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  • From Now On-Violinos I-II

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    Juliana
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    The document appears to be a musical score containing musical notation across 38 lines. The summary is: 1) It is a musical score spanning 38 lines with various musical notes and symbols. 2) The score contains multiple musical staves with notes, rests, and dynamics indicated. 3) The score seems to be for two violins playing together based on the "Violinos I-II" label at the top.

    Original Description:

    Arranjo

    Original Title

    From_Now_On-Violinos_I-II

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    The document appears to be a musical score containing musical notation across 38 lines. The summary is: 1) It is a musical score spanning 38 lines with various musical notes and symbols. 2) The score contains multiple musical staves with notes, rests, and dynamics indicated. 3) The score seems to be for two violins playing together based on the "Violinos I-II" label at the top.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    7 views2 pages

    From Now On-Violinos I-II

    Uploaded by

    Juliana
    The document appears to be a musical score containing musical notation across 38 lines. The summary is: 1) It is a musical score spanning 38 lines with various musical notes and symbols. 2) The score contains multiple musical staves with notes, rests, and dynamics indicated. 3) The score seems to be for two violins playing together based on the "Violinos I-II" label at the top.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 2

    Violinos

    I-II From Now On

       = 95  
    B

                          
    A

        
    1. 2.

        
           

    8   
                            
          
     

    14              
            
               
    
              
     

    20           
       
    C

              
     = 100

      
           
         
              

    28                 
              
     

                
             

    32                               
     
        
                          
      

    Transc. Jú Hashi

    38                         
    2

         

              
                       

    45 
                              
    D

     
    
             
              
      

    51                


      
              

            
               

    
             

    59                
              
    1.


      
                 
         

     
                   
    69  2.        
           
                
               
           

    75                    

     
               
          

    Transc. Jú Hashi

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