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RIBA FEB 2022 Compressed
RIBA FEB 2022 Compressed
February 2022
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BY
ALITEX
VINAY PANJWANI
MacEwen Award Commended: Q&A Regulation Photograph Obituary
05 St Margaret’s 47 48 61 72
Introducing another Community With many practices Building regulations Sue Barr’s eerily Richard Rogers
inspiring collection of Church struggling to find changes to tackle CO2 desolate industrial (1933-2021), who
buildings that work for 24 staff, recruitment will have a big impact landscape, Duisburg revolutionised
the common good Studio B.A.D helped consultant Joe Synes on architects. We look architecture
a local church expand discusses the market at the nitty gritty Leader
Longlist its community value 63 Obituary
07 and remit Performance gap Today’s young 74
Lucky for some: 13 54 architects make Chris Wilkinson
projects that have Commended: Clients must put capriccio real, says (1945-2021) united
improved people’s post-occupancy Eleanor Young art and science in
Claridge Way,
lives expectations in elegant buildings
Thamesmead
28 contracts at the start Opinion
Winner: Nourish to reduce disputes 64 Wanderer’s
Jan Kattein Architects’
Hub Tackling the climate Wonder
collaboration to help
10 Thamesmead residents crisis needs collective 75
RCKa’s replicable empowerment, says The winners of
walk, rest and play
Nourish Hub in west Charlie Edmonds our competition to
London educates, design a structure
Shortlist
feeds and regenerates President for the UK’s ramblers
34
Eight more projects,
65
Commended: The legacies of great Opportunities
including leisure,
Black Country & community and
designers remind 81
Marches Institute education spaces,
Simon Allford of the A new online
of Technology value of conviction
18
a modular housing
factory and a bridge
Free-to-access software will pull together opportunities hub
brings news of the
Cullinan Studio has a swathe of industry carbon data to make Profile
68
latest work on offer
created a high quality
building in which to On the cover project- and product-level benchmarks Balkrishna Doshi, Parting shot
develop local skills MacEwen Award winner Stephen Cousins on how the Built Environment 2022 recipient of 82
and careers Nourish Hub by RCKa, Carbon Database will introduce consistent the RIBA Royal Chester Jones’
photographed by Francisco assessments of whole-life emissions: ribaj.com Gold Medal, talks to photograph of 1920s
Ibáñez Hantke /carbon-database Eleanor Young Californian opulence
www.marstonandlanginger.com 01730 826900
Average issue
circulation Inspiring architecture that benefits many, working together,
25,160
ABC audited June 2021 closing the performance gap and talking to Doshi: ribaj.com
RIBA Journal is published 12 times a year by the RIBA. The contents of this journal are copyright. Reproduction in part or in full is forbidden without permission of the editor. The opinions expressed by writers of signed articles
(even with pseudonyms) and letters appearing in the magazine are those of their respective authors; the RIBA and the RIBAJ are not responsible for these opinions or statements. The editor will give careful consideration to material
submitted – articles, photographs, drawings and so on – but does not undertake responsibility for damage or their safe return. ISSN 1463-9505 © RIBA 2022
Joe Woolley.
Sales Engineer, Nuaire.
10 24
METAL
WILL
DO.
Archites showed their Access and support were concepts that came architect and its design in delivering access
up again and again in this year’s evaluation and support for their client’s mission, and
enthusiasm to help and of the entries for 2021’s RIBAJ MacEwen going beyond that to an architecture for the
Our new range of non-combustible metal air support everyone in society Award, supported by BDP. They may not be common good.
bricks meet fire safety regulations on every again this year in a rich architectural concepts but they were clear It was a lesson in the breadth of design
drivers of the best projects, whatever the lo- with collaborative consultations, new forms
level, which is just the specification you want and thoughtful clutch of cation or budget. of procurement, building partnerships bet-
to hear for that multi-storey gig. We’re really MacEwen Award entries Judges Denise Bennetts, co-founder of ween the owners of space and potential users,
into metal, and it’s time you are as well. Bennetts Associates; Kathy MacEwen, plan- and unexpected and imaginative repurpos-
ner and daughter of Malcolm and Anni Mac- ing. They all played their part in creating the
Above Dallas-Pierce-Quintero’s
Ewen for whom the awards are named; Robyn most impact for organisations that were hav-
For more information, Culture Palace at Enfi eld Palace
Poulson, architect at BDP; Percy Weston of ing to raise every penny. Seeing ingenuity
Gardens, London, demonstrated
contact us on 029 2085 8505
LUKE HAYES
the breadth of design skills Surman Weston – MacEwen Award 2021 and dedication that unlocks spaces, and what
or visit www.nuaire.co.uk/metal-air-brick architects use to get some winner for Hackney School of Food – and it can bring people, has been a privilege. •
valuable projects off the ground. I were trying to test the importance of the Eleanor Young
PIONEERING NEW AIR TECHNOLOGY
ribaj.com The RIBA Journal February 2022
Buildings 07
MacEwen Award – longlist
MacEwen longlist
Bat & Ball Centre
Sevenoaks, Kent, by Theis + Khan
Renovation of tired community centre in regeneration area
NICK KANE
< Grange Pavilion
Cardiff, by IBI Group, Benham Architects, Grange Pavilion CIO
and Cardiff University Community Gateway
Striking park pavilion with a big mission in Cardiff’s most
ethnically diverse area
KYLE PEARCE
Bedford Place
Southampton, Hampshire, by Studio B.A.D. Architects
Locally-inspired activation of public space with paint and barriers
Lighthouse
Monks Hill, Croydon, by Atelier Ellis
HUFTON + CROW
Gathering place for church and community replacing temporary
cabins with CLT hall
Links Studios
Pavilion
Canning Town, London, by civic
DAN JONES
Stratford London, by ACME for Stratford City Business District
Music as a hook for learning in sound recording studio that uses
Eye catching timber pavilion as new entry point to Queen Elizabeth
strong walls of converted morgue for acoustic absorption
Olympic Park
Peveril Gardens and Studios
Great Dover St, London, by Sanchez Benton architects
Secret first-floor garden on old podium over artist studio space
OSKAR PROCTOR
ribaj.com The RIBA Journal February 2022
08 Buildings
MacEwen Award – longlist
HUFTON + CROW
< The Archives
Tottenham, London, by ROAR
Creative light-touch meanwhile
reconfigurations of large
building in path of Crossrail
showing the value of design
SterlingOSBZero.com
Dish of
the day
Our 2022 MacEwen Award winner
tackles food waste, declining high
streets and community need, all in
one affordable, educational café
Words: Chris Foges
Photographs: Francisco Ibáñez Hantke
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
12 Buildings 13
MacEwen Award – winner
Front elevation advertising two events. First came a community IN NUMBERS shopfronts reveal an airy room with stylish furniture
painting day, brightening up the shabby shutters of and a hand-painted ceiling depicting a cornucopia of
the vacant units with a mural devised by the project’s £850,000 fruit and veg – imagery derived from efforts at the youth
project cost
graphic designer, Bandiera; the architects were on the centre. The aluminium frames of the shopfronts are
street, brushes in hand, to answer questions. Soon after, 420m² left raw while big sliding doors and opening windows
the colourful mural was the backdrop to a free al-fresco building area are picked out in bright green. One is the window to the
meal, where residents contributed recipe suggestions high-spec commercial kitchen, so staff can lean out and
and gave feedback on the proposed uses. Finally, RCKa £2023 chat to passers-by.
cost/m²
and Bandiera ran workshops at a local youth club, The initial thought was that lessons might take place
where children used produce from Shepherd’s Bush in that space, but after sampling classes elsewhere the
market to make patterns and letterforms which were architect realised that novice cooks need something less
RCKA (2)
incorporated into the interior design and branding. bewildering and more domestic. A separate teaching
The rejuvenated shutters set the tone for the interior kitchen is arranged around a giant island within the
taking shape behind, but ditching them was among the open-plan dining room, which occupies the three
Above An outdoor meal Below Shabby shutters Below The hand-painted
architects’ top priorities. ‘Getting wary people through central shop units.
built local support for were rejuvenated ceiling mural extends
the door is critical’, says Staples. ‘We didn’t want any over the teaching kitchen
Café customers and students enter together, and are
the planned hub. in an architect-led
community painting day. barriers; the facade should look as open as possible.’ at one end of the dining greeted at a dedicated counter. Diners browse a short
Below a yellow fascia of backlit metal mesh, fully glazed room. menu of healthy meals (‘prices are a guide, please donate
A sliding window
to the kitchen
makes a serving
hatch to the
street.
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
Buildings 15
MacEwen Award – winner
RCKA
what you can’) before finding a spot at robust wooden
tables. The ambition to create broad appeal seems to
have been fulfilled. ‘There’s a real mix of people – some
eating for free and others who pay it forward’, says
the Hub’s education and outreach co-ordinator, Ffion
Hayward. Students make their way to the far end of
the room, stopping on the way to pick up crockery
from open plywood shelves that line the walls. ‘You are
invited to help yourself, like being at home’, observed
MacEwen judge Eleanor Young. ‘Nice gesture’.
With the M&E installation and kitchen fit-out
accounting for almost half the budget, the architect
1 Serving hatch 8 Teaching kitchen
had to make considered use of the rest – something the
2 Main entrance 9 Rental unit judges commended. ‘By picking moments to invest in,
3 Events entrance 10 Store they have created a space that is very inviting, and not
4 Rental unit entrance 11 Hall institutional’, noted Percy Weston. Tables are custom-
5 Service entrance 12 Office
made by furniture designer Tim Denton, and imagery
Elegant roofs
6 Commercial kitchen 13 WCs
7 Main dining space 14 Plant
from the youth club workshops is applied to digitally-
printed tiles used for splashbacks, and as manifestations
www.vmzinc.co.uk
0 5m
Ground floor plan
Above The commercial products. ‘You couldn’t wallpaper the facade for that
kitchen serves the café little’, says Staples. Careful co-ordination of services
and produces meals-on-
helps too. ‘I’ve never spent so much time on a reflected
wheels for elderly people
in the area.
ceiling plan’, he recalls. ‘We kept ductwork to the sides
Left A hand-washing so the painting could really sing’.
station for catering Numerous thoughtful touches help to make the Hub
students stands next to inclusive. Some groups are easily distracted or sensitive
the welcome hatch.
about cooking in public, so the teaching kitchen can be
enclosed by a curtain. Its central island has a dropped
section to accommodate both children and wheelchair-
Credits users, so everyone can work together. Security features
Client LB Hammersmith
& Fulham that protect offices at the back are hidden to avoid
Key stakeholder giving any impression that customers are not trusted.
UKHarvest With its quirky details and eye-catching palette, the
Capital funding GLA
Architect RCKa Hub is an uplifting place. ‘It looks like it could feature
Project manager Inner in a Jay Rayner restaurant review’, said MacEwen judge
Circle Consulting Denise Bennetts. For RCKa, though, the principal
Quantity surveyor
Measur architectural achievement is not the space itself, but
Graphic design Bandiera the ideas and the processes behind it. ‘Sure, it’s nice to
Structural engineer design something nice’, says Staples, ‘but this project
Conisbee
M&E engineer Milieu is really about partnerships. That’s where architects
Main contractor – as professional generalists – can be really powerful. A2
Carmelcrest Positioning ourselves between a local authority with
Catering supplier
Bettaquip a problem asset, a community in need and a charity
Facade BSF Group willing to help, we can make all the difference’. •
The building faces The government’s prospectus for Institutes building in Dudley is sandwiched between important for what it is providing, the ap-
towards the quieter
of Technology emphasises that they are ’em- the A4037 and the slopes of Castle Hill proach taken to its design and build, and
access road to Dudley
Zoo, allowing it to be
ployer-led’. For leaders of one of the first to and the zoo. It glints even on a dull day, its its scale. It is a big intervention. If all sheds
almost entirely naturally open, the Black Country and Marches Insti- punched aluminium rainscreen cladding re- looked like this I would be happy. The pro-
ventilated. tute of Technology, the job is to put its locals flecting every bit of light. This is one of the pi- cess they adopted ensures its quality, they
alongside and in front of employers. Manag- oneers of Integrated Project Insurance. And chose to go down a route that did not reduce
ing director Georgina Barnard asserts: ‘We at the same time as the inter-disciplinary the quality of the building right to the end –
talk about careers not qualifications.’ team, including Cullinan Studio and prac- that decision is one of the ideals of what we
In an area that has lost many traditional tice leader Peter Inglis, was working through are trying to achieve with the MacEwen
manufacturing jobs and where a lot of young this new form of collaboration, weighing up award. The more I look at it the more I like it.’
people leave education at 18, this is a pow- difficult decisions as an IPI board, it was also The institute of technology – or IOT –
erful message. And such directed education working out a form for the institute of tech- grew out of Dudley College in partnership
could be a powerful tool to help boost local in- nology; a new building type. with universities and local employers, who
dustries that have been targeted for growth. Judge Kathy MacEwen gave the project together make up its governing body and
The new 4750m² institute of technology a resounding thumbs up: ‘This project is include steel components manufacturer
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
20 Buildings Buildings 21
MacEwen Award – commended Xxxxxxx
3 4
9 Laboratory workshop
10 Digital technologies
£2611
5 cost per m² (indicative)
6 11 Innovation hub/hangar ‘build cost’ equivalent
1 2 (NB IPI ‘contract costs’
include all project costs,
fees, expenses and VAT =
7 £17.4m)
8 9
11
10
Below The oversized
steps of the central
atrium act as an informal
social space, leading
down from the lobby to
the canteen.
THE BLACK COUNTRY & MARCHES INSTITUTE OF TECHNOLOGY : GROUND FLOOR PLAN 1:400@A3
Hadley Group (which supplied the SFS sticks and a 5m high BIM cave for students and lo- Above A teaching room, Below The IOT’s hangar
that make up the frame), Balfour Beatty cal industry – and firms can take over one of this one fi tted out for gives a drive-in space for
robotics. big kit and the freedom
Vinci and NHS Estates and Facilities.
Those board places hint at the three spe-
the three bays fitted out with three and six-
phase power as well as water. But it is early
to invite in potential
employers and local
I would be happy – the more
I look at it the more I like it
cialisms of the IOT, advanced engineering days: when I visited, the stripped back steel businesses to use those
and manufacture, modern methods of con- hangar, light filtering through its translucent facilities.
struction and medical engineering. Teach- polycarbonate, was being used for volunteers
ing these areas to 16-22 year olds introduces putting together food parcels.
them to the software and kit, some in simu- Cullinan Studio inherited a feasibility
lated environments such as a hospital ward project for two buildings but brought them
where they can get used to fixing life critical together on the sunken bed of an old railway
machines safely. HNCs, T-levels and appren- siding. It sits significantly below the level of
ticeships are brought together with adult the A-road alongside, and the planted em-
CPD, as many of the learners of all ages will bankment acts as a bund, buffering some of
also be in jobs. It expects to have 2000 learn- the traffic noise. This and the plan enabled
ers by 2025. The building had to set the tone. the team to restrict air conditioning to just
Executive director of estates and capi- a few rooms that needed windows on this
tal projects at Dudley College, Steve John- facade. The T-shaped plan creates quieter
son, and IOT managing director Barnard spaces for the windows of each wing to open
were keen that the building appeared adult, onto, allowing the rest of the building to be
more adult than a school or even a college. naturally ventilated. Sustainability ambi-
And it had to have flexible teaching spac- tions were set early on, in the strategic brief.
es, including a drive-in collaboration space This was before the RIBA 2030 Climate
for working with industry. The design de- Challenge or LETI targets but embodied and
livers all that with a sense of openness and operational carbon figures show the building
confidence. You enter into the centre of the four years ahead of target. This is thanks to
building: in an airy toplit atrium, board room a mixture of fabric first – with air tightness
and learning room flank the entrance and a (2.79 m³/hr/m² air loss), good levels of insula-
formal reception desk gives the sense of a tion, and ceilings in profiled white steel that
workspace. Giant steps create a social space. act as permanent formwork and radiators
The south-facing canteen spills out on to an – due to low temperature heating pipes and
attenuation pond and wild flowers. 170mm of concrete giving just enough ther-
A ‘hangar’ acts as a flexible hall for con- mal mass. No doubt the absence of fossil fuel
ferences and exhibitions and is soon to be fit- in the form of gas also played its part – the
ted out with a robot arm, a 3D metal printer building instead uses air source heat pumps.
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
22 Buildings
Xxxxxxx
Lea Fields
Crematorium
The building is ‘robust’, as noted by judge investigation into foundation options which Above left A simple Above The canteen
clerestory brings terrace faces onto
Denise Bennetts, and it has no pretensions – resulted in remediation and less concrete in-
light into the top of the a pond that will be
though its quality marks it out in this land- tensive raft foundations, and an early shift college. surrounded by a bank of
scape of sheds and out of town leisure. But of the building by 5m so the construction wild flowers.
the sense of airiness and transparency was lorries avoid having to execute a three-point
important even working within Department turn; and (now invisible) the Cullinan-drawn
for Education benchmarks, and glazing bet- up Covid configuration for the site huts. And
ween teaching rooms and circulation was an the BIM model, including costs, was shared,
important part of this. Inglis is proud that it which immediately made it simpler for the
still came it at £130/m² below the DfE’s cost architect to optimise the design. Perhaps
benchmark. And it has already proven that its most radical was the positive feedback on
spaces can flex, as the programme for some the reduced pressures on the team’s mental
has changed through the project with a lab health. That, for Inglis, is priceless. Credits
Client Dudley College of
being replaced by a model operating theatre. The IOT plans a strong contribution to
Technology
The client, in the form of Dudley College, the local economy where manufacturing has Architect Cullinan Studio
had already completed one building using been in decline as part of the Local Enter- Independent facilitator
IPInitiatives
Integrated Project Insurance, Advanced II. prise Partnership (another key player) and
Primary constructor
But for Cullinan Studio it was a first. As he to widen participation in STEM subjects for Speller Metcalfe
Section AA The crematorium benefits from the addition of formal and
walks around, Cullinan’s Inglis points to under-represented groups. It is an interest- 1 Lobby MEP constructor Derry
informal landscaped gardens, which produces a border
Building Services
some of the improvements that collaborative ing and energising application of education 2 Tiered seating/ event of serenity to envelop the warm and calming tones of the
Structures and civils
decision making and risk sharing brought: and Cullinans and the IPI team have given 3 Teaching space
GCA Consulting building itself.
4 Digital technologies
the decision to pay for more time for struc- it a head start with this shiny new building. MEP engineer Cundall
5 Business lounge Digital co-ordinator
tural engineering and specialist ground Perhaps a model for the next tranche. • The brick colour incorporates an ‘earthy’ palette of natural
6 Informal workspace Fulcro
cream tones, with the addition of timber and bronze framed
window panels, to complete a building which perfectly
represents the peaceful and neutral memorial space offered.
Church broadens
IN NUMBERS
£350,000
community reach
contract cost
475m²
GIA
Traditional churches have a big problem with slightly strange building – bricky, flying-but-
dwindling, increasingly elderly congrega- tressed Edwardian with a 1950s frontage and
tions based in often uninviting, hard-to- gallery and a 1980s church hall alongside –
maintain buildings. So what, you might say, appeared to have little to offer and inevitably
especially if like me you’re not one for religion faced the chop. But the diocese gave it one
of any kind? Well, this project is a convinc- last chance, bringing in an outreach team to
ing riposte from one diocese of the Church of establish what people were lacking, what fa-
England, working with a small and growing cilities they could benefit from that a church,
firm of architects committed to community with voluntary help, could provide – even on
engagement and enlightened reuse. To use a a shoestring budget. Then they set to work.
bad pun, it performs a real service. Today it is the same physical building, but an
St Margaret’s was decaying and all but entirely different kind of place: a real mixed-
abandoned a few years ago, unlisted, its tiny use community asset for everyone, not just
remaining congregation dispersed. This those who happen to be people of faith.
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
26 Buildings 27
MacEwen Award – commended
Ground floor plan chairs in the café area were donated from the flexibility and mobility have enabled us to
0 5m
staff restaurant of the local Debenhams de- move very quickly from concept to site; we
partment store when it closed down. are now enjoying the results of that work.’
7
The key to making everything work, This is anything but a secular project, be-
2 4 16 8 says architect Darren Bray, was one costly ing firmly in the evangelical wing of the CoE.
item: the floor. This is a zonally heated, pol- Aside from the footfall from non-committed
10 ished-concrete floor powered by air-source people using its facilities, its core congrega-
3
heat pumps (there is a gas-boiler back-up for tion is up from a mere handful at its low point
extremely cold conditions). At a stroke this to around 200. A second phase designed by
4 11 13 14 16 transformed the look and feel of the interior: the architects envisages a copper-clad en-
1
it became a pleasant place, good for just about trance building at the front, linking the
any activity. Salvageable portions of the pre- church with its adjacent hall under cover.
vious 1950s parquet floor were sold to help The MacEwen judges appreciated the in-
the funding (some remains in ancillary spac- genuity and effort on a tiny budget (much as-
9 6 6 8 5 15 12 es). And when metal thieves started remov- sisted by funds from the Community Infra-
ing the leadwork from the side-aisle roofs, structure Levy). BDP’s Robyn Poulson noted
the church promptly sold the remaining
leadwork (it’s not visible from the streets) to
‘You don’t have to do much ‘This provides a template showing you don’t
have to do much to turn a church back to the
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
28 Buildings 29
MacEwen Award – commended
Green on black
1
‘Until recently, it didn’t even have a name. It 1 Off-road cycle track IN NUMBERS
2 Wildflower meadows
was known as the black path because of the
Tarmac.’ So says Gabriel Warshafsky, direc-
3 Garden extensions £400,000
4 Outdoor living room* cost
tor of projects at Jan Kattein Architects, of 2
Jan Kattein Architects worked with locals to turn an 5 Hawksmoor growing club
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
Buildings 31
MacEwen Award – commended
ROOM FOR
IM AG INATION
RAKCERAMICS.COM
ribaj.com The RIBA Journal February 2022
32 Buildings
MacEwen Award
colour has been introduced in a jungle-in- For example, the suggestion for an off-road
spired mural beneath an undercroft along cycle track wasn’t considered appropriate
the route. A woodland adventure playwalk, on Claridge Way, but may be able to be ac-
created by thinning a dense thicket, includes commodated elsewhere in Thamesmead.
a treehouse, plentiful logs and stumps and Meanwhile the Claridge Way project as a
the inclusion of bird boxes, bug houses and whole has been valuable in helping Peabody
scavenger hunt elements. Bees are also en- test the co-design process.
couraged by the introduction of a wildflower The hope is that the improved spaces
‘bee road’ along the path. along Claridge Way will help local people to
Warshafsky has been heartened by ‘re- reconnect with their environment and en-
ally positive’ feedback from local residents. courage them to take ownership of the public
‘The overall tone is that there’s clearly been realm. Already, a Moorings Neighbourhood
a step change. People spend a lot more time Forum has been established and is now in the
in the green space. Children love it,’ he says. early stages of putting together a neighbour-
The project, which completed in late hood plan.
2020, has been a very positive experience for While all involved know that mainte-
the practice: ‘We’ve learnt so much from the
conversations we’ve had with people about
People spend a lot more nance will be key to the long-term success of
the new public realm, the re-energised Clar-
the ways they connect with public space.’
Judges liked both the extensive collabo-
time in the green space. idge Way has certainly got off to a promising
start thanks to a large extent by prioritising
ration and the end result. Percy Weston felt
it ‘ticks all the boxes’ by engaging with com-
Children love it a co-design approach.
‘It’s an amazing platform to build off,’
munities along the route, and being executed says Warshafsky. •
‘with sensitivity and innovation’.
And Robyn Poulson described the project
as ‘nicely thought about – it is re-enlivening
the route, doing the job’.
While not every idea that emerged from Above Tree house,
the consultation was implemented at this part of a new woodland
adventure walk.
stage, all the consultation has been ‘cap-
Right Stepping carefully
tured’ in the Common Plan document and Below Repurposing the on the new logs in the
will help inform future projects in the area. exercise bench. woodland walk.
MacEwen shortlist
Knight Architects’ ‘beautiful St Pauls, Bristol
and resilient’ bridge, with its
Askew Cavanna Architects
unique structural solution,
has reconnected the
Established in 1980, Full Circle @ Docklands
Eight more model projes impressed the MacEwen judges, Ullswater community.
is a black-led charity promoting inclusion and
including leisure, community and education spaces as well enhancing life opportunities for young Bris-
as a modular housing faory and a Lake Diri bridge tolians. Its service provision includes a youth
and community centre housed in a historic
20th century building.
Askew Cavanna Architects was appoint-
ed to redesign this underperforming space
amid the challenges of a hugely restricted
budget and the 2020 lockdowns. The prac-
tice was nevertheless able to hold extensive
consultations with community stakeholders
including teenagers, youth workers, repre-
sentatives from homeless charities, therapists
and dance school leaders.
This diverse feedback helped priori-
tise those architectural interventions that
provided maximum social value, namely:
increased flexibility of space, new showers, a
welcoming reception area, co-working spaces
‘It is so nice to see designers
Below Extensive Above The history of
and improved accessibility and acoustics. stakeholder consultations the charity is expressed
The clients and users also wanted to be resulted in teenagers within the building
able to express the charity’s ethos and histo-
ry within the building (it was initiated after
being given authorship of
their space, leading to a
through mural artwork.
care even when there is a
restricted budget’ Percy Weston
wider range of uses.
the 1980 St Pauls riots, themselves a product
ALEX CAMPBELL
TOM MCNALLY
Pooley Bridge The materials are intended to age nat- of a traditional deck arch bridge but struc- journey through the building. The archi-
Pooley Bridge, Cumbria urally with low maintenance, as the old turally does not transfer horizontal reactions tect’s interventions were light-touch, such
Knight Architects stone bridge had done over the course of to the low-capacity ground on the river- as robust flooring and furniture and simple
centuries. The open spandrels lend a certain banks, thanks to the side-spans within the and strategic use of paint to celebrate spaces
In December 2015, severe flooding washed transparency to the bridge’s appearance, abutments. of social interaction .
away the structure that gave the Cumbrian allowing unhindered views over the river Judge Kathy MacEwen pointed out: ‘It According to Full Circle, the redesigned
town of Pooley Bridge its name: a 250-year- while minimising obstruction to the flow of makes us reflect on the concerns around facility is ‘beautiful, functional and … we can
old grade II listed three-span stone arch the river at times of exceptionally high water. flooding and it’s giving people access and ease be proud to invite people into it. Our clients
bridge across the River Eamont. The town Sustainability also influenced the mate- of movement.’ are happier and people spread the good word
forms part of the Lake District’s Unesco rials choices with the steel containing one Fellow judge Denise Bennetts agreed. ‘It that we’re a place to run their activities from.
World Heritage Site and the bridge was a fifth of the embodied carbon of the global av- meets all the criteria perfectly,’ she said. ‘It This means activity that causes social change
critical infrastructure link for the town’s erage and the concrete mix including ground is a project-appropriate approach and an in- is finding a home in our community centre.’
inhabitants. granulated blast-furnace slag (GGBS) cement genious structural solution. The social-eco- Giving younger users’ authorship of the
Cumbria County Council began a tender substitute. nomic impact is great; replacing an existing space led to new uses of the building, includ-
process for a new bridge, with stakeholder The new crossing, the first stainless-steel bridge for the long term and in a robust way is ing cooking, dance and media-skills classes,
involvement, in mid-2017. It had to be both road bridge in the UK, gives the appearance incredibly important.’ as well as the building becoming a hub for
flood-resilient and future-proof. Knight ‘Cumbria County Council is delighted other local organisations.
Architects was appointed as ‘concept guard-
ian’ of the design, which comprises a slender ‘An ingenious structural with the new bridge,’ said council represent-
ative David Brown. ‘Not only has it recon-
The judges were won over by the project’s
modesty, ingenuity and reach. ‘It was an im-
40m-span open-spandrel arch with a stain-
less-steel and high-strength concrete struc- solution with a great social- nected the Ullswater area, it has reconnected
the community and is an embodiment of the
aginative way of spending a small amount of
money,’ commented Eleanor Young. ‘It is so
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
36 Buildings 37
MacEwen Award – shortlisted
‘Our housing market is broken, fuelling so- ‘Shopping centres need things to happen
cial inequality and climate breakdown. The in them that are different,’ observed judge
solution is collective action to create housing Kathy MacEwen, regarding Culture Palace.
which serves our needs.’ This is the ethos of ‘What is their function? What is their future
Ecomotive, the Bristol-based workers’ co- is going to be?’
operative responsible for delivering Home- The project is a 300m2 temporary creative
Made, a modular housing factory, combining hub, housing a performance space, museum,
high-quality ecological housing production bookshop, café and screening room in Enfield
with community participation. It offers em- Palace Gardens shopping centre. It responds
ployment, self-build training and housing to Enfield Council’s strategic focus on how
support, and is located in Lockleaze, one of ‘Culture Connects’. going to be used in the future. There are a lot
the city’s most deprived neighbourhoods.
Ecomotive and SNUG Homes started Above The SNUG homes offsite modular homes. They are designed to
Architect Dallas-Pierce-Quintero (DPQ)
was commissioned to develop a cultural strat-
‘It is a very light touch but of them and we need to find uses.’
DPQ’s role went beyond the architectural,
Home-Made in 2019, when the first ‘SNUG
home’ was completed in conjunction with
are designed to be built with
hand tools and self-finished.
be built with hand tools, using readily availa-
ble, low-impact materials to achieve net zero
egy for a mixed-use scheme but the pandemic
shifted the remit to include interim uses for
a fun way of testing and to include cultural strategy, liaison between
tenants and landlord, lease brokerage and
a training programme and community en-
gagement activities. Partnering with Lock-
Below The compact homes
performance and low embodied energy.
The footprint is small and the building
the shopping centre so as to encourage hes-
itant shoppers to return. Repurposing the
reinvigorating shop uses’ project management.
With over 7,000 visitors in the first month,
leaze Neighbourhood Trust (LNT), the group
have a small footprint
to be inserted into compact (‘snug in size and snug in warmth,’ vacant retail space had benefits for the com- Robyn Poulson and 2,500 attendees to ticketed events over 10
is developing five self-finish zero-carbon backland plots. commented judge Eleanor Young). Some of mercial landlords and for the local authority months, the clients consider the intervention
the judges raised concerns about space stand- in need of a temporary home for its arts centre a success. ‘The audience is diverse and ranges
ards but agreed that if the housing was a tem- and museum, which had been requisitioned across all ages, helping the local community to
porary provision, it addressed a substantial as a vaccination centre. reconnect in an uplifting environment,’ said
Above The repurposed
problem well. The intervention demonstrated the im- Rebekah Polding of Enfield Cultural Services.
space comprises a
The scheme aims to regenerate areas by portance of arts and culture in the recovery performance space, ‘The only problem is this is a meanwhile space
bringing backland plots back to use. It is also of the high street, piloting new uses in the museum, bookshop, café – we want it to last forever!’
committed to a number of linked social fac- space that were not purely commercial. Judge and screening room. While the concept is far from new, the
tors: home provision for existing residents; Robyn Poulson praised this aspect, saying: ‘It judges noted that many such schemes are
Below Culture Palace
diversity of housing provision; high-quality is a very light touch but a fun way of testing in areas already considered to be emerging
addresses the problematic
design; climate change mitigation; low run- and reinvigorating shop uses. We have to question of high-street cultural hotspots; this isn’t the case here,
ning costs for occupants; skills training and think about how these shopping centres are shopping malls’ future use. meaning the benefits are felt even more.
employment for local trades and individuals.
‘It’s great to have a housing factory com-
ing forward for the award,’ said judge Kathy
MacEwen. ‘It’s a big step; maybe they will go
on [to create more]’.
‘To have homes aiming for net zero is
pretty exemplary,’ said judge Denise Ben-
netts. ‘It is tiny, and not necessarily what we
want to be living in long term, but as a step-
ping stone it is appropriate … the fact that
they are taking a broad interpretation of sus-
tainability goals, prefab and self-build goals
to create a pleasant environment is fantastic.
LUKE HAYES
ESCAPE CONVENTIONS.
been sensitive to this, despite not directly
voicing it.
www.knauf.co.uk/systems-and-products/aquapanel-technology
The RIBA Journal February 2022 ribaj.com
40 Buildings 41
MacEwen Award – shortlisted
Right The new Green Room Old Library, Liverpool Below Existing
entrance pavilion activates volumes and spatial
Green Lane, Liverpool
the building’s frontage, characteristics were
OMI Architects
opening it to the street. respected throughout
the remodelling.
Below DSDHA’s extensive Grade II Listed Andrew Carnegie Library, in
remodelling has doubled Tuebrook, Liverpool, was in a state of dilap-
the usable space within
idation, but OMI has now extensively refur-
the building.
bished and remodelled it into a multipurpose
scheme for childcare charity Lister Steps.
As well as accommodating the client
and the children who use its services, the
building now also houses community spac-
es, a café, and hot-desking office spaces. The
project, funded by the National Lottery Her-
itage Fund and Liverpool City Council, was
expensive; it required considerable work to
return such a derelict structure back to a us-
able condition.
While some areas were restored, such
as the reading room which is now the main
communal space, others were boldly re-
configured. However, throughout, existing
volumes and spatial characteristics were
respected. New openings in the facade were
designed to improve visibility between
inside and out. These look out on to new-
ly landscaped gardens. Within the build-
ing, child-size internal windows peek into
National Youth Theatre
Holloway Road, London
naturally ventilated, well-lit open spaces
for teaching, rehearsal, recording and per- ‘As a piece of transformation, double-height voids, creating playful visual
interest for the children.
Robyn Poulson commenting: ‘The building ‘As a piece of transformation, I think it is ex-
PAUL KARALIUS
looks great and photographs beautifully.’ cellent,’ said Denise Bennetts. ‘The street is a
On the inside, the interiors were overhauled big beneficiary. It is good architecture which
to create versatile, acoustically optimised, will surely win awards.’
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
42 Buildings
MacEwen Award – shortlisted
Bale House
Colours, fi xtures,
Hastings Country Park Nature Reserve
fi ttings, tactile surfaces
The Cave Cooperative and braille signage
offer an accessible
On a scenic clifftop in Hastings Country experience delivered
recycled concrete and furnace ash. The lime- and welcomed 25,000 visitors. Its reach is
crete slab sits on recycled glass aggregate to undeniable and tangible.
CAN
For Barnes, whose influences include for in my opinion.’ It was agreed that – as Members of the Rising Stars 2021
the arts and crafts movement and post- programmes such as NLA’s ‘Don’t move, cohort at the discussion
Identity dominated discussions by the latest cohort of modernism, architecture’s idolisation of improve’ try to encourage – homes which Amy Francis-Smith, architect, Pinnegar
modernism is elitist and causes a disjuncture are designed according to the needs of Hayward Design, vice-president,
RIBAJ Rising Stars as they grappled with the tensions between what architects and the general their owners, including multi-generational Birmingham Architectural Association
between serving society’s most vulnerable, the technical public believe is good architecture. occupancy and access requirements, allow Vocal and determined, leading the way on
implementation of climate action and the demands of ‘Superfluous’ or ‘money-wasting’ details are their occupants to remain in residence disability campaigning
often what people remember of a building, longer and alongside support networks, Mat Barnes, director, CAN
today’s business world. Michèle Woodger reports and which add to the rich tapestry of cities. improving community feeling and Emerging design talent with a cheeky sense
Scott Abercrombie supplied an example positively affecting wellbeing and quality of postmodernism
Every year, members of the winning sometimes be addressed through dialogue in support of this: ‘Last year I worked on of life. ‘I wonder what would happen if Charlie Butterwick, founder/architect,
cohort of the RIBAJ Rising Stars Award, (demystifying concepts such as Passivhaus a synagogue in Glasgow where I was able developers truly engaged with the people Architecture Unknown
run in partnership with Origin Doors and and embodied and operational carbon for to introduce decoration borrowed from who are buying the properties,’ pondered Engaging sustainably, innovating
Windows, get together to talk about how those with a foggy understanding but a existing encaustic tiling,’ he explained. ‘I Butterwick. confidently
they see the issues of our time. willingness to learn), it was agreed to be feel I wouldn’t have been able to get away This too is an accessibility issue of Hiba Alobaydi, assistant editor, Foster +
This year our stars found themselves an uphill struggle when regulations and with that on a new build, but here I did sorts; one which revolves around access Partners
almost in the firmament at the roundtable, government policies continually lag behind because there was a historic justification.’ to information and the inclusivity of Mentoring drawing on her own experience
on floor 35 of the Shard. This high-flying what is really needed to reduce the impact of architectural vocabulary. As Hiba Alobaydi Scott Abercrombie, associate director,
cohort of emerging architects descended construction on the environment. There is Closing down creativity observed: ‘The architectural lexicon isn’t John Gilbert Architects
Above Telling today’s stories:
on London from around UK; the issues and no easy way out of these conundrums. In the residential sector, as several in accessible and that is sad… the disconnect Rising Star Mat Barnes’ expressive Heritage cheerleader saving the grand and
opinions raised during the afternoon gave There exists a further burden on this the cohort had experienced, a further between the architect and the client has a architecture transforms one home. the tenement
us a special insight into what this generation generation of architects, directly owing to hindrance to creative expression is the lot to do with language accessibility… that is Hannah Durham, lecturer in architecture,
is doing to progress the profession and the architecture itself. ‘There is pressure and building developer. Incapable or unwilling very alienating to the layman.’ something about making sure our future Oxford Brookes University
causes that motivate them. importance on young architects to deal with to embrace designs which deviate from architects are a diverse range of people; I Caring and committed teacher
Over the past two years we have been the climate crisis and inclusive design,’ said an easily-marketable norm, such systems Where do architects fit? feel very responsible to make sure I can help Conrad Koslowsky, architect, design fellow,
forced to reassess ourselves: how we work, Mat Barnes of CAN, ‘but added to that is the propagate a culture of limited expectations Ben Brocklesby, sales and marketing everyone,’ she said. Conrad Koslowsky Architects
how we interact with others, what is need to focus on the stories that architecture and trap homeowners into a mindset of director at Rising Stars partner Origin Doors The cohort agreed that there was a Dedicated to delivery for his innovative
meaningful to us both as individuals and as conveys… I am interested in how people are viewing houses simply as assets with retail and Windows, has a role that positions him disconnect between secondary school clients
professionals in practice. represented in the built environment of their value. Consequently, homeowners become between architects, builders and clients. He and architectural education, with limited
cities. How do we design in a way that creates afraid of anything idiosyncratic, however observed that builders are often better at visibility of the profession for less privileged
Supporting people memories for people using the building?’ life-enhancing that might be. communicating with ‘the everyday person’, students, and a failure of careers guidance
Understanding the needs of society’s most ‘What we are getting to is a sense of which is detrimental for architects, whose in schools. As Brocklesby summarised:
vulnerable members was one concern. identity,’ Charlie Butterwick commented. contributions to even the smallest projects ‘The funnel is already narrowed because
Below Working with the vulnerable:
Designing with dignity for the disabled and Rising Star Conrad Koslowsky’s
‘Ultimately our experiences, our memories, are hugely relevant. Conrad Koslowsky teenagers do not understand what
elderly, and for children – especially those in Lighthouse Children’s Home. everything hangs on the architecture of went further, arguing that ‘it seems we don’t architecture is and how to get into it. How
care – was a key driver for many. It was clear have a particularly strong architectural do we widen that?’ Amy Francis-Smith
that most of the group either had gained culture in society. There is general literacy experienced the fresh perspective of
direct experience of attempting to improve problem… we have to show clients things accessible education fi rst hand at a workshop
conditions in this field, or had actively they have never seen before – for instance at the Bartlett, encouraging visually-
sought to familiarise themselves. “this is closer to what you want than what impaired students to apply to architecture.
Yet the magnitude of the challenges you think you want”. That isn’t arrogance ‘They had their own means of expressing
visited upon them in so doing soon became but a means of exploration.’ The answer spatial concepts beyond the visual,’ she
apparent: institutionalising forces propped came yet again to the issues of education and observed. ‘Even how they measured and
up by profit-driven mechanisms – that communication. As Butterwick commented: quantified space – based on echoes for
impose parameters on design not in the ‘If we cannot describe necessarily [the instance – was completely different.’ The
best interests of end-users – was one intricacies of ] how the architecture will message hinged again on alternative ways of
stumbling block. Another, particularly in happen, we can couch it in terms of what it seeing, understanding and communicating.
CONRAD KOSLOWSKY ARCHITECTS
conservation, was the complex marriage of would feel like to be in that space.’ So, the issues of the day concerned
access and sustainability needs with those ‘Words are keys, they unlock ideas creating a democratic and accessible
of an inflexible heritage sector, insistent on and help us communicate with each other,’ architecture that adequately represents
prioritising historical fabric over user needs. agreed educator Hannah Durham, who the stories of the people that inhabit it. A
Persuading clients who lack the runs an undergraduate studio around question from Barnes seemed to perfectly
enthusiasm to value sustainability over words, stories and building narratives. round off the discussion: ‘In 100 years’ time
budget, square meterage or aesthetics Access to education was a major concern what will today’s architecture say about the For more on the most recent cohort of
was a further challenge. While this could for her, and others in the group. ‘There is times we are living through?’ Indeed. • RIBAJ Rising Stars see ribaj.com/risingstars
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
Building standards Mind the performance gap 47
– regulation – contracts
48 54
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Brexit and Covid created uncertainty, but recruitment
has picked up since last summer and it’s very much a
Do you take
Business, clients
experience?
candidate-driven market; good people are hard to find. the time to plan
& services Except for a short period after 2008, that has been the ahead and think
case throughout my 20 years in recruitment.
intentionally about
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48 Intelligence 49
Regulation
U-value of 1.6, against 2.2 previously. approved methodology for testing air tight-
Turning to building services in new ness for non-domestic buildings to avoid
non-domestic buildings, the minimum ef- ’practical difficulties’ of using multiple test-
Legal, regulatory & Design, construction ficacy of lighting installations in new non- ing methodologies.
statutory compliance & technology domestic buildings has risen to 95 luminaire
lumens per circuit watt for general lighting and Part F: Interim uplifts to standards for
Building regs
80 luminaire lumens per circuit watt for dis- non-domestic buildings
play lighting. Lower efficacies in some rooms New guidance includes standards on mini-
can be offset by higher efficacies in others. mising the ingress of external pollutants and
start to tackle
A separate standard for lighting that re- the proper installation of ventilation systems.
quires a high level of optical control, includ- New guidance on performance-based
ing innovative high excitation purity light- ventilation standards will allow designers
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
50 Intelligence
Regulation
the British Standards Institution’s emerging how much everyone has to learn. •
PAS 8671 framework. For individuals
daunted by the prospect of taking on this
role, Paul Bussey, senior technical consultant
at AHMM and a member of the RIBA Expert
Advisory Group on Fire Safety, sought to
put minds at rest. ‘We’ve been making the Why did it take the
analogy with the orchestra, where you have
a conductor to lead and facilitate the team, Grenfell disaster to
and they need a team to support them, so
you’re not going to be on your own.’ make this change?
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
54 Intelligence 55
Building performance
ing (during peak winter and summer condi- Left Getting the temperature right for
tions, full capacity and empty) a space is fraught with problems, but
the contract wording can make a lot of
vii) The building will perform at the intend-
difference.
Legal, regulatory & Procurement ed room temperature (or range of tempera-
statutory compliance & contracts tures) for its entire lifecycle.
If a standard form is followed with no
ISTOCK
driven by budget more than quality.
Common contract terms Points six and seven are considered the
Robert Eadie
round of buck-passing
eration and performance of equipment) and eration of Consulting Engineers have a pre- to rely more heavily on consultants who may the defects’ liability period. engineer and associate technical director
a minor change in the building’s operation. scribed clause for Tests on Completion. It is be less familiar with both the owner’s busi- A failure in the operation, function, or of HKA Global
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
56 Guest content 57
HP
a larger vision – defining priorities such as well-served during 2020-21, while others laser-focused on it, and [the tool] is informed
growth, design, social impact, profit – that were still floundering. According to Forbes, by the practice area and the practitioners
relevant technologies can be researched and 97 per cent of employees now favour a themselves,’ says Joseph. Engaging staff
adopted in an organic, holistic way. hybrid working model, so flexibility will members early increases their adoption of
A practice that set out, from its inception become crucial to hiring and retaining new releases. Tech solutions also become
in 2014, to follow a flexible path driven talent throughout the industry. part of the client offering. ‘Our clients don’t
by tech solutions is Boston-based Saam Without ignoring the challenges to just come to us for beautiful and functional
Architecture. The profession is notorious for creative collaboration and communication architecture; we also help them make
long hours and scant respect for work-life that remote working entails, many business-savvy decisions,’ he stresses.
balance – particularly punishing for women practices anecdotally report that employees, While strategic technology planning
and those with childcare responsibilities. empowered to manage their own schedules, can require a significant investment, the
‘Whether they have families, a dog, want are proactive and responsive. Reduced effort pays off. As Lee puts it: ‘Firms that
to exercise in the middle of the day – people carbon footprint through minimised really embrace a regular process of looking
have these competing personal demands,’ commutes is also significant. at operations, process, the tools, how they
says Saam’s chief operating officer, architect The principle of letting a firm’s values approach projects, how they approach
Diana Ostberg, ‘and the architecture and aspirations drive tech decisions should business, how they do business development
industry historically has not been very good also apply to larger, established firms, … those are the firms that are going to
at allowing those things to happen during though the challenge may be greater. be most successful in the long term.’ If
normal office hours.’ Joseph Joseph, global director of design architects are responsible for the biggest
As a woman-owned small business, technology at international firm Gensler, challenge on the planet – making our built
Saam’s technology choices stemmed from explains how his team evaluates every environment sustainable and equitable –
this priority to be flexible. Employees are digital investment in light of the practice’s they need the tools to get there.
all equipped with laptops with a webcam larger goals, with a particular focus on HP large format print gives architects
and VPN connection; communication environmental calculation tools. ‘There is a way to collaborate with colleagues
happens via Slack and Teams; digital a general fascination that a tool will solve seamlessly, securely and with sustainability
whiteboard sessions occur via GoToMeeting; everything,’ he says. ‘But we always put in mind. This makes HP’s DesignJet and
connectivity and security are managed by a at the forefront that technology is just a PageWide XL range an essential tool
local IT consultancy; and ‘everyone from the means to an end.’ The practice develops tech for the ultimate task ahead: to achieve
CEO down has that same tech setup’, Ostberg solutions in-house – in collaboration with a just, inclusive and diverse living and
rounds off. Already enjoying a digitally colleagues (‘a hackathon’). ‘If you start with working environment. Let’s create a better
enabled remote culture, the practice was a core problem that you’re solving, you’re world, together. •
of working
uncomfortable truths, which ring true
on both sides of the Atlantic: during the
pandemic, many firms ‘didn’t have the
infrastructure set up to support doing
“digital-first”, so there was a correlation to
As many architects have learned during the pandemic, a productivity going down’.
clear strategy that articulates a business’s larger vision can As was true of all businesses – not only
within the architecture, engineering and
prove vital in its strategy for adopting technology construction (AEC) sector – those that
embraced technology were quicker to get
back on their feet. Practices that actually
thrived, however, already had a robust
underpinning to their tech use: strategy.
An obvious approach perhaps, but one that is
surprisingly not universal. For more information please contact:
As Chastain’s co-host architect Isabella Jelinek
Evelyn Lee observes: ‘It really goes UK & I Marketing Manager
back to redefining your values and your Opposite HP Planet Partners Recycling Programme – scheduled
Large Format Printing | HP Graphics Solutions Business
organisation, and understanding how you pickup at reception desk. Mobile: +34 605796393
want to work together.’ Only by articulating Above HP DesignJet Studio lifestyle – smartphone fixed. Email: isabella.jelinek@hp.com
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
58 Guest content 59
HP
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of the average building. Added to the LEED these criteria. 1991, the DesignJet has built an enviable Above HP DesignJet 30 chronology
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focus on user wellbeing and operational part of the design office’s tools, and even architectural and design endeavours. The from recycled materials and producing and transportation, electricity, paper,
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zero strategy overlooks embodied carbon a technology that HP is also developing); addition, the DesignJet Studio is certified design for the Tamayo Museum, Mexico DF. sustainability ethos. support this endeavour. •
emissions from the construction supply using offsite modular construction and as net carbon neutral with HP offsetting HP DesignJet T-series technical plotters In terms of the DesignJet, in 2016,
chain in favour of operational heating and local labour; investigating the possibilities its carbon emissions. Such features enable were used in the Sichuan earthquake the T2600 benefited from a 20 per cent
electricity – architects can enact change of AI and machine learning and its design teams to maintain productivity recovery efforts in 2013. In happier reduction in ink usage despite being a
in various ways, be it through designing integration with BIM for carbon analytics and collaboration with tools designed with circumstances, Disneyland Shanghai was six-colour printer. In 2017 the T1700 was
sustainably (material choices, building and predictions; and anticipating buildings’ sustainability in mind. And with the rise also designed using HP plotters. the fi rst in the range to comprise 30 per
methods) and in the way they operate (how future use and end of life options. Such in hybrid remote working, technology such HP’s DesignJet technology has evolved cent recycled plastic and has continued to
a practice is managed and equipped). New considerations are becoming matters of as HP Click can contribute to an easier, in line with the way that architects improve since then. In 2020, the HP Planet
opportunities arising from the convergence best practice for any designer who takes more collaborative workflow, taking up and designers work, catering to usage Partners initiative was the industry’s
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a result of the pandemic are helping to But like everything else, sustainability print multi-size A3/B, A1/D or A0/E paper A0), cutting and scanning functionality, most recently, the Eco Carton ink cartridge
accomplish this. begins at home. Practices’ own operational sizes without needing to switch the media mobility, colour, ink longevity, speed has done away with the need for plastic,
In terms of designing sustainable procedures and day-to-day office lives also source manually. and precision. in favour of carton, significantly reducing For more information please contact:
buildings, the opportunities are huge. They require scrutiny. Without it, they could Throughout its history HP has dedicated Crucially, one such area is sustainability. plastic waste and CO2 emissions. The HP Isabella Jelinek
include renewable and sustainable material easily become subordinated to the larger itself to improving its environmental As architects work dedicatedly to reducing DesignJet Studio Printer was the fi rst in UK & I Marketing Manager
choices; specifying environmentally concerns of the building projects themselves. offering and it continues to strive to the impact of both projects and practices, the series for which HP offset the remaining Large Format Printing | HP Graphics Solutions Business
conscious products; choosing low-impact Ensuring the studio – or, these days, the offer its clients – architects – the tools to technology must support this vision. carbon impact of raw material extraction Mobile: +34 605796393
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The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
My studio, my city Richard Rogers and Chris Wilkinson 61
01 - 03 March 2022 – Balkrishna Doshi – obituaries
ExCeL, London 68 72
In praise of caprice
...listen in Eleanor Young defies the cold reality
of winter to enjoy archite ural
Conversations with leading fantasy – and is cheered by today’s
architects, talking about their work, young pra ices’ real brio
their clients, themselves. Coffee, music and the deep shade of Italian piazzas post Grenfell cladding reparation, even if it was only ONLY ON RIBAJ.COM
twist into one in a sunny corner of my brain. They dented by the pandemic). That generation includes
How do we as
Their obsessions, how they operate are thrown together by mixed up memories and the many you will have seen on these pages – Office
architects enable
pleasure of hard Cs and long Os – mercato, staccato, S&M, nimtim, CAN, McCloy + Muchemwa. They are
and where it goes right (and wrong) Livorno, cappuccino. Capriccio belongs there too. working on smaller projects, extensions, the public the community to
In art we see capricci from masters of architectural
fragments, Gandy or Piranesi throwing together
realm – they have wide frames of reference and have
not been diverted by huge contracts and impossible
have a real say in
Now available on ribaj.com walls and arches, draping vegetal fronds across and practice growth. the design? Too
crumbling stones with a certain whimsy. I came These are the ones dancing architecture into the often we are not
across capriccio in praise for the work of Rob Krier – future. They use cheap tricks and imagination, of
Jo Wright, Nick Jackson and sometimes labelled as a postmodernist or new urbanist necessity. Richard Rogers would have been proud
really confronted
Christina Cox of Arup on getting out but most easily recognised as an adherent of classicism. of the way they throw colour at structure, but they by how it will be
there with clients, masterplanning He does indeed collage places together in his drawings
to show how a square or street might work with a
demand pattern too. And texture. They work with flat
panels and use cutouts rather than trying to model
to live somewhere
fine grain into Battersea, delivering different type of enclosure, with an open facade or a costly three-dimensional forms. Following this decades after
for Herzog & de Meuron, and setting stepped back wall. But capriccio is equally applied to the exuberant path is not the route most architects have we’ve left
monumental classical orders punctuated with posing the freedom, or inclination, to take. But inserting Why Madeleine
the pace on retrofit. Plus the blisters torsos that he sculpted for a Bilbao building in 2011. fragments of context, delight and decoration – in tiles, Kessler urges all
architects to read
of site visits and starting your career Capriccio is also defined as caper or prank, a
certain naughty fun. That is what I see on that Bilbao
shapes, colours... whatever way you see fit – gives
back the fun, the capriccio, placing lightness and Caleb Femi’s Poor:
with a baked bean factory. building. And that is what is coming back right now architecture in that sunny part of our brain. •
ribaj.com/madeleine-
kessler-poor
in architecture. It is not postmodern-style in-jokes
of architectural fragments but a sense of levity, a
Eric Parry and Lee Higson of humour and a burst of colour. In music, a tiny dot
Eric Parry Architects on material above the note can signal a whole change in pace and
fun as a waltz swings into action with staccato notes
innovation, avoiding wallpaper and subverting and enlivening it, turning it into a dance.
why Parry gets sore knuckles when
DIRK LINDNER FOR ERIC PARRY ARCHITECTS
STEPHANIE WUNDERLICH
arches. These are the bowler-hatted gents breaking
for a little jig as they flood over Waterloo Bridge.
Find RIBAJ meets on But there is a generation of practices who missed
MEGAN TAYLOR
your podcast app and even riding the coat tails of the high density housing
bubble (which will surely burst following Michael
at ribaj.com/meets
Left Colour, pattern and
Supported by Gove’s statement on developer’s responsibility for texture from nimtim.
The RIBA Journal March 2019 ribaj.com ribaj.com The RIBA Journal February 2022
64 Culture Culture 65
Opinion President
COP26 was a failure. The UN climate summit was damages to livelihoods and infrastructure in poorer DELVE DEEPER Last year was tough for many, for many different
STEVE MAYES
Chris Wilkinson’s
hailed as our ‘last best chance’ to address the climate countries. Unsurprisingly, this call for climate This topic is too large to reasons. The world of architecture sadly lost a Millennium Bridge,
crisis but what transpired was a series of compromises justice was blocked by the UK, EU and USA – nations do it justice in a short number of key figures, all of whom had been closely Gateshead.
by centralised political power in deference to fossil- that have profited extensively from the legacy of column. I’d recommend connected with the RIBA during their careers. In
fuel capital. A report from Climate Action Tracker colonialism, contemporary extractive economics and anyone who is eager October Owen Luder – the brutalist architect and
found that policies in the wake of COP26 will lead to the carbon emissions that have resulted. to delve more deeply twice RIBA President. In November Oriol Bohigas
a global temperature increase of 2.7°C – resulting in In her piece All Design Is Political, Not All Politics to read Billy Fleming’s of MBM – whose practice was heavily involved in the
more frequent extreme weather events, a devastating Is Design, Leijia Hanrahan critiques the architectural comprehensive essay urban renaissance of Barcelona, leading to the city’s
loss in biodiversity and exacerbated global poverty. tendency to centre our work within the midst of social on the role of landscape receipt of the 1999 Royal Gold Medal. In December
The built environment is responsible for 40 per and political struggle. She encourages architects to see architecture in the climate we lost Chris Wilkinson – whose practice won the
cent of carbon emissions, so it has never been more their profession for what it is, in all of its potential and movement, and Kate Stirling Prize twice, and Richard Rogers – whose
urgent for architects to engage with societal change. limitations, while also having the confidence to look Wagner’s Letter to a practice did the same, while he himself won many
Despite this, the climate crisis is too often treated as beyond their profession. As architects campaign for Young Architect. personal awards including the Royal Gold Medal. As
nothing more than a ‘design challenge’. As part of climate action, it is essential to keep these limitations I write this column I also learn of the passing of Max outcome of the pandemic is that we have had some
its Design for Planet initiative, the Design Council in mind. We must campaign not only for technical Fordham, another visionary who will be remembered time – as the world slowed – to think of our place in it.
released a video promoting the role of design in solutions, but also for the collective empowerment as a pioneer of sustainable design and engineering. And in light of COP26 we must think how we might
addressing the climate crisis. Over a backdrop of and equity required to implement those solutions. I am sure this is not statistically unusual but it did contribute differently to the flight called ‘Spaceship
swelling strings and drone footage, designers were The ‘typical architect’ may emit 162 American feel like a sudden winter flurry of losses of friends Earth’. Of course not all have the luxury of taking
presented as the group that could ‘start solving lifestyles of carbon emissions, but if they are not and colleagues and architects of great note. But stock and reflecting – the hospitality sector, health
some of these big climate challenges’ possessing ‘the empowered to campaign for systems change, they will reflecting on their legacies was also a reminder of the and care services have been hit very hard and – as all
power and a responsibility to address the climate remain an instrument of capital investment. importance of pursuing ideas with conviction – not who have started a practice know – just keeping in
crisis’. This video exemplifies a broader trend in the The climate crisis is an existential threat, but only in the teaching and practice of architecture but business is a an all-consuming task.
creative industries: presenting a depoliticised role for one that can be resolved through a just and equitable in greater engagement in the collaborative design of a The flurry of losses from our profession is a
designers in the climate crisis, as technocratic actors economic transition. For this to happen, we need better world. powerful reminder to make the best of our time. We
pursuing the silver bullet of climate innovation. mass popular action to influence centralised political Indeed, the role that architecture and design play will each have our own view of what is our best. On
During COP26, architect Enlai Hooi claimed the power. The organisation of architectural workers can in rethinking how we live in our cities, and how we an operational level for me it remains about trying
typical architect produces ‘162 American lifestyles’ be a step towards this future, but first the profession connect in the virtual and real worlds, is ever more to focus on what I think I can do to best improve the
worth of carbon emissions throughout their career. must accept that addressing issues of labour and a topic of conversation. Covid has forced everyone quality of my life – better time management, less
Yet the typical architect possesses little-to-no equity are fundamental to effective climate action. • to reconsider how they work, travel and live. This emails (received and sent), more focus on the things
agency in determining how they work or, perhaps Charlie Edmonds is co-founder of Future Architects Front reflection is useful – essential even. And one positive that I actually enjoy doing: thinking strategically
more importantly, for whom they work. As much and a designer at Civic Square about design challenges at all scales, spending time RETROFITTING
as we might like to believe otherwise, the impetus with friends and family – and not taking the loss of a ENGLAND’S INTER-WAR
of architectural work is directed according to the football match or The Ashes to heart! SUBURBS
interests of private clientele and capital investment. As a profession there is much for us all to do. Post- The RIBA’s latest report,
This contradiction of intent vs agency is potentially Grenfell, post-Covid, post-COP. You will all have Hero Homes – retrofitting
the most significant limiting factor for architects’ set out your own ambitions in one way or another, England’s inter-war
capacity to mitigate climate crisis. for yourself, your practice, your life, and I wish you suburbs, urges the
Despite its many failings, COP26 did demonstrate every success in delivering on them as best you can. government to prioritise
PORTRAIT STEPHANIE WUNDERLICH
RICHARD BRYANT
concrete action as part
the global south. These groups campaigned for the collaboratively – and that includes realising that and raising families out of
NICK NEWMAN
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
66 Guest content 67
INCA
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
68 Culture 69
Profile
India based Balkrishna Doshi will be awarded the RIBA Royal Gold Medal
in April. He gave Eleanor Young a rare insight into how Ahmedabad and
his udio there taught him the importance of sound and silence to design,
about flexibility and rejoicing, and putting people fir
Man of
Portrait: Vinay Panjwani
the people
Eleanor Young How has your home city influenced I was also questioning identity of a workplace at
you? that time. Should it look like an office? What is the
Balkrishna Doshi I started my office in the old Indian nature of office? What is the nature of the workplace
city of Ahmedabad, founded in 1411. It was right in that you enjoy?
the centre, surrounded by narrow streets, crowded While designing Sangath, I was constantly
with people and shops. Everything was mixed. searching for ways to modulate light, create warmth,
On the other hand I was living in a very quiet place comfort and moods through manipulation of space,
almost on the outskirts while working in this very play of scales and movement. I was asking myself
dense area. The only difference to now is that 40-odd some very fundamental questions. How do you feel
years ago there were not many cars. There were camel the natural light? What makes you feel comfortable?
carts, some elephants, bicycles and people walking. How can one sense the rain/heat from inside a space?
While working at the drawing board I was constantly These questions intrigue me still today.
surrounded by sound. But I was also thinking about Also at that time I was working on economical
something else, of silence. housing models. I was possessed by a desire to
So really the backdrop to my workspace was very build with minimum resources, using economical
Balkrishna Doshi at
his Sangath Studio,
good because it had lot of human qualities – social, materials and local craft and create a climatically
Ahmedabad in cultural, emotional. It made me think about people sound building. So I went to various construction
December 2021. and the surroundings all the time. But then when I sites and factory outlets to get discarded stones and
went home I was looking at quietness. broken tiles, and made the landscape flooring and the
EY Tell me about your studio, Sangath. You have 60 china mosaic on the vault. The Vault at Sangath was
staff there now, it must have been quite different insulated with ceramic fuses with air trapped inside.
when you set it up in 1981. This way the spaces became climatically controlled.
BD When I bought the land where my studio is today So for me it was an experiment, but today after
it was agricultural – about 3000 square yards, with over four decades I feel it has worked out well.
mango trees. So I said perhaps this is where I can EY Do you think you’ve taken many of those elements
create my dream world. Create a non building – a into other buildings? Have you been able to?
place where people would come and experience the BD Yes, but they were not so much, just in fragments.
silence. Then they could get lost in their own world. Others were perhaps a climate or windows study.
The RIBA Journal February 2022 ribaj.com The RIBA Journal February 2022
70 Culture 71
Profile
VASTUSHILPA FOUNDATION
JOHN PANICKER (C) VASTUSHILPA FOUNDATION
EY Tell me about the influence of Le Corbusier – I remember my I always ask my students to narrate and recollect and teaching? Why not create something to rejoice in? Clockwise from ethics. But when you are living and celebrating life
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
72 Obituary 73
Richard Rogers
‘How can we be expected to make an architect out of Liverpool Metropolitan of Human Rights building in Strasbourg, the Welsh
a man who cannot make two lines meet?’ demanded Cathedral. Tarn Parliament Building (Senedd), Bordeaux Law Courts,
one of Richard Rogers’ tutors at the AA in an worked with the Art and Terminal Five at Heathrow, the Leadenhall Building
1933 – 2021
awkward meeting with his parents, Nino and Dada. Architecture Department (‘Cheesegrater’) in the City, the International Towers
of the Roman Catholic
Rogers was indeed very bad at drawing, and it was in Sydney, British Museum Conservation Centre and
Archdiocese.
another tutor, James Gowan, who spotted that he got two Stirling Prize winners, Madrid Barajas airport’s
his then girlfriend Georgie Cheeseman to help. She terminal 4, and the Maggie’s Centre in London’s
Revolutionary, charismatic archite
who overcame was briefly to be the only fully qualified architect on Hammersmith. Housing ranged from the apartments
early dyslexia to design the Pompidou in Paris and the letterhead of Team Four (making it five people for the mega-rich at One Hyde Park in London to the
Y-Cube modular hostel for the homeless. Theoretical
Lloyd’s of London and founded Team Four and RSHP, at first) when the practice set up in 1963 – the other
four being Rogers’ first wife Su Brumwell, his friend and unbuilt projects include his London As It Could
in an extraordinary career spanning seven decades Norman Foster whom he had met post-AA at Yale, Be plan shown at the Foster Rogers Stirling exhibition
and Georgie’s younger sister Wendy, later to become at the Royal Academy in 1986, and entries for the Right The Millennium first to receive official confirmation, broke the news
GRANT SMITH
Foster’s wife. Emotionally and professionally, Rogers Paternoster Square, Royal Opera House and National Dome was completed in on the phone: ‘Hello old man (‘Ciao, vecchio’). Are you
1999 for £42 million.
always needed a supportive gang around him, always Gallery extension competitions. sitting down?’ Rogers was nearly 38, Piano 33.
Its 320m diameter roof
found one, and always stayed friends with everyone. Rogers was known for his left-leaning politics and weighs less than the air
After all the design, constructional and political
He was born in Florence in 1933 to a long- publications, including A New London in 1992 with contained within. complexities of building the Pompidou Centre
established Anglo-Italian family forced to flee to Mark Fisher for the Labour Party, Cities for a Small (the moving floors concept had to go), it opened in
England as war approached. Enduring the brutal Planet in 1997 and Towards an Urban Renaissance 1977 and was immediately a huge popular success,
regime of a minor English boarding school, he always in 1999, the report of the Urban Task Force which he desite some early inevitable ‘oil refinery’ jibes due
struggled with dyslexia. His experiences there, chaired. He was knighted in 1991, made a life peer – to its brightly-coloured exposed external pipework.
and later in the army during National Service, left Lord Rogers of Riverside – in 1996, and a Companion Although Rogers admired the US architects whose
him with an abiding loathing of bullies and small- of Honour in 2008. Architectural honours include the work he had got to know doing his Masters at
mindedness. But it was helping out in the Milan RIBA Royal Gold Medal (1985), Praemium Imperiale Yale – Wright, Kahn, Rudolph, Schindler – and
atelier of his Italian architect cousin Ernesto Rogers (2000) Golden Lion for lifetime achievement from the the influence of Cedric Price and Archigram was
of BBPR fame, that first made him want to be an Venice Biennale (2006) and Pritzker Prize (2007). clear, the Pompidou took architecture in a totally
architect, in 1953. Not bad for a kid who couldn’t draw at architecture new direction, marking a clean break with the
Below Completed
The career that followed was extraordinary by any school. But some resisted him. He never won over heavyweight mainstream architecture of the time.
in 1986, the Lloyd’s
standards, including the Pompidou Centre in Paris Prince Charles, whom Rogers accused of getting him Building was grade A slump in work followed, and Rogers and Piano
with Renzo Piano, the Lloyd’s of London HQ, Channel turfed off the large Chelsea Barracks regeneration I listed in 2011, the parted professional company. Luckily, another
4 HQ, the Millennium Dome, the European Court project. And Private Eye’s ‘Piloti’ (the late Gavin youngest structure competition, for a new Lloyd’s of London building,
Stamp) mercilessly pilloried him as a permanently to obtain this status. came along. Rogers’ winning building is Gothic in its
Left Richard Rogers, Below Piano & Rogers’ English Heritage
‘suntanned and relaxed’ knighted architect. complexity, Piranesian in scale and drama, designed
Renzo Piano and Pompidou scheme, described it as
engineer Peter Rice on featuring generous Back at the start, Team Four had become a darling ‘universally recognised to erupt from the medieval City streets in glimpsed
the site of the Pompidou public spaces, was of the new colour supplements but work was patchy as one of the key fragments rather than in the round. It is now grade 1
Centre. selected from 681 at first. Among some more mainstream residential buildings of the modern listed. This – achieved with a team of young architects
competition entries. epoch’. including Eva Jiřičná and the late Chris Wilkinson
work it achieved two singular buildings: the 1964-7
house at Creek Vean in Cornwall for the Brumwell (see overleaf) – was his practice’s breakout building.
family and the proto-High Tech building in Swindon, 1986 was not only the year of Lloyd’s completion
Reliance Controls. Following its split in 1967 were and the RA show, but also of a notable biography
two more houses by Rogers and Brumwell, now joined by Bryan Appleyard. This homed in on the fact that
by John Young and Laurie Abbott: a 1968-9 house Rogers was, as much as a revolutionary architect, a
and studio for Humphrey Spender in Hertfordshire fascinating and magnetic personality. His huge house
and the 1969 house in Wimbledon for his own in Chelsea, venue for endless networking parties
parents – now refurbished as a study base for Harvard directed by his second wife Ruth, of River Café fame,
architecture students. With that he experimented became an artistic and political salon. In June 2020 he
with off-the-peg materials such as the insulated finally officially retired from the practice of Rogers
panels used on refrigerated trucks. It led to his more Stirk Harbour & Partners – by now based in the
radical ‘Zip-Up House’ study, highly prefabricated Leadenhall Building or ‘Cheesegrater’ which they had
and insulated, intended for mass production. designed with Graham Stirk as lead partner.
Then Renzo Piano, an Anglophile Genoese He is survived by second wife Ruthie, first wife Su
architect working on similar dreams of an Rogers née Brumwell, their sons Ben, Zad and Ab, his
RICHARD BRYANT
architectural future, asked to join in. Everyone son Roo with Ruthie (their other son Bo died in 2011),
KATSUHISA KIDA
PHOTO CREDIT
TONY EVANS
knows the story from there because of their win in the his younger brother Peter, and 13 grandchildren. •
1971 competition to build the multi-arts complex in Hugh Pearman
Paris that became the Pompidou Centre. Piano, the Richard Rogers in five key buildings: ribaj.com /rogers-five
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
Wanderer’s
74 Obituary Intelligence 75
Xxxxxxx
Wonder
the Science Museum to Singapore’s Gardens of the Bay
Chris Wilkinson
IN MEMORIAM
four schools in Bristol that evolved its kit-of-parts children Zoë and Dominic. • services@riba.org with
approach. Later, we worked together on university Stafford Critchlow is a director at WilkinsonEyre details of next of kin Isabelle Priest, managing editor, RIBA Journal
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
76 Wanderer’s Wonder 77
Competition
The stravaiger
corrugated galvanized material is forming
a roof in the landscape that would be visible
Produced by the RIBA from about four to five miles away, playing
Journal in association with an intrinsic part in the overall idea.’
the Galvanizers Association The judges felt that the proposal provided
Supplement editor the balance between opportunity to enjoy
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
78 Wanderer’s Wonder 79
Competition
Resting point on Out of the green modular canopy that will enable use in good
weather and bad. It aims to reduce material
COMMENDED
where possible. The roof is a galvanized steel
mesh, while a polycarbonate layer ensures
sunlight transmission and rain protection.
ELENI BISMPIKI and architect, WXCA Architecture Office rainwater from the roof can be collected
in underground tanks to be used for plant
ANNA NIKOLAIDOU
watering. Its envelope of varying-length
Recent rises in property prices have led steel bars also evokes the image of rain.
to public space in cities becoming more The judges agreed the proposal provided
architects, Sto.a squeezed and deprioritised. However, the an ideal urban stopping point, with Garreth
pandemic has shown us how important it McMahon suggesting it could even become
is, providing refuge particularly for those a destination rather than just a place to
without much space of their own. stumble on. Jonathan Hagos felt that the
Out of the Green develops a replicable project ‘dealt with socio-economic issues
scheme for the urban wanderer on an more than other schemes on the longlist’.
underdeveloped infi ll site of low investment Anna Liu enjoyed how ‘it channels attention
value. With relatively small fi nancial outlay, into forgotten spaces and is quite mysterious,
Above The modular Below The steel bars
it turns the site into a local meeting place canopy makes use of that screen the space
like a screened private space between
that encourages biodiversity and shelter for galvanized steel mesh also help to create a wasteland and public realm’, and the way ‘it
animals, while requiring little maintenance. and polycarbonate image of rain could be applicable to many urban corners’.
This climbable shelter in the Scottish the wind (a feature likened to Heatherwick
Highlands is a 4.5m structure mimicking Studio’s Seed Cathedral at Expo 2010 by
the radial symmetrical geometry of a thistle. judge Jonathan Hagos).
A galvanized steel spiral staircase leads the The majority of the thistle – its structure
wanderer up to a resting area, where woven and cladding – is galvanized steel; it is
metal screens provide safety and visual designed to be eventually recycled or reused.
permeability across the countryside. Initially reticent about its size (more
The screens are supported by galvanized of a landmark than a chance encounter),
steel rods connecting to the roof and floor. structural viability and literalness, the
Galvanized steel beams support the timber judges arrived at a revised opinion.
decking, carrying and transferring the ‘I enjoyed the boldness of the gesture,’
structure’s weight towards the central said Hagos. ‘There is something wonderful
column. A domed roof, clad in local, long- about… changing your perspective while on
lasting and aesthetically pleasing Scottish a journey, or changing your view and your
larch shingles, offers shelter. vantage point looking over the landscape.’
The roof of the flowerhead is covered in ‘I liked the minimal impact on the
transparent flexible fibre rods with mini ground and the elevated view; you can
Above Lightweight and Top right The raised
flexible fibre rods on resting area offers an
photovoltaic panels at the ends, which feed picture it in tree foliage and hear the
the roof support mini alternative view of the the lighting system. These droop naturally noises of the surrounding trees,’ said
photovoltaic panels surrounding countryside under gravity, and, like a seedhead, rustle in Garreth McMahon.
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
80 Wanderer’s Wonder Culture 81
Competition Opportunities
Armadillo shelter
ALSO ON SHORTLIST
(d)well, Harpham, Yorkshire Opportunities
COMMENDED
George Williams and
Joseph Richard Cox
A monocoque CLT structure
knock
clad in corrugated galvanized The RIBA Journal has launched an
FRANCIS MC SHANE steel with an oculus inspired
by local wells as part of a
online opportunities hub, bringing
architect, Mc Shane Architect regenerative scheme for you news of the latest work on offer
farmers’ wellbeing
Leaning gate,
various locations
Francis Mc Shane’s folding shelter – which Simon Lanyon-Hogg and The RIBA Journal is launching an online
creases like an armadillo’s armature – is Rebecca Disney Opportunities Hub. It will be the first news site for
assembled from a series of 6mm-thick, A simple galvanized steel competitions run by RIBA Competitions as well
3.7m 2 galvanized steel panels, fi xed tree as a place to pause, as bringing together tenders and competitions,
together with nuts, bolts and washers. Its rest and eat, with a Braille contracts and calls for interest, public or not, to help
maximum weight is 17.5kg – deliberately description of the view you evaluate what to bid for.
under the 25kg maximum a single adult is We all know that finding the right work is critical
recommended to lift regularly.
Book Swap Grotto, to practices flourishing. The last RIBA Future Trends
This portable concept is demountable,
Wanstead survey was optimistic, continuing 2021’s positive
reusable and recyclable, but not, however,
Stephanie Elward trend of practices predicting increased workloads.
Above The shelter is Below The demountable
intended to act as a tent; rather it is a a quasi-permanent shelter’s flexibility allows An evolution of pop-up street This was backed up by an increase in actual
quasi-permanent structure intended for structure made from it to be used (and reused) libraries with space for one workloads of 10 per cent year on year. Much of that
somewhat longer duration which relies on
galvanized steel panels in a variety of contexts reader to wander through work is from existing clients and local contacts but,
either cast concrete foundations or drilling
the world of books for many growing practices, advertised opportunities
into existing rock. The expanded metal and design competitions are also an important source
seating within is of sufficiently heavy gauge
LONGLIST of work.
to accommodate three adults and mimics Alison Bunning and Lizzie The hub was launched on ribaj.com with a call for
the curved form of the shelter. Induni A corrugated cow expressions of interest for work on the RIBA’s own
This flexible concept could be applied Carol Shea In praise of central London headquarters at 66 Portland Place
in a variety of situations, including ones urban trees – moment for (which closed on 1 February). RIBA president Simon
which require an anti-vandalism strategy shelter and wonder Allford has articulated a new vision for the 1930s
(tighten anti-theft nuts with a torque Christopher Sanders, building, writing in the RIBA Journal about creating
wrench), protection (close off one side with Christian Sanders and a generous physical entity, a ‘House of Architecture’.
galvanised steel sheeting or rammed earth Maureen Sanders The brief outlines an exciting programme of opening
wall) or even concealment (pile stones to Pig ark shelter up the building for members, for culture and
make it look like a cairn) – and this is the Emmet Hanley and Alex learning, and making it fit and accessible for day-
Below The curved metal
aspect that really excited the judges. Morgan Acorn Exchange to-day working. It includes a substantial element grade II* listed building and with strong embedded
The RIBA Journal February 2022 ribaj.com ribaj.com The RIBA Journal February 2022
82 Culture
Parting shot
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Beverly Hills mansion Print + Digital
California, USA, 1927 UK £180 ex VAT
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English architect Chester Jones spent time in the California in the 1920s and 30s. His design here subscriptions.ribaj@
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USA on a Commonwealth Fund Fellowship before employed classical Spanish and Italian forms
his untimely death in 1933 at the age of just 27. Jones including internal patios, loggias, colonnades and a
documented the architecture he encountered on pink stucco exterior, and it had palatial gardens by
RIBA Journal
his travels in a collection of photographs now held landscape architect Paul Thiene. ribaj.com
by RIBA. One building that caught his eye was this The house was later owned by the actress Marion Published by RIBA
1834 Ltd
mansion in Beverly Hills built in 1927 for Milton Getz, Davies and her partner, the newspaper baron William Registered office:
the director of Los Angeles’ Union Bank, by architect Randolph Hearst. They offered it to the young 66 Portland Place,
London W1B 1AD
Gordon Kaufmann. John F Kennedy for his honeymoon in 1953 and it
Though Kaufmann was later known for art deco subsequently served as the West Coast headquarters Reprographics by
PH Media
buildings such as the Hoover Dam, his early work for his presidential campaign. • Printed by Warners
was in the Mediterranean Revival style popular in Justine Sambrook Midlands plc
January 2021
The RIBA Journal February 2022 ribaj.com
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THE SHAPE OF
THINGS TO COME