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Education in The New Normal
Education in The New Normal
WEEK 7
Task 3
1. Remember to adjust your volume to the size of the audience and venue.
2. Vary your rate of speed to keep your audience interested and to avoid
monotone patterns.
3. Master your voice and find your pitch level high or low.
4. Use pause when you emphasize the most important words phrases or
sentences.
5. Pronounce and enunciate words correctly
6. Avoid fillers or expressions that substitute actual words in your speech.
7. Stage presence
8. Facial expressions.
9. Movements or bodily actions.
10. Report with the audience.
V. Reflection
The insights that I’ve learned from this lesson is the components of
voice modulation.
The new ideas that I’ve learn in taking up the lesson are the tips for
speech delivery.
WEEK 8
V. Reflection
With the activities I have undertaken on this lesson, I learned that stage
presence refers to the speaker’s ability to “own” the stage, filling it with
one’s personality and projecting it to the audience or group of listeners.
This also means the sum total of all the qualities that keep the
audience engaged while delivering a speech.
The new additional ideas I’ve learn is even if you have superb
articulation, accurate voice modulation, amazing stage presence, and
perfect facial expressions, gestures, and motions, you will never be
able to provide effective speech. Your audience's reaction to your
speech will be a good indicator of how effective your speech is. The
trust and connection that a speaker builds with his or her audience is
known as rapport.
ORAL COMMUNICATION
WEEK 7
Task 3
1. Remember to adjust your volume to the size of the audience and venue.
2. Vary your rate of speed to keep your audience interested and to avoid
monotone patterns.
3. Master your voice and find your pitch level high or low.
4. Use pause when you emphasize the most important words phrases or
sentences.
5. Pronounce and enunciate words correctly
6. Avoid fillers or expressions that substitute actual words in your speech.
7. Stage presence
8. Facial expressions.
9. Movements or bodily actions.
10. Report with the audience.
V. Reflection
The insights that I’ve learned from this lesson is the components of
voice modulation.
The new ideas that I’ve learn in taking up the lesson are the tips for
speech delivery.
WEEK 8
V. Reflection
With the activities I have undertaken on this lesson, I learned that stage
presence refers to the speaker’s ability to “own” the stage, filling it with
one’s personality and projecting it to the audience or group of listeners.
This also means the sum total of all the qualities that keep the
audience engaged while delivering a speech.
The new additional ideas I’ve learn is even if you have superb
articulation, accurate voice modulation, amazing stage presence, and
perfect facial expressions, gestures, and motions, you will never be
able to provide effective speech. Your audience's reaction to your
speech will be a good indicator of how effective your speech is. The
trust and connection that a speaker builds with his or her audience is
known as rapport.
ALLIAH GRACE BULANA
HUMSS 11-A ORAL COMMUNICATION
WEEK 6
Since Han times (206 BCE–220 CE), both Western Sinologists and Chinese
scholars have distinguished between a Daoist philosophy of the great mystics and
their commentators (daojia) and a later Daoist religion (daojiao). This now-defunct
theory held that the "ancient Daoism" of the mystics predated the "later Neo-Daoist
superstitions" that were misinterpretations of the mystics' metaphorical images. The
mystics, on the other hand, must be viewed against the backdrop of religious
practices prevalent at the time. Their ecstasies, for example, were closely related to
the early magicians' and shamans' trances and spirit journeys (religious personages
with healing and psychic transformation powers). The authors of the Daodejing, the
Zhuangzi (book of "Master Chuang"), and the Liezi (book of "Master Lie") are not
only not the actual and central founders of an earlier "pure" Daoism that was later
degraded into superstitious practices, but they can even be considered on the
periphery of older Daoist traditions. As a result of the nearly continuous mutual
influence between Daoists of different social classes—philosophers, ascetics,
alchemists, and priests of popular cults—the distinction between philosophical and
religious Daoism in this article is made purely for descriptive convenience.
There is also a trend among scholars today to draw a less rigid line between
what is referred to as Daoist and what is referred to as Confucian. Many of the ideas
shared by the two traditions about man, society, the ruler, heaven, and the universe
were not created by either school but stem from a tradition prior to Confucius or
Laozi. According to this shared tradition, orthodox Confucianism was concerned with
the formation of a moral and political system that shaped society and the Chinese
empire, whereas Daoism, within the same worldview, was concerned with more
personal and metaphysical concerns. Fundamental concepts such as the
nonexistence of the individual ego and the illusory nature of the physical world are
diametrically opposed to Daoism in Buddhism, a third tradition that influenced
China. However, in terms of overt individual and collective practices, the competition
between these two religions for popular influence—a competition in which
Confucianism had no need to participate because it was supported by the state—
resulted in mutual borrowings, numerous superficial similarities, and essentially
Chinese developments within Buddhism, such as the Chan (Japanese Zen) sect. Since
the Song dynasty (960–1279), Daoist and Buddhist elements have coexisted in folk
religion without clear distinctions in the minds of the worshippers.