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4 - Q1 English
4 - Q1 English
4 - Q1 English
ENGLISH
QUARTER 1
MODULE 4: Information
Accessibility and Effectiveness
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ENGLISH
QUARTER 1
MODULE 4 Information
Accessibility and Effectiveness
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DAY 1
Pre-Test
Multiple Choice: Read each item carefully and choose only the letter of your
answer. Write your answers on a separate sheet of paper.
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A. Accessibility C. Effectiveness
B. Navigability D. Text Structure
9. Which is the quality of being easily understood or appreciated?
A. Accessibility C. Effectiveness
B. Navigability D. Text Structure
10. Which of these means producing a decided, decisive, or desired effect?
A. Accessibility C. Effectiveness
B. Navigability D. Text Structure
11. Which of these is the definition of navigability means?
A. Accessibility of text structure C. Ability to Navigate
B. Ability to be used D. Ability to be Effective
12. Which of these is essential in order to make it accessible to all users?
A. Accessibility structure C. Textual information
B. Structuring textual information D. Effective Text Structure
13.What graphic organizer is used to compare and contrast formal and informal
language in this lesson?
A. Venn Diagram C. Network Tree
B. Comparative and Contrastive Map D. Fishbone Map
13. Which of the following IS NOT a quality of an effective message?
A. Simplicity C. Specificity
B. Reliability D. Structure
15. How many main characters are there in the story, Arachne?
A. 2 C. 5
B. 4 D. 3
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DAY 1
What’s In
Read the sentences inside the box and think about these questions.
1. What is the difference between the sentences?
2. What are their similarities?
3. Do they have the same idea?
What’s New
Clipart1
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The choice of words and the way the words are put together vary between two styles:
formal and informal language. Formal language is less personal than informal
language. It is used when writing for professional or academic purposes like
university assignments. Formal language does not use colloquialisms, contractions,
or first-person pronouns such as ‘I’ or ‘We’.
Difference: Difference:
Similarities:
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DAY 2
What’s more
B. Read each sentence carefully and label each sentence as formal or informal.
DAY 3
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What’s In
CECSIBTYAISLI
STEFECNEVIFSE
What’s New
How do you
consider a text
accessible and
effective?
Hmmmnn…
Image 2
One of the most important issues in making text accessible is its structure and the
ability to navigate it (navigability). Accessibility is the quality of being easily
understood or appreciated.
‘Text structure’ usually refers to whether the paragraphs are in the right order for
the user to follow, making it easier to read. When it comes to
text accessibility, structure has a slightly different meaning: it refers to what makes
it easy to navigate around that text. Each chapter heading and any sub-headings are
set out in the table of contents, just as they are in this document. In an exam paper
it could refer to the individual questions. Each element that is important – for
example, chapter heading, table, figure, exam question – may be given certain
attributes and labelled.
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their way around it. Second, it allows a different user to transfer the text to a
different format more easily.
The more complex the visual layout (tables, footnotes, boxes, icons, etc.) is, the more
important it is to indicate the logical reading order within the structure.
With very complex texts, it is important to know who the target audience is and how
to structure it accordingly. In many instances a more simplified version of the text
may be more useful to a wider range of users.
• Simplicity
• Specificity
• Structure
• Stickiness
What’s More
Activity 1.2: NOW IT’S YOUR TURN!
Instruction: Read the story of Arachne and evaluate its accessibility and effectiveness
through filling in the sequential episodic map with the causes and effects from
Arachne’s story.
Arachne
Arachne was a maiden who became famous throughout Greece, though she was
neither well-born nor beautiful and came from no great city. She lived in an obscure
little village, and her father was a humble dyer of wool. In this he was very skillful,
producing many varied shades, while above all he was famous for the clear bright
scarlet which is made from shellfish, and which was the most glorious of all the
colors used in ancient Greece. Even more skillful than her father was Arachne. It
was her task to spin the fleecy wool into a fine, soft thread and to weave it into cloth
on the height, standing loom within the cottage. Arachne was small and pale from
overwork. Her eyes were light, and her hair was a dusty brown, yet she was quick
and graceful, and her fingers, roughened as they were, went so fast that it was hard
to follow their flickering movements. So soft and even was her thread, so fine her
cloth, so gorgeous her embroidery, that soon her products were known all over
Greece. No one had ever seen the likes of them before.
At last Arachne’s fame became so great that peopled used to come from far and wide
to watch her working. Even the graceful nymphs would steal in from stream or forest
and peep shyly through the dark doorway, watching in wonder the white arms of
Arachne as she stood at the loom and threw the shuttle from hand to hand between
the hanging threads, or drew out the long wool, fine as a hair, from the distaff as she
sat spinning. “Surely Athene herself must have taught her,” people would murmur
to one another. “Who else could know the secret of such marvelous skill?”
Arachne was used to being wondered at, and she was immensely proud of the skill
that had brought so many to look on her. Praise was all she lived for, and it
displeased her greatly that people should think anyone, even a goddess, could teach
her anything. Therefore, when she heard them murmur, she would stop her work
and turn around indignantly to say, “With my own ten fingers I gained this skill, and
by hard practice from early morning till night. I never had time to stand looking as
you people do while another maiden worked. Nor if I had, would I give Athene credit
because the girl was more skillful than I. As for Athene’s weaving, how could there
be finer cloth or more beautiful embroidery than mine? If Athene herself were to come
down and compete with me, she could do no better than I.”
One day when Arachne turned around with such words, an old woman answered
her, a gray old woman, bent and very poor, who stood leaning on a staff and peering
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at Arachne amid the crowd of onlookers. “Reckless girl,” she said, “how dare you
claim to be equal to the immortal gods themselves? I am an old woman and have
seen much. Take my advice and ask pardon of Athene for your words. Rest content
with your fame of being the best spinner and weaver that mortal eyes have ever
beheld.”
“Stupid old woman,” said Arachne indignantly. “Who gave you a right to speak in
this way to me? It is easy to see that you were never good for anything in your day,
or you would not come here in poverty and rags to gaze at my skill. If Athene resents
my words, let her answer them herself. I have challenged her to a contest, but she,
of course, would not come. It is easy for the gods to avoid matching their skill with
that of men.”
At these words, the old woman threw down her staff and stood erect. The wondering
onlookers saw her grow tall and fair and stand clad in long robes of dazzling white.
They were terribly afraid as they realized that they stood in the presence of Athene.
Arachne herself flushed red for a moment, for she had never really believed that the
goddess would hear her. Before the group that was gathered there, she would not
give in; so pressing her pale lips together in obstinacy and pride, she led the goddess
to one of the great looms and set herself and before the other. Without a word both
began to thread the long woolen strands that hang from the rollers, and between
which the shuttle moves back and forth. Many skeins lay heaped beside them to use,
bleached white, and gold, and scarlet, and other shades, varied as the rainbow.
Arachne had never thought of giving credit for her success to her father’s skill in
dyeing though in actual truth the colors were as remarkable as the cloth itself.
Soon there was no sound in the room but the breathing of the onlookers, the whirring
of the shuttles, and the creaking of the wooden frames as each pressed the thread
up into place or tightened the pegs by which the whole was held straight. The excited
crowd in the doorway began to see that the skill of booth in truth was very nearly
equal, but that, however the cloth might turn out, the goddess was the quicker of the
two. A pattern of many pictures was growing on her loom. There was a border of
twined branches of the olive. Athene’s favorite tree, while in the middle, figures began
to appear. As they looked at the glowing colors, the spectators realized that Athene
was weaving into her pattern a last warning to Arachne. The central figure was the
goddess herself competing Poseidon for possession of the city of Athens; but in the
four corners with mortals who had tried to strive with gods and pictures of awful fate
that had overtaken them. The goddess ended a little before Arachne and stood back
from her marvelous work to see what the maiden was doing.
Never before had Arachne been matched against anyone whose skill was equal, or
even nearly equal to her own. As she stole glances from time to time at Athene and
saw the goddess was working swiftly, calmly, and always a little faster than herself
she became angry instead of frightened, and an evil thought came into her head.
Thus, as Athene stepped back a pace to watch Arachne finishing her work, she saw
that the maiden had taken for her design a pattern of scenes which showed evil or
unworthy actions of the gods, how they had deceived far maidens, resorted to
trickery, and appeared on earth from time to time in the form of poor and humble
people. When the goddess saw this insult glowing in bright colors on Arachne’s loom,
she did not wait while the cloth was judged, but stepped forward, her gray eyes
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blazing with anger, and tore Arachne’s work across. Then she struck Arachne across
the face. Arachne stood there a moment, struggling with anger, fear and pride. “I will
not live under this insult,” she cried, and seizing a rope from the wall, she made a
noose and would have hanged herself.
The goddess touched the roped and touched the maiden. “Live on, wicked girl,” she
said. “Live on a spin, both of you and your descendants. When men look at you, they
may remember that it is not wise to strive with Athene.” At that the body of Arachne
shriveled up, and her legs grew tiny, spindly, and distorted. There, before the eyes of
the spectators hung a little dusty brown spider on a slender thread.
All spiders descend from Arachne, and as the Greeks watched them spinning their
thread wonderfully fine, they remembered the contest with Athene and though that
it was not right for even the best of men to claim equal with gods.
Arachne
What I Can Do
A. PERFORMANCE TASK 1
As the youth president of your barangay you have decided to organize a virtual prayer
brigade to strengthen the faith of your community members who were tested positive
for COVID-19 and to support their families spiritually. Your task is to create an
accessible effective prayer containing formal and informal language content. Your
prayer should serve its purpose to strengthen the faith of COVID-19 warriors. A
minimum of 30 words and maximum of 100 words is required to accomplish your
task. Please write using an A4 size bond paper in completing the task. Attach your
output here.
PRAYER-WRITING CRITERIA
Meaning and Originality 20
Grammar 10
Relevance of Content 20
Total Points 50pts
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DAY 5
Post Test
Instructions: Read each item carefully and choose only the letter of your answer.
Write your answers on a separate sheet of paper.
1. Which of the following tools DOES NOT provide support and facilitate in
understanding of texts?
A. Venn Diagram C. Network Tree
B. Cycle Map D. Context Clues
2. Which of these aids has words that are highlighted, set in boldface, and
italicized?
A. Digital text C. Contextual Text
B. Textual Text D. Graphic Organizer
3. Which of these is an activity that causes fear of physical or emotional harm
or damage to the victim?
A. Bullying C. Acting
A. Singing D. Pushing
4. Which of these is also known as The Anti-Bullying Act of 2013?
A. Republic Act No.10627 C. Republic Act No. 10711
B. Republic Act No. 11407S D. Republic Act No. 11241
5. Which of these refers to any bullying done with technology or any electronic
means?
A. Social Bullying C. Cyberbullying
B. Gender-based Bullying D. Physical Bullying
6. What graphic organizer will you use in illustrating the cause and effect of
bullying?
A. Network Tree C. Problem and Solution Map
B. Problem Solution Outline D. Sequential Episodic Map
7. What graphic organizer will you use to present the similarities and
differences of Cyberbullying and Social Bullying?
A. Fishbone Map C. Comparative and Contrastive Map
B. Continuum Scale D. Series of Event Chains
8. What graphic organizer will you use to investigate a bullying scenario in the
school?
A. Fishbone Map C. Comparative and Contrastive Map
B. Continuum Scale D. Series of Event Chains
9. Which of these is a way of reading the text according to sequence and order?
A. Reading path C. Non-linear text
B. Textual Aid D. Reading Habit
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10. Which of these is a reading path where text and visuals are combined?
A. Reading path C. Non-linear text
B. Textual Aid D. Reading Habit
11. Which of the following is not an example of a non-linear text?
A. Dictionary C. Encyclopedia
B. World Alamac D. Novel
12. To know the distribution of labor among your groupmates in doing a task,
what non-linear type are you going to use?
A. Line Graph C. Pie Charts
B. Bar Graph D. Infographic Chart
13. To know which regions from the Philippines, have high cases of Covid-19
what graphic organizer are you going to use?
A. Line Graph C. Pie Charts
B. Bar Graph D. Infographic Chart
14. Which is a non-linear type showing comparison between variables?
A. Line Graph C. Pie Charts
B. Bar Graph D. Infographic Chart
15. Which of these is a non-linear type which eases the understanding of
complicated facts and figures?
A. Line Graph B. Bar Graph C. Table D. Chart
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References
Textbook
Liza R. Almonte et.al, Celebrating Diversity through World Literature
(Philippines: Rex Bookstore Inc., 2015), 20 – 35.
Websites
"Types of Graphic Organizers,” accessed July 14, 2020
https://urlshort.host/xdj7G
“Non-linear to Linear Text,” accesses July 15, 2020
https://urlshort.host/wcv6R
Images
Image1: retrieved July 15, 2020, https://urlshort.host/2ekiU
image2: retrieved July 15, 2020 https://urlshort.host/XuUtn
image3: retrieved July 15, 2020 https://urlshort.host/g13IJ
image4: retrieved July 15, 2020 https://urlshort.host/RJxaA
image5: retrieved July 15, 2020https://urlshort.host/ktt4P.
Cliparts
Clipart 1: retrieved July 15, 2020, https://urlshort.host/FewTj
Clipart 2: retrieved July 01, 2020, https://urlshort.host/a4TFr
You are now ready for the next module. Always remember the following:
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