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Gods Egypt Sreerup RC
Gods Egypt Sreerup RC
Sreerup Raychaudhuri
The greatest god of the ancient Egyptians was
Usire (Osiris in Greek), who represented life
and death. Himself having died and risen from
the dead as a metaphor of the dead grain
which sprouts afresh in spring, Osiris
therefore held the key to fertility and eternal
life. He was the great judge of the Under-
world, where every Ka or soul would have its
heart weighed in a scale against a feather
representing justice. If the heart was lighter,
the Ka would gain eternal life; if weighed
down with evil deeds, the heart would be
thrown to the crocodile god Sobek to devour.
Osiris is always depicted with green skin, as a
god of vegetation, and he holds in one hand
an 'ankh' or looped cross, the symbol of life,
and in the other a flail, signifying his power
over all things. His double crown and royal
beard proclaim him master of Upper and
Lower Egypt, which the Pharaohs ruled in his
name.
Left: Pillar in the tomb of Queen Nefertari, in
the Valley of the Queens. Right: Tomb of
Horemheb at Saqqara. Note the beard-strap.
Isse (Isis in Greek) was the mother
goddess, who presided over
childbirth, prosperity and harmony.
As the devoted wife of Osiris, she
was the one who brought him back
to life after he had been killed by
his jealous brother Seth. She was
also the mother by Osiris of the god
Horu (Horus in Greek), and is often
depicted suckling the baby Horu.
Isis is also the goddess of the Moon
and wears a full Moon on her head
along with a pair of cow's horns.
The cult of Isis survived into Roman
times, even in Rome itself, and
continued till all pagan worship was
banned by the Christian Emperor
Theodosius I in the 5th century AD.
Right: Relief from the Temple of Isis
on Philae island at Aswan.
Left: In this relief, from the temple of the Ptolemaic kings at Edfu, Isis
(R) and Nephthys (L) together crown an unidentified Ptolemaic King,
signifying that this gives him power of life and death over Egypt.
Right: This beautiful fresco is from the tomb of Nefertari, wife of Rameses II, in the
Valley of the Queens at Luxor. Above: The avenue of ram-sphinxes at Karnak – all are
depictions of Amun.
Thoth (Thouth or Tut in Greek) was the god of wisdom, writing
and philosophy. He was mostly represented with the head of an
Egyptian ibis, but also sometimes as a baboon or the god Babi.
He was also the god of magicians, physicians and soothsayers.
Left: This beautiful fresco is also from the tomb of Nefertari in the Valley of
the Queens. Above: This stone statute of a baboon (representing Thoth) is in
the Egyptian Museum.
Anpu (Anubis in Greek) was the
protector of the dead. Black as night,
and always depicted with the head of a
jackal (sometimes dog or wolf), he
presided over the rite of
mummification, and then held the Ka
(soul) by the hand to guide it through a
thousand dangers till the final
judgement of Osiris. He is often shown
in a seated posture, hand on breast to
show his devotion to Isis, whose
dedicated servant he was.
This relief and the detail are both from the temple of Sobek-Ra at Kom-Ombo, close to Aswan.
Shethek (Set or Seth in Greek) was the god of evil, of deceit, misery, violence
and chaos. He presided over the desert and brought dust storms to torment
the people. Elder brother of Osiris, he was the great adversary who slew
Osiris and cast him into the Underworld. His violent rule over Creation was
brought to an end by Horus and since then he fought on the side of the
Osirian gods. But he could always revert to his innate wrongdoing unless
propitiated by gifts and worship.
During the judgement of the Ka, Seth argues against the person, bringing up
all his or her misdeeds – essentially acting as a prosecutor. Seth is usually
portrayed as a hippopotamus, with flabby breasts and a huge belly.
Left: This ceiling fresco from the tomb of Seti I in the Valley of the Kings portrays Seth
and Sobek at the judgement, tongues lolling out as they anticipate feasting on the
heart of the king. Of course, they don't get it...
Above we see a relief from Kom-Ombo showing Seth slain by the spear of Horus.
The gods of Egypt were depicted in art as animal-human composites,
but were understood to be spirits – vague, inchoate powers that
hovered around the Egyptian people and had to be propitiated with
gifts, worship and blood sacrifices.
But the people also had a living god of flesh and blood, and that was
their Pharaoh. From the moment of coronation, the ruler of Egypt
became the living Horus (the hawk-headed god of power) and it was
forbidden to speak his august name. So the people referred to Per-a'a
(Pharaoh in Greek), which means Big House or palace. This was in
something of the same spirit as people refer to The White House or
the Kremlin.
When the King died, he became one with Osiris and was accordingly
worshipped in a mortuary temple, where his mummification had taken
place.
This gigantic falcon-god sits in the temple of Horus at Edfu and glares at all comers.
S'sp-ankh (Sphinx in Greek), meaning 'living image' was a composite icon with a body of a lion and a human head,
representing the strength of the beast and the intelligence of the king. In Egypt it was always a royal symbol. In
Greek mythology the same name was later used to refer to a mythological creature with the head and breast of a
woman, the body of a lion and the wings of an eagle (above right). The Great Sphinx of Giza is thought to bear the
features of King Khaffra (Chephren in Greek) who also built the 2nd pyramid which towers behind the Sphinx.
However, time and vandalism has made the face difficult to recognise. It is believed that the nose was shot off by a
cannon ball by a Sufi zealot and there was a regulation beard which seems to have fallen off in an earthquake which
happened long ago. Traces of paint shows that the giant statue was originally coloured brightly.
The beard and the nose are present
in this lesser Sphinx which sits at
Memphis. However, the face is that
of the remarkable Queen Hatshepsut,
who ruled Egypt as undisputed
sovereign for 21 years back in the
15th century BC. In her inscriptions it
is said "To look upon her was more
beautiful than anything." Some of
that mature beauty still shines
through this huge stone icon.
During Roman times, the statue was supposed to emit strange noises at
dawn, which was interpreted as Memnon crying out to his father, the
Sun. The naturalist Pliny interpreted this as due to the escape of cold air
from the cracks of the statue when warmed by the Sun. After the
botched repair work, Memnon cried no more.
How could Ramesses II, who ruled for 67 years and died at age 90, allow his
predecessor Amenhotep III to surpass him? As against a pair of colossi of
Memnon, there are four colossi of Ramesses II in his great temple at Abu
Simbel. We see two of them in this picture. One is intact and the other has
been toppled by an earthquake. The torso and crown of Pharaoh lie in the
dust at his own feet – a fitting answer to hubris.
In an iconography which no living ruler of Egypt dared before or after, Ramesses II (2nd from left) sits as an
equal with the gods Ptah, Amun-Ra and Isis in the sanctum sanctorum of his great temple at Abu Simbel.
Not till Alexander declared himself 'son of Zeus' (after visiting Egypt) was any earthly king to presume so much.
We see above a marble head of Alexander in the Museum of Alexandria.
This series would not be complete without the tale of the Amarna
interlude, as scholars call it. The most atypical ruler ever to sit on the
throne of Egypt - perhaps on any throne in the world – was the son of
the magnificent Amenhotep III, of the 18th dynasty. Crowned as
Amenhotep IV in 1352 BC, the young man succeeded to a mighty
empire that encompassed Egypt, Nubia, Syria, Assyria and Babylon.
But, unlike his predecessors, he was not content to be the living Horus
among a pantheon of beast-headed gods. He had conceived the idea –
the very first human known to have done so – that there is only one
God and all the others which the people were worshipping are false.
The symbol of this was the actual disc of the Sun, which the Egyptians
called the Aten, as opposed to the Sun god Ra. Amenhotep IV declared
that the Aten was the only God and banned the worship of all the other
gods.
We see him here from a statue in the Egyptian Museum at Cairo, with his dreamy eyes
and long sensitive face - the face of a prophet, or a philosopher, or a poet, or an artist –
anything but a king.
For Amenhotep IV, after the Aten, the great love of his life was his wife
Nefertiti, whose name means 'The beautiful one who has come',
indicating that she was not an Egyptian princess, but maybe a Hittite,
Mitannian or Babylonian princess, perhaps even a commoner. The
beautiful bones of her face rival that of contemporary models, as is
clear in this red sandstone statue which has been denuded of its colour
and gold leaf decorations, but still remains beautiful.
And then all these were swept away and a 9-year old boy king was
enthroned. He was a son of Akhenaten and his name was Tut-ankh-aten,
which means 'Living image of Aten’.
Surely no one knew that after 32 centuries, he would become the most
famous of all the Pharaohs who ever reigned in Egypt’s forty dynasties.
This statue of a young Tutankhamun, found in his tomb, is in the Egyptian Museum at
Cairo.
The analogue of Tutankamen for the Mughal
dynasty would be Rafi-ud-Darajat or Rafi-ud-
Daulah, but who remembers them today? Yet
everyone knows the name of Tutankhamen.
Tutankhaten ruled for ten years but he was perhaps the weakest king ever to sit on the throne of Egypt – a boy who
suffered from a crooked back, club feet and chronic malaria, and had to walk with a stick. All power was held by his
vizier Ay and his general Horemheb. Together these two worthies tried hard to restore Egypt to the days before
Akhenaten. The capital was brought back to Thebes and the worship of Amun-Ra, the great god of Thebes, was
restored along with the entire Egyptian pantheon. The young king had to rename himself Tut-ankh-Amun, and the Aten
was sent back from the pantheon to a bright object in the sky. Akhenaten's grand city of Akhetaten was deserted and
allowed to be engulfed by the desert sands. Horemheb was a mighty warrior and time and again he threw the enemies
of Egypt back from the borders. But alas! the Egyptian empire was gone and would never be restored.
In the 19th year of his short life Tutankhamun died and was succeeded
for a short time by Ay (who may have been a relative) and then by
Horemheb, the general, whose descendants formed the 19th dynasty.
Under them the memory of Akhenaten was erased from every temple
and monument (except the lost ones at Amarna), his statues were
smashed and his mummy was mutilated as was that of Nefertiti, with
all the royal symbols torn away before the mummies were stuffed into
coffins meant for commoners (we have DNA testing to thank for their
rediscovery). If it became necessary to describe Akhenaten at all, the
words used were 'enemy’, 'criminal' and 'heretic’.
The boy king Tutankhamun was ignored and lost and even his tomb in
the Valley of the Kings was covered with debris by workers digging a
tomb for a later Pharaoh.
As a result, while all the other royal tombs were looted and vandalised
by grave robbers down the centuries, Tutankamun’s tomb remained
undisturbed with all the treasures buried with him.
Providence had reserved a different
fate for Tutankhamun, the wholly
insignificant puppet king who died
(murdered?) before he could attain
maturity. Exactly a hundred years
ago, in 1920, his lost tomb was
rediscovered by Lord Carnarvon's
expedition, led by Howard Carter and
his mummy with all the treasures,
was found intact.
The sheer riches of this treasure
trove, now in the Egyptian museum,
have to be seen to be believed. For
the last centuries, his name has
become the most famous one among
all the rulers of Egypt before or after.
This picture shows his throne, as
preserved in the Egyptian Museum,
with its gold plating and tender scene
of affection with his young wife
depicted on the back.
Did Moses, who (we are told) was
brought up as an Egyptian prince,
get his idea of a sole God from
tales he had heard of Akhenaten,
and merely change Aten to the
nameless God of Abraham? Or did
Akhenaten learn monotheism
from some itinerant Hebrew
whom he sheltered at his court
while his father still ruled over
Egypt? We will never know. But in
the after-life – if there is an after-
life – the Ka of Akhenaten must be
pleased to know how monotheism
(with different names for his Aten)
spread across the world and
became the dominant belief, long
after the beast-gods of Ramesses
and Thothmosis crumbled into
ruin and slowly disappeared into
the sands of the great Sahara
desert.