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  • Piratas Del Caribe 4 Manos

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    Marcela Ortiz Yepes
    79 views5 pages
    Piratas del Caribe is a musical composition that consists of repeating rhythmic motifs and melodic phrases. It features the use of percussion instruments, strings, and woodwinds playing in coordination. The piece builds in intensity and complexity through layering of instruments and increasing tempo and dynamics before resolving back to its opening motifs.

    Original Description:

    pieza recopilada del repertorio de internet, buen arreglo para 4 manos

    Original Title

    Piratas del caribe 4 manos (1)

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    Piratas del Caribe is a musical composition that consists of repeating rhythmic motifs and melodic phrases. It features the use of percussion instruments, strings, and woodwinds playing in coordination. The piece builds in intensity and complexity through layering of instruments and increasing tempo and dynamics before resolving back to its opening motifs.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    79 views5 pages

    Piratas Del Caribe 4 Manos

    Uploaded by

    Marcela Ortiz Yepes
    Piratas del Caribe is a musical composition that consists of repeating rhythmic motifs and melodic phrases. It features the use of percussion instruments, strings, and woodwinds playing in coordination. The piece builds in intensity and complexity through layering of instruments and increasing tempo and dynamics before resolving back to its opening motifs.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 5

    Piratas del Caribe

              
        
       
     una corda 
                   
             

              

              

          
           
    9

                          
     

             
    9

            

             
                                    
    17

          

            
       
    17




         

    2

                                          
    23

          

        
          
    23

    
         

        
                                     
    29

    
    cresc. et accel.

           

                   
    29

        

     
    cresc. et accel.

        
              

                                          
    35

         

      
                 

     

     
        

                         


      
    35

                    

     
        
                 
    
                  
    3
       
             
    40

                    
           
                            
    40

                    

    
           

                     


     
     
    44


                       
     
           
                     
    44


        
        
          
    

                       

      
       
    48

                               
        
           
                 
          
    48


     
             
          
    
    4

          
    52

     
               
           
         

                  
    52

      
       

      
        
    56

                  
         
          

                
    56

     

     
       
        

                     


      
      
    60


                                     
      
           
      
                   
    60


          
         
          
    
                      
    
    Adagio 5

         
    64

                             
    rit.

           
      
          
                 
        
    64

    rit.

           
     
            
       
       
     
    
                  
      
    Adagio

        
    68


     
                   
    rit.

          
      
       
      
      

                                  
    68

     


    rit.

    
          
    

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