[¥np ®« 2 º1 <Â? ³q[¥ Î[¥ ª¨ {p² n©¬³p Î[²¨ º1
ͳn³¥n¨!¶.nÍtª¨Í«
9 ±[ò®s¶/n¥
b nyn³t|Îq¦²
8
=;<> q©² ¬© 2nt¡º ±Z¥ Í¥n| ©s c _¥ ¼ [tò Ͳ[¥1
_¥ §°¬¨ ²¥ n©Z Íq n1 3 !n« ¥ ï;; ª¨ wZ ³²
_±¥ n³¢² Ͳ ±°©y 0n[ ª¨ B?ñ Ϋn²1 ±z¥ .1 _¥ ±z¦¥
§¥n¥ ı 3±s .1¥ ¤¡ ª¨ 3¼|1 7 9 s np¶ ¼t¨ ¢ Í¥n| ª¨
B E R B É R AT I , C E N T R A L A F R I C A N R E P U B L I C
C A M I L L E D E L B O S
ͨ²§¤.m 8̈ {
«±sÍ©n¥ «±s
n¨n©}¥,ª¨±¯1ͳ«±t¥Í©n¥+IJΩ³¨¥/n
9 ©|¢²
9
/n©}¥ ª¨ ªn¥ ĪΫ±z¥ĩ §¢¥ ı
¦zs ª³|
«±s ı n¯°1
£¥±|ª¨1n°[³¥s1n°¦ nt«npªn¥nòª¨rı-n¨¡0±[s
Īª³³9 [òĩ2²ª³pª³¥nz¥/n©}¥ 1!u²n|ª¨Î°t¬sºÍ¨1 1s
ª²¥ ±«1 .n©y ª[¥ 3 i¨ ¤©¥ ª¨ (±¬¥ ¯ IJ o¦¥ ys
6 ¼°ò
¤³s ͦy IJ .±}¥ Í £¥ {³s ±¥1 n¬¯ rpnv ¤[p 0»©²
¼n1-¦y/n¨{9tsp2 ±#nt«nptn©¯|ª¨
³³[s1
Ît¥ £9¥ò 2² ª¨ 2±¡
9 ¬p s r«1 ¡ 1 n¬ ͦz¥ ¤¦t² n¨
ª³¦¨n¥ 0nZ ntº IJ ² ¤[p £s» ı "¬s n[s
ª³¬v ½± /±³¥ ®³ ¤©² ² §¥1 »y 3 <= Înò ı /n©}¥9 ı
HAMMAM
TUNIS, TUNISIA
J A C Q U E S P I O N
¦¤°
m|¥¤m²y¤ms
°ª
n³1 ³s
¡ ®²¥ 0´ Îq³y ı ®¦©| 2¥ sn°¥ f³wZ §¥n¥ ³9 s §«ĩ
n³¬³q ı ®³¦ ¤©¥ t 2¥ §¥ ±n}¥ £¥ ª¨ §
¼|1 n 9̈ ¼ n© ı ¤¨nZ pn Í|n¨ ¤² 0nZ ¢¥ Înò 0¢¥
ª¨ §[¥
9 - ¤©| ³ts άp n¯n² Ϋ¯ Ît¥ y Ê ¼³¥ ª²t¥
Īn°¦¢¬¥ ª²t¥ |1 ª¨ ª³t¦¨nZ ª³s ±¢ò nt}« n9¬Z Ît¥ n¨±¦ò
t³1³¥n 0nq³tÄ n¢tò Ît³±¥ ±n}¥ "¬°¨ n©¦Z ¯
Ī³sĩ ͨny ı n²³¥ qt¨
8 6
+¨ n³¥n| ¤©² 2¥ Ã+±[³¬»Z
9
*¥ ±Z nt|º ®¨1¡ ¬ ¼9 ¨ ¤Z ¤¦¨ 01 ®t¡ n¬¥ 21² ͳ¬¢t¥
®¯nzs Ín©}¥np n«i¦©² n¨ ¤9 y1
7 ͨnz¦¥ 1nzò _°¢ò ı Ī±¬³s±pnZĩ
®q9 |1 r¡±¥ £¥¥ ª³¬}¥np 0ntm³¦ò n¬³ ±¯ £¦s ®t²n[| 21² n¨¬
0 7 ¡§²¢¥ª¨¥£¥pnt|1¥-«®p/n¡2¥®¦©¥Î¯n¬t¨»¥
¤³©z¥®³nò®¬³¬|¨§n¬tsÍ©²¡§¦³¨n[p¼ ±¥¯®¥¢t¥
N O S TA L G I A F O R A S U P E R C O M P U T E R
TVER, RUSSIA
M O H A M M A D M O N T H E R M O M A N I
/my®£²¤
¬°¥0n¨« y
±¯1 0nz¯ ®©1 n 3̈ n ñ< ©¥ ª¨ ¤³¥ ¯ ¦q²
Í¢²¥°p0nz¯ -q²}q¥ıÍ|nq¥³t²¤³
¥IJ z¥¯¢s°IJ®q|n²0¤q¡
npn¥np¤¨n[¥np¼n¨ yί1.n¬q¥x³¦ª¨Î¡¥
°¬¨o¥³¢s.n©n°³t¬s1¼³òͲ ò
0¢¥ n²n°« ıÇ 3 [q¨ ³¦z«¸ - 2³¦z«¸ n©tº
6
ͦ³¥n°³¥±q¦z z¥°¥Í² nzt¥Í³©¯¶Çnt¥
ͳ¬q¥¥3 «1n¶³¢s.n©ın°³¦©t 6 ³7 ¥
Í¢²¤1 0-n¬¯"n¬¥y1 z¥¯ıͳt}t¥
nò%±sn°¦yq±¯½_¥¼²yª¨Í¦³¥¤¢¬¥
np±[³«10n¨«Í¦³½¥Í|nq¥¼ n°¨r©«[¯1Í|nq¦¥
V A L É R I E L É O N A R D
mmp¤£¡{£
" 1¬¯ºnq³±³s
ª² .n©
9 ³±s _¥ 0³7 ®²¥1 Îq¥
c ¯ n²7 §¥ 0
Ī
³¨± "np ¤²± ª³Zĩ ¤©² ͦln¥ n°¢³s º ͳn nq ¤©}s1
c
=;; p IJ Í¡±¥ nq¥±Zn 2 βnp Í¢¬©p nnq¥ Í ¨ ı
.n¶ ª¨ ³Z1 ºnq³±³s ͳ 1¬°¥ Í©n¥ t¨±¦³Z
oqp _±¥ nZ³¨ ı ¼t¬ò .n¶ Í¥n© ¼¯n ª³Z z²
±°z¥ § 1 Íqn¬¨ ͳ©³¦s +1 ³±s /1 ¬¥1 ¡ò ¢¥
0 º .n¶ IJ Í[¬ò ͳq¦¥ xlnt¬¥ ª¨ }¦¥ Í¥1qò
0 În©tyº 0n©¥1 ¤©¥ ¼ !1 o}p ²s ı ª³¦¨n¥ .n¶
ª³| ı Bñ@ Íq¬p ͳ²¥ n¬ò ı §°©¨ ¤ ¥ ï>ð -n¬¯
n¬p B=ðÂñ1 º1 B?ïÂï §°¬¨ Ͳ}¥ n¬ò ı B>< ¦qs Íq¬¥ 0
P O TAT O F I E L D B O Y
T E G U C I G A L PA , H O N D U R A S
D É L M E R M E M B R E Ñ O
'm¤m²
n²±q©Zo² /n³
S I E M R E A P, C A M B O D I A
V A L É R I E L É O N A R D
8
m¡¤»²|o
¬1±Znz«±p¼²y
¤³¬¥ %±| ı ²¥ ız¥ n°¡±¨ ¤p n³ò n¨ ı ¼³qZ ¼1 ¬1 ı
[¬²¯1n¯ ±¨ n©wt³IJy¼ht¨Í¥1¥0ºn°³
3 ª¨BA@¢su³|
²¥_¡1Î}¥+¥n¨1n³ò n¨_¥.±±¥IJ"n¬¥¼ ¡IJ
Í©n¥ .s n¨ ª[¥ ¬1 ı n³ò ͦ¨ ¤| 9 ¤y ª¨ ¤t¦¥ ª³³¥1¥ nZ¥ ª¨
±ts º +n² ¶ Î 3±s ¤¡¶ n¬ò ͳ¢p n| IJ n¨¥np _}s n°¥±| n¨1
ı n¬ò ͳq ª¨ §¥np1 0n[¥ ª¨ Bñ? *¥ ½± n³ò n¨ _¥ .±±¥ ͳ«n[¨
Ît¥ ¤³n}ò p ±©« IJ n² 2¥1 ±Znz«±p ¼²y ¤w¨ ͳln¬¥ n¬ò p
IJ .±}¥ _¥ 01³ -n¬¯ "n¬¥ ±³p _¥ ¤s º n³ò 0 º ¬1 n°p ³©ts
¶ n°«±¥n ·©s Ît¥ ¼³¥ ¼nt¥ ¯ ¤s n©¦w¨ n² ±t[ ¼³}p ª¨ ¼nq¨ nò
¬1 7
c s ¼ n²±t¨ _¥ n³ò ¼±y 2s 9 ª¨ ª³tò ²}s § §²¢¥
Ͳq¥ ͳ©¬t¦¥ ¼}tò §¨¶ i¨ : 16 ±©«
Ê §¥n¥ 0¦p ¤¡ ª³p ª¨ B<𠪩 ¼|1
L A K E V I C T O R I A WAT E R C O L L E C T I O N
C A M I L L E D E L B O S
¡¤¼Y¤²¨
0n¬q¥n«n¡
t¬¨p¼|±¥Ín¥ı1=;;ñ/n0n¬q¥IJΦ³l¸01¥n¬v
7 ĩ2±y¢¥±°¦ª|r³p%
¢ 6 9 sn«n¡IJ¢¥Î¥n³¥½|
pͦ³¦¥£¦sı®¬³[s1 "n¬¥0ª|21²Īr³¨Î¬«±¬Î±¥
§°¦y1£¥01r¥n|n°t¦³¥¢¥¼0º°t®«hp§¯n¢t
f³yZt²®«º©ª¨Íp¥ıª|0nZÎ¥nt¥/±³¥_t|01t¬²
¤y¥nα¦¥Î«¢ª¨Í¦³¦¡nnpĩz¥_t|©t¢¥0
0e¢|ºª|§¦Ī¼ò¯¼n³}¥³¡IJΫ³¥n¬¯Î¬12¥®«
r«nZ2¥³©¢¥¯_t|n°sn[¦t©¨³©zpt|ĩ°t®t¢³¢
0 1 Ît¥ ͳ«nq¥ 0±¥ Î ¤Z Zs r¥! n¨ n¯n°t ¤q¡ ®²ss
Īe³©y1°t¢¥¼n³}¥³¡IJÎln¡ª¨2 q²§¥n°pΫ±¬[²
QANA, LEBANON
“It was one hour after midnight when an Israeli plane bombarded
the house and I fainted. They carried me, thinking that I was
dead. They wanted to put me in a coffin at night but there
were a lot of air strikes and bombings, which forced them to
wait until the following day. I was four years old. The situation
resumed until dawn and a few hours later the same man who
placed me down here came back and saw I was alive. I later
found out that my sister had become a martyr. I still remember
every single thing about it. I still have all her belongings, even
the shirt she was wearing before she was killed. Even though
I was only four years old, I can still recall all the faces, even
the color of the blanket they wanted to wrap me in. None of
my friends survived, they were all killed”. - Hasan Shalhoub.
R A W A N M A Z E H
ÌY0p§ĩ+0{
n³«nt² ±¨&±Z±«
3
¤©s n1ñ1 ÄÍ¢¬¨ıͨn¤©t¥Í¦n°¨ª¨ÍZ1q¨ 8 7
_t|.sn¨10´n 3̈ n=;©¥ª¨ÍZ1q¨¦qsn°¨.n|r«nZn©Z¼¥np
r«nZ¼Í²n}¥ªır«nZª³|ͦ¨nò±1nqtºÍ³}/±³¥
½³¥n° ı¼²,1}¥r9 s1n°²¥¤©sÎt¥Í¦ln¦¥~qs
6
9 }s/±³¥_t|Ívn}¥£¦s nvª¨Î«nsn°¦yn¨Í¨!»¥Í²n¬¥ ¦s§¥1
¢ n°¬[¥ ¼ Íp¥ ª ı ί1 =;<< /n ¤©¥ ¯ ª¨ ÍZ1q¨
n°t©n3t¬prqz«1ª³¨np£¥pry1t§³¦sIJ.±}¥ıÍ¥
¢ª²°©¥ª¨¦q²¥±pn¯pr¡! §v±¬p 0´n¯©§²¨
M A B R O U K A’ S B U R N S
N O U A K C H O T T, M A U R I T A N I A
ĪMabrouka, 20, was taken away from her mother - also a slave
- when she was still a child, to serve a family in the Rosso area.
She is a victim of forced labor and abuse. At around the age
of 11, when she was cooking for her masters, her left arm was
seriously burned. She still suffers from the pain as it was badly
treated. Mabrouka was released in 2011 at the age of 14 and was
never able to go to school. She got married at the age of 16 and is
now the mother of Meriem, 4 years old and Khadi, 2 months oldĩ.
S E I F K O U S M A T E
m ¤²¤
0²0nnZ
BLUE HAND
KASHAN, IRAN
A R T H U R T H O U R E T
.Z¤Ì²km«vs
0nt[yn
7
%±q¥ £¥±| ª 8̈ 1 £°y1
6 r³9¥1 n©³Z £p ³}² nq1
©1 n²
4
¯ ά³¥ ±¥ ª¨ ±³p Íp º Í©v
³¥1 £¥ IJ ²}¥
£¥ | 0n[ò ¯ _¥ r¦11 ¤| ³Z ª[¥ ntnp °ò ±¯
3
½¶Î¯7 npy¼³Í¬²¨Î¯1Īn¨ĩın¢¥nr¬Zά«¶Ínqp
2iò ²¥ ï< ² IJ ͳ³l¥ &n¢¬¥ ª¨ n°« ¨ ©¢¥ {Z
q7 ¶ÍqZ¨IJ ±w¥ª¨ª[©s§¥¡±¥ı0nt³³¡¨1}¥_¥
ı ĪͲĩ Í¥±zp1 ny ¶ IJ ¼« ΢¥1 ³ 0 ¡ £¥¥1 1}¥
§¦¨ 2³¡ IJ rs ĪntZ1 n¨ĩ _s ¼³ ¼y ͦn|
[¯1 ¬ r³qò Φ9 %1 ®t³p ı n¸ /n .1n¬t¥ Ϋn1
o|n/Zn¬wtnpn¬¯³©¨Î2y§¥Ī.±[« ĩıΫy1
½ ª³|n©l
3 v9 hs_¬sºÍpzs¼³¥Í¦|¥¯ª¨¤y2¥r³q¥
§°¨Í³¨±³¥¼n³}¥ÍZ n¨1¤³q¥2pnÍntı01t²º"n¬¥
9
ͦ³©z¥ n°±¢1 ª¡¥ Í¡»| ͳ¦© n¬v _t| ͦtò n°¦³ntp
S H AV I N G R O U T I N E
TA J I K I S TA N
C A M I L L E D E L B O S
Ís±a °®m«®Ímm«®
npnp ²n³p±³v
{ts
7 0±q¯²1 "n¬¥ Îsh² npnp
² ª¨ .±zt¨ lnp ±snz³« ¥11 n«ĩ
9
¬¨ Í¢q¥°p zt¨ 9
n«1³² r¡±¥n°¢¦s1 n°p±pͲ nzt¥»}ò
e³z² s.±}tsΦ©Í|n¨0/"n¬¥§¯¤¯¥±¯¤¯e¨n>ð
ª²¥"n¬¥/t|rqZr¡±¥¯.±ÎpÍn¥0n¨¶Í¢¬¨_¥
ά}¬©²Î¦©ı1Ϋn[¨ıͳ©¯¶np1®«( n¥q0±¥±zt²
qt1 §°¯±y1 ±¦s Í|¥ ½ 1 Zn[¥ §°³p n¨¬ ¼n¥ .n¶
Ϋ r©¦9 !n³p Î|
9 ı ( ±¥ ı n¬¯ Φ© .» Î¥ ¼hn[¨ £¥
0hp "n¬¥ ά}¬² ͦò Ît¬°¨ r}q : 0´1 nn¥ {¦ ³Z
Īn¬¯ª©[sÎt²±¯¤ª¥Î¬¬[¥0n[ò¤¢t«01f²n¨» 3 ©ª°t¨
M Y S T R E E T, M Y I D E N T I T Y
“My name is Wuld Nijato, and I’m a street pedlar from Addis
Ababa. People come and go, shops open and close, and time
flies by, but I’ve been rooted in this spot for 35 years. Is it the
perfume? Is it the people? Or has the place I work gradually
become a place I feel at home? Over the years I’ve earnt the
respect of the other people who ply their trade on this street. I
feel a sense of importance in my place and in my work. When
I sell a child a sweet and see the joy on their face, it makes
me really happy. I think of it as my reward. Working here on the
streets of Piazza, I’ve taught myself how to repair watches. Now
it’s my favourite job. People tell me I should try something else,
move somewhere else, but I won’t do it. This place is my identity.”
I M R A N M A Z H A R
ͯ¤0s§
¬°¥Î°¥±³«
n[²¥npn¬
8 :
ZsĪΰ¥±³«1t¨±p 9 zs0pºĩ
9 jpo²«nn¬¥.n¡
Í©n¥ Ī"1ĩ 1tò Í[q s ®t}³¬¥ n¬©t1 ¼y¶ n³1
nqZò1 n}òn ±¬°¥ ª ¼ln¥ ͳ©¬¥ 6±¥ ½}ts1 Ͳ¬°¥
"n¬¥1 Íw²| ³³[s Í©«hp ¼1¨ n°« n©Z o³st¥1 Ín¬¥ Ͳn ı
0±¥±¢²1 n"n9¬¥0hpΫq²±¯1o²«n£}²/n¬¥npn°³01³¢t²
£¥p n 3̈ n©s r¬t¡ ¡1 Ī1tò º ±¨ ª ht² ΰ¥ ı Î ¤Zĩ
ı ®sy1 n¨ ίns ͬ²ò ¯ ı ,n«¶ n¡ Í[q ¤© Í7 ¡9 8
3 3
¢n°¦©Zhp¦q¥1ͬ²ò½±t¨IJn¡ nnv|1tòn«0nZ
² np
u³|Ͳ 1òn¡n¬tº³s1±°¥±¦sª¨}¥ı!nz«¸¯§°
9
9
ª¨ ³w[¥ 01±³ Ψ±²
9 ¤[p ,n«¶ n¡ "n¬¥ ª¨ +º´ /t²
¼|n¥Íqsò_±¥1¤¯ò/n|¥¯1ı0´n«.nò1r¡±¥
DELHI METRO
Sandeep insists: “you must see the New Delhi Metro!” I forget
rickshaws and taxis and follow his advice. The metro is the pride
of the capital and runs counter to Indian stereotypes. Stations
and coaches are very clean with air conditioning and the rules are
respected. Sandeep laughs while telling me this new local proverb:
“In Delhi, only the metro is never late.” The Parisian subway
definitely pales in comparison! The metro was a revolution for
the city and the country. Even though air pollution is still a major
problem, it has reduced traffic. Full of optimism, I arrive at Rajiv
Chowk metro station. It is rush hour. Every three minutes, hundreds
of humans leave the metro while others step into the breach.
I am in an amazing hive with an ordered and magical chaos.
A R T H U R T H O U R E T
°ñÌ
7 ²8 {º
_±¥n³¢²Í² ±°©y±q©³p
ͬ³zð;Î¥±|_±¥n³¢²Í² ±°©yıñq©³pÄͳ|»ıy±²
0±«n¢¥n°³¦o¡n²Í©²yί1Ī¼±¥ĩÍ
8 n©©pn©°sª°y±²
3 ª°w¦v
9
ªz¥ ı n°q[s©p ¨¶ ΰt¬³¥ 0³z¥ ª¨ ½±[ §²¢s
7 n3«n³| Î[²1
n°©°9s0p¼±¥Í n©òª²°¬¨ªz¥ıÃn 3̈ n??Ä£³«±¨q¢s
3
n°t¬pª¨19 s0p¼òıpo³ª³|Ī»©ĩ®¥r¬n°«hp 4
¤y
Í¢¦tòºn}¥§¨ªz¥ı.sn¨£³«±¨0º®pnn©¨¤y¥_ns
n¬¯ n¬¥ ª¨ ³w[¥ +s
8 º1 ͦ²± n¢³¢}t¥ s ¼±¥ Í n©©p
ıª°¥n¨ª²ª°¬¨q¥1ªz¥ıª¯±y1IJ_¨§Z
9
n¬³z¥ºi¯½|ΰ¬7s ª³|1§¯±²0±²"n¬¥0¶Ínª²!n«!
n°³ r«nZ Ît¥ Ͳ¢¥ ı ³¦¥ ¼±¥ IJ zs º n°«j n°¬z ¼¨
BIMBO WITCHCRAFT
C H R I S T O P H E D A S I L V A
¦¤m¤mo-mr¹Ì¡ª
0 ¶/ 21
ª³ª¨n³¢: ¦¥Í¢¬ò01¢²ª²¥1q¥®³©tz²
c 3 nĪ/ ĩͲ¡r«nZ
³9 s¢/±³¥n 9̈ 0n[òı¼³|±¥Çn©p Çr«nZÎt¥1n°³¼8 ±y±ònò
3
n¬¯"n¬¥¼n³|³9 sn²Í³t¬©¸n°t³¬p1n°tps1n¯ ±p3 ³wZ/ Ͳ¡
q¥§°lnp³q¥¤¢¬t¥1Î9 ¥ª¨6 wZÍ|n³¥IJ01©t²±}q1
Ͳ9 1q¥19 ¥£¦tp'nt|ºIJª²d ¨º!n¨Ç§³¯p1à n²Än«¤w¨Ç§°¬¨
Ͳ¢¥np§°p²n©p²t¥/1¤³¢w9 ¥n°t©1}¥0±[ı³¥1
9
¬0n²9 1q¥0¯
¦z²Í²9 ¨¢¥1ͳ9 ©}¥1ͳ9 yn¥Í²9 ¥n¬²±[t¥ª¨
ºnsºÍ[q nÍ¥±©}òs±°¥¢t¦su³|Í¢¬¥¯ı¼¥
Í°y ª¨ ºns3 9 ¡1 ¢ Í¢¬¥ ¯ ı1Ä
0t¬² 㥠ª¨ r¢¢}s
.n©z¥
8 ±°IJ}¥qÍ¥±yıª³}ln
9 ¥Í¢òn°¨0n«1nt²
9
WA D I R U M , J O R DA N
C A M I L L E D E L B O S
-«§ºo°¤Íp
#»¬p
n¬¦©
©¥o³¨¨Ît³p_¥±r¡±¥Î|³Z+ºĩ
Īr¡i¨±Z¤¡¶IJn¬²¥nm3 ³
³¥0n[ò¯¤³¦¥t¬¨q²
ı¤¨nò½|ı±¥³zsıñ¬<;ı©³¤©²
ª³|§°¥¬¨/°s0p.nzò¯ı¤©²®«.±¢²1#»¬p
n²¥o°sn¨¬ĩ®³¥21ht¥n«n[¨£¦©s®ss§¥1°¬¥%n
±³pı¤©«1Ͳ¢¥_¥±«±¥ªln©¡.±³¥
6 ©s1ͳ©±ò
3
n¦t¨n3
«n[¨Îsª¨¤Z¢²½1hò1/n¥¤pn¢¨"n¬¥
ıÍp±zsΨo¤©¥¯ ©tnp§¯¢tn«1¤©¦¥
³ztp±©³/±¢²Ī n³ª¨n¬¥
³¥ª[¥1¤³¦¥ı
¬t¥
±¥ ¤©}p /±¢² ½ /n² ı1 /±³¥ ı Íp± <;;; ª¨ wZ
~q¥ı®¨tº§}¥p©z²¥Í|tı1®¦¢«1
/±³¥ıÃ|1 º1ÄnZns@;®t©³¡n¨¤©¥¯n¢¥±©³Î¬z²
²yr³pn¬pn¨n¨±²±³t²ÎZ®s±1±¯n°¬¨np±²1
BRICK BOY
BANGLADESH
“I don’t know how to tell the time. I will return home when
it gets dark. Our work starts at midnight. This place is not
bad. At least we have our own temporary hut. We lost
our home in the river years ago. We had nowhere to go.
When the brickfield is under water during the monsoon,
we go to the village and take free work at people’s houses
in return for food and shelter. All my family members go
to different places. We miss each other very much. This
work is hard, my mother can’t breathe at night, but this
is the only work that keeps us altogether. Usually I dry
1000 bricks every day or carry bricks. Now it’s the lunch
break, I am collecting coal for cooking. I get 80 taka ($1)
daily, which is saved, along with my brothers & sisters.
We are saving to build our own home” - Shimu (10).
F A B E H A M O N I R
̲8 ªñm²¤°«§¦¤m§
n³¥±¬¨
WAT E R R E F I L L
MONGOLIA
C A M I L L E D E L B O S
om
£
#»¬p
SEVENTH CHILD
BANGLADESH
F A B E H A M O N I R
ms²m
±nn¬³Z ±p®«±
n°« ±n n¬³Z ±p ı ú±²1Ä Ín¢¨ ı î«±Ä Ͳ¡ ª¨ ¼nt Īnt³nĩ
7
¼ ± &n¢t¥º Í©}t¨ ª[s §¥ ³¨n[¥np n°¬¨ rpt¡ ª³|1 Í¥±z ¼nt
ª¨Î¬³ı¬¥o¬zs.1n}sr«nZn°«rZ
9 £¥s§¥n°¬[¥n°¥
p»ò n°ls ª¨ §¥np1 ± p 1 ¼± Ív»v nt³n¥ n°¦z ¼9
9
ͳ}² °s º1 ¼nt¥ Í«! IJ $}s Ím³p ı ³s n°«j Ͳ³¦¢t¥
n°²¥1 ª¨ 0¸ o¦s n°« n°¥±| Ͳ¥ n°s« ª¨ r©° np¥ /n¨
n¨1 rq¯ n©¬² ά¢² Ͳ¢¥ nt¨ 0nZ ¼ ±¥ &n¢t¥np Î¥ {©s ÎZ
r©°s9 n¬¨ ³p 0±[t n°«hp q1 ¼nt¥ ¥1 ½n« 0 º ®¬¨ 0nZ
¼ ±¥ ı ¤³©z¥1 2q¥ n°°y1 °² º9 ¡1 nt³n ¡±¨ n 3̈ n©s
S A F I ATA
S O N G H / B U R K I N A FA S O
J A C Q U E S P I O N
°
¦²|x
¬°¥n² n°y
BLACK HELL
JHARIA, INDIA
V A L É R I E L É O N A R D
/¨
0ntZnp#ºnZ21
ıͳ«n¶1}¥ª nt¨¶ª¨nm¨ppIJ0ntZnpı#±Z1¬¯.nqyͦ¦ª³pÎ 6
a ¡1ı0©³²
ͱ©z¨_¥Î©t¬²¡±¥ı®¬[¥Ī0±tpĪ*¥ª¨®¬³Í³±¥Ī.±Znq¥ĩͳ¡n10©"nq¥_¥n¬¥0nt ±«§³¦¡
ª¨§¥np1/nï;;;_¥n°² ns±²Ît¥Í¢¬òıͳ¡¥n±©zò/¡ª¨¼|1ί1Ī#ºn[¥ĩ_sͳ¡
Í¢²¥n¯³¥n¢spIJrn|n°«º[q¨r¡1ı/»¸Í³¡¥Í±©zò¯_¥Î©t¬sÎt¥¤lnq¢¥,n¬t
6
/t|ª¨£¥qt²n¨1½¶¤lnq¢¥np&»tº
5 /§°¦³s1¤lnq¢¥¯ª³p²¥£n©t¥¤p£¥1¼³©ò1
6
3
®²¥1Ͳ³¦z«¸p}t²®«j¥1»³¦¡¤ 9
¢¬t²1n²0 ¡,±¥ªoª³|0©ª[¥³¥n¢t¥1n¦¥²
9
ͳ¡¥Í±©zò®y±sÎt¥n²}t¥Í³q¥n¢³¡3 3 ²¢s®Z»t¨_¥Ínn²n¡1u²}¥§6¥n¥01ipͨnͨ
ªÎ¬v|13 °<>ª¨0±[ò1#ºn[¥¤lnq¡½¥qtòΩ¥§²±¢t¥1®t¥ª0©Î«qn°³¥Î©t¬²Ît¥
3
n¬vn°³¥0hz¦²n¬¦¥±³pί1ĪÎ¥nnq¥ĩ±³pªn²Î«qͳ¬¨nq¶n°p.nt|º¯n¨rt³Z1§¯n³
0n²·¥Í¢ò$±¬¥IJ(» 9 ²0©¥1ͦ³q¡¤Z
4 n 3 nqZ²²"n¬¥ª³pÎn¢t¦¥²/n«ª1³}¥¼t
º(n1¶ª[¥/»¸§³¥nsª³p1n°¬³p¼²¥®q¥®y1ªÎ¬v|1ͳ1¬°¥$±¬¥1¤³z«¸¡¢½¶
3±¢¨n¯s _}1Ͳ³¦¢t¥
p»ònp01³¢t²º.ny¥ĩ0©.±¢²Í³¡¥Í±©zò°¥Íq¬¥np³pqs
¯rys[¯1Īn«¸1 ±Z¥ª³p21nt¥np ¸²!±s01.±}²Í1 òn|nò¡n¬s0n©Zn¬¥IJ
/±³¥2±¥ı0±³²ñ;;;_¥ï;;;Î¥±|_¥Înò0¢¥n¬³©ıÍ©«¥ï;ª¨Í³¡¥Í±©zò
IMRAN
K A L A S H V A L L E Y, P A K I S T A N
Imran lives in a remote valley of the Hindu Kush in Pakistan, a few hundred metres from the Afghan
border in Nuristan Province. Given his clothing and the pakol (felt hat), one could easily confuse him for
a Pashtun. Yet it is here that the 4000-year old Kalash ethnic group lives, which, despite converting to
Islam, has preserved its culture through isolation and respect for its traditions. Against all odds, despite
the remoteness of this people, Imran has travelled quite a bit, speaks English relatively well and is a
very cultivated man who has a fairly lucid vision of the world and his ethnic group’s complex future.
He told me about his language, their 13-month solar calendar, the celebrations and their disappearance
for security reasons, the Bashali - the house reserved for women during lochia and menstruation, the
Jilga the judicial system run by the elders, his many readings of the entire Bible, as well as Hindu texts
and he listed many similarities between their faith and Islam. ĪBut the situation is changing, men no
longer wear traditional clothes [only women are the guardians of this cultural aspect] and the lack of
agricultural land prevents transmission to boys and girls in a fair way [preference being given to boys]”.
There are only 4,000 to 6,000 Kalash still living in the valley, compared to roughly 40,000 in 1950.
C A M I L L E D E L B O S
6 6 m«²§
©²«§ñ
C RY S TA L P O R T
S A N TA R O S A L I A , B A J A C A L I F O R N I A , M E X I C O
When fatigue and pain affect physical abilities, the vast majority of squid fi-
shermen smoke methamphetamine at work in Santa Rosalia, Baja California,
Mexico. They must fish exactly one ton per man. They will only be paid when
they have filled the small boat. One ton a day is a lot, but the pressure from the
mainly Chinese, Korean and Spanish buyers, who impose quotas and prices,
as well as the need for these fishermen to survive, leave them with no choice.
The molluscs are brought to the surface by hand. This work feels like fishing
from another age. As the hours go by, the pace slows and cramp paralyzes
their fingers. When it is difficult to be physically active, many give up and find
comfort and energy in methamphetamines. But today, they will not go fishing.
The Chinese company imposing quotas does not need squid. Due to work, drug
use has become daily. Roberto has just heard the news he won’t take to sea today.
He starts pinching his neck; addiction and withdrawal are beginning to be felt.
F A B I E N D U P O U X
¦xm«ñ»~
n³q¨±¥±ZnZn²±p
B O YA C A , C O L O M B I A
The lands of Boyaca are renowned for their emerald mines, and
the historic village of Chacaro is a descendent of this Green
war. American and Canadian factories purchased all the mines.
The deal was struck between these factories and the govern-
ment without the agreement of the people living in this zone.
In response to this, many communities have continued searching
for emeralds illegally in the nearby mountains. They are called
Īguaquerosĩ. Every day they go down tunnels they have dug,
in temperatures of up to 40 ° C. Ernesto, 45, says “It’s a job you do
as soon as you’re a kid, every miner goes down the mine with the
same dream of finding the biggest stone.ĩ In the photo, the mi-
ners have just come out of the tunnel, they must rinse whole bags
of minerals they bring back from the mine before sieving them
to extract the famous stone. It is physical work done by gene-
ration after generation, despite the permanent risk of collapse.
M A H E E L I P E
£py¤©onsY6
/±¥0±¥
Í ¨ ¦ ¼nq¨ ot[¥ ª¨ +º ͨ±Z ,± e¥ny ®sy1
°zp ¤©² ¥ ͱtò 9 Íq9 y7 e²s¨ Í¢³t¥ n³¦¥ n}9sº
r³s ª² ª¨ ®t¥h .np 5 §²¡ ntZ ³¦s IJ ª²² ³Zs1
Ī¤qz¥ ªpĩ nq3 ²¢s n 3̈ n ª² ª¨ wZ ¤q¡ ¤qz¥ ª¨ r³s ny
1q² 2¥1 ®¦©¥ e«n[¨ /±¥ 1 Í ¶ | t²1 9 4 91
,
¼³¯! nhp ͦ©tò ot[¥ ³q² ·ò /n¨ Í|±t¨ Íqt[©Z
0nĩ Î¥ .n¡ otZ ª¨ "n9¬¦¥ ®¢² n¨ 1 ®³q² n¨ ¤Z }²1
³¥1 otZ %¢©p 8 ®« ² 0 o}² 9 ĪÎqtZ Î¥ ±s
7 n¨
/±¥np n³¥1 ¤qy ª¨ /n¢¥ ±² ©}¨ o}² 9 º1 lnqZ
Î ¤Z .1² n¨ 0n1 ®²p Īͳ«nĩ n³«¥n 9 |
3 §n² 0
T H E M O U N TA I N M A N A N D H I S B O O K S
KHARTOUM, SUDAN
K H A L I D S A R A J U D D I N A N D F A I Z A B U B A K R
Í~°¤» mp8 ~
0ntZnp0n ±pns21
WAKHI BAKER
C H A P U R S A N V A L L E Y, P A K I S T A N
For several centuries, the Wakhi people have elected to live among raw
and beautiful valleys and rivers. They predominate in northern Chitral, in
the valleys of Ishkoman, Gojal and Hunza. The Wakhis content themselves
with meagre resources and a simple lifestyle associated with fierce
independence and pride, thus preserving their culture and traditions.
An unusual longevity is attributed to this people. They are an example
of living a harmonious life in one’s environment, even in very harsh and
landlocked areas. Surrounded by rocks, streams, towering mountains, they
maintain a special relationship with their greatest enemy and ally: nature.
They magically grow crops such as barley, wheat and apricots in this arid
environment. Thick or flat, bread is part of their staple food and occupies a
fundamental place in all seated rituals: welcoming guests for tea, at weddings,
and all meals of the day, supplemented with a little rice and vegetables.
C A M I L L E D E L B O S
8
»y¯¤mm~
ò"n
I M M I G R AT I O N H O O K S
FEZ, MOROCCO
S E I F K O U S M A T E
$µÌ²§m{m²¥±0
" 1¬¯
HONDURAS
D É L M E R M E M B R E Ñ O
Í
°r°o
n³³¥±pαs±p
αs±pͬ²¨r«nZΫnq¸ n©tº°ı"n¥0¢¥ı
/n¡Í©«¥=;;ª¨wZn°¬¢²0nZ10òqZª¨¼|1n³³¥±pı
³q¥ª¨¼³qZn¨1αs±pıÍ¥ n¨o°¬pn°t¡10nq¸
Í¥ª¨Í³«nq¸Í³¢t ¶§°«±q²7 ÎZ§yn¬òı0±¦©²§¯1
2¥Ã£«¥ÄIJͳòn¥,±¥ıo¦¥!1/±³¥Í¥Í©³¡rys
§yn¬ò.n©§t«0nq¸¤³| pÍ©°ònn¬¥pı/t²
9
¤©² q¥ ¤©¥ +1 ª³}s1 §°« §³¬t¥ ¼³ n³©y ı
u³| Ín nZ¥ Ípns §yn¬¨ ı 0±¦©² 011 ͨn §yn¬¨ ı
ª¨!0{³}§yn¬òª¨®«±yt²/±¦³Z¤Zª©vª¨Íq«0±n¢t²
ͳ«n«³.sn¨.n©¦¥§yn¬òı¤©¥+1ª[¥_¢«¡Í²±q¥
9
POTOSI, BOLIVIA
F A B I E N D U P O U X
0ªmommY¦²§
_±¥n³¢²Í² ±°©y
KAGA BANDORO
Sheila lives in the IDP camp near the hospital In Kaga Bandoro in
central CAR. She prepares Īgozoĩ, a cassava-based dish. Sheila
and her 3 children eat only one meal a day and her son, who is
suffering from malaria, has been hospitalized for a week. Part of
the hospital is set aside so that families waiting for their children
to be treated by ICRC teams can cook. Since the September 2016
attack, the camp has not stopped growing in population and the
city’s airstrip is now closed because there are too many refugees.
In this region, armed conflicts force families to gather in camps
several thousand people strong and regular interventions by
armed groups prevent communities from establishing a stable
agro-economy and food and humanitarian needs are enormous.
C H R I S T O P H E D A S I L V A
m¡¤Ì«¯§
0 ¶0n¨
}¥ ©ı¼±y±òyn}ò½|jp¼ nz}¥¤¢«ın¨n=?n²_¡
½±n° n©²Ît¥Í¬°òªnm³®s+sº¼³¯!¥nq¨¤pn¢¨Í³« ¶
¼ nz}¥£¦s¤¢¬s0Íw²}¥n³¥´0n[¨jp¼n³}¥n³nª d̈ isn[¥npn°«
®³¤©²2¥0n[òı¤¢¬¥Í¬|n°_¥§Z<ð;*¥n°«!1¤²Ît¥
yn}ò¯n}0º0n
9 ©Í©n¥±¬yçZ==;Ä0n¨Ín}©pn²
9
b
ª³²tpª³q¥½¥Í¦ò1e¬©v_¦¶¼ nz}¥n°«¶e²1²¤¢¬s00±¦²
/ª¨Zht¥1¼ nz}¥¤¢¬¥n²¤w¨3ºn©0±±²¥§°s±³pn°y1
ͳ¡±¢}¥nZn°t«»¥Ínm³q¥wZª¨¼|1ın²¤©²[¦¥n°s
n³¥ª¨³w[¥£¦©²º®«³pΫò©tzòn©¬¨o}p0 ¶ı
¼²y ͬ°¨ §¦9tp ®¥ {©² 2¥ ©¥ !1nzs ®« ½²1 n¨n ïñ ¦p ¢
A LABORIOUS LIVING
M A’A N , J O R D A N
E Z Z E L D E E N A L- N A T O U R
¦²¤
±nn¬³Z ±pº11
.n© Īº11ĩ §³¦¡ ı Í¡±¥ Ī2±² ĩ Ͳ¡ ³qZ ±¯ Ī±1n ±1nnĩ
n3t¡1 ά¨ ,t1 n¬¯ ³qZ /t|np ±1n t©t² ±n n¬³Z ±p ,
01i ¼ ı 29 ±}¨ 1 Ͳ¢¥ ³q[¥ ²±tp Î¥ {© _t| »²± 3
,±¢}¥ ª¨n¥ ±° Ͳ¢¥
2¥ ¤y¥ ¤³¦ ®«±Z _¥ 3 «1 "n¬¥
{¦ò ±¯ Í¥1¥ ¤s _¥ Íyn| 01 n¬¥ ı ¤² ª¨1 "n¬¥
®tq³¯ ¤y¦¥ }s Ît¥ Í¥ ³¥n¢t¥ ¤p ¼n¬¥ Í©¦[¥ o|n
2¥ Ͳ¢¥ §³p n¢¦¥ ª¨ n9¬[©s _t| nq3 ²¢s ª³tn n«t« ®¨t|1
®pn³v ¤ 2s² ±¯1 o³°ò ¬©p ®³¦ n¬¦ n° IJ ª[²
p
3 n¯n« ª¥ Íq³°¨ Í}¥ £¦s r«nZ /t|1 ¼« ®°y1 ±¦s
R I G U I , O U L A , B U R K I N A FA S O
J A C Q U E S P I O N
0°¤10p¤
8
0 ¶Í²9 n¥
BEDOUIN ON A DONKEY
R A S H A D I YA H , J O R D A N
C A M I L L E D E L B O S
̨km¤Ì±¡¤
ª³¬³pΫn
/±sÎt¥Í²¢¥ıª³¬³pı2±Z±«¼³}pIJ¡±¥®t³p_¥ln 3 n
7 ³9 ¥¯}q²7
01²±«nZ0±¥¤lnq¡ª¨ª³p n}¨0¼9 ±¶21soª¨lnZ ,±nòIJn¯hp
9 ¡Ī±¬³±t¥ĩͦ³q¡£¦¨ª[¥ª³³¥nsq¦¥³q§°³q¥ª¨nw¥0¢¥ı½
3 6
¤lnq¡
001¢t²0±¥Îp n}¨¤yn¨¼³}q¥1ı§³¢²0Ƕı(±¡±¥o¬zt²Î[¥Ç
§¬sª³}¥£¥¬¨1pͦ³q¢¥£¦sÍ©yn°¨_¥¼±¥±q9
3 ¬ztnòª[s¼²n|1 3 Í©v
£©¥³ 9 ²7 1§nò1
ln¬[¥1" 7
7 òn°³t¬s/»¥1³¥npn°¦¯1Ͳ¢¥ ¯
9
ͳ©±¥hpÍqs¨¥±¨qͲ¢¥ınp°[¥±tsn°³¬Zn¥În¶¤¥6¨
oqpĪ2±Z±«ĩ0n[½¥Í}³}nò ±¨ª[¥Í¡n¥ª¨n
9 ³3 sntZ ¢}s 7
9 Ͳ¢¥n[s1
Ͳn©|IJ0±¨!nÎ¥n¯¶0j£¥¨1Í©n¥ª¨/n¢¥±¦t¥1²t¥n[q
8
Īn«±z«¢¥ĩά²2¥1ĪΫnĩ§°t²¡§0±[²0nq3 z
³¥1§°t²¡ıÎm³q¥(±¬t¥
F L O AT I N G V I L L A G E
GANVIÉ, BENIN
This fisherman is sailing back to his house on Lake Nokoué in Benin. The
whole village is raised on wooden stilts. According to legend the Fon warriors
kidnapped people from other tribes in the 18th century to sell them as slaves
to the Portuguese. In order to escape, the king of the Tofinu tribe decided
to leave the shore of the lake and settle in the middle of it. The Fon people
believed there were evil spirits in the water and never came after the tribe
again. Since then, the village has thrived and its people are at peace. It has
schools, churches and restaurants. Their main income comes from the fish
that they sell in the villages on the shore. Solar panels and generators produce
electricity, so the village is almost entirely self-sufficient. Nokoué’s water
is currently under threat due to the lack of a sewage system and pollution
coming from the capital nearby. But forces are coming together to protect
its biodiversity. It is not a coincidence that “Ganvié” means “We survived”.
A L I S H A V A N B E V E R
Ī+¤!pYĩm
n³Zs" nZ1¼¢«ª³p
DOGU EKSPRESI
M A R I E T I H O N
¦0
n©«n³¨
20±¨Äί¤lnq¡
©ª±ts n©«n³¨ıª³t¥.nqyª³p
§¥n¥ª ³p
3 ͳp ¼n³| n°¦¯ ³²1Ãnn« ±²p1 1 ª³²
np3 n ³¦¢s
3 ªqt² ª°
9 ³©¨ °¨ n¬¯ n¬¥ q¥ u²}¥
³¦¢t¥ ¯ ¼° § 1 ±y±¥ IJ §±¥ ı ¤w9 ©t² /¢¥ ı
ª n¨ <Añ; /n }p n3«±«n¡ ͨ±[}¥ 0 º ®t³±1
¤¢¬t²0nZn¨ ±p-±¦¨|0Í©²¢¥¼ ±¶.±¢t³¦¢t¥¤
ª6 ²7 -n¬¯ n¬¥ r«nZ1 ª³s ns¨ ı ͳln« n¬¨ ı
n°p1s1¡_¥n°pn1n³t¥½|®tqzhªsn¥ª°¥n©zp
|ın°9¬[¥n°¦¯ª³pͳs¼n³|¼nt¥rnn°¬n
3 ©
3
n¯1³²1£¦ò.ny n°¢}¦²0Ílnr«nZ1 ¥ª¨r¬[©s/n 9 ²9 ¶
ª¨ ±¨ ¼ 9 IJ ª³[¥ 9 ²©tp º [¬t¦¥
9 3
»³q zs §¥1 ®³¥
¤lnq¢¥£¦sª³pn¬¥±y1§1¼np[¯1¤³©z¥n°°y1
DAAI WOMAN
M YA N M A R
S E I F K O U S M A T E
mo
lz¥Í¦}¨º1
DJEBEL
J A C Q U E S P I O N
̲¡²
°ñ»°~µ£{°
ı°Z¤Èp
8
òÍz¬
7
Éqn°¬¨ }¬²Ît¥ 1z¥Íò.±¥³w²0±¥³¦ª³¬³¥, !¼q¥±
¼1n¬[¥ ª ¦ts1 ò k± IJ r©« Ît¥ ĪͲ}q¥ ¼1n¬Zĩ *¥ n¬ §¦9¨ ±[¥
npÍ¥nq¡Í¡±¥®t³©y_¥ ±[¥q°²/±²¤Zͳ¦¥ò0¨ı¥1Ît¥
§°¦²2¥Î¢³±ò(±¬¥°¥(n©t»¥®¥±|"n¬¥©tz²Í©²¢¥Íz¬p_ò
*¥ 0±¬² ¼1n¬[¥ _¢³±¨ "n ί1 Ī³c }bt¥ĩ _©s ͱ¦°¥ ª¨ Íq²¡ Í¥n| ı
ò n1 ¤ §¦ò n°¥ t² Ît¥ »}¦¥ o² t¥ n¢¦| 01}²1 ĪÎqĩ
Íz¬ ! 2¥ Ã0±t²1 2« Ä ³°¥ ÎZ³¨¶ !nz¥ ά©p ±[¥ _¢t¥ <Añ? /n ı
_¥ n¨
3 »±s1 6 ±[¥ _¢t¥ ¢ /¥ ͦ ª ¬¥ +p1 ®s±1 1y ª ew|np
Îsn³}¥1 ΢³±ò
9 ±[¥ (1¨ {q [¯1 ¼1n¬[¥1 !nz¥ ª³p ©² ΢³±¨ nt¨
ª ¤±tò u}q¥1 ònp _±¥1 ¼±¥np rqs Ît¥ ¼1n¬[¦¥ Ī nqtº 9 ĩ
n¨
3 !nz¥1 ¼1n¬[¦¥ ³°¥ ¼²±¥ 0ny°©p n² ®t¥n z² ¡1 §¥n¥1 n³¢²hp ®s±
TA N G I E R , M O R O C C O
W E S A L A L- S H A I K H
8{mª
ª³¦"¢¥
=<Ä Î¨n Ī£¥ ¤ 0 01 nt¨ Ív»v ³¥ ³t º [¯ Îsn³|ĩ
§¦³¥¯n0p=;;@/n¥ıͳ¬³¦ ±Z npÍ¡.1¤[Ãn 9 3̈ n
ı ¼¡ Ψn¨ %t² 0 ¤³q¡ Ψn .±¢² Ī13 Banlieueĩ Ϋ¥
±¯Ã ±Z nq¥ÄΨn¨yn|2hpº£¥" n¨ª³|Ͳ}¥npĩ±°¥
ĪÍZ}¥ -³9 ¢s 0 01 n°³ ³s Ît¥ Ím³q¥ ı ¥ ª ³qt¥ ª9
Ϋ¥ n¯[tp ª¨ .1 0nZ1 1 ,n« IJ " n©7s º Ín² ±Z nq¥
/n¥ ı r}q _t| ª²¥ 0¢¥ ª¨ n¬³t¥ ı ä³p ³²Ä
3
"¢¥ı1Ī9 }¥Z¥ĩ§n²n°³¦ ¦²¼ 9 |ͳ«±¦°pÍn² =;;ï
±1 ,± .±| Ín²¥ ¯ ©}¨1 n°y n¢²1 Ψn " n©²
±Z nq¥ ¼²y Íqv1 Í n©ò Í Í²1! ¤Z9 ı 01z²1 Í©²¢¥ ¼¦q¥
ª³¦ ı ª³n³¥ nq¦¥ {³t² 9 }¥ Z¥n Ín² 9 z¨
³¥ n¬¯
ͳ9 ¨±³¥ §°sn³| ı o ¡1 2}t¥ 9 3
Í1 ÍZ}¥ Ͳ9 | ª¨ n¨n¯
I FEEL FREE!
J E R U S A L E M , PA L E S T I N E
C O N S T A N C E D E C O R D E
Īª°r°®ĩİm«8 ¤t±m{
ª³¥ª³
9 9
[p
3
Í¢¬¨Çª³[pͳ¬³¥Í©n¥o¦¡ıÇë±s±¯Ä Î|¤
9 9
[nòn¥
n¯n¬p ±² Ît¥ ͳ² nt¥ ®¬Zn¨1 ®s±³q¥ f« ª³}ln¥ z¥
0±©³¢² ª²¥ ª¥ nqZ n| ¡1 2»³¨ u¥nw¥ 0¢¥ _¥
±¢¬¨h«Ît¥Í³¦}ò§°tn¢vn²ZIJÎ}¥¯ı
§t¬¨¤[pªn}²Îs±¦¥ª¨n«p °s¼ ±¥ıͦ²±
*¥ , ±¥ Íq¥ ¤w¨ Ͳ³¦¢t¥ n¥¶ ªq¦²1
¦z©p (n©tyº IJ
ª°tn¢v IJ 'n}¥ ı §³ 1p ª©¢² £¥p1 Ī«±yÇn¨ĩ
°sº¼nòª³¥}1 ²pıλt¥ª¨Î¦}òª°vs1
¼ 1nzò Ϋnqò .» ª¨ Ī«±s±¯ĩ Î| ı .n³y¶ ª³p ¼±z¥
ª¨ "n¬¥ ͳq .» ª¨ n©9« ¢ §²¢¥ 2³¦¢t¥ Î}¥ °¥
Íw²| ©p .!n¬¨1 n¬¨ ı ³¥ 0±¦² nq¥n ®¥±|
ªzt}² º p ¶ ³¥ £m¥1 ª[¥ r«t«¸ ¤w¨ Í©°¨ n¨1
ª°tn¢wp 1 q¥ ª°p ¨ .ns IJ n¢q¦¥ £¥ ª¨ 2 a _¥
W O M E N TA L K I N G I N A H U T O N G
BEIJING, CHINA
I M R A N M A Z H A R
8ñlp¤
¬°¥0ntny
+ _¦ Í¡9i¨ ͦ[¨ nò { ² 9 ¬°¥ .n© ı
n²¥ ª¨ Ϋns Ît¥ Í¢¬ò ¯ ¢s Ͳ¬°¥ n° }
0¢¥ ı ¼nq¨ n³ò n¯p Îts Ît¥1 ͳsn¥ ͳ©±ò
n¬1
9 n°«¶ + IJ _¬qs r«nZ »³ò p .1¶
ı n°« ͳ¬¢t¥ IJ n©tº §s ¡1 °¬¥ ı Í¢³© ±¡
ı n¯ ys Ît¥ Íy9ò np´ ί1 np´ ª¨ ²y (±« n¬p
¼ ¡½±t¨ª¨³¦z«¸hynsª³|¬°¦¥Î«n²q¥ n©tº°
n¯¬ n°³ §}t²
9 q¥ 0nZ Ît¥1 ¦¥ Íò n³ò £¦s
ı Íy ò np´ /t |7 §v o³pn«¶1 nò o³Zs p
ͳn¨Íq¢|IJ¼¯n/±³¥ np´¯p_¢qs n¬òp
¥1 Í|nq¥np 0±°¦² n°p¢p 0±¬[² ª²¥ .n¶ .² n¨1
½¶ np´ ª¨ ²¥ ı ¤| n©Z +nz¥ n°¢}¦² 0 ¤q¡ n°p
STEP WELL
RAJASTHAN, INDIA
V A L É R I E L É O N A R D
m¤µm§²x
n³p±³vnpnp ²
®t¬p¤²ztpr¡±¥n¡ıĪn¨³y-1³pĩz²
³q²/r¦9s.¬¨" n}Z¤²±¤©/±²pĪ³q²ĩ
¬¨n¨³yo¦³¥¢e¨±²ï;n¯©0nZn¨¬n°t¦ª
ı®t¦¨!n¥¶³²n¨/¶1¶ 1ª³}¥£¥
®«n[¦t©²¤¡¶IJª[¥®³-9 }t¥0n³t²n[¥np.¬¨
Îpd ²Í ©¦¥n¯¥npp1/±Í©0´³q²¦qs
n°snyn³t|³©y ³¢}t¥f¯ny¤©²1©p®t¬p-1³p
¼9 ¨ 1¥np n¡¶1 ͦln¥ ª¨ 0±pb ¢ò ®}¬² n¨ f³wZ
-1³pª[¥n°q«nzp/±y±¥nt}s®t¦0Îp½
9
®sn³¥1i¨1®snqy1³©zpe³±¨Í³©¬¥ ±¥¯ n}²
.n¶ ͳps ³t² ª©p ¦t² º ¨¶ 0hp 9 rqw² _t|
£¦¥ &1ò ³ o}¥1 Ϋnt¥np n©9« ¤ ¤[p
G I R M A : A S I N G L E FAT H E R
I M R A N M A Z H A R
m«²y¤¦§
n³q¨±¥±Zͬyn¡
pn¬¥0n[ò±¯1ͬyn¡Í¬²¨1ın¬¦¥Ī±³²0nĩªz¢²
=;<ñq©²ın³q¨±¥±Z.n©¼³°¥Í³|n³¥Í¬²ò¯ı~² nt¥np
±¯1Ī±«³t«ĩ§¨s±t¥1¬¥±²u³|t[òªz¥¯ı{t7
7 t
n¬¦¥ ±³² 0n ªz qt² ®s n²! ªz¥ n ª¨ "n¬¦¥ ª[©² §¨
4
ıª°t¨n¡+1ª³}s1»²¬¥¤³¯hs¼nı¼l¥n³|»¸ª¨
»²«§²¢s1ª¨Í³°1¼n,nq5 6
.8 17 n¬sͧò±²ªz¥
6
¼n³}¥ı¼²y$IJ.±}¥np¤¨¶®³»¨n¥{¬©²®«n©Zªz¥
n¨¤q¢t©p¤¨¶n°}¬©²ªz¥§¨ıÍ¥n¬Z¤©¥0jº1nq¥Íq¬¥np
ͦ²«>;§ò¯ı¤©sn¬¯¤©¥ª¨n°qt[sÎt¥¼q¥¤p
³yyIJ.±}¥_¥Ín
q}¥¼t³sIJ£¥ª¯n²1
ªz¥ıͦ²«<@;*¥¼n³}¥¼±yª³}t¥t§ònp ͳ¢pn¨
I N T E R N O R E S TA U R A N T
C A R TA G E N A , C O L O M B I A
M A R I E T I H O N
1m¡m İ*m
0²" nÍn}¨
=;;ª¨wZ£¥n¬¯0±[³n°snq²¡½|+n!ıÍZ n©¦¥¯n«°zts 9
0¶+n¥_¥n¯¦¥Í²n¦¥Í©}t¨n°9«¯n«Î¬sq¤}¥_¥±¨9
¼²±n°³»p0²Í¦9©¨r«nZn°sn³|ıͳnòͦ³¦¢¥°¶
0òı+n¥»|0¨1³¥n¢s1®®¥n°¬¨¤Zͱ¬t¨¤lnq¡1
IJn}s.sn¨0²ı n¬òp0ºÎp¥©¬¥_¥¡ n
Ît¥¤lnq¢¥/¡ª¨2n¢n¡o¼²01¢¥¼t©òÍ¢²¥1¥"±¢
n¦¥0±v}t²1" nÍn}¨ı0±³²§°©¨10²ır¬±t
IJºnt|º©ts°¥1ͳ¥nÍ«n[¨¤lnq¢¥¯¬1¦¥1ͳ9 Zs¶
2ssn¬¥1.ny¥ª³p¡¥ª¨Í¦t¨.n[n°¦¦t²¼²/n² ¨
Ͳ³¦¢t¥_¢³±ò/n«IJª¡²1Íqn¬ò¯ıͦ³©ynp3 ±v¼±¬¥
7
"¥ ¯ _¥ ¼±¥ +p r³| ¡1 ª³1¥ 1p n¨
3 0±¦t}²1
QASHQAI WEDDING
FA R S P R O V I N C E , I R A N
V A L É R I E L É O N A R D
.°²o»mv²
0ntZnp.n©³
Ísò Îò _¥ §°t³n©p 01q7 ² 0±¥² n¨ ª²¥ ¼n¥ Ī¼³©ĩ ί Ī/±³p n«ĩ
ª ¼³p /±³p ¤s ° Í© ¨ IJ1 0ntZnp Î¥n© .n©³ Í¢¬¨ ı
º ª²¥ Ͳ¢¥ Î¥n¯ p ͳn¨1 n°t³n¨ ¨ ͳ³¥ Îò _¥ ¤¢t¬s n°t²¡
_¦zts Ísò Íq°¥ ¯ ı ͦ|¥ °p /n³¢¥ IJ §°t¡1 1 §°s±¡ 9 §°s
t¨ ïð;; (ns IJ n¶ ª¨ ³w[¥ £¥n¬¯
³¦ Ͳz}¥ ±Z¶ ı ¼n³}¥ ¼±¡
ı ©ztò 9 °¬¥ ª¨ n¥ q¥ 6¼n¥ ΢s Ît¥ ¡±ò ͬ ¨ §¦¡ht¥ ª¨ p º1
nq3 ¦9¢t¨ ±z¥ 0±[² ͳn¢¥
8 [q¥ Ím³q¥ ¯ ı ®³¦ /n¥ ~q¥ ®«±¨t²1 2±¥
¼ n« u²n| n¬wtnp n¬¯ ͳn©ty ¼n³| Í©v
³¥1 ®« /±³¥ .» _t| ©tnp
ı 0n[ò ¯ _¥ 0±sh² Ç/±³p ¤w¨Ç 0±¥² n¨ ª²¥ ¼n¥ ª¨ ¤³¦¡ ª³p 1s
/n³¢¦¥ r¡1 2 c §°¥ _¢q² »
©¥ o³¨ _t| ͳnò ¨ 0±¦¬²1 Î¥ §±¨
±p.±¢s§v¼³¥£¥¼ 9 nw³¢pĪ/±³p n«ĩ+s½¶1ͬ³¥ª³p1&n«2hp
Īt«n¬¯n«11±²ª¥1±q¯n}1Îzò§°¥
4 ªt²§¥
9 n}Î¥ĩo³}¬¥®q²
4
NAR BEGUM
S H I M S H A L , PA K I S TA N
Nar Begum is one of the oldest shepherds still to reach the high plateaus of
Shimshal Pamir. Away from her village for 5 months at a time, she moves
to the summer pastures with her own animals as well as those of villagers
who can no longer go up or who are busy doing other work. Life is rough up
there in the stone huts. Wood does not exist at an altitude of 4500m and it
is necessary to adapt to the acrid smoke emanating from the stove, which
is essential to warm up after the wind blowing down from the glacier and to
prepare very basic food. In this pure but hostile environment, the weather is
capricious and the 4 seasons often play out in the same day. Social life is
reduced to sparse interaction with the few shepherdesses who, like her, still
go up for the grazing period, but pastoral activity and the early night leave
little time for entertainment. Nar Begum plays on his wooden jaw harp for
a few moments before whispering, ĪSome of my friends don’t have good
enough health to come, others have just gone forever. As for me, God knows!ĩ
C A M I L L E D E L B O S
¥µ-mpxİ»ñ
ò ¦¶.nqy
ı
¦ .nqy ͦ¦ ı ͳ¦qz¥ n¬ò ª³p .±zs¶ 9 o¯ n¨ 3 ³wZ
ª[¥1-n¬¯n°t²p_|Ît¥n¬ò.n©yά¦¯²¼¨¤Zı1ò
pq¥ª¨ n¬ò£¦s0n[¥±¯¼ n²!¤Z¨Î¬¯ı~²n¨wZ
"n« n°³ άnt Ît¥ ò Î| 0 ³t º §°¨Z ¼1
/n²¶|ı§°¨n§°¨§t¡12n¥§°¨.1n¬s¶½¢¥£¦sª¨
Ͳpın9¬Z1n¤qy¡Í³ln«Í¢¬¨ı®s1©|¨Í¦³¥r³¡
q¥0nZ1,t}òo}¥Í}l IJnq¥ır¢³t1n°¬³|nt¥
ί1n¯°IJn°¬p¤©}s©|Íy1pjÍ}l¥6¨r 7 q9 tt²
3
¤[ ª ³p n¬¯ n¬¥ §¨ ¤w¨ ¼ò ¯ ±¦¥ 6q¥ n¬¥ 9 7
8s
ª°9¬[¥ ¤©¥ ı °y
3 9 º n²9 ±¡ /±³¥ n¬©¨ n°² Ît¥ ¼n³}¥
0±²
Í¢¬ò¯ıÍq¥³¥+1ª¨Î«n²ª¨7 wZ®sr¡±¥ı
W O M E N I N AT L A S
AT L A S , M O R O C C O
S E I F K O U S M A T E
/0mİ-m²~
ò01n
SHADOW IN CHEFCHAOUEN
CHEFCHAOUEN, MOROCCO
A R T H U R T H O U R E T
¦²®o
Î¥n¨±¥±1
Ͳ¡ ı n 3̈ n >; ª¨ wZ ¬¨ Ͳ³¦¢t¥ ¼}¥ Ãn 3̈ n ï;Ä §³¯p ª°t©²
¼n¥ ª ı ͬ°ò ¯ §¦s p Î¥n¨ ı ±¥±1 Ͳ¡ ı ¼³
¯ ı ͦln¥ }³¥ ®¬ n°v² 0 γq¥ ª¨ 0nZ1 ®³p ¨
®¦©p /±¢² ®«j £¥ ¨1 Ͳ¢¥ ı ³|±¥ }¥ ±¯ §³¯p .nzò
0 0±q¦² 1 §°s1 »¸ Î¥ 9 0±sh² Ͳ¢¥ 0n[ĩ 0ns1 5 ¤[p
/t²1 Í©²¡ Ͳ³¦¢s Í¢² §³¯p q9t² ĪÍz¨ 1 nh 3 §°¥ ¬
3
¼ | ª¨ ²² 0 n©¦Z ®¨t² n²3 1² nn¬¨1 2³¦¢t¥ §¥ 0
©ts Ît¥ Ͳ¢¥ ¯ ı ®³¦ ¤©² 0 ¤q¡ ²}¥ °²1 0¥
¼³qZ ͳ©¯ ®7t} 8 §³¯p ª n¬tº ª[©² º Í ¥ IJ
ntò Ͳ¢¥ §³! 0±[² 0 oz º1 0n[¥ /t|np _}² ®«j ¥1
IBRAHIM
WA S S O LO , M A L I
S E I F K O U S M A T E
m|²¤Ì
8 ¥8r
¤t}ò0º±z¥ ©.z¨
±¨t1
©.z¨ıĪn}³¥ĩÍ 9 ¦9s,±ª¨§°¦²n¬©p"n¬¥±¥
9 nòn¥
p 2 ±¥9 o«nz¥ ı §°ln¡1 §°t q
9 | IJ ª² n¬
8 7̈ ±¥
9 q9 [¨
9
ͳ9 sn°¥ºnsºp¨_»ts¼¯n¥¯p<Añ?/n0º±z¥.»t|
§¥În©tyº¤±9t¥¡±¨ nt«¨n³Ê ¦Zrt§vÍ 9 ³9 [¦»¥1ͳ9 [¦¥
9
´+¥b 3 t¬¨n³
8 ¥ª¨n
9 3
q3 ²¡º±¨¢²1®¦²¬©p
b ±¦
9 ²7 |²
ın°t©°òĪn}³¥ĩ 9 7
Í 9
¦ sn z
b
3 7̈ n² ±ı}¥ (±¡1_9 t|®³¦
8
(n¢«¬½1ͬ³ª³p
©.z¨Î¥n¯n°¨tu³|n}³¥ 9
p%c s¬Ín§°p n¡IJ0n¬m©»¥29 ±¥o«nz¥ıºnsº
9
n9¬¥,»¡1_¥n¬¥o¯tn°y±ò1¢¦¥Í ²9 ! ¥½¢¥
29 ±¥ o«nz¥ ı .±|¶ ª ³y qp Îsh² | 3 9
¤¥ º±¨
Ê 0t¬²1
HILL OF SHOUTS
For many years after the Golan Heights were occupied in 1967,
people waving handkerchiefs and using loudspeakers to call out
to their loved ones in Syria were a common sight on the ‘Shouting
Hill’ (Tallat Al Sihat) in Majdal Shams. But the practice became
rarer when phones and wireless technology found their way to the
Golan and disappeared entirely with the arrival of social media.
For many years no-one waved their handkerchief or stood peering
over the fence, awaiting a response from the other side. When
war returned to Syria, however, shouts were once again heard
on the Shouting Hill. When from time to time a communications
blackout strikes the Syrian side – especially when Druze villages
are being bombarded or clashes are taking place nearby – the
people of Majdal Shams will climb the hill to check on their
friends and relatives. Women will wait by the ceasefire line for
hours in the hope of hearing some good news from the other side.
J A L A M A R E I
°s±°Y/0
0±¥0±s ±p
01ĩ ͬ³ ªt¨ IJ _¨ ¤}s² /n ¤Z ª¨ ° Ít ½¨ IJ
3
0´ n ͳw}p %¶ n¢pn r¨t Ît¥ ͬ³¥ ¯ Ī±t²±Z
(±q¤Zª³±¼¤q¢ts1$±¥%¶/tsͳ|n³Í¬³
¢s1nq¥±¯_¨Î«±¥¤|n¥¡Í¦¯¨¡±¨±[t³¥
Ív»v ª¨ 0±[ò n°©¡n¥ /n¥ ³}s1 ͬ³¥ ª²±©s ͳ¥1i¨ ®³¦
ò¼»_¨_¦9 ¶ı
©¥rpn0pª²$n
3 ³¥ ®q¨ _¥ ¤1
²¥ n¯n Ît¥ Íy!n¥ -n©¶ ª¨ n¢q
ͬ³¥ §¡n IJ ¼n¥ ¤²7 ³Z _¨ +²6 ͳnò ͦ³¦¥
ͬ³¥±}«®y ±² n¢¥±³pª¨n¬©1ͬ¨nw¥Ín¥n°«
/n¥¼ln¨Í²9 }p¼n¡ qn©³0nZ2¥¡±òı$±Í¦| p
®n© ½¥ ³©z¥ ³ 2¥ "z¥ (¢¥ t² _¨1 ¼¯ny
DON QUESTO
J A C Q U E S P I O N
momo
n³q¨±¥±Z³ònp
ί1p npn¬¥®t¥n¡n¨¯Ī¼±¡ª¨®pt©t«nò"hq¥Î¥1hp"n¬¥n¬²ĩ
9
p np n³qò±Z Îp±¬y ³ònp ͬ²¨ ı Í ¨ ª¨ ͦ³¢v ͨn©¡ ©zs
n²n¬¥ ²1s ¼n¸ Z¨ ±¯1 ĪNucleoĩ Z¨ h« ¡1 Í©°¦¨ Ͳn²
®« ½s ΰ p nq¥ ³w[¥ Î¥ (1ò ¯ ά² ³n« Ͳ¡ ı
n°©tz¨ ı Ím³q¥ IJ 'n}¥ ͳ©¯hp ͳ±t¥ ¼n²¥ ¤w¨¶ Í¢²¥
,±¶ ª¨ n²n¬¥ ª¨ ¼³qZ n³©Z /±² ¤Z ı n¯Z¨ _¥ p np ¤¢¬s
_¥ n¨1 nsnq¬¦¥ ² ±¡1 n}¨1 oln¢| _¥ n°¥±}s1 yntò1 " ò1
"n¬¥®¨t²Î¤Z0hp"n¬¥(n¬¡±°(1òª¨+°¥n¨£¥
Ͳ¡ s1 ²y ¤[ ı ®¬¨ ¼ntº1 ²1s ¼n ª[©² ®«±¦©°²1
ͳ«t¨ ª¨ ª°©¨ n¬¥ ª¨ ͱ©z¨ n¯²s ͳm³p Ͳ¡ ³n«
2¥ {¦ò Φ¯¶ (¬¥ ı ª°y1! 0¢ n°¨ ª°¬¨ 9 ³wZ1 ¤¥
n¬¦¥Î«nzò½1hòͲ¢¥¯±sn 3̈ nð= ¨IJª³³q¨±¥±[¥+¬t
p npr¦n©¦w¨Ín¥ª°²
9 n¨0q²0-n¬¯ª°¥ª[©²1n
9 Ê
|¤¡¶
BARBARA
PA L M I R A , C O LO M B I A
“People call us Los Duros (the strong ones)” says Barbara while
collecting heavy waste from a school in Palmira city in Southern
Colombia. Barbara is an inspiring entrepreneur; she created
Nucleo, a waste-recycling center in the village of Nashira. This
recycling project means a lot to Barbara, she sees it as the best
way to raise awareness in her community. She carries a lot of
waste every day from markets, schools, and shops to the center
to transform it into bags, wallets, plant pots, etc. Her aim is to
promote the idea that everything people use can be collected and
turned into something else. Nashira is an ecovillage run entirely
by women, most from low-income families, and many of whom
are single mothers as a result of the 52-year civil war. Nashira
provides free housing for vulnerable women and, like Barbara,
women there can make a living through their own business.
M A R I E T I H O N
^5
m
5 §5 ¹a7/m
7 9 5 ²9 5¤/9 505 ĩ
5 ª9 ¸7
7 ¤
¬°¥Îs±Z
KOCHI, INDIA
B A S S E L M I S H A L
©²s«xµ-mªY
¼ nz¥¬n©Zn 3̈ n©sÍz°q¥1Ín©}¥ª¨³w[pºn«[¥ª¨²y§±¨ª³t¬y
4 ¶ıp
§±¨Í²n°¬pn3¬©³sh«Ît¥
c ͳ9 }³òn¥ª¨³¦_¥.n«[¥¯.±±s¤²!q¥
.n«[¥¯¯n¨ ±s¡1n³¢²_¥n°¥±hp±sÎt¥nq¨n¥ºnt|1nt¥
n²!¶1¡¥nZͦt¨nmın¢¥hp!±¦¥nq¨n¥¯n¨ª³p
n¬s 7 (±±¨
6 n_t|
9t²nq¨n¥°¨ı±¤Z0hp³ª
³t¬² ±Zͬ²¨.n«Z³©t²1oZ±òª³²s1
.n³y¬¨.n«[¥¯ı3! np31»ln¦¥0n©ZoZ±òª³²sı- n²1®pnnn Ê ²Ê !
3
/¢¥¼Z ²_¥»w¨n©t«º 9
ª¤¢sºÍ²9 ±¡º1n©p°ò_¥n©t«ºqs²¼²
ª¨6 ³w[¥Î¥n¯¶²1Íw¥nw¥
9 ª¬¨.n«[¥¯ıÍZ
9 nònp.n¶q²1¤ò9
ͳn©z¥nq² t¦¥§°sn¡1ª¨6 ³w[¥0±q°6 ²6 1§±ò°pÍn¥n²!¶IJ,n«¹¥.nò
7
ıoZ±ò³².n«[¥ıÍZ nòͳ©z¦¥_9 ¬t²Î[¥1ºnt|º,»«¤q¡
¼n¥1±¥npÍ©¨±yhpn
9 ¨.nt|»¥"n¬¥+º
3 §¬²u³|ͱ¥Í¬²ò(
c ±
A R G E N T I N A C A R N I VA L
CORRIENTES, ARGENTINA
A few hours from Brazil, Argentina celebrates the carnival with as much
enthusiasm as its neighbour. The celebration derives from a mix of a Christian
tradition that marks the end of winter, and samba tournaments originating
in West Africa. It has evolved into a competition between samba schools
with categories such as dance, costumes, or float decoration. The carnival
in Corrientes is particular in the fact that each member of the comparsa
(samba school) has to create his or her own costume and help make the
float. Families have been part of their comparsa for generations and the
feeling of belonging is as strong as to a soccer club. Children start taking
part from the age of three and their parents invest a large part of their
salaries in the costumes, as well as their time in rehearsals. In a desire to
make the celebration accessible to a maximum number of people, the
parade ends up in the streets of the city, followed by thousands of people.
A L I S H A V A N B E V E R
¥µİ-m
ò ¦¶.nqy
º p
3 Ͳ¢¥ ª¨ 1¥np n³t¦¥ n©¥ /p n«³¥n¢s1 n¬sn ΢sĩ
ª°sn°¨
9 0n² ±³q¥ ı ª³¢q² ͳltpº 0!1nzs 1 Í ò _¥
n³t ¼ ±¥ ı1 n¬¯ Ͳ¢¥ nt¨ ®p Ϋq n¨ ¯ Īªy1t² _t|
¼|1 ¤[¥ ĪÎ¥³sĩ Ͳ¡ ı n9tZ ı 0¢¥ ¼1»s ª©¦t² ³
®s ³ò ª°y±³ ͦ³¦¡ ±¬ 0± ı ª[¥ ¼³wZ /»| ª°¬¨ 9
3 [q¨ ª°z²1s
9 §t² §v r³q¥ .n© ı 0n³¥ Í ò ª¨ ªy³
0 º ¼³qZ ͳ«n[ ÍnwZ Íq« IJ 2±t}s ½¢¥ 0 ª¨ §¥ IJ1
nv _¥ Ín ͳn¡ ͳn©ty1 Ͳnt¡ +1 ª¨ 0±«n² n°«n[
n¬¥1 .n¶ §¯ Í¥¥ ¯ n²n} qZ1 ©tò În¬ò ³t¥
AT L A S G I R LS
H I G H AT L A S , M O R O C C O
ĪIn our tradition, our daughters do not leave the village, they go
to school until the end of primary school and then help with
household chores until the day they get marriedĩ says the village
representative. In the photo, little girls can be seen learning the
Quran at the Quranic school in the village of Tizili. They dream
of their future but in a few years, most of them, if not all, will
leave school and start doing household chores until they get
married. Mountainous areas are home to more than 8 million
people, most of whom are living in dire conditions in more
than 10,000 small villages. Thousand-year-old villages suffer
from the harshness of winter, precarious social and economic
circumstances, and the growing effects of climate change.
And the first victims of this isolation are women and children.
S E I F K O U S M A T E
©±m¤+°
ò"n
Í¡n¯wZ1+}¥/¡ª¨3¼|1z6s "nı ³t¥,±¥¯ı
n±¬ò.n[¦t¨n¬¯¬7sͲ³¦¢t¥Í³n}¬¥Î«1¶Ín¬Î¯1
0±³}¥/t²½0¦p1òı(nqsÎt¥.n©z¥Í¢lnͳ9 n}¬¥
±¬³¥¼².n³yqÍv ±t¨¼|nÍ©²¡o³¥nª² n¥,±ı
¢²n¯³1~qò11nn¥1n«©¥1ª³yn¥Î«11 ² np¶
IJβn¨Ãª³²1¢¥Íqt[¨Ä§¥n¥ıÍqt[¨/¡ª¨Íp¢¨IJ,±¥
t¬su³|Í©°¨Í³«¨¼1wpò²¼¥1 ¥¶ª¨²ò0n[ò
9
_¥¤²2¥"n}¬¥n°¬¨t²1»q¥ıͳ¦qz¥ n¬òı§yn¬ò
3 i¨òxt«Í³¥nͳ9 ¥n©y¼nny±t¬¨_¥.±}t³¥ª²
9 n¥,±
=;;ð/n¥ırzt«Ît¥Í³©[¥Î¯1"n}¬¥ª¨2t¨ª¥ï;
SEFFARINE
FEZ, MOROCCO
S E I F K O U S M A T E
mªmª°m²¤
_±¥n³¢²Í² ±°©y
Ω³q¥Í¦³q¡ª¨n«n«±n³¥z¥©ı³Zht¥npn°¬[¥n¯©¼ò¯+sº
9
n«±³}¥³IJn°³ı©tsÎt¥¤lnq¢¥ª¨Î¯1_±¥n³¢²Í² ±°©yı
n©³º1§°tn¢v1§°³°sÎt¥n²}t¥ª¨²¥Í±©zò¯®y±s-n©¶1
6
Ͳn¥Z¨ª§¯p7 1 ò1.±}[¥0n¨1%¨¶ nt«yn¯®³«n²n¨¨
ª¨§¡n²1³¬t¥n¨¦t¨1Ͳ1¶_¥§°¥±101.±}²2¥¢¥Îs1ͳ}¥
nt«²1»¥ıͲ³¦¢t¥,¥§°¦7 ³s1Íw²}¥Í²1¶npn¬¯"n¬¥Í¢v£¥
7
7
§°¡±¢|ª¨0n¨|1nZn°t«ª¨®«±«n²n¨1y01pΩ³q¥©tz¨¤©n¬¯¢¥
3
n³3 © nt±¥n¬²§¥£¥¨1=;;ñ/n¥ıº(t¡º |IJΩ³q¥¤}²§¥Í³n¶
¨¤¢¬t¥IJ©ts¼n³|Ω³q¥³²_±¥n³¢²ıª³³¦¶0n[¥ª¨§°«hp
Í¢³¡1Í¢³©Í¨"n¬¥ºi¯£¦t©²1³¥ª¨3¢twZ©«_¥±¥±}s§°p0
9
Ϋò ©tzò ni¨1 Ín¥ niò ª¨ ²¥ §°sq ª¨ ³ts1 Ípn¥np
n«n«±n³¥¤w¨n¬¥n°³¬qsz¥, 1ª¨±Z1Ít¡i¨n©³¨ª³pΩ³q¥¤¢t¬²1
ALICA GONANGA
She doesn’t know her age, but she’s definitely a grandmother! Alica Gonanga
is a Pygmy: one of these groups of hunter-gatherer-fishermen in Central
Africa who are now facing increasing insecurity and whose culture is
threatened. The major public health issues among Pygmies are alcoholism,
drugs, the geographical distance from health centres, poverty that prevents
them from accessing health and hygiene products and mistrust of modern
medicine. Poverty is explained by unpaid work among the Pygmy population
more prevalent than among other neighbouring villagers, as are human
rights abuses and violations against them. They were only granted the
right to vote in the Central African Republic in 2006, but the Pygmy people
are still not recognized as an indigenous people. Pygmies traditionally
practice a form of nomadic life and despite progressively settling, they still
possess highly important material knowledge of the forest and various
private actors and NGOs seek this vital expertise. They move between
temporary camps whose leaf huts are built by women such as Alica Gonanga.
C A M I L L E D E L B O S
/°²µ§»m²{
£³[ò1²³
BORN IN FLOWERS
GUERRERO, MEXICO
Rufino Garcia has been growing the ĪAmapolaĩ poppy flower for
more than 50 years. It is a small source of opium whose gum
is used to make heroin. Although it is an illegal crop, many
farmers in southern Mexico’s remote mountains in the state
of Guerrero, have no choice but to grow it. Rolfino confides,
ĪI was born in flowers, I grew up in flowers and I will die in flowersĩ.
Despite a lack of financial means, difficult transport access,
a system of almost nonexistent health care and constant
insecurity, knowledge on how to grow the Amapola flower is
passed down from generation to generation. Just like Rufino,
these communities had to adapt to survive in breach of the law.
M A H E E L I P E
̱0p¤»°¯¡¤
0 ¶/ 21
BEDOUIN COFFEE
W A D I R U M D E S E R T, J O R D A N
C A M I L L E D E L B O S
/°¥¤0^°¤°rmY²§
n³p±³vnpnp ²
§|²n³¢²ı±t¨,±qZί±snZ³¨npnp
²
n¨ _¡ _¥ ,±¥ t©²1 Í¢³¥ n° ± ı Ínq¥
¦¥ ª¨ Î 2 IJ ±w¥ ò ³t² ¬¥ ²
Ͳp Í©³¥1 ®«hZ1 Íq²¥ ¤p±t¥ _¥ ͳ¥¬ò ͳn¶
*¥ Ín¥ IJ °s ͳ¯! 0±¥ ͱ©z¨ ª¨ Í«±[¨ 9
1 Ī±¨! ±[³sĪ1 §Z[¥1 Ãͱ¦ò ¤p±t¥Ä Ī2³p³pĩ
,nq¶ ³}t¥ Ͳ 1 ¤p±s n°³©y ±¶ 0±©[¥
¶ª¨¤³¦¢pª[¥ª©w¥Í¯np¤p±t¥0±[s¡Í³p±³v¸
on¬ò ¥np Íqn¬ò ͦ¥ IJ .±}¥ ª[©² ¥1
M E R C AT O : C H A O S A N D C O L O U R
I M R A N M A Z H A R
°±°o°²0p¤
¤²!q¥±¥1np1n
u³|Ī»³n¥ĩ§np¼³¢¥{³¥n³|+s¤²!q¥ı±¥1np1nı
§°¡±¢|ª¨0±¨1}¨£¥n¬¯"n¬¥n¼¯n¢¥Í³³ò+1¥1¡ò¢¥
0±¬n°¥
³¥±³pı0±³²§°«¶§³¦t¥1ͳ}¥Í²n¥nZͳn¶
ı1¶§°p.±}t²1.n¶Í¥n©t¬s+1¥¯ıΫ±«n¡
6
ºi¯§³¦t¥®sn³| ¬²0±²±p ±³q¥ ¡¡1 ònpn2²
§°¥³±sª[©²¤²pÍ©v®«rqw³¥¼³¢¥±¥1np1nn³|ı.n¶
§n°³¦±¢¦Í±©z¨ı®tq¦ª¨ ²¨±²±p ±³1q¥¤©²
ªZn¨_¥0±¦²1ͦt¨n³|ı ±³pn[¥Í¡ .n¶2i²1Īn«1 ±ĩ
³s=;<;/n¥¬¨1n°³¥.±±¥IJͳ¥1¥n©¬òº1ͨ±[}¥zsº
3
»¨1y±±²±p ±³1q¥(1¨¤pn³|¶¯ı¤>;;7¼n³|
§°1§°q¯±¨0±t[²1¥1/n¥01z²u³|( ±¥³§°¥
PROFESSOR BUIU
S AO PA U LO , B R A Z I L
M A R I E T I H O N
mumo*mx
ns
§°t³n¨¨n±©z¨ı1 ±q¨Í¦³q¡¤¢t¬²nsınvnpÍ¢¬¨ı
ns¼³}p³}¨ıÍqͳ¬¨1ͳn¬¨+1ı·[¥1nòªnw3 }p
±t²Í¢¬¨ın°s1ίr«nZͦ³q¢¥ª¨Ãn 3̈ nï;ÄĪ/1ntĩ
ıÍ¢¬ò2¥³q[¥+nz¥¬¨ª[¥Í³n©¦¥/n¥1nòn°³
¤}« nt Î¥ .±¢s 3 ³qZ n²3 }s
9 nò n¨ IJ ±w¥ n n¬³q¥
>³q«Înòın¬Zn©¬³pn¬t³n¨ª¨n³Ê ¨±²o³¦}¥ª¨t¥ª¨¤¡IJ
n¬¥±101.±}6s Ît¥Í³¬¨¶y±}¥ªo³¦}¥ª¨/±³¥³p+n
Ī/n¥1nòIJ ±w¦¥.±nn¨¡_¥¬¤ n¬¨_¥
MBORORO
CHAD
C H R I S T O P H E D A S I L V A
²p²Yİ̲«Z¤'
4
n³¬³ZÎp1³«
(ADC) ͳ9 ¢²¶ Ͳ9 1n©¥ ͳ¬[¥ Î ±¯1 Īn¯³Zĩ ¢² ¼»¥ 9 ¤q¡
Í¥1n /n¨ IJ¶ _¥ ¬² t³p ®¬p ®¦1 ¤³z« ³p ͳ¬[¥ /n¨
¢² Í¥1n¥ 9 ¦1 "¢ò nt[¥ ª n¢³¦s1 1 n°³¦ r©zs 9
Îp1³«ı³¢¥Ī³q³ZĩÎ|ı
ln¬[¥t«Ã2¬¨1"n³¥Än¨
9
ÍnwZIJ¶ªZn¨¶|±¯³q³ZÎ c |1ͦt¨l±¼
6 ®³h«1
9
®³¬n¡ ª¨ B?ð Î¥±| <@ *¥ ª 9 9
9 r}s nq¥ ¤w©²1 §¥n¥ ı ͳ9 «n[
ª¨ nm3 ³ ±²
9 3 ³ ½1h¨
3 ¤ 9
w ©²
ln¬[¥ ¯ p §³t² ¥ Ím¨ §°¬¨
n¥u³|§°¥n©³}y 3 9
º
³¦´n°pn 9̈ .n¶ºi°¥¤¨¶
9
"n9¬¥ "h² 0±¦t² z¨ (n9¬ §°« 0±² 9 ª¨ ® n©² 29¥ ©¥1
9
9
¤ı1.n¨ª¨§°²¥n¨±q¦²0p/±òĪn¥ĩ§°¥0±¨ ¢²1
9
½± §°¬ ² 9 º1 ³q³Z 0n[ 9
9 ½¥ £¥1 +±¥ ±² "iq¥ ¯
¤n[9t¥1"n9¬¦¥0±¥§²¢sn°¢snIJÎt9¥¼1ò
ln¬[¥£¦s
o¦9¥1 §¦9t¦¥ .n·¥ ª¨ 0n[¨ ³±s1 ¤¨¶np 3± §°}¬¨1 §°¨
C H U R C H PA S T O R I N K I B E R A
N A I R O B I , K E N YA
G E O R G I N A G O O D W I N
»®m¡¤»°«r
¨¼¯n¢¥
n°²s² ª¨ .±| 1s n¯s Ͳ ¼²t¨ + Í¡p Í«±¦¨ ¼ ±¬s
¯ı0±¡¥ 1²Í©²¢¥¼¯n¢¥ı ³t¥Î}¥ĪΦ³¦¥0nĩı
ª²¥.»yn 2¥1"n¥0¢¥_¥±²2¥ı±¥³¦¢t¥
Ͳ³¦¢t¥ %1¥ ª¨ ͳ¨±³¥ Í¡¥ ¯ n _t| n³Zs ı Ψ1¥
0±¡ ͳ¬¥%1¥°p/±¢²Ī¼ ±¬t¥ĩ§np+s1¨ıͳq¥
ı ©tò ³p¶ 0±¦¥ +»p Íz°q¨ Í«±¦¨ ¼ ±¬s 01s² 0±t}¨
3
»p »¯¨ n²3 l n¡
3 ¤q¥ (n¢² IJ 0±¡²1 ÎZt¥ ı±¥ ¡¥
ΰt¬² ª³|1 ĪÍZò 1 ı ¡ ĩ Ψ1¥ Í¥±¢ò ³zs 3 c
¡±s
1¥1n¥{¨»¨®°y1IJ1% ¶IJ1°p¡¥q°²%¥
TA N O U R A I N C A I R O
CAIRO, EGYPT
A R T H U R T H O U R E T
± m§µ0m§
«±sÍ¡
A M A Z I G H C AV E S
SENED/GAFSA, TUNISIA
S O F I A N E B A K O U R I
m²¡±İ-°¯yñ
KHADIJA IN KAGA
C H R I S T O P H E D A S I L V A
̲~°¤¦±§
0ntZnp.ny±Z
t©òĪ0n1ĩ©¨ı0±³²ĪÎ1ĩͳ¬v¸0±©t¬²¥@ð-n¬¯
, ±¬y1 ª³¥ 1 0ntZnp .n© _¥ 0nt«n , .n© ª¨
ª²¥_¥0±³9 ±¥Î©t¬²Ín¥Īͳ1ĩ*¥§°t¥0±©¦[t²10nt[³yn
0n[©¦¥Ît¦| .»29 ¬¥Î¦³n©¸Î³¥o¯©¦¥²}s1Ψ»¸
§²¨ r¦pn¡ 0nt«n nzsnp Í¡±¥ ͳln¬¥ ͳ«ntZnq¥ Ͳ1¶ | ı1
¼ ±¥ı12³¦¢t¥
9 α¥n°n!±vs
9 n°n!¤}¥tsί1
6
¢t¨_¢qsn°¦|n°¥- nq²®9«hZ1¤³n©Î«n|1¥§³¥1q²n°¦
1n n¨¬ £¥ p r¡±¥ ¨ ±ts
9 §¯³¥n¢s n©¬³p Ͳ9 ±¡ 2±¥ ¤¯
u²}¥¤³z¦¥{©²¡Çn©pb 7 Ç2¥§°ln¬pª³pln¥Î¥n¥§³¦t¥.©p
§²©p³¢¥.nt|º0nZq¥n©°p n³tͲ}pn°y1!1§²¨.nw¨
| n Íq¥ .n¶ ¤±² n©¬³p Ī0nĩ ¨ny ı q² 0 £1 : IJ
®sntºÍ³nZ0±[tͲ¢¬¥n³p1¥pª[¥§²¡³¦¢tZ
²¥
M A RYA M T H E WA K H I
U P P E R G O J A L , PA K I S TA N
C A M I L L E D E L B O S
^s¤n®¤
¬¦²ns0±«n0±Zn«
BEING A MONK
ĪAre you a man? Are you debt-free? Do you have your parents’
permission to become a monk?” Traditionally, boys become
monks for a period of time during adolescence to study and
promote the family’s karma. They must follow more than 200
rules of conduct, while ordinary Buddhists have only 5 (not killing,
stealing, lying, not having an unbridled sex life and not using
drugs). An ordinary day for a young monk begins around 4 a.m.
They pray for an hour and then go to the market to beg for food
for the only meal of the day. They live from handouts from others,
not being allowed to work. The monks, all dressed in the color
saffron on Thursday, Buddha’s Day, spend their days meditating,
praying and doing temple maintenance. Some join the Ī Sangha
ĩ for a few weeks, others will stay there for the rest of their lives.
J A C Q U E S P I O N
mY/m¨v
.n´ nZ
n¨®sª[¥ nZÍ©n¥ı±¬¼¬¨³²Î¥n¬n0n©w
ª¨®¡! άz²1n 3̈ n>;©¥ª¨0n©w¦q²±¬z¥ı
«n¨!nZı.s
¤³¨n¨knIJ®ln¡hp¼n΢t¦²n°¥n[¦t©p¤³±t¥n¨8
»©¦¥ n³q¦¥ ¤³±t¥ 6¼nò §°³¦ %²1 n¨3 ¼±°¢¥ 0±p²1
ÎZnq¥2²ın 3̈ ±²Í¦¥0±[s0±y ¤©y±²ºn¬¯0±«n²nq¥ĩ
0¶Í³nònpnt«ºı®s±pº¸ª¨0n©wª[©t²§¥Ī¡±¥¯1³²
ºonò¤Z§ ĩon¬ò¤[¥np(t¡ºZ¨²!±sır¢Í¨±[}¥
n©tzòª³pn«y±sº1¼²±¬¥ ¢tºnp§¬²¦q¥n³pn¬«
3
Ī²±t¥1ͳ©¬t¦¥»²±n 3
¢²ª³³¥n¬¥/n¨0_¬«ºn¬³¦ª[¥Í³¡¥
OUSMANE DAKAR
DAKAR, SÉNÉGAL
P I E R R E G A U T H E R O N
¡¤p§
nZnsn« nZÎq¨n¯
MONKEY TEMPLE
H A M P I , K A R N ATA K A , I N D I A
F A B I E N D U P O U X
m±²p²
m ̤
n³1
0n¢³¥ª¨³q[¥¥£¥£¨²n¨.1n²³q³¥pn¥ n¢¥¤sª³|
ıͲ9 ±¢¥q¥,Í}l ª¨£«§Z³7 ³¥ınsr¬Z01
9
/nª2¥³°¥ 3
n¢¥¯ªt¨IJ§[p»¯Íw¥nw¥Ím¥¼ ±¢¨
ͦ| ı§ZA=@@¦qsÍn¨q-±t±²»1±[±¨ª³pp³¥<A<ñ
n©t|
3 9
1¥£q³³Í¦|¥¤q¡3 ³wZ/n¡ ¶°p[±¥/n²Ítt©s
¼ln¥npn²0¤¶n&»tº1Í¢¦òªZn¨¶n³p±ª¨Î«n²ª¨n¨
Í°y±ò1³9 t²ºo³s |1°¨/n¨£9«Í¦²±¥Í¦|¥¯ıt
n©¦[¥n¯°¤¥1r¡±¥Í³yt¥¼³¤ln1_¥01nòhz¦²£¥
9
ª}¬²0_¥§°s±°p±°¦¥nq¥nZ¥¤²1¼¢¥1Ín¢tò
ͳ¦ln±yh¬sr¡±¥¨1nt[¥_¥¼±¦¥01²7 n¯pn°sn² np
¼|1 ¼n³| "n¬¥ §t¢²1 2n¥ /¢²1 /n¥ (b!±³7 nZ¥ ª³p ͳ¥
Íq³z¥ 1¥
6 ¯ n¢¥ {¬©² n¨ ¯1 n³1 np1 1 ª³p ͦ|¥ ¯ ı
TRANS-SIBERIAN
RUSSIA
When you enter the Trans-Siberian, you first see many pairs of
legs. If it is summer, a strong human smell emanates from the third
class. Welcome to this famous train. Since 1916, it has connected
Moscow to Vladivostok: 9288 kms in 6 days. Thinking about these
numbers before the departure can give you a feeling of vertigo.
People with claustrophobia who fear proximity to people should
choose to fly. Forget also the landscapes, they are almost the
same during the entire journey. To break this monotony, everyone
has his or her little trick. Crossword puzzles and books are the
most popular. Young people prefer their smart phones until their
battery gives up. Then, the book reigns again. As time goes by, the
travelers become a family. Naturally, food is offered, and cups of
tea are served. From Europe to Asia, people share the same life
in this compartment. That is probably why this train is legendary.
A R T H U R T H O U R E T
²¤
21ºn¨«n©²«
ί Ͳ³¦z«¸ 0 ª¨ §¥ IJ1 21ºn¨ .n© ı ¼³ Ͳ¡ ı Íq¥n Ãn 3̈ n<ïÄ ³¥
n¬q¥ 0±[s §¥n¥ n}« ª¨ ²¥ ı n°v}ts º ³¥ 0 º »q¥ ı ͳ©¥ ͦ¥
<>; £¥n¬¯ ±[«±³¥ ²¢s ± n²n}¥ _¥17 ͳln¬¥ n¬ò ı ª² Îs±¦¥
ª ı r¬p 0±³¦¨ <ð1 " ò 06 6 : s² º ¼ Ípn¥1 Ín¥ ª ª³p ¼nt 0±³¦¨
ª² n¬q¥ ºi¯ « " ò ı §¦ct¦¥ p 3 Í¥ ª°¥
9 nts º ͳltpº Í ¥
§¥n¥ ı {1 ¤[p §³¦t¥ ª¨ 0n¨}¥ ͦ[¨ §¡nts1 }¥ ±¬y n³¢² ı
.1¥ wZ ª³p ª¨ 21ºn¨ s 9 qZ ¤[p n³t¥ ª³p1 Í©°ò n¬ò ı Ín1
Î¥±}ͳ©¬t¥³IJ§¥n¥ı¼ht¨Íqs¨ıq¢sn°«³n³¢²ı3¢t
ª¨ qZ ¤[p ¼ò Ϋns1 ½¢¥ ı 0±¬¢² »q¥ ı ¢¥ r}s §¯ ª©¨ B@ð
ª ı .n¶ ª¨ B<; ª¨ wZ 0j ±[«±³¥ n«n³p o|1 »q¥ ı ¢¥ ͦ[¨
ª n 3̈ n©s r³¥7 §³¦t¥ /± 0 ª¨ §¥ IJ1 21ºn¨ ı " ò 01ns² º §³¦t¥
§³¦t¥Í¦|¨±©sª²¥.n¶Íq«0º<AAï/n¥¬¨21ºn¨ıÎltpº§³¦t¥
¢ B<ñ !1nzts » ͦ|ò ¯ ª©©t² ª©¨ n¬q¥ Íq« n¨ B=ñ !1nzts º Îltpº
ELIZA
N D E M A N G E , M A L AW I
Eliza, 14, is a pupil in a small village in northern Malawi who does not speak
English, despite it being the official language. In many parts of the world the
first victims of this exclusion are girls. According to UNESCO, 130 million girls
between the ages of 6 and 17 no longer attend school and 15 million girls
of primary-school age will never enter a classroom. Half of them are from
sub-Saharan Africa. This lack of access to education, especially amongst
the poorest and amongst girls is also apparent in Malawi. Malawi is one of
the most stable countries in Africa, but still one of the least developed in
the world. A total of 85% of those living in poverty live in rural areas, and
a higher percentage is women. As data from UNICEF shows, in Malawi
over 10 percent of school-aged children do not attend primary school.
Even though school fees, at least for primary school, were abolished in
1994, only 26 percent of children completed their entire primary school
cycle. Of the children who do finish primary school, only 16% are girls.
C H R I S T O P H E D A S I L V A
We wander streets and cities, we listen to people and shine
a spotlight on their stories and human experiences through
innovative narrative and pictures that help us feel they are
real. We cast aside the shackles of traditional models of
journalism: we do not simply narrate facts, seek expert opinions
or look for reasons that the story should not be published.
There was one main question guiding our thought process
before we launched the Story platform. How can we
be journalists and tell short stories within the creative
limits imposed by digital platforms? How can we invent
new styles and moulds free of the problems associated
with the breakneck pace of modern news, linguistic
affectation, and fetishistic pursuit of new technologies?
Stories of the traditional journalistic kind may seem foreign
to frivolous digital platforms full of selfies and pictures of
cats and coffee cups. But Story has found a space where
words and pictures can interact. It rearranges people
and places in a tour of narratives as told by the speakers
themselves and not from the pages of books. It records not
opinions and prejudices but impressions and observations.
Over a period of two years, we wandered the streets of
cities and towns in more than 75 countries on five different
continents, collecting more than 500 pictures and 500
stories about people and places as told to us by local
narrators. For this book, we have selected 100 of these
pictures and stories. And we are still looking for more.