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Evaluating The Arts Assumptions Art Forms Function Content and Relevance
Evaluating The Arts Assumptions Art Forms Function Content and Relevance
Evaluating the Arts: Assumptions, Art Forms, Function, Content and Relevance
Richard D. Madrilejos
BUCAL Faculty
Introduction
Hello dear students. This is your reading material to guide you in your second assessment
task. This material is mainly based on the output of the author in his CHED Training of Art
Appreciation Trainers in Ateneo de Davao University on October 10-28, 2016. The “Art as
devotion.” part in the assumption is based on the lecture of Madam Madhava dasi, a bramahna
who was invited as a guest lecturer in one of the author’s classes in Art Appreciation. The Art
Form section is based on the terms set by the National Commission on Culture and the Arts of
the Philippines. Pictures of artworks presented here are from An Banwa: Kultura buda Artes
(ABKAT) and Burabod Artists FB pages and from the artists themselves.
The author is convinced through practice that arts can be a vital tool in human
development. It can serve as a catalyst in self-realization then social stability. Therefore, it is of
great importance to study this subject. This is Art Appreciation and you will appreciate through
arts evaluation, analysis and creation.
This material is focused on the evaluation of the arts. It is divided into five (5) parts:
1. Assumptions
2. Art Form
3. Function
4. Content
5. Relevance
Discussion
Defining a term, limits the term to its definition, and art or artists do not want this
limitation for it is a hindrance to their creativity; and a room for a never-ending debate
among the audiences or critics. So, to be safe of what an art is, we settle for its assumptions.
We assume based on our background, experiences, idiosyncrasies, beliefs or ideologies or
the overlapping of these basis. There are many assumptions of art and these are some:
1.1 Universal
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a. Everybody can be an artist or a creator regardless of time, age, nationality,
race, religion, gender, academic or artistic background, etc. A portrait made
by a kid is considered an art like Prof. Jaried Millare’s portrait Nikki. The
former is younger and no artistic background compared to the latter who is
already an adult and an experienced visual artist, but their painting is an art
because there is the element of creation and because of the assumption that art
is for everybody; it is universal.
It is cultural because:
a. It promotes a culture. Contrary to the first assumption, this latter does not
show the universal effect or the common effect of an art work, rather it shows
a specific way of life or experience that is true to a particular group of people.
For example, Borlagdan’s An Kakanon sa Aro-aldaw (a collection of
rawitdawit or poems written in any Bikol language in Bicol) shows that art is
cultural because it promotes specifically the Bikol languages to the general
public. Also, the Bikol Harana, a researched by Prof. Chavenia and Prof.
Bermundo is an example of this assumption because it is about the Bicolano’s
unique culture on courtship and marriage practices. The picture below the
poster of ABKAT’s Pagtanyog sa Radio Program with sole purpose of
promoting Bikol language through discussion, original poetry, original song,
and radio drama.
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b. It is not natural. If it is natural, then it is God made. So, cultural means
creations of persons; the artists are persons. The Bulkan Mayon is created by
God but the painting of the Mayon Volcano is created by a person, a painter,
an artist therefore, the Mayon Volcano itself in Bicol as one of the seven
wonders in the world is natural and the painting of the Mayon Volcano is
cultural. Anything that is man-made is cultural therefore it is an art. So, an art
is not just limited to the seven disciplines or art forms: literature, visual arts,
architecture, music, dance, theater and film. Because crafts are persons-made
they are considered arts like handicrafts, cutlery, upholstery, carpentry,
carving, etc. All are persons-made not God made therefore they are not natural
– it is cultural.
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Noel Dorente, Satuya Ini. Mixed Media (2002)
a. The artists out of their direct and vicarious experiences create art works.
Direct experiences are experiences directly perceive by the senses of the
perceiver. The artists have direct perception of a particular sense object. A
sense object is any object that has an effect on one or all our senses. For
example, if the sense object is the Malawmawan Island in Sorsogon City, and
the artist directly sees, hears, smells, tastes, and touches everything in
Malamawan, then the artist has a direct experience of the sense object which
is the island. So, with that direct experience, the artist may write a poem or
compose a song or choreograph a dance. Vicarious experience on the other
hand, means that the artists experience the sense object in a second-hand
manner through a story from a person who has a direct experience, a movie, a
play, a poem, a painting, etc. Considering Malamawan again as sense object,
if the artist has not yet been to the island, still he can create an art work
inspired by the island trough a story from a friend who has been in
Malamawan or through a play watched about the island or a TV documentary
about the Malamawan Island.
a.2 inspiration to
create an art work.
a.3 motivation to
continue creating an
art work.
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c. Creating an art work is
already an experience in
itself. One may not be
learned or trained in arts
or be like a Picasso or a
Mozart or a Shakespeare
or a Brocka but still paint,
still compose, still write
poems or still direct
videos. One just wants to
experience creating art
works. Like this picture
below of one of the
participants in ABKAT’s
Pagtalubo Workshop in
Tabaco, appreciating her
banca painting.
d.
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1.4 Art as an expression.
Artists express:
b.
b. particular culture like Prof. Millare’s
De Pruta, an oil on canvas that shows
the culture of a simple happy farmer
after harvest.
c.
c. a significant experience. It may be a simple birthday party of your loved one like
Prof. Millare’s another oil on canvas, Nikki.
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d. promote an advocacy like
the promotion of Bicol
local cultures, folk
literatures and languages.
Below is the picture of the
mixed media of Prof.
Millare entitled, Mga Agi-
Agi.
e. to release an emotion.
Below is Prof. Millare’s
Jetanok expressing
danger, anger and anxiety
because of its very bright
colors and rough texture.
a. Pre-production Stage is
the conceptualization
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stage. It answers the questions: what to create, why create, who will create, to
whom it shall be created to, and how much will be the creation. So, in this
stage the intended art work is identified, the reason behind the intention, the
willing artists who will commit to the work, the intended audience and the
working budget. At the left, is the picture of the BURABOD Artists’s
conceptualization for their play, An Mamundong Hade.
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c. Post-production Stage is the Audience Stage. This is the stage where the
audience matters; where the audience as part of the creative process, makes
comments, suggestions, or criticisms about the art work that the artists may or
may not consider. This is true to the Sining Banwa’s curtain call in the last
performance in the Pista nin Teatrong Bikolnon where the artists and the staff
from all the Bikol theater organizations went to the stage and after had an
open forum. See the picture below.
These three stages confirm that art as a creative process is also a form of
communication because the elements of communication are present in creating art
works. The sender is the artists, the medium is the art form, the message is the
content of the artwork, the receiver is the audience, and the feedback is the
criticisms by the audience. In this way, an art work is not just an expression of the
artists’ release of uncontrolled emotions or satisfaction of their unrealized desires
but a conscious, well-planned, and well-organized piece that is created to for an
intended audience to understand the message and gives feedback.
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1.6 Art as an imitation.
Probably the oldest assumption of what an art is based on western thinking.
Ancient people to understand themselves, their environment, higher beings, the
Supreme Being, learn to imitate what their senses perceive. And their imitation
according to western history of arts were the first work of arts made by persons. Even
now, this assumption or concept of art is still applied. Painters imitate a volcano,
sculptures imitate the last General who surrendered to America, musicians imitate the
sound of the birds and the flow of water from a creek, dancers imitate animal
movements, actors imitate a drug addict, film makers imitate a real-life scenario gang
inside a prison house.
The picture below shows Prof. Monay’s imitation of a flying bird or a swift wind
in her choreographed dance as part of the recital in the iKapwa Theater Workshop on
June 12, 2020.
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Bligz’s religious rap, Padagos
2. Art Forms
These art forms or forms of arts are based on the Sub-commission on the Arts of the
National Commission for Culture and The Arts (SCA-NCCA) of the Republic of the
Philippines. Art forms may refer to the creative medium used or the way the subject and
the content of the art is being communicated to the audience.
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Artist for Architecture, Leandro Locsin’s interior design of the Cultural Center of
the Philippines (CCP).
c. Landscape Architecture
e. Environmental Planning
1. urban and regional planning, city planning, town and country planning,
and/or human settlements planning,
So, planning to take care of the environment is an art specifically in the form
of the Allied Arts. At the same time, it is a scientific advocacy because based on
the Philippine Institute of Environmental Planners, it
2.2 Film
a. Mainstream Film
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a.1 Caters to a wider audience, the masses
a.2 Genres – romance, action, comedy, and romantic comedy
a.3 Mood is light-hearted
a.4 Purpose - to entertain, to ease stress
a.5 Biggest production companies – Star Cinema, Regal Films, Viva Films,
GMA Films
b. Independent Film
Critically acclaimed
independent Filmmakers in the
Philippines are Kidlat Tahimik,
Lav Diaz, Raymond Red,
Brillante Mendoza, Alvin
Yapan, and Kristian Cordero
(to name a few). At the left is
Lav Diaz’ Ang Babaeng Humayo starred by Ms. Charo Santos.
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2.3 Dance
a. Folk
Dance that is based on the way of life of indigenous communities like the
natives of Cordillera as researched by the National Artist for Dance,
Ramon Obusan. Below is the picture that shows his immersion with the
natives.
b. Ballet
Serves as the foundation for western dance. It requires strong technique,
athleticism but with grace.
c. Contemporary
It is a lot like ballet with acting/ lyrical but breaks the rules of the former.
The National Artist for Dance, Alice Reyes is known all over the world
for her Ballet and Contemporary works as shown in the picture below.
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d. Jazz
Common characteristics of Jazz dance are:
d.1 Isolations: a dancer isolates one specific part of her body, such as her
rib cage or wrist
d.2 Grounded movement: dancers keep a low center of gravity, and often
bend their knees
d.3 Syncopation: accenting an offbeat or note of the musical
accompaniment that surprises the audience
d.4 Contractions: motivated by her breath, a dancer will make a C-shape
with her core
d.4 Sensuality: there is a sexiness in jazz dance that is lacking in more
traditional styles
These characteristics are reflected in the Musical Movie Chicaco and in the works
of Douglas Nieras respectively shown in the pictures below.
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2.4
Theater Arts
a. Government
Produced
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In Albay, the province during the Magayon Festival, produced Abdon
Balde’s Sayaw kan Tulong Bulod. It was directed by Prof. Julio Mendoza.
The picture at the left shows the poster design of the play, the playwright
and the Governor as he shows appreciation to the director, the staff and
the players.
b. Community-Based
c. Student-Based
a. Poetry
b. Short Story
c. Novel
d. Essay
e. Drama
Some notable
writers in Bicol are
in this picture on the
left. On top, you
have, from the right,
Raffi Banzuela,
Jazmin Llana, Frank
Penonez, Jazmin
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Llana and Kirstian Cordero. Below right is Jimple Borlagdan and in the left is
Niles.
2.6 Music
a. Folk
b. Contemporary
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a. Painting is the application of color on flat surface. It is two-dimensional
art work.
b. Sculpture is a
three-
dimensional art
piece that uses
clay, wood,
marble, cement,
paper, etc.
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Ronald Bjaro’s vases
3. Functions of Arts
3.1 Personal
The art work is for the artist’s or the audience’s self-expression, self-awareness and
self-improvement in art making and in life. It serves as a medium to express a feeling
to someone that cannot be done directly.
It may agree to the art maxim, “Art for art’s sake.” for art functions as a way for the
artists to improve his craft for the development of art. The artist explores new ways
for self-expression just like the visual arts exhibit of the Albay Contemporary Artists
(ACA).
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George Vibar’s interview in one of the ACA’s exhibit @ the Atrium
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Yatoy’s Muwah in Deviant Art
3.2 Social
The artwork serves as the medium for an artist to promote an advocacy. Sining
Banwa Performance Collective promotes social or protest plays. An Banwa: Kultura
buda Arte kan Tabaco promotes Bicol languages. Raffi Banzuela’s Selebra, a
collection of rawitdawit promotes Bicol cultures. Ronald Rebutica was the
cinematographer of socio-political movies like “An Kubo sa Kawayan,” “Edsa,” and
“Oro.” Prof. Julio Mendoza’s works promotes social and religious advocacies like his
play “Sa Pamitisan kan Bulkan,” a re-telling of Daragang Magayon to expose the
contemporary social injustices and to offer solution through faith to the Virgin Mary.
3.3 Physical
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may be things
we wear like
clothes,
watches,
perfume or
things we use
like cellphone,
chairs, or
ballpen. These
are also tools
for farming,
fishing, or
baking. All of
these things
and tools are
artworks and
their function
as an art is physical. Above is MIllare’s “Bahay Kubo” design and at the side is
Culing Bermil’s Plant Stand.
For example, we will use Erik Lim’s shot of Mamiya using C330 Arcos as we see
below:
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This photograph has personal and social functions. Personal, because I know that
the subject is the artist’s wife. So, on the part of the artist, the photo suggests
appreciation towards his wife staring up. As an audience, I personally felt exited but
worried of what the subject is seriously looking upon. Mamiya may also have a social
function because it may discuss gender issues, women empowerment, or/ and faith as
well.
4. Content
There are three levels of content or meaning of an artwork:
4.1 Factual
It is also the relevant information of the artwork that includes the artist, the
medium used, places exhibited/ staged; is it published or did it receive award,
criticism or citation; is it adapted or transformed in another art form; is it a basis
for the creation of a new original art work.
4.2 Conventional
The meaning is based on popular belief or common accepted realities of a
particular society at a given time.
It also conforms to the constructed norms and rules of the society.
4.3 Subjective
The meaning of the artwork depends on an individual maturity, preference,
interest, likes or dislikes, and background (family, educational or/and artistic).
One may use a literary or art theory to find the meaning of the artwork.
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The factual meaning of the painting is a variety of traditional tools use in farming.
You may mention also, the painter, the title of the painting, its medium, size, location
it was exhibited or/ and any other actual information pertinent to the painting.
The conventional meaning may be simplicity, hardwork, or tolerance.
For the subjective meaning, if I will use Marxism as a literary theory, my meaning
would be the land owners injustices towards the farmers. However, if I am not used to
and got wounded in using these tools, then my subjective meaning of the painting will
be pain because of my personal experience of the tools in the painting.
5. Relevance
5.1 Personal
It answers the questions - What is the importance of the artwork to you as a student
or as son or as a daughter or as a person? Did it help you in your studies? In what
way? Did it make you a better person? Explain why. If you have answers to these
questions, the artwork has personal relevance.
5.2 Social
If you will be able to answer these questions below, then it has a social relevance.
5.3 Historical
If there are significant event in the past that is reflected in the artwork, then it has a
historical relevance.
5.4 Cultural
5.5 Philosophical
Did the artwork make you question your existence? Make you search for your real
self? Ask whether there is really God; and what is your purpose in living? If you
have answers to these questions then, an artwork has a philosophical relevance.
5.6 Spiritual
If the artwork is a reminder to cultivate our loving relationship with God and others,
then it has a spiritual relevance.
Let us take Jetanok, another painting of Prof. Millare as example to discuss its
relevance:
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Jetanok is an oil on canvas, 18” x 24,” (2008).
Assessment Task
Choose one Bikolano artwork (song, poem, painting, photography, etc.). Then answer the
following questions:
1. Give at least 2 assumptions of art that are manifested in the artwork. Justify your answer with
2-3 sentences each assumption.
3. Choose among these three options to answer: A. What is/ are the function/s of the artwork as
an art? B. Identify the three levels of content and explain each in 2-3 sentences. C. Identify and
explain at least 2 relevance of the art work in 2-3 sentences each relevance.
Rubric
Outstanding Very Satisfactory Satisfactory (2.0-2.5) Fair (2.6-3.0) Poor/Conditional/
(1.0-1.4) (1.5-1.9) Failed (3.1-4.0/5.0)
The answer is The answer is The answer is Some parts are The answer is
complete, complete, accurate complete but some missing, not incomplete,
accurate (form (form included), but parts are not accurate accurate, and not inaccurate (form
included), and not well-organized. (form included), and well-organized. included), and not
well-organized. not well-organized. well-organized.
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References
http://ncca.gov.ph/about-ncca-3/subcommissions/
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https://answers.yahoo.com/question/
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Suggested Readings
Chey, C. (2017). Art is Universal-Society is Local. Arts and International
Affairs. 2 (2).doi: 10.18278/aia.2.2.5
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Encyclopedia.com. Retrieved
July 29, 2020, from https://www.encyclopedia.com/humanities/encyclopedias-
almanacs-transcripts-and-maps/art-expression
Bissell, R. (1974, July 20). A Critical Examination of the Notions of Art as
“Imitation of
Nature” and “Re-Creation of Reality”. The Personal Site of Roger Bissell, the
Muse-Seeker. http://www.rogerbissell.com/id11b2.html
Mallick, P. (2017, January 14). The Creative Process of Making Art 1 :
Generic Creative Process. WordPress.
http://prabalmallick.net/blog/creative-process-of-making-art/
Acknowledgement
Albayano artists who are mentioned and whose works are present in the material.
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