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CARTER - Lotte Eisner - A Reappraisal
CARTER - Lotte Eisner - A Reappraisal
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dossier
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.. productive anachronisms in Eisner’s critical and archival practice; they
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.. pursue strands from intellectual histories that shed new light on her
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contribution to film aesthetics; and they present insights from the archive
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376 Screen 62:3 Autumn 2021 Erica Carter Lotte Eisner: a reappraisal. Introduction
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atmosphere derives from earlier encounters during her art history training
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with German aesthetic theory. Wedel observes in Eisner in this context a
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.. recourse to her art historian mentor Heinrich Wölfflin, whose influential
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.. taxonomy of style was first elaborated in his 1915 study
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.. Kunstgeschichtliche Begriffe; das Problem der Stilentwicklung in der
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9 Heinrich Wölfflin, ..
.. neueren Kunst (Fundamental Concepts of Art History).9 As Wedel
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dossier
Kunstgeschichtliche Begriffe; das ..
.. affirms, Wölfflin’s encounters with contemporary aesthetic theory,
Problem der Stilentwicklung in der ..
neueren Kunst (Munich: F.
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.. including the empathy theories of Johannes Volkelt and Robert Vischer,
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Bruckmann, 2015). ..
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led him to root this stylistic history in conceptions of artistic expression
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as the ‘physical appearance of a mental process’.10
377 Screen 62:3 Autumn 2021 Erica Carter Lotte Eisner: a reappraisal. Introduction
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account of Weimar film in which Romantic conceptions of Germanic
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soul exist in uneasy friction with a parallel narrative of German national
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.. cinema as a dynamic and historically fluid intermedial assemblage.
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.. Eisner’s expansive references to painting, theatre, architecture, Romantic
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.. literature and the like reveal a conception of film as the product of a
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.. constellation of historically situated aesthetic practices which it is the
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.. historian’s task to reconstruct. At the same time, references to soul or
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.. spirit, as found in her comments in The Haunted Screen on Max
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Reinhard’s reconstruction of ‘Nordic man’s Faustian soul’, seem to
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378 Screen 62:3 Autumn 2021 Erica Carter Lotte Eisner: a reappraisal. Introduction
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the film historian emerges here as a figure intellectually and
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professionally formed by multifaceted activities first as journalist and
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.. critic, later as collector, archivist and Chief Curator at the Cinémathèque.
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.. Anton Kaes, Nicholas Baer and Michael Cowan paved the way to new
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.. anglophone understandings of this operative dimension to Eisner’s work
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.. when they included translated articles from her interwar journalism in
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dossier
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.. their monumental document collection on German film theory across
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17 Anton Kaes, Nicholas Baer and ..
.. three pre- and post-World War I decades, The Promise of Cinema.17
Michael Cowan (eds), The ...
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Malte Hagener similarly presages our contributors’ perspectival shift
Promise of Cinema: German Film ..
379 Screen 62:3 Autumn 2021 Erica Carter Lotte Eisner: a reappraisal. Introduction
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contribution is, however, regularly eclipsed in a historiography that pits
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Cinémathèque director Henri Langlois against the British Film Institute’s
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.. Ernest Lindgren as representatives of a defining dichotomy in post-war
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.. archival practice. The split embodied by these two giants of archive
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.. history is that between a cinephile model (Langlois) that prioritizes the
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.. ‘showing and sharing’ of archive film, and a preservationist model
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dossier
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.. (Lindgren) focused around restoration and preservation as practices
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.. securing ‘the core asset of the global film archive ... that of film
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21 Caroline Frick, Saving Cinema: ..
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heritage’.21
The Politics of Preservation ..
380 Screen 62:3 Autumn 2021 Erica Carter Lotte Eisner: a reappraisal. Introduction
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but also as a tribute to a body of work that situates Eisner, we suggest, as
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a figure whose contributions to film history, archival and curatorial
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.. practice, and media aesthetics cry out to be discovered anew.
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.. The authors would like to acknowledge the generous support of the German Academic Exchange Service (DAAD) in
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.. funding the symposium from which this dossier derives. The symposium was hosted by the German Screen Studies Network,
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.. King’s College London and the Birkbeck Institute for the Moving Image (BIMI) as part of the DAAD-funded project,
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.. Circulating Cinema: The Moving Image Archive as Anglo German Contact Zone.
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381 Screen 62:3 Autumn 2021 Erica Carter Lotte Eisner: a reappraisal. Introduction