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9

ARTS
Second Quarter

LEARNING ACTIVTIY SHEET


Republic of the Philippines

Department of Education

COPYRIGHT PAGE

ARTS
Learning Activity Sheets
(Grade 9)

Copyright © 2020
DEPARTMENT OF EDUCATION
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NOTE: Practice Personal Hygiene protocols at all times.


Table of Contents
Compentency Page number
Analyze art elements and principles in the production of work
following a specific art style ........................ 2
Identifies distinct characteristics of arts during the
Rennaissance and Baroque periods ......................... 10
Identifies representative artists from Renaissance and Baroque
periods ......................... 21
Reflects on and derive the mood, idea, or message from
selected artworks. ......................... 33

Discusses the use or function of artworks by evaluating their


utilization and combination of art elements and principles
......................... 39

Uses artworks to derive the traditions/history of an art period


......................... 45
Compares the characteristics of artworks produced in the
different art periods ......................... 50
Creates artworks guided by techniques and styles of the
Renaissance and the Baroque periods ......................... 59
Explains the influences of iconic artists belonging to the
Renaissance and the Baroques periods ......................... 68
Applies different media techniques and processes to
communicate ideas, experiences, and stories showing the
characteristics of the Renaissance and Baroque periods(e.g.,
Fresco, Sfumanto,etc) ......................... 78
Evaluates works of art in terms of artistic concepts and ideas
using criteria from the Renaissance and the Baroque periods
......................... 83
Shows the influences of the Renaissance and Baroque periods
on the philippine art form ......................... 90
ARTS 9
Quarter 2 – MELC 1
Analyze art elements and principles in the production of work following a
specific art style

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ARTS 9
Name of Learner: Grade Level:
Section: Date:

LEARNING ACTIVITY SHEET


ART ELEMENTS AND PRINCIPLES IN THE PRODUCTION OF
WORK FOLLOWING A SPECIFIC ART STYLE
Background Information for Learners

Renaissance Period (1400-1600)


Renaissance was the period of economic progress. The period stirred enthusiasm for
the study of ancient philosophy and artistic values.
Italian Renaissance began in the late 14th century. It was an era of great artistic and
intellectual achievement with the birth of secular art. The focus was on realistic and
humanistic art.
Renaissance art was characterized by accurate anatomy, scientific perspective, and deeper
landscape. Renaissance painters depicted real-life figures and their sculptures were
naturalistic portraits of human beings.
Architecture during this period was characterized by its symmetry and balance.
As the classical Greeks believed in the harmonious development of the person through a
sound mind, by the practice of athletics, the Renaissance held up the ideal of the well-
rounded man, knowledgeable in several fields such as philosophy, science, arts, including
painting and music
– and who applies his knowledge to productive and creative activity.
The Renaissance was a period of artistic experimentation. It brought man into a full view just
like the human figure in Greek Art.
Renaissance art marks the transition of Europe from the medieval period to the early
modern age. In many parts of Europe, Early Renaissance art was created in parallel with Late
Medieval art. By 1500, the Renaissance style prevailed. The greatest cathedral building of the
age was the rebuilding of St. Peter’s Basilica in Rome.

Baroque Art (1600-1800)


The term Baroque was derived from the Portuguese word “barocco” which means
“irregularly shaped pearl or stone.” It describes a complex idiom and focuses on painting,
sculpture, as well as architecture.
After the idealism of Renaissance, and the slightly forced nature of “mannerism”,
Baroque art above all reflects the tensions of the age notably the desire of the Catholic
Church in Rome to reassert itself in the wake of the Protestant Reformation which is almost
the same with Catholic- Reformation Art of the period.
Although always in conflict with the simple, clear, and geometric concepts of
classicism, the Baroque existed in varying degrees of intensity, from a simple animated
movement of lines and surfaces, to a rich and dynamic wealth.
Baroque was a period of artistic styles in exaggerated motion, drama, tension, and
grandeur. The style started in Rome, Italy and spread to most of Europe.
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The Roman Catholic Church highly encouraged the Baroque style to propagate
Christianity while the aristocracy used Baroque style for architecture and arts to impress
visitors, express triumph, power, and control.
Baroque painting illustrated key elements of Catholic dogma, either directly in
Biblical works or indirectly in imaginary or symbolic work. The gestures are broader than
Mannerist gestures: less ambiguous, less arcane, and mysterious.
Baroque sculpture, typically larger than life size, is marked by a similar sense of
dynamic movement, along with an active use of space.
Baroque architecture was designed to create spectacle and illusion. Thus, the straight
lines of the Renaissance were replaced with flowing curves.

Elements of Arts
The elements of art are the building blocks of all art. Every artwork or art piece created
comprises one or more elements. And of course, you need to know all this first.

1. Line. A mark drawn by any tool that marks as it moves across a surface. Lines can be
long or short, thick, or thin, rough, or smooth, dotted, broken or solid. They can make
straight movements, zigzags, waves, or curls. They may be horizontal, vertical, and
diagonal. Lines can convey different emotions as well. Other lines which can be
measured, geometric, directional, and angular are called constructive lines. They tend
to appear to be man-made because of their precision.
2. Shape. Shape is created when a line becomes connected and encloses space. It is the
outline or outward appearance of something. Shapes are 2 Dimensional (2-D) which
means you can measure its height and its width. There are two basic types of shape:
geometric shapes and organic shapes. Geometric shapes have smooth even edges and
are measurable such as square, circle, triangle, and rectangle. Organic shapes have
more complicated edges and are usually found in nature.
3. Form. A Form is a shape that is 3- Dimensional (3-D) that has height, width, and depth.
4. Color. Color can add interest and reality to artwork. These colors are: Red, Yellow,
Orange, Green, Blue, Indigo and Violet (ROY G BIV). There are 3 primary colors:
Red, Yellow and Blue. These colors are primary for 2 reasons: A. They cannot be
formed from other mixed colors. B. They make all the other colors on the color wheel.
When you mix 2 primary colors together, you get a secondary color. When you mix a
primary and a secondary color together you get an intermediate color.
5. Texture. Is the way the surface of an object feels. In the artistic world, we refer to
two types of texture---tactile and implied. Tactile or real texture is the way the surface
of an object feels. Implied Texture is the way the surface of an object looks like it
feels. This is the type of texture that artists use when they draw and paint.

Principle of Arts

The principles of art represent how the artists use the elements of art to create an effect to the
design and to help convey the artist’s intent.

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1. PATTERN or REPETITION refers to the visual arrangement of elements (line,
shape, color, etc...) that is alternated or with a repetitive form or sequence.
2. BALANCE is the way the elements are arranged symmetrically or asymmetrically to
create a feeling of stability or impression of equality in weight in an artwork.
a. Symmetrical Balance. An artwork illustrates symmetrical balance when the
parts of an image are organized so that one side mirrors the other.
b. Asymmetrical Balance. Asymmetrical balance is illustrated in an artwork
when one side of a composition does not reflect the design of the other.
c. Radial Balance. Radial balance is any type of balance based on a circle with
its design extending from center.
3. EMPHASIS shows the focal point of an image or when one area or thing stands out
the most and gets a special attention.
4. CONTRAST has a large difference among different elements of designs that create
visual interest. It is a comparison of different elements of design to highlight their
differences.
5. RHYTHM and MOVEMENT is a repetition of elements that focuses the eye of the
viewers direct to the image that produce the look and feel of movement.
6. HARMONY refers to the arrangement of elements that give the viewer the feeling on
how well all the visual elements work together as a whole.
7. UNITY when all the elements and principles work together to create a pleasing image
it defines unity.
8. VARIETY is the use of different elements in an image that has differences and
change to increase the visual interest of the work.
9. SCALE it is the relationship between images in terms of size or measurement,
number or amount, visual weight and so on including the connection between parts of
a whole.

Learning Competency with code

Analyze art elements and principles in the production of work following a specific art
style (A9EL-IIb-1)

ACTIVITY 1. MATCHING TYPE. The following are the elements of arts. Match Column
A to their description in Column B. Write the letter of your answer on your paper.
A B
1. Lines A. A mark drawn by a tool such as a pencil, pen, or paintbrush
as it moves across a surface
2. Shape B. the way the surface of an object feels
3. Form C. shapes that have more complicated edges and are usually
found in nature
4. Color D. a shape that has become 3-Dimensional(3-D)
5. Texture E. shapes that have smooth even edges and are measurable
6. Geometric Shapes F. created when a line becomes connected and encloses space
7. Organic Shapes G. can add interest and reality to artwork

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ACTIVITY 2. MULTIPLE CHOICE. Analyze the given questions/ statements below and
choose the letter of the correct answer. Write the letter of your answer on your paper.
1. What are the Principles of Design?
A. Several colors together to create a pattern.
B. Repeating lines, shapes, or other elements that create a pattern.
C. Similar elements of art to create an uncomplicated look.
D. The rules that help arrange the ingredients or elements.
2. What is balance?
A. A feeling of motion in an artwork.
B. A feeling of stability or equilibrium in an artwork.
C. A feeling expressed in an artwork.
D. The distribution of elements in an artwork.
3. Repetition in artwork is .
A. A feeling of stability in an artwork.
B. Sense of scale in an artwork.
C. Using element repeatedly.
D. Overall pattern and texture.
4. What does movement mean?
A. A feeling of stability in an artwork.
B. Sense of scale in an artwork.
C. Using element repeatedly.
D. Repetition of an artwork.
5. What are the three primary colors?
A. Red, Blue, Green C. Red, Blue, Yellow
B. Red, Yellow, Pink D. Red, Violet, Orange

ACTIVITY 3. ELEMENTS AND PRINCIPLES. Give the difference of art elements and
principles in the production of works during the following period by filling in the box.

Period/Era Elements Principles


A. Renaissance

B. Baroque

ACTIVITY 2. COMPARE AND CONTRAST. Compare and contrast the art works of
Renaissance and Baroque using the following indicators. Write your answers on your paper.

A. Painting
THE SISTINE CHAPEL CONVERSION OF ST.
1. Name of Art Works
CEILING PAUL
2. Period/Era when it was
created
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3. The use of elements of
arts (lines, shape, color,
texture)
4. The distinctive
characteristics of the
artwork.

B. Sculpture
ECSTASY OF ST.
1. Name of Art Works DAVID TERESA
2. Period/Era when it was
created
3. The use of elements of arts
(lines, shape, color, texture)
4. The distinctive
characteristics of the artwork.

C. Architecture
ST. PETER’S BASILICA, ST. PETER'S SQUARE,
1. Name of Art Works
ROME VATICAN
2. Period/Era when it was
created
3. The use of elements of arts
(lines, shape, color, texture)
4. The distinctive
characteristics of the artwork.

Reflection
I learn that

I want to learn more on

References

Learner’s Material for Music and Arts Grade 9, page 138 – 186.

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Answer Key
Activity 1. Matching Type

1. A 2. F 3. D 4. G 5. B 6. E 7. C

Activity 2. Multiple Choice

1. D 2. B 3. C 4. D 5. C

Activity 3.

Period/Era Elements Principles


Accurate anatomy, scientific
Study of ancient philosophy
A. Renaissance perspective, and deeper
and artistic values
landscape
Exist in varying degrees of
intensity, from a simple Exaggerated motion, drama,
B. Baroque
animated movement of lines tension, and grandeur
and surfaces.

Activity 4.
A. Painting

1. Name of Art Works The Sistine Chapel ceiling Conversion of St. Paul
2. Period/Era when it was created Renaissance Baroque
3. The use of elements of arts lines, shape, color,
lines, shape, color, texture
(lines, shape, color, texture) texture
4. The distinctive characteristics It is famous for its
Its biblical story.
of the artwork. Renaissance frescoes.

B. Sculpture
1. Name of Art Works David Ecstasy of St. Teresa

2. Period/Era when it was created Renaissance Baroque

3. The use of elements of arts lines, shape, color, lines, shape, color,
(lines, shape, color, texture) texture, form texture, form
Illustrates the merger of
classical influences with
such features as nudity,
4. The distinctive characteristics Created for the faithful
and realism. To show
of the artwork. who worship at the altar.
David as the undeveloped
youth of the Bible story
rather than a classic hero.
C. Architecture
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St. Peter's Square,
1. Name of Art Works St. Peter’s Basilica, Rome
Vatican
2. Period/Era when it was created Renaissance Baroque

3. The use of elements of arts lines, shape, color, texture, lines, shape, color,
(lines, shape, color, texture) form texture, form

The St. Peter’s Basilica was


one of the greatest St. Peter's Square is one
4. The distinctive characteristics accomplishments of the of the largest and most
of the artwork. Renaissance which makes it beautiful squares in the
one of the greatest world.
structures
ever assembled by mortals.

Prepared by

REGIE T. BENIGNO
Writer

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ARTS 9
Quarter 2 – MELC 2
Identifies distinct characteristics of arts during the Renaissance and Baroque
periods.

10
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ARTS 9
Name of Learner: Grade Level:
Section: Date:

LEARNING ACTIVITY SHEETS


DISTINCT CHARACTERISTICS OF RENAISSANCE AND BAROQUE
PERIODS
Background Information for the

Learners Renaissance Period (1400-1600)

Renaissance art portrays the enthusiasm of the classical Greek and Roman idea of creativity
and openness for new ways of human thinking. There are seven major characteristics of
renaissance art.

Characteristics of Renaissance Art

1. The Renaissance Was A Resurrection of Human Ideals

Byzantine and Medieval paintings depicted individuals as firm and


non- emotional. Renaissance art started to depict individual characters
with genuine demeanors and compose their actual physical
appearances.

For example, in the Medieval painting of Jesus. His appearance and


face are dull and inert. Contrast that with the picture of Jesus painted by
Antonello da Messina as he depicts Jesus in "Christ at the Column." He
depicts Jesus as a human individual with emotions.

2. The Renaissance Brought the Resurrection of Naturalism

There was a lot more accentuation on the human body's anatomy.


Leonardo Da Vinci was viewed as one of the prominent leaders in the
ideals of naturalism. Both he and Michelangelo went as far as to study
and watch dead bodies being dismembered to understand how the
human muscles lay underneath the skin. Renaissance artists believed
that the human body is a wonderful thing. In Da Vinci's 1487 drawing
"Vitruvian Man," he depicts a "widespread man".

In Michelangelo's naked statue, "The David" is a prime case of the


Renaissance interest in understanding the human body.

3. Renaissance Artists Added Their Originality to Their Crafts

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Renaissance artists learned to specialize in their works adding profundity to their art by
including small details. They would make a "disappearing point" or out of sight image with
astonishing subtlety.

For example, this was done in Da Vinci's "Last


Supper." The straight viewpoint can be found
from the roof to the three windows disappearing
behind the head of Christ.

This profundity point of view helped create


unique original works of art and it delineated from the level scenes of Byzantine symbols.

4. Renaissance Craftsmen Depicted Non-religious Topics

While some Renaissance workmanship still centered around


religious subjects and Bible characters, there started to be a pattern
toward painting scenes that were not religious.

One of the most punctual Renaissance instances of a non-religious


subject was van Eyck's progressive "Arnolfini Marriage." Jan van
Eyck utilizes his creativity by including a mirror as a back divider
for the painting.

5. Renaissance Art Was Exclusive

In Medieval occasions, the church was the primary


wellspring of financing for various craftsmanship. Prior
to Renaissance art, the church to enhance its
congregation would commission religious structures.

With the financial ascent of various Italian families (the


Medici family being one of the most known in Italy).
Began appointing craftsmanship for private
proprietorship. A trademark that was often practiced by a
painter oftentimes meant including individuals from the benefactor's family directly into a
Biblical scene of the painting commissioned.

An extraordinary case of this is Veronese's "Supper at Emmaus." Veronese painted Jesus


situated at a table and incorporated him with his supporters. The supporters being the family
members and he even included the family pet.

6. Renaissance Paintings Ventured into Greek And Roman Culture

The Greek and Roman cultures were evident in figure paintings. In classical Greek and
Roman times, the significant public areas were loaded up with statues and sculptures.

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During the Renaissance, there was an expanded enthusiasm for prehistoric studies to
rediscover classical Greek and Roman culture.

7. Renaissance Artists Became Specialists at Their Crafts

Numerous Renaissance artists specialized in a specific skill set, which further progressed
their notoriety and grew their names during that time. They appreciated their unique
opportunity and used their skills to their advantage to further grow in popularity.

The two most well-known artists of the Renaissance are Michelangelo and Leonardo da
Vinci. These two men knew one another and there was even a feeling of rivalry and desire
among them.

Baroque Art (1600-1800)

The baroque art was especially marked by the several emperors and catholic monarchs from
the entire Europe who had an important interest in the success of the Catholic Church, so the
royal courts of Spain and France commanded a great number of architectonic designs,
painting, and sculptures during the general Catholic campaign.

CHARACTERISTICS OF THE BAROQUE ART

The period of the baroque art corresponds itself to 4 main characteristics that are the
Tenebrism, Realism, Lines and Hour.

1. TENEBRISM

In the baroque art, the Tenebrism is the name given to the


contrasting light and darkness. It is common in the baroque
pieces to see a source of light and shadows, which was a
practice used to give dramatism to the paintings, as they both
have an impact in the emotions of the viewer and the intensity
of the work.

For example, Judith Beheading Holofernes by Caravaggio. Caravaggio intensifies the body
language not only in the poses, gestures, and facial expressions but also in the clenched
hands.

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2. REALISM AND NATURALISM

The Realism is an important aspect of the baroque. Rubens, the


painter, hugged reality in his art, especially in his painting “Saint
George and the dragon”.

The naturalism was also seen in the baroque art using unique,
common details from the day-to-day life. Caravaggio applied this
technique in his work by showing local places, like taverns, and local
people, like farmers. He puts the viewer into the painting smearing
things as part of the first plane and the central space.

The facial expressions are especially highlighted as a form of naturalism, for point out the
moods and emotions of the subjects in the paintings. As well, the artist was not unfamiliar
with the practice of putting themselves in the painting as part of the shadows.

3. LINES

It is of popular knowledge that the lines help to transmit movement and they were frequently
used in baroque pieces. Whether they are asymmetric, vertical, or horizontal, this technique
can trick the human eye rather easily and give space to the painting, which is exactly for what
they were used during the baroque.

Throughout the baroque period, it was usual to see paintings that


featured wings. For creating the illusion of the reduction of these, the
artists declined the length of the lines, to give the impression of
extension in the space and for it to contribute to the sensation of
movement.

The works follow a certain S-like shape in the composition. For


example, in “The Conversion of Saint Paul” by Caravaggio, the
diagonal lines show the drama. The lines also pass through the diffusion of the baroque art
with curvy figures ad horizontal capes.

4. HOUR

Plenty of artists that used the baroque style knew the concept of time and used it from
transmitting the force of nature and how time was part of the process of life. The figure of an
old man was included in a big amount of works for representing time itself and express that
time comes for everybody. The positioning of the people in each painting gives the sensation
that time advances and retreats.

Learning Competency with code


Identify distinct characteristics of arts during the Renaissance and Baroque periods.
(A9EL-IIa-2)
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ACTIVITY 1. MODIFIED TRUE or FALSE: Write the word TRUE if the statement is
correct and FALSE if it is incorrect and change the underlined word/s or phrase/s that makes
the statement wrong. Write your answer on your paper or answer sheets. 2 points each.

1. One of the most punctual Baroque instances of a non-religious


subject was van Eyck's progressive "Arnolfini Marriage."
2. Throughout the renaissance period, it was usual to see paintings
that featured wings.
3. In the baroque art, the Tenebrism is the name given to the
contrasting light and darkness.
4. The two most well-known artists of the Renaissance are
Michelangelo and Leonardo da Vinci.
5. Renaissance artists learned to specialize in their works adding
profundity to their art by including small details.
6. Renaissance art portrays the enthusiasm of the Byzantine and
Romanesque idea of creativity and openness for new ways of human thinking.
7. The Naturalism is an important aspect of the baroque.
8. Rubens embraced reality in his art especially in his painting
“Saint George and the dragon”.
9. Baroque Craftsmen Depicted Non-Religious topics.
10. The Renaissance Brought the Resurrection of Naturalism.

ACTIVITY 2. TABLE COMPLETION: Complete the table below with the correct
information about Renaissance and Baroque Period. Write your answer on your paper or
answer sheets.
Example arts
Period/ Era Characteristics Description work/s

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ACTIVITY 3. PICTURE ANALYSIS: In two to three sentences, write your thoughts about
the following pictures. Write your answer on your paper or answer sheets.

Name of Artwork:
Features:

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2

Name of Artwork:
Features:

Reflection
1. I learn that

2. I want to learn more on

Refences
BOOK
 Music and Arts – Grade
9 Learner’s Material
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Department of Education

WEBSITES
 https://www.atxfinearts.com/blogs/news/what-are-the-main-characteristics-of-
renaissance-art
 https://musica-barroca.com/en/baroque-art/

Prepared by

JOHN MARK P. MANGANTULAO


Writer

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Answer Key

Activity 1. Modified TRUE or FALSE.

1. FALSE – Renaissance
2. FALSE – baroque period
3. TRUE
4. TRUE
5. TRUE
6. FALSE – classical Greek and Roman
7. FALSE -Naturalism
8. TRUE
9. FALSE – Renaissance
10. TRUE

Activity 2. Table Completion


Period Characteristics Description Arts work/s
Renaissance The Renaissance Was A Depict individual characters with "Christ at the
Resurrection of Human genuine demeanors and compose Column”
Ideals their actual physical appearances.
The Renaissance Brought the More accentuation on the human "Vitruvian
Resurrection of Naturalism body's anatomy Man"
“The David”
Renaissance Artists Added Renaissance artists learned to “Last Supper”
Their Originality to Their specialize in their works adding
Crafts profundity to their art by including
small details.
Renaissance Craftsmen Started painting scenes that were "Arnolfini
Depicted Non-Religious not religious. Marriage"
Topics
Renaissance Art Was The church was the primary "Supper at
Exclusive wellspring of financing for various Emmaus"
craftsmanship. Prior to Renaissance
art, the church to enhance its
congregation would commission
religious structures.
Renaissance Paintings The Greek and Roman cultures
Ventured into Greek And were evident in figure paintings.
Roman Culture During the Renaissance, there was
an expanded enthusiasm for
prehistoric studies to rediscover
classical Greek and Roman culture.
Renaissance Artists Became Numerous Renaissance artists
Specialists at Their Crafts specialized in a specific skill set,
which further progressed their
notoriety and grew their names
during that time. They appreciated
their unique opportunity and used
their skills to their advantage to
further grow in popularity.

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Baroque Tenebrism the Tenebrism is the name given “Judith
to the contrasting light and Beheading
darkness. Holofernes”

Realism and Naturalism The Realism is an important aspect “Saint George


of the baroque. and the
The naturalism was also seen in the dragon”.
baroque art using unique, common
details from the day-to-day life.
Line It is of popular knowledge that the “The
lines help to transmit movement Conversion of
and they were frequently used in Saint Paul”
baroque pieces.
Hour Plenty of artists that used the
baroque style knew the concept of
time and used it from transmitting
the force of nature and how time
was
part of the process of life.

Activity 3. Picture Analysis

1. Last Supper
a. The straight viewpoint can be found from the roof to the three windows
disappearing behind the head of Christ.
2. Judith Beheading Holofernes
a. contrasting light and darkness. Common in the baroque pieces to see a source
of light and shadows, which was a practice used to give dramatism to the
paintings, as they both have an impact in the emotions of the viewer and the
intensity of the work.

20
NOTE: Practice Personal Hygiene protocols at all times.
ARTS 9
Quarter 2 – MELC 3
Identifies representative artists from Renaissance and Baroque periods

ARTS 9

21
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Name of Learner: Grade Level:
Section: Date:

LEARNING ACTIVITY SHEET


REPRESENTATIVE ARTISTS FROM RENAISSANCE AND BAROQUE
PERIODS
Background Information to Learners

An aesthetic obra will not come into reality without the hand of an artist. Hands, that
made the artist to become who they in the field of art. The Renaissance period artist are
Michaelangelo, Leonardo da Vinci, Raphael and Donatello and for Baroque period are
Caravaggio, Rubens, Velasquez, Rembrant and Bernini. They work hard to made history in
the field of art.

RENAISSANCE PERIOD ARTIST


1. Michelangelo di Lodovico Buonarroti Simoni (1475-1564)
Michelangelo was an Italian sculptor, painter, architect,
and poet. He was considered the greatest living artist in
his lifetime, and since then he was considered as one of
the greatest artists of all time. Several his works in
paintings, sculpture, and architecture rank among the
famous in existence. Among his outstanding works as
sculptor were the following: Pieta, Bacchus, Moses,
David, Dying Slave, Dawn and Dusk. Two of his best-
known works, The Pieta and David, were sculpted
before he turned thirty.
He also created two of the most influential works in fresco in the history of Western art: the
scenes from Genesis on the ceiling and the Last Judgment on the altar wall of the Sistine
Chapel in Rome.
“Pieta”by Michelangelo
(Image from Treasures of the World book, by Golden Press,Inc., Copyright 1961)

In Pieta, Michelangelo approached the subject which until


then had been given form mostly from north of the Alps,
where the portrayal of pain had always related to the idea of
redemption as represented by the seated Madonna holding
Christ’s body in her arms.
Michelangelo convinces himself and his spectators of the
divine quality and the significance of these figures by means
of earthly and perfect beauty, but of course, these are human
standards.

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2. Leonardo di ser Piero Da Vinci (1452- 1519)

Leonardo Da Vinci was a painter, architect, scientist, and


mathematician. He was popularized in present times
through the novel and movie, “Da Vinci Code.” He was
known as the ultimate “Renaissance man” because of his
intellect, interest, talent and his expression of humanist and
classical values. He was also considered to be one of the
greatest painters of all time and perhaps the most diversely
talented person to have ever lived. His well-known works
were: The Last Supper (the most reproduced religious
painting of all
time), and the Mona Lisa (the most famous and most parodied portrait). His other works were:
The Vitruvian Mar, The Adoration of the Magi, and the Virgin of the Rocks. (Wikipedia)
“Monalisa”by Leonardo da Vinci
(Image from Treasures of the World book, by Golden Press,Inc., Copyright 1961)

“Mona Lisa” stems from a description by Renaissance art historian


Giorgio Vasari, who wrote, “Leonardo undertook to paint for Francesco
del Giocondo the portrait of Mona Lisa, his wife.” Mona, in Italian, is a
polite form of address originating as Madonna- similar to Ma’am,
madamme, or My Lady in English. This became Madonna and its
contraction Mona. The title of the painting, though traditionally spelled
“Mona”, is also commonly spelled in Modern Italian as “Monna Lisa”.

3. Raffaello Sanzio da Urbino (Raphael) (1483-1520)

Raphael was an Italian painter and architect of the High


Renaissance period. His work was admired for its clarity of
form and ease of composition and for its visual achievement of
interpreting the Divine and incorporating Christian doctrines.
Together with Michelangelo and Leonardo da Vinci, he
formed the traditional trinity of great masters of that period.
His main contributions to art were his unique draftsmanship
and compositional skills. His famous works were: The Sistine
Madonna, The School of Athens, and
The Transfiguration.

“The Transfiguration” by Raphael


Image from Artist Hideout

The Transfiguration was Raphael’s last painting which he worked on


up to his death. Commissioned by Cardinal Giulio de Medici, the late
Pope Clement VII, the painting was conceived as an altarpiece for the
Narbonne Cathedral in France. The painting exemplifies Raphael’s
development as an artist and the culmination of his career. The
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subject

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was combined with an additional episode from the Gospel in the lower part of the painting.

4. Donato di Niccolo di Betto Bardi (Donatello) (1386- 1466)

Donatello was one of the Italian great artists of the period. He was an
early Renaissance Italian sculptor from Florence. He is known for his
work in bas- relief, a form of shallow relief sculpture. His works
included the following statues and relief: David, Statue of St. George,
Equestrian Monument of Gattamelata, Prophet Habacuc, and The
Feast of Herod.

“David” by Donatello
(Image from Treasures of the World book, by Golden Press,Inc., Copyright 1961)

“At the time it was created, it was the first known free- standing nude
statue produced since ancient times”

BAROQUE PERIOD ARTIST


1. Michelangelo Merisi or Amerighi da Caravaggio (1571- 1610)

He was better known as Caravaggio. He was an Italian artist who


wanted to deviate from the classical masters of the Renaissance. He
was an outcast in his society, because of his own actions and the
lack of modesty and reverence for religious subjects in his own
paintings. Perhaps he started out as a specialist in his paintings of
still life, especially of fruits. Studies of single figures followed, but
they are clumsier than the fruit which gives savor of originality and
charm. Caravaggio’s models at this period were either himself or
young persons who have an air of being promising but wicked.
Among his
famous paintings were: Supper at Emmaus, Conversion of St. Paul, and Entombment of Christ.

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“Conversion of St. Paul” by Caravaggio
Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc.,Copyright
1961)

2. Gian Lorenzo Bernini (1598-1680)

Bernini was an Italian artist and the first Baroque artist. He


practiced architecture, and sculpture, painting, stage design, and
was also a playwright. He was also the last in the list of the
dazzling universal geniuses. As a prodigy, his first artworks date
from his 8th birthday. Among his early works were: The Goat
Amalthea with the Infant Jupiter and a Faun, Damned Soul, and
the Blessed Soul. He made a sculpture of “David” was for
Cardinal Borghese which is strikingly different from
Michelangelo’s David because it shows the differences between
Renaissance and the Baroque periods. He was the greatest Baroque sculptor and architect as
seen in his design of the Piazza San Pietro in front of the Basilica. It is one of his most
innovative and successful architectural designs. The famous “Ecstasy of St. Teresa” was his
greatest achievement and the Colonnade of the Piazza of St. Peter’s Rome.

“Ecstasy of St. Teresa” by Bernini


Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc.,Copyright
1961)

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3. Peter Paul Rubens (1577- 1640)

Rubens was a Flemish Baroque painter. He was well known for his
paintings of mythical and figurative subjects, landscapes, portraits,
and Counter- Reformation altarpieces. His commissioned works were
mostly religious subjects, history paintings of magical creatures, and
hunt scenes. His famous works were Samson and Delilah, Landscape
with a Tower, Portrait of Helene Fourment, and
The Three Graces.

“Portrait of Helene Fourment” by Rubens


Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc.,Copyright 1961)

4. Rembrandt Harmenszoon van Rijn (1606-1669)

Rembrandt was a brilliant Dutch realist, painter, and etcher. He was


generally considered as one of the greatest painters and printmakers
in European art. He followed no faith but was interested in spiritual
values and often chooses religious subjects. Rembrandt shares with
Rubens the revolution whereby painting came to depict the more
personal aspects of the painter: his own home and his family. No
artist has painted himself as often as did Rembrandt. His concept of
himself continued to deepen in grasp and subtlety, while his
technique grew more daring. His well- known work was his “Self-
portrait in Old Age”. Rembrandt had produced over 600 paintings, nearly 400 etchings, and
2000 drawings.

“Self-Portrait” by Rembrandt
Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc.,
Copyright 1961)

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5. Diego Velasquez (1599- 1660)

Velasquez of Spain developed out of the Baroque. He was one of


the finest Master of Composition and one of the most important
painters of the Spanish Golden Age. He worked out solutions to
pictorial problems of design that transcend the style of any period.
Velasquez was the case of a painter who discovered his avocation
almost at the very start of his career. The passion for still life
frequently emerges in Velasquez’s art. His famous works were:
The Surrender of Breda, Las Meninas (The maids of honour), Los
Borachos (The Drinkers), and Maria Theresa.

“Las Meninas - (The maids of honor)” by Velasquez


Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc.,Copyright
1961)
He created this work four years before his death and
served as an outstanding example of the European
baroque period of art. Margaret Theresa, the eldest
daughter of the new Queen, appears to be the subject of
Las Meninas but in looking at the various viewpoints of
the painting, it was unclear as to who or what was the
true subject; it maybe the royal daughter or the painter
himself.
Learning Competency with code
Identifies representative artists from Renaissance and Baroque periods (A9EL-IIa-3)

ACTIVITY 1. CONCEPT MAP. Fill in the needed answer to complete the concept map.
Copy and answer. Write your answer on your paper or answer sheets.

RENAISSANCE PERIOD FAMOUS ARTIST

Biography

Biography Biography Biography

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BAROQUE PERIOD FAMOUS

Biography Biography Biography Biography

ACTIVITY 2. KNOW THE ARTIST. Choose from the box below the artist behind the
famous artworks of Renaissance and Baroque period. Write your answer on your paper or
answer sheets.

Michelangelo Leonardo Raffaello


Donatello Diego Velasquez Peter Paul Rubens
Rembrandt Gian Lorenzo Bernini Michelangelo Merisi

1. Equestrian Monument of Gattamelata 6. Ecstasy of St. Teresa


2. Mona Lisa 7. David
3. The Sistine Madonna 8. Las Meninas - (The maids of honor)
4. The Last Supper 9. Self-Portrait
5. Pieta 10. The School of Athens

ACTIVITY 3. NAME IT. Name the artworks, artists, era and describe each of the items in
this activity. Write your answer on your paper or answer sheets.

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TITLE OF ARTWORK: TITLE OF ARTWORK:
NAME OF ARTIST: NAME OF ARTIST:
ERA: ERA:
DESCRIPTION: DESCRIPTION:

TITLE OF ARTWORK: TITLE OF ARTWORK:


NAME OF ARTIST: NAME OF ARTIST:
ERA: ERA:
DESCRIPTION: DESCRIPTION:

Reflection

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NOTE: Practice Personal Hygiene protocols at all times.
I learn that

I want to learn more on

References

 Music and Arts – Grade


9 Learner’s Material
Department of Education

31
NOTE: Practice Personal Hygiene protocols at all times.
Answer Key

Activity 1. Concept MAP

RENAISSANCE PERIOD FAMOUS ARTIST

Michelangelo Leonardo Raffaello Donatello

Biography Biography Biography Biography


helangel o was an Italian
Leonardo
sculptor,
Da painter,
Vinci was
architect,
a painter,
and
Raphael
architect,
poet. was scientist,
an Italian
andpainter and Donatello
mathematiciarchitect wasHigh
an. of the oneRenaissance
of the Italian great
period. artists of the

BAROQUE PERIOD FAMOUS

Caravaggio Bernini Rubens Rembrandt

Biography Biography Biography Biography


lian artist who wanted to deviateBernini
from thewas an Italian
classical mastersartist
of the and the first Baroque
Rubens
Renaissance. wasartist.
a FlemishRembrandt
Baroquewas
painter.
a brilliant Dutch realist, painter, and et

ACTIVITY 2. Know the artist


1. Donatello 6. Gian Lorenzo Bernini
2. Leonardo 7. Michelangelo/ Donatello
3. Raffaello 8. Diego Velasquez
4. Leonardo 9. Rembrandt
5. Michelangelo 10. Raffaello

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ACTIVITY 3. Name it.
TITLE OF ARTWORK: Pieta TITLE OF ARTWORK: Monalisa
NAME OF ARTIST: Michelangelo NAME OF ARTIST: Leonardo
ERA: Renaissance ERA: Renaissance
DESCRIPTION: In Pieta, Michelangelo DESCRIPTION: “Mona Lisa” stems from
approached the subject which until then had a description by Renaissance art historian
been given form mostly from north of the Giorgio Vasari, who wrote, “Leonardo
Alps, where the portrayal of pain had always
undertook to paint for Francesco del
related to the idea of redemption as
represented by the seated Madonna holding Giocondo the portrait of Mona Lisa, his
Christ’s body in her arms. wife.” Mona, in Italian, is a polite form of
address originating as Madonna- like
Ma’am, madamme, or My Lady in
English. This became Madonna and its
contraction Mona. The title of the
painting, though traditionally spelled
“Mona”, is also commonly spelled in
Modern Italian as
“Monna Lisa”.

TITLE OF ARTWORK: Las Meninas - TITLE OF ARTWORK: The


(The maids of honor) Transfiguration
NAME OF ARTIST: Diego Velasquez NAME OF ARTIST: Raffaello
ERA: Baroque ERA: Renaissance
DESCRIPTION: Margaret Theresa, the DESCRIPTION: The Transfiguration was
eldest daughter of the new Queen, appears to Raphael’s last painting which he worked on
be the subject of Las Meninas but in looking up to his death. Commissioned by Cardinal
at the various viewpoints of the painting, it Giulio de Medici, the late Pope Clement
was unclear as to who or what was the true VII, the painting was conceived as an
subject; it maybe the royal daughter or the altarpiece for the Narbonne Cathedral in
painter himself. France. The painting exemplifies Raphael’s
development as an artist and the
culmination of his career. The subject was
combined with an additional episode from
the Gospel in the lower part of
the painting.

Prepared by

JOHN MARK P. MANGANTULAO


Writer
33
NOTE: Practice Personal Hygiene protocols at all times.
ARTS 9
Quarter 2 – MELC 4
Reflect on and derive the mood, idea, or message emanating from selected
artwork of the Renaissance and Baroque Period.

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NOTE: Practice Personal Hygiene protocols at all times.
ARTS 9
Name of Learner: Grade Level:
Section: Date:

LEARNING ACTIVITY SHEET

SELECTED ARTWORK OF BAROQUE AND RENAISSANCE PERIOD


Background information for Learners

Arts of the Renaissance Period covers artworks produced during the 14th, 15th, and
16th centuries in Europe. The word “renaissance” comes from the word, “renaitre”, which
means, “rebirth.” It pertains to arts, particularly in Italy, such as sculptures, paintings, music,
architecture, and literature. The most common subject of this period is human philosophy.
Famous artists of this era were Michelangelo, Leonardo Da Vinci, Raphael, and Donatello.

The arts of the Baroque Period are more elaborate and fuller of emotion. They
developed in Europe around the 1600’s. This type of art form was highly encouraged by the
Catholic Church to propagate its dogma. Artists who were popular during this era were
Caravaggio, Rubens, Velasquez, Rembrandt, and Bernini.

Selected Artwork of Baroque and Renaissance Period:

Renaisssace Period Baroque Period

“Pieta” “Conversion of St. Paul”


- Is a work of Renaisssance Sculpture - Is a work of Baroque Painting by
by Michaelangelo, housed in St. Caravaggio
Peter’s Basilica, Vatican City.It is
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the first of a number of works of the - The Conversion of St. Paul the
same theme by the artist. The statue Apostle was according to the New
was commissioned for the French Testament, an event in the life of
Cardinal Jean de Biheres, who was Paul the Apostle that led him to cease
a representative in Rome. persecuting early christians & to
- The subject in Christian art become a follower of Jesus.
depicting the Virgin Mary
cradling the dead body of Jesus.
- Medium : Marble

Learning Competency with Code

Reflect on and derive the mood, idea, or message emanating from selected artwork of the
Renaissance and Baroque Period. (A9PL-IIh-1)

ACTIVITY 1. PICTURE ANALYSIS: In two to three sentences, write your thoughts


about the following pictures. Emphasizing the message, mood/ emotion of the artist. Write
your answer on your paper or answer sheets.

Message:

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2

Message:

Message:

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.
Reflection
1. I learn that

2. I want to learn more on

References

 Music and Arts – Grade


9 Learner’s Material
Department of Education

Prepared by

JOHN MARK P. MANGANTULAO


Writer

38
NOTE: Practice Personal Hygiene protocols at all times.
Answer key:

1. The final meal shared by Jesus and his disciples. Christ’s revelation to his Apostles
that one of them will betray him and their reaction to this announcement, and the
institution of the sacrament of the Eucharist with the communion of the Apostles.
2. It was a popular story often used by Italian Baroque artists to show women
triumphing over tyrannical men. The assassination of the Assyrian general Holofernes
by the Israelite Judith, a traditional example of virtue and chastity.
3. The Transfiguration represents a prefiguration of the Last Judgment, and of the final
defeat of the Devil. Another interpretation is that the epileptic boy has been cured,
thus linking the divinity of Christ with his healing power.

Prepared by

JOHN MARK P. MANGANTULAO


Writer

39
NOTE: Practice Personal Hygiene protocols at all times.
ARTS 9
Quarter 2 – MELC 5
Discusses the use and function of artworks by evaluating their utilization and
combination of art elements and principles.

40
NOTE: Practice Personal Hygiene protocols at all times.
ARTS 9
Name of Learner: Grade Level:
Section: Date:

LEARNING ACTIVITY SHEET

USES AND FUNCTIONS OF RENAISSANCE AND BAROQUE PERIODS

Background Information to Learners

Renaissance wanted to rise their humanist philosophy (human value, a belief in self,
and self- worth) and fusion of Christianity, politics, and science to create realism through art.
This philosophy is manifested in their top characteristics of arts that changes the world; their
positive willingness to learn and explore, faith in the nobility of man- Humanism, discovery
and mastery of linear perspective, rebirth of Naturalism, secularism and functions of arts that
made them a better human. These functions can be seen in their paintings, sculpture,
architecture, music, and literature that focus on the awareness of nature, revival of classical
learnings and more individualistic view of man.

Baroque people have their own styles in their artworks. They are categorized by the
inflated motion and vibrant aspect use to produce drama, emotional exuberance, dynamism,
movements, tension, and magnificence in sculpture, paintings, architectures, dance, and
music. Their iconography (the imagery or symbolism of a work of art, an artist, or a body) is
dramatic that appeals in senses and emotions. Their religion started and was encourage by
Catholic Church to counter the simplicity and austerity of Protestant. Artworks are
characterized by ornate details.

Learning Competency with code

Discusses the use and function of artworks by evaluating their utilization and
combination of art elements and principles. (A9PL-IIh-2)

RENAISSANCE PAINTINGS BAROQUE PAINTINGS

1506 HOLY FAMILY


(DONI TONDO) By: MICHAELANGELO

1669 NATIVITY

By: Josefa de Obidos

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https://www.theartstory.org/artist/michelangelo/artworks/ https://en.wikipedia.org/wiki/Baroque_painting

RENAISSANCE SCULTURES BAROQUE SCULPTURE

David (1430–1432) by Donato


di Niccolo di Betto Bardi

(Bargello Palace & Museum)

Apollo and Daphne (1622– 1625) by Gian Lorenzo Bernini (Borghese Gallery)

https://courses.lumenlearning.com/boundless-arthistory/chapter/renaissance- pt

https://en.wikipedia.org/wiki/Baroque_sculpture

ACTIVITY 1. CHARACTERISTICS AND FUNCTIONS. Give the characteristics and


functions of Renaissance and Baroque art in the production of works during the following
period by filling in the box. Copy and answer the table on your paper/ answer sheets.

Period/Era Characteristics Functions


A. Renaissance

B. Baroque

ACTIVITY 2. EXPLAIN ME! Analyze the following pictures below and determine the
elements and principle of arts applied. Copy and answer the table on your paper/ answer
sheets.

ELEMENTS PRINCIPLES

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2

ELEMENTS PRINCIPLES

ACTIVITY 3. SHORT COMPOSITION! Read and answer the questions below about art
appreciation in the production of artwork in Renaissance and Baroque period.

1. What are the different elements and principles of arts present in Renaissance and
Baroque art?

2. Why is it important to know the different elements and principles of arts in art
appreciation?

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.

3. What makes Renaissance and Baroque art unique from other art works?

4. How can we determine the functions of arts in evaluating their utilization and
combination of arts elements and principle?

Reflection
1. I learn that

2. I want to learn more on

References

 Music and Arts – Grade


9 Learner’s Material
Department of Education

Prepared by:

JOHN MARK P. MANGANTULAO


Writer

44
NOTE: Practice Personal Hygiene protocols at all times.
Answer key:

Activity 1.

Period Characteristics Functions


Renaissance The Renaissance Was A Resurrection Faith in the nobility of man-
of Human Ideals Humanism, discovery and mastery
The Renaissance Brought the of linear perspective, rebirth of
Resurrection of Naturalism Naturalism, secularism, and
Renaissance Artists Added Their
functions of arts
Originality to Their Crafts

Renaissance Craftsmen Depicted Non-


Religious Topics
Renaissance Art Was Exclusive
Renaissance Paintings Ventured into
Greek And Roman Culture
Renaissance Artists Became
Specialists at Their Crafts
Baroque Tenebrism To impress visitors, express
Realism and Naturalism triumph, power, and control.
Line
Hour

Activity 2.

ELEMENTS PRINCIPLES
Last Supper Lines, Shape, Color, Texture Variety, Balance, Unity,
Harmony, Movement
Judith Beheading Holofernes Lines, Shape, Color, Texture Contrast, Variety, Balance,
Unity, Harmony, Movement

Activity 3.

Answers may vary.

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ARTS 9
Quarter 2 – MELC 6
Uses artworks to derive the tradition/history of a Renaissance and Baroque
period.

46
NOTE: Practice Personal Hygiene protocols at all times.
ARTS 9
Name of Learner: Grade Level:
Section: Date:

LEARNING ACTIVITY SHEET


TRADITION/HISTORY OF RENAISSANCE AND BAROQUE PERIOD

Background information for Learners

Renaissance Period (1400-1600)

The origin of renaissance art can be traced to Italy in the late 13 th and early 14th
centuries. During this so-called “Proto-Renaissance” period (1280-1400), Italian scholars to
artists saw themselves as reawakening to the ideals and achievement of classical Roman
culture. Writers such as Petrarch (1304-1374 and Giovanni Boccaccio (1313-1375) look back
to ancient Greece and Rome and sought to revive the languages, values and intellectual
traditions of those cultures after the long period of stagnation that had followed the fall of the
roman Empire in the 6th century,
The Renaissance was a period of artistic experimentation. It brought man into a full
view just like the human figure in Greek Art.
Renaissance art marks the transition of Europe from the medieval period to the early
modern age. In many parts of Europe, Early Renaissance art was created in parallel with Late
Medieval art. By 1500, the Renaissance style prevailed.
The greatest cathedral building of the age was the rebuilding of St. Peter’s Basilica in
Rome.
Baroque Art (1600-1800)

The Baroque was a period in art history that started at the beginning of the 17 th history
and continued to evolve until the 18th century. It started in Italy but spread to most countries
of Europe and to colonies in the Americas. The style of Baroque was exuberant and was
characterized by a dramatic realism.
Baroque was a period of artistic styles in exaggerated motion, drama, tension, and
grandeur. The style started in Rome, Italy and spread to most of Europe.
The Roman Catholic Church highly encouraged the Baroque style to propagate
Christianity while the aristocracy used Baroque style for architecture and arts to impress
visitors, express triumph, power, and control.
Baroque painting illustrated key elements of Catholic dogma, either directly in
Biblical works or indirectly in imaginary or symbolic work. The gestures are broader than
Mannerist gestures: less ambiguous, less arcane, and mysterious.
Baroque sculpture, typically larger than life size, is marked by a similar sense of
dynamic movement, along with an active use of space.

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Learning Competency with Code
Uses artworks to derive the tradition/history of a Renaissance and Baroque
period. (A9PL-IIh-3)

Activity 1. PART FRAME

Directions/Instruction
Monalisa was a popular artwork during the renaissance period. From the picture given,
pick any part of her body to form a beautiful frame. Use pencil and a bond paper for the activity.

Indicators 5 4 3 2 1
Excellent Very Good Fair Poor
Good
1. All instructions are followed
2. Proper use of materials
3. Neatness of the artwork
4. Overall look of the artwork
Total:

Activity 2: “MY OWN CREATION USING BAROQUE DESIGN”


Directions/Instructions
The picture below is a church showing baroque design. From the given picture, draw
your dream house copying some parts of the church to complete the front part of your
dream house.

Materials: Pencil/Bond paper.

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Rubric for scoring

Indicators 5 4 3 2 1
Excellent Very Good Fair Poor
Good
1. All instructions are followed
2. Proper use of materials
3. Neatness of the artwork
4. Overall look of the artwork
Total:

Reflection
1. I learn that

2. I want to learn more on

References

 Music and Arts – Grade


9 Learner’s Material
Department of Education

49
NOTE: Practice Personal Hygiene protocols at all times.
Answer key:

Activity 1. Answers may


vary. Activity 2. Answers
may vary.

Prepared by

JENNIFER A. GARGABITE
Writer

50
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ARTS 9
Quarter 2 – MELC 7
Compares the characteristic of artworks produced in Renaissance
and Baroque period.

51
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ARTS 9
Name of Learner: Grade Level:
Section: Date:

LEARNING ACTIVITY SHEET


ARTS OF RENAISSANCE AND BAROQUE PERIOD: ITS
CHARACTERISTICS

Background information for Learners

Renaissance art was characterized by accurate anatomy, scientific perspective, and


deeper landscape. The focus was on realistic and humanistic art.
Renaissance painters depicted real-life figures and their sculptures were naturalistic
portraits of human beings.
Architecture during this period was characterized by its symmetry and balance.
As the classical Greeks believed in the harmonious development of the person
through a sound mind, by the practice of athletics, the Renaissance held up the ideal of the
well-rounded man, knowledgeable in a number of fields such as philosophy, science, arts,
including painting and music – and who applies his knowledge to productive and creative
activity.
The Renaissance was a period of artistic experimentation. It brought man into a full
view just like the human figure in Greek Art.

Baroque art above all reflects the tensions of the age notably the desire of the
Catholic Church in Rome to reassert itself in the wake of the Protestant Reformation which is
almost the same with Catholic- Reformation Art of the period.
Although always in conflict with the simple, clear, and geometric concepts of
classicism, the Baroque existed in varying degrees of intensity, from a simple animated
movement of lines and surfaces, to a rich and dynamic wealth.
Baroque was a period of artistic styles in exaggerated motion, drama, tension, and
grandeur. The style started in Rome, Italy and spread to most of Europe.
The Roman Catholic Church highly encouraged the Baroque style to propagate
Christianity while the aristocracy used Baroque style for architecture and arts to impress
visitors, express triumph, power, and control.

Baroque painting illustrated key elements of Catholic dogma, either directly in


Biblical works or indirectly in imaginary or symbolic work. The gestures are broader than
Mannerist gestures: less ambiguous, less arcane, and mysterious.
Baroque sculpture, typically larger than life size, is marked by a similar sense of
dynamic movement, along with an active use of space.
Baroque architecture was designed to create spectacle and illusion. Thus the straight
lines of the Renaissance were replaced with flowing curves.
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Famous Renaissance Artworks and Artists

Michelangelo di Lodovico Buonarroti Simoni (1475-1564)

In Pieta, Michelangelo approached the subject which until then had been given form
mostly from north of the Alps, where the portrayal of pain had always been connected with
the idea of redemption as represented by the seated Madonna holding Christ’s body in her
arms. Michelangelo convinces himself and his spectators of the divine quality and the
significance of these figures by means of earthly and perfect beauty

Pieta, as a theme in Christian art,


depiction of the Virgin Mary supporting
the body of the dead Christ.

“Pieta”by Michelangelo
(Image from Treasures of the World book, by Golden Press,Inc.,Copyright 1961)

Leonardo di ser Piero Da Vinci (1452- 1519)


He is known as the ultimate “Renaissance man” because of his intellect, interest,
talent and his expression of humanist and classical values. He is widely considered to be one
of the greatest painters of all time and perhaps the most diversely talented person to have ever
lived.

Monalisa, a figure of a woman, dressed in


the Florentine fashion of her day and seated
in a visionary, mountainous landscape, is a
remarkable instance of Leonardo’s sfumato
technique of soft, heavily shaded modeling.

“Monalisa”by Leonardo da Vinci


Image from CCP Library,
(Image from Treasures of the World book, by Golden Press,Inc.,Copyright 1961)

“Mona Lisa” stems from a description by Renaissance art historian Giorgio Vasari, who
wrote, “Leonardo undertook to paint for Francesco del Giocondo the portrait of Mona Lisa,
his wife.” Mona, in Italian, is a polite form of address originating as Madonna- similar to
Ma’am, madamme, or My Lady in English. This became Madonna and its contraction Mona.
The title of the painting, though traditionally spelled “Mona”, is also commonly spelled in
Modern Italian as “Monna Lisa”.

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Raffaello Sanzio da Urbino (Raphael) (1483-1520)

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Raffaelo was an Italian painter and architect of the High Renaissance period. His
work was admired for its clarity of form and ease of composition and for its visual
achievement of the interpreting the Divine and incorporating Christian doctrines. Together
with Michelangelo and Leonardo da Vinci, he formed the traditional trinity of great masters
of that period. His main contributions to art were his unique draftsmanship and compositional
skills.

“The Transfiguration” by Raphael

The transfiguration of Jesus is a story told


in the New testament when Jesus is
transfigured and become radiant in glory
upon a mountain.

Image from Artist Hideout


The Transfiguration was Raphael’s last painting on which he worked on up to his
death. Commissioned by Cardinal Giulio de Medici, the late Pope Clement VII, the painting
was conceived as an altarpiece for the Narbonne Cathedral in France. The painting
exemplifies Raphael’s development as an artist and the culmination of his career. The subject
is combined with an additional episode from the Gospel in the lower part of the painting.

Famous Baroque Artworks and Artists

Michelangelo Merisi or Amerighi da Caravaggio (1571- 1610)

He was better known as Caravaggio. He was an Italian artist who wanted to deviate
from the classical masters of the Renaissance. He was an outcast in his society, because of his
own actions and the lack of modesty and reverence for religious subjects in his own
paintings. Perhaps he started out as a specialist in his paintings of still life, especially of
fruits. Studies of single figures followed, but they are clumsier than the fruit which gives
their savor of originality and charm. Caravaggio’s models at this period were either himself
or young persons who have an air of being promising but wicked.

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The conversion of Paul the Apostle was,
according to the new testament, an event in
the life of Paul the Apostle that led him to
cease persecuting early Christian and to
become a Follower of Jesus.

“Conversion of St. Paul” by Caravaggio


Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc.,Copyright 1961)

Gian Lorenzo Bernini (1598-1680)

Bernini was an Italian artist and the first Baroque artist. He practiced architecture, and
sculpture, painting, stage design, and was also a playwright. He was also the last in the list of
the dazzling universal geniuses. As a prodigy, his first artworks date from his 8th birthday.
Among his early works were: It is one of his most innovative and successful architectural
designs. The famous “Ecstasy of St. Teresa” was his greatest achievement and the Colonade
of the Piazza of St. Peter’s Rome.

St. Theresea of Avila was a Spanish nun,


mystic and writer during the counter-
reformation. Theresa was willful and spoiled,
and chose to enter the Carmelite sisterhood
instead of marrying a wealthy hidalgo.

“Ecstasy of St. Teresa” by Bernini


Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc., Copyright 1961)

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Peter Paul Rubens (1577- 1640)
Rubens was a Flemish Baroque painter. He was well known for his paintings of
mythical and figurative subjects, landscapes, portraits, and Counter- Reformation altarpieces.
His commissioned works were mostly religious subjects, history paintings of magical
creatures, and hunt scenes. His famous works were: Samson and Delilah, Landscape with a
Tower, Portrait of Helene Fourment, and The Three Graces
“Portrait of Helene Fourment” by Rubens

Helene Fourment (1614-1673) was the second


wife of Baroque painter Peter Paul Rubens.
She was the subject of a few portraits by
Rubens, and also modeled for other religious
mythological paintings.

Image from CCP Library


(Image from Treasures of the World book, by Golden Press,Inc.,Copyright 1961)

Learning Competency with Code

Compare the characteristic of artworks produced in Renaissance and Baroque


period. (A9PL-IIh-4)

Activity 1. “READ, THINK & WRITE”

Directions/Instructions
The following are the characteristics, artworks and artist during the Renaissance and Baroque
period. Write the word RENAISSANCE or BAROQUE before the number if you think it
goes and connected during the period.

1. Rebirth
2. Irregularly shaped pearl or stone.
3. Pieta
4. Portrait of Helene Fourment
5. The Last Supper
6. Exaggerated motion
7. Varying degrees of intensity
8. Full of emotion
9. Leonardo Da Vinci
10. Michelangelo
11. Deeper Landscape

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12. Tension
13. Mysterious
14. Real life figures
15. Naturalistic portraits

Activity 2. Pick Me Up

Directions/Instructions: below are pictures representing Renaissance and Baroque period.


Choose the word/s related to the image. Write the letter/s of your choice inside the Venn
Diagram.

*Note: Answers in any order.

1. 6.
2. 7.
5.
3. 8.
4. 9.

a. Portrayal of Jesus b. Raphael c. MichaelAngelo


Christ
d. The Transfiguration g. Pieta i. Combined with an
e. The idea of h. Baroque Period additional episode
redemption from the gospel in the
f. Renaissance period lower part of the
painting.

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Reflection
1. I learn that

2. I want to learn more on

References

 Music and Arts – Grade


9 Learner’s Material
Department of Education

Prepared by

JENNIFER A. GARGABITE
Writer

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Answer key:

Activity 1. Activity 2.
1. RENAISSANCE *Note: Answers in any order for
2. BAROQUE numbers 1-4 and 6-9.
3. RENAISSANCE
4. BAROQUE 1. C
5. RENAISSANCE 2. G
6. BAROQUE 3. E
7. BAROQUE 4. F
8. BAROQUE 5. A
9. RENAISSANCE 6. B
10. RENAISSANCE 7. D
11. RENAISSANCE 8. H
12. BAROQUE 9. I
13. BAROQUE
14. RENAISSANCE
15. RENAISSANCE

Prepared by

JENNIFER A. GARGABITE
Writer

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ARTS 9
Quarter 2 – MELC 8
Creates artworks guided by techniques and styles of the Renaissance and the
Baroque periods

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ARTS 9
Name of Learner: Grade Level:
Section: Date:

LEARNING ACTIVITY SHEET


TECHNIQUES AND STYLES OF THE RENAISSANCE AND THE
BAROQUE PERIODS ARTWORKS
Background Information for Learners

Two distinct periods in history stand out when talking about art and great masters –
Baroque and Renaissance. The works created during these times were very similar to each
other but with distinct differences; debates about which period produced better art still
continue today with supporters from both camps presenting compelling arguments. Perhaps
the best way to deal with this is to enumerate the differences
between the two.
The Renaissance period for art began in the 1400s in Italy, which today is considered
the art capital of the world, together with Paris. This period was considered one of the most
important in Europe’s history as it marked the transition from medieval times into early
modern age. The Baroque era soon followed in the 1600s, as another transformation came
about when the church began to divide between Protestants and Roman Catholics. It is no
wonder many creations in this period were recreations of famous works in the Renaissance
era.
Baroque period masters however are not so well known to many people. This is
indicative of how Baroque art was viewed during its time. Compared to Renaissance
creations, it was considered strange and odd, which is roughly what it means in French. There
was once a strong contention among many art enthusiasts that there was no work of great
value during the Baroque period. But this was later disproved by the acknowledgement of the
works of artists like Bernini and Caravaggio. But the greatest difference between these two
important eras in art history is in the style used by artists. Renaissance painters and sculptors
were among the first to use perspective in their work. This allowed them to give more realism
to their creations. However, this focus on adding depth to their work has made paintings and
sculptures seem to lack emotions and failed to capture the emotions that it should depict. This
‘stillness’ was solved by Baroque artists as seen in their famous works. They focused more
on the drama of the subject they were trying to showcase.

Learning Competency with code


Creates artworks guided by techniques and styles of the Renaissance and the Baroque
periods (A9PR-IIc-e-1)

Directions/Instruction
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Perform the following activities.

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ACTIVITY 1. STAINED GLASS (GEOMETRY CONNECTION)

Materials:
 Glass rectangle from a small picture frame.
 Black fabric puffy paint with a fine tip
 Acrylic paints
 Clear liquid glue

Procedure:
1. Find a simple outline of a rose window online (a google image search produces lots of
options), resize it to fit your glass rectangle, and print onto paper. (You and also cover
the edges of the glass with tape to prevent potential cuts for young learners.)
2. Place the paper with the outline underneath the glass rectangle. Trace the outline of the
rose window onto the glass using the black puffy paint.
3. Allow the puff paint outline to dry. (At least three hours). Mix acrylic paints with clear
gel glue on a palette. There is no exact ratio to follow. The finished color on the glass
will be more or less opaque depending on the amount of glue.
4. Different amounts of transparency in the same window can be pleasing. Just make sure
the glue is thoroughly mixed with the paint before painting with it. Make sure all the
panes in the window are thoroughly filled with paint for best results. Allow to dry
overnight.

Rubric for Scoring Activity

5 4 3 2 1

Indicators
Very
Excellent Good Fair Poor
Good

1. Composition and design


 Showed the theme and motifs of

2. Process
 Followed the instruction in doing the
activity
 Maintained cleanliness in the working
area
3. Materials
 Used proper materials and tools
prescribed in the activity
4. Materials used
 Established good relationship with
classmates while doing the activity.
 Showed enjoyment while doing the
activity
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5. overall look of the artwork
 Showed the overall characteristic of a -
historic art.
Total

CRITERIA IN RATING

Visual Impact …………………………………………………… 50%

Craftsmanship …………………………………………………... 25%

Application ……………………………………………………… 25%

Total 100%

Activity 2. ILLUMINATIONS. Create your own stylized letters by using inspiration from
Illuminated Manuscripts of the renaissance.

Materials:

 Craft Aluminum (found here:


https://store.schoolspecialty.com/OA_HTML/ibeCCtpItmDspRte.jsp?item=515121&
minisite=10206)
 Square piece of cardboard
 Black tempera paint
 Paint brushes
 Tissues Drawing paper
 Glue sticks
 Pencils
Procedure:

1. Read Illuminations by Jonathan Hunt and look at examples of lettering used in Canterbury
Tales by Geoffrey Chaucer.
 Illumination is the deliberate use of light to achieve practical or aesthetic effects.
Illumination includes the use of both artificial and natural illumination by capturing
daylight. Artificial such as lamps and light fixtures.

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2. Using drawing paper and pencils, allow students time to sketch out their initials in the style
of the illuminated manuscript. Place examples on the board for references if needed.

3. Give each student a square piece of card board (approximately 5’’ x 5’’) and use glue
sticks to ready the surface of the cardboard by spreading it evenly on the entire surface.
4. Place aluminum (same size as 5’’ x 5’’ square) on top of the cardboard and press firmly
together.
5. Using pencils encourage students to transfer their favorite design from the drawing paper
on to the aluminum foil.

6. For more contrast, spread a thin layer of lack tempera paint over the aluminum. Take off
the excess with a tissue, being mindful to leave paint in the indentions.

Rubric for scoring

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5 4 3 2 1

Indicators
Very
Excellent Good Fair Poor
Good

1. Composition and design


 Showed the theme and motifs of
prehistoric art
2. Process
 Followed the instruction in doing the
activity
 Maintained cleanliness in the working area
3. Materials used
 Used proper materials and tools
prescribed in the activity
4. Behavior
 Established good relationship with
classmates while doing the activity.
 Showed enjoyment while doing the
activity
5. Overall look of the artwork
 Depicted a medieval look on the stained
glass
Total

CRITERIA IN RATING

Visual Impact …………………………………………………… 50%

Craftsmanship …………………………………………………... 25%

Application ……………………………………………………… 25%

Total 100%

Activity 3. SCENERY SPOT

Materials:
 Canvass/Illustration Board
 Permanent Marker
 Paint
 Paint Brush

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Procedure:
1. Paint an object in accordance with the principles of art of the Baroque Style.
2. Arrange the objects and different colours as to background, middle ground and
foreground.
3. Apply color harmonies to achieve proper contrast and values of colors.

Reflection Questions:

1. What are the elements of art shown in your painting that depicts Baroque style?

2. How are these elements and the principles of art important in creating an artwork?

3. What is the message conveyed in your own painting?

4. How do you feel about your own work?

Uploaded by: Art and Sketch, Sep 29, 2017

Rubric for scoring

Criteria 5 4 3 2 1

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1. All instructions were followed

2. Proper use of materials

3. Chosen design was justified by answering all


questions.
4. Neatness of the artwork.
Total
CRITERIA IN RATING

Visual Impact …………………………………………………… 50%

Craftsmanship …………………………………………………... 25%

Application ……………………………………………………… 25%

Total 100%

Reflection

I learn that

I want to learn more on

References

Learner’s Material for Music and Arts Grade 9, pages,, Enjoy Life with Music and Arts
textbook, Vivian R. Lugue, pages differencebetween.net
http://dalimoustache.blogspot.com/2012/05/illuminated-‐letters.html

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Answer Key (Note: Pictures below are just sample answer of the activities given above)
Activity 1. STAINED GLASS

Activity 2. ILLUMINATIONS

Activity 3. SCENERY SPOT

Prepared by:

REGIE T. BENIGNO
Writer

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ARTS 9
Quarter 2 – MELC 9
Explains the influence of iconic artists belonging to the Renaissance and the
Baroque periods

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ARTS 9

Name of Learner: Grade Level:


Section: Date:

LEARNING ACTIVITY SHEET


RENAISSANCE AND BAROQUE PERIOD-- ICONIC ARTIST (C. 500–323 BC)
Background Information to Learners
An aesthetic obra will not come into reality without the hand of an artist. Hands, that
made the artist to become who they in the field of art. The Renaissance period artist are
Michaelangelo, Leonardo da Vinci, Raphael and Donatello and for Baroque period are
Caravaggio, Rubens, Velasquez, Rembrant and Bernini. They work hard to made history in
the field of art.

RENAISSANCE PERIOD ARTIST


1. Michelangelo di Lodovico Buonarroti Simoni (1475-1564)
Michelangelo was an Italian sculptor, painter, architect,
and poet. He was considered the greatest living artist in
his lifetime, and since then he was considered as one of
the greatest artists of all time. Several his works in
paintings, sculpture, and architecture rank among the
famous in existence. Among his outstanding works as
sculptor were the following: Pieta, Bacchus, Moses,
David, Dying Slave, Dawn and Dusk. Two of his best-
known works, The Pieta and David, were sculpted
before he turned thirty.
He also created two of the most influential works in fresco in the history of Western art: the
scenes from Genesis on the ceiling and the Last Judgment on the altar wall of the Sistine
Chapel in Rome.
“Pieta”by Michelangelo
(Image from Treasures of the World book, by Golden Press,Inc., Copyright 1961)

In Pieta, Michelangelo approached the subject which until


then had been given form mostly from north of the Alps,
where the portrayal of pain had always related to the idea of
redemption as represented by the seated Madonna holding
Christ’s body in her arms.
Michelangelo convinces himself and his spectators of the
divine quality and the significance of these figures by means
of earthly and perfect beauty, but of course, these are human
standards.

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2. Leonardo di ser Piero Da Vinci (1452- 1519)

Leonardo Da Vinci was a painter, architect, scientist, and


mathematician. He was popularized in present times
through the novel and movie, “Da Vinci Code.” He was
known as the ultimate “Renaissance man” because of his
intellect, interest, talent and his expression of humanist and
classical values. He was also considered to be one of the
greatest painters of all time and perhaps the most diversely
talented person to have ever lived. His well-known works
were: The Last Supper (the most reproduced religious
painting of all
time), and the Mona Lisa (the most famous and most parodied portrait). His other works were:
The Vitruvian Mar, The Adoration of the Magi, and the Virgin of the Rocks. (Wikipedia)
“Monalisa”by Leonardo da Vinci
(Image from Treasures of the World book, by Golden Press,Inc., Copyright 1961)

“Mona Lisa” stems from a description by Renaissance art historian


Giorgio Vasari, who wrote, “Leonardo undertook to paint for Francesco
del Giocondo the portrait of Mona Lisa, his wife.” Mona, in Italian, is a
polite form of address originating as Madonna- similar to Ma’am,
madamme, or My Lady in English. This became Madonna and its
contraction Mona. The title of the painting, though traditionally spelled
“Mona”, is also commonly spelled in Modern Italian as “Monna Lisa”.

3. Raffaello Sanzio da Urbino (Raphael) (1483-1520)

Raphael was an Italian painter and architect of the High


Renaissance period. His work was admired for its clarity of
form and ease of composition and for its visual achievement of
interpreting the Divine and incorporating Christian doctrines.
Together with Michelangelo and Leonardo da Vinci, he
formed the traditional trinity of great masters of that period.
His main contributions to art were his unique draftsmanship
and compositional skills. His famous works were: The Sistine
Madonna, The School of Athens, and
The Transfiguration.

“The Transfiguration” by Raphael


Image from Artist Hideout

The Transfiguration was Raphael’s last painting which he worked on


up to his death. Commissioned by Cardinal Giulio de Medici, the late
Pope Clement VII, the painting was conceived as an altarpiece for the
Narbonne Cathedral in France. The painting exemplifies Raphael’s
development as an artist and the culmination of his career. The
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subject

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was combined with an additional episode from the Gospel in the lower part of the painting.

4. Donato di Niccolo di Betto Bardi (Donatello) (1386- 1466)

Donatello was one of the Italian great artists of the period. He was an
early Renaissance Italian sculptor from Florence. He is known for his
work in bas- relief, a form of shallow relief sculpture. His works
included the following statues and relief: David, Statue of St. George,
Equestrian Monument of Gattamelata, Prophet Habacuc, and The
Feast of Herod.

“David” by Donatello
(Image from Treasures of the World book, by Golden Press,Inc., Copyright 1961)

“At the time it was created, it was the first known free- standing nude
statue produced since ancient times”

BAROQUE PERIOD ARTIST


1. Michelangelo Merisi or Amerighi da Caravaggio (1571- 1610)

He was better known as Caravaggio. He was an Italian artist who


wanted to deviate from the classical masters of the Renaissance. He
was an outcast in his society, because of his own actions and the
lack of modesty and reverence for religious subjects in his own
paintings. Perhaps he started out as a specialist in his paintings of
still life, especially of fruits. Studies of single figures followed, but
they are clumsier than the fruit which gives savor of originality and
charm. Caravaggio’s models at this period were either himself or
young persons who have an air of being promising but wicked.
Among his
famous paintings were: Supper at Emmaus, Conversion of St. Paul, and Entombment of Christ.

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“Conversion of St. Paul” by Caravaggio
Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc.,Copyright
1961)

2. Gian Lorenzo Bernini (1598-1680)

Bernini was an Italian artist and the first Baroque artist. He


practiced architecture, and sculpture, painting, stage design, and
was also a playwright. He was also the last in the list of the
dazzling universal geniuses. As a prodigy, his first artworks date
from his 8th birthday. Among his early works were: The Goat
Amalthea with the Infant Jupiter and a Faun, Damned Soul, and
the Blessed Soul. He made a sculpture of “David” was for
Cardinal Borghese which is strikingly different from
Michelangelo’s David because it shows the differences between
Renaissance and the Baroque periods. He was the greatest Baroque sculptor and architect as
seen in his design of the Piazza San Pietro in front of the Basilica. It is one of his most
innovative and successful architectural designs. The famous “Ecstasy of St. Teresa” was his
greatest achievement and the Colonnade of the Piazza of St. Peter’s Rome.

“Ecstasy of St. Teresa” by Bernini


Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc.,Copyright
1961)

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3. Peter Paul Rubens (1577- 1640)

Rubens was a Flemish Baroque painter. He was well known for his
paintings of mythical and figurative subjects, landscapes, portraits,
and Counter- Reformation altarpieces. His commissioned works were
mostly religious subjects, history paintings of magical creatures, and
hunt scenes. His famous works were Samson and Delilah, Landscape
with a Tower, Portrait of Helene Fourment, and
The Three Graces.

“Portrait of Helene Fourment” by Rubens


Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc.,Copyright 1961)

4. Rembrandt Harmenszoon van Rijn (1606-1669)

Rembrandt was a brilliant Dutch realist, painter, and etcher. He was


generally considered as one of the greatest painters and printmakers
in European art. He followed no faith but was interested in spiritual
values and often chooses religious subjects. Rembrandt shares with
Rubens the revolution whereby painting came to depict the more
personal aspects of the painter: his own home and his family. No
artist has painted himself as often as did Rembrandt. His concept of
himself continued to deepen in grasp and subtlety, while his
technique grew more daring. His well- known work was his “Self-
portrait in Old Age”. Rembrandt had produced over 600 paintings, nearly 400 etchings, and
2000 drawings.

“Self-Portrait” by Rembrandt
Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc.,
Copyright 1961)

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5. Diego Velasquez (1599- 1660)

Velasquez of Spain developed out of the Baroque. He was one of


the finest Master of Composition and one of the most important
painters of the Spanish Golden Age. He worked out solutions to
pictorial problems of design that transcend the style of any period.
Velasquez was the case of a painter who discovered his avocation
almost at the very start of his career. The passion for still life
frequently emerges in Velasquez’s art. His famous works were:
The Surrender of Breda, Las Meninas (The maids of honour), Los
Borachos (The Drinkers), and Maria Theresa.

“Las Meninas - (The maids of honor)” by Velasquez


Image from CCP Library
(Image from Treasures of the World book, by Golden Press,Inc.,Copyright
1961)
He created this work four years before his death and
served as an outstanding example of the European
baroque period of art. Margaret Theresa, the eldest
daughter of the new Queen, appears to be the subject of
Las Meninas but in looking at the various viewpoints of
the painting, it was unclear as to who or what was the
true subject; it maybe the royal daughter or the painter
himself.

Learning Competency with code


Explains the influences of iconic artists belonging to the Renaissance and the Baroques
periods. (A9PR-llc-e-3)
ACTIVITY 1. GUESS WHO? Name the following famous artist of Renaissane and
Baroque Period. Write your answer on your paper/ answer sheets.

1. 2.

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3. 4.

5. 6.

ACTIVITY 2. “GROUP IT!” Group the following words from the word bank below
according to the period they belong to. Write your answers inside the box under its label
Renaissance and Baroque period. Write your answer on your paper/ answer sheets.

Pieta* Samson & Delilah


Da Vinci Code* Monalisa
The Transfiguration* Self-Portrait
Ecstasy of St. Theresa* Golden Age

RENAISSANCE PERIOD BAROQUE PERIOD

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ACTIVITY 3: “SOAP CARVING” Sculpture is famous for both Renaissance and Baroque
period. This time, you are tasked to create your own sculpture with the use of soap. Choose
whether it is inspired from the Renaissance or Baroque period. You will be rated based on the
Rubrics scoring guide below.

RUBRIC SCORING GUIDE for ARTWORK (‘Soap carving”)

CRITERIA 5 4 3 2
3-4 instructions
All instructions 1-2 instructions were not Most of the
were followed were not followed instructions were
correctly and the followed correctly and the not followed
CRAFTSMANSHIP design look correctly and the design were correctly and
carefully planned. design look planned but has craftsmanship is
Artwork planned. Artwork few errors. poo and art
presentation was presentation was Artwork presentation was
neat and orderly mostly neat and presentation was disorderly
orderly somehow neat and
orderly
The artwork is a
Totally original Most of the Some aspects of
copy of seen in
design, no artwork elements the artwork are
source material or
element an exact are unique but 1 unique but several
CREATIVITY copy of designs element may be elements are
made by another
student (80% or
seen in source copied from copied from
more elements are
material source material source material
copied
Artwork conveys Artwork mostly Artwork somehow Artwork did not
the idea and conveys the idea conveys the idea convey the idea
VISUAL IMPACT
dimensions of and dimensions of and dimensions of and dimensions of
communication communication communication communication

Reflection

I learn that

I want to learn more on

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References

 Music and Arts – Grade 9


Learner’s Material
Department of Education

Prepared by

JOHN MARK P. MANGANTULAO


Writer

Answer Key
ACTIVITY 1. SPECIAL TERMS.
1. Leonardo di ser Piero Da Vinci
2. Donato di Niccolo di Betto Bardi (Donatello)
3. Michelangelo di Lodovico Buonarroti Simoni
4. Gian Lorenzo Bernini
5. Rembrandt Harmenszoon van Rijn
6. Michelangelo Merisi or Amerighi da Caravaggio

ACTIVITY 2. “GROUP IT!”


RENAISSANCE PERIOD BAROQUE PERIOD
Mona Lisa Samson & Delilah
Pieta Self- Portrait
Da Vinci Code Ecstasy of St. Theresa
The Transfiguration Golden Age

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ARTS 9
Quarter 2 – MELC 10
Apply different media techniques and processes to communicate ideas,
and stories showing the characteristics of the Renaissance and the
baroque periods.

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ARTS 9
Name of Learner: Grade Level:
Section: Date:

LEARNING ACTIVITY SHEETS


Different media techniques and processes to communicate Ideas

Background Information for the Learners

Different art media techniques in the Renaissance and Baroque demonstrated the
application of humanistic ideas learned from the ancient. Thus, these techniques are
important to make one’s output more presentable.

During the Renaissance period, Art media techniques can be classified into (3) three:
Fresco, Egg Tempera and Oil Painting.

1. Fresco Technique is a procedure of wall painting performed upon


freshly wet lime plaster, which the word fresco translates into Italian
word “fresh” means wet when the paint is applied. It is known as one of
the most significant mural-making techniques in history of art during the
Italian Renaissance.
The Last Judgement (Michaelangelo)

2. Egg Tempera Technique is a method of applying paint to board all


through the early Renaissance. The procedure of color is blended in with
egg, utilizing the white of the egg or the yolk brings about various
effects, the blend is quick drying and lasting.
Raphael, A Knights Dream. c.1504. Tempera on wood. National Gallery London.

3. Oil Painting Technique is the process of painting in oil colors.


Commonly used drying oil pigments suspended in a medium that dries
by evaporation or chemical reaction.
Mona Lisa Painting of Leonardo da Vinci

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A Baroque masterpiece can be characterized into (2) techniques: Chiaroscuro and Tenebrism.
1. Chiaroscuro technique is a well-known trait of Baroque art which
refers to the use of light and shadow to create the illusion of light from a
specific source shining on the figures and objects in the painting.

The Massacre of the Innocents by Peter Paul Rubens

2. Tenebrism is the use of extreme contrast of light and dark


in figurative compositions to heighten their dramatic effect.
The Matchmaker - Gerrit Van Honthorst

Learning Competency with code


Apply different media techniques and processes to communicate ideas, and stories
showing the characteristics of the Renaissance and the baroque periods. (A9PR-IIc-e-3)

ACTIVITY 1. SPECIAL TERMS. Match each term in column B with the most appropriate
description in column A. Write the letter of your answer on your paper/ answer sheet.
A B
1. Fresco a. A paint in which pigment is suspended in oil,
which dries on exposure to air
2. Egg Tempera b. An art technique that refers to the
interplay between dark and light color in
painting
3. Oil Painting c. Appears as spotlight in a specific point
of painting
4. Chiaroscuro d. Painting technique use the method of
applying pigment of mixed egg (white/
yolks)
5. Tenebrism e. Technique usually applied in wall painting

ACTIVITY 2. MATCH IT. Match the artworks with the artist’s name. Write only the letter
of the correct answer in your paper/ activity sheets.

1 Equestrian Monument of Gattamelata a. Donatello


2. Mona Lisa b.Michelangelo
3. Sistine Madonna c.Leonardo da Vinci
4. The Last Supper d. Raphael
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5. Pieta e. Bernini

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ACTIVITY 3: “MY OWN LANDSCAPE PAINTING” Create your own painting with your
chosen subject using watercolor. You will be rated based on the Rubrics scoring guide below.

RUBRIC SCORING GUIDE for PAINTING

Criteria 5 4 3 2 1
Organization (has strong organizational
plan; Correct usage of medium and
develops thoroughly)
Clarity of Ideas (presents clear ideas)

Content (states clear position, subject


captures the reader’s attention)

TOTAL

Reflection

I learn that

I want to learn more on

References

 Music and Arts – Grade


9 Learner’s Material
Department of Education

Prepared by

JOHN MARK P. MANGANTULAO


Writer

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Answer Key
ACTIVITY 1. SPECIAL TERMS.
1. E
2. D
3. A
4. B
5. C

ACTIVITY 2. MATCH IT
1. A
2. C
3. D
4. B
5. E

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ARTS 9
Quarter 2 – MELC 11
Evaluate works of art in terms of artistic concept and ideas using criteria
from the Renaissance and Baroque art traditions.

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ARTS 9
Name of Learner: Grade Level:
Section: Date:

LEARNING ACTIVITY SHEETS


EVALUATE WORKS OF ART IN TERMS OF ARTISTIC CONCEPT
AND IDEAS
Background Information for the Learners

The task of evaluating a work of art, such as a painting or a sculpture, requires a combination
of objective information and subjective opinion. Yes, it's true that art appreciation is highly
subjective, but the aim of evaluating a picture is not simply to ascertain whether you
like/dislike a picture, but WHY you like/dislike it. And this requires a certain amount of
knowledge. t. To put it simply, art evaluators need to generate facts upon which to base their
opinions: namely, facts about (1) the context of the artwork; and (2) the artwork itself. Once
we have the facts, we can then make our assessment. The more information we can glean
about the context, and the work of art itself, the more reasoned our assessment will be. Before
going into detail about how to evaluate art, let us again re-emphasize that the whole point of
art appreciation is to explain WHY we like or dislike something, not simply WHETHER we
like it or not. For example, you may end up disliking a picture because it is too dark, but you
may still like its subject matter, or appreciate its overall message. To put it simply, saying "I
don't like this painting" is insufficient. We need to know the reasons behind your opinion, and
whether you think the work has any positive qualities. The easiest way to get to understand
and therefore appreciate a work of art is to investigate its context, or background. This is
because it helps us to understand what was (or might have been) in the mind of the artist at
the time he created the work in question. Think of it as basic detective work. Start with these
questions.

How to Evaluate the Work of Art Itself

1. What Materials were Used in the Creation of the Painting?


 The standard materials are oil paint on canvas. Oil because of its richness of
colour, canvas because of its adaptability. However, acrylics or watercolours
are used instead of oils when thin glazes are required, and acrylics are also
better when large flat areas of color are called for.
2. What is the Content & Subject Matter of the Painting?
 Ask yourself these questions: What event is being shown? What characters are
involved, and what are their roles? What message does the painting contain? If
it's a portrait, ask yourself these questions: Who is the sitter? How does the
artist portray him/her? What features or aspects of the sitter are given
prominence or attention? If it's a genre-scene, ask yourself these questions:
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What scene is being depicted?

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3. What is the Painting Trying to Say?
 This general question involves everything you have discovered or decided
about the work.
4. How Does the Painting Make you Feel?
 This focuses exclusively on your subjective reaction to the work.
5. Is the Impact of the Painting Mostly Visual, or Mostly Intellectual?
 This obliges you to analyze your reaction.
6. Would You Like to See it Hanging on a Wall in your house?
 This allows you to consider the work from a different angle.
7. Would you Like to See More Examples of Similar Types of Paintings?
 You might not be wild about this work, but you might like the style.

Learning Competency with code

Evaluate works of art in terms of artistic concept and ideas using criteria from the
Renaissance and Baroque art traditions. (A9PR-IIf-4)

ACTIVITY 1. ART APPRECIATION: Evaluate the different famous artworks from


Renaissance and Baroque Period using the guide questions. Copy and answer the questions.
Write our answer on your paper/ answer sheets.

Name of Artwork:

1. What Materials were Used in the Creation of the Painting?


2. What is the Content & Subject Matter of the Painting?


3. What is the Painting Trying to Say?

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4. Is the Impact of the Painting Mostly Visual, or Mostly Intellectual?


5. Would You Like to See it Hanging on a Wall in your house?


Name of Artwork:

1. What Materials were Used in the Creation of the Painting?


2. What is the Content & Subject Matter of the Painting?


3. What is the Painting Trying to Say?


4. Is the Impact of the Painting Mostly Visual, or Mostly Intellectual?


5. Would You Like to See it Hanging on a Wall in your house?

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Name of Artwork:

1. What Materials were Used in the Creation of the Painting?


2. What is the Content & Subject Matter of the Painting?


3. What is the Painting Trying to Say?


4. Is the Impact of the Painting Mostly Visual, or Mostly Intellectual?


5. Would You Like to See it Hanging on a Wall in your house?


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Reflection

I learn that

I want to learn more on

References

 Music and Arts – Grade


9 Learner’s Material
Department of Education

Prepared by

JOHN MARK P. MANGANTULAO


Writer

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Answer Key

Activity 1. ART APPRECIATION

A. LAST SUPPER

1. What Materials were Used in the Creation of the Painting?


 Tempera and oil on plaster
2. What is the Content & Subject Matter of the Painting?
 The dramatic and dynamic depiction of Jesus's announcement of his betrayal.
 The institution of the tradition of the Eucharist.
 The farewell of Jesus to his disciples.
3. What is the Painting Trying to Say?
 The final meal shared by Jesus and his disciples.
4. Is the Impact of the Painting Mostly Visual, or Mostly Intellectual?
 Visual and Intellectual
5. Would You Like to See it Hanging on a Wall in your house?
 Yes
B. MONALISA

1. What Materials were Used in the Creation of the Painting?


 Oil on wood panel
2. What is the Content & Subject Matter of the Painting?
 Portrait of Lisa Gherardini, wife of Francesco del Giocondo, Italian La Gioconda
 The painting presents a woman in half-body portrait, which has as a backdrop a
distant landscape.
3. What is the Painting Trying to Say?
 The painting presents a woman in half-body portrait, which has as a backdrop a
distant landscape.
4. Is the Impact of the Painting Mostly Visual, or Mostly Intellectual?
 Visual and Intellectual
5. Would You Like to See it Hanging on a Wall in your house?
 Yes
C. THE TRANSFIGURATION

1. What Materials were Used in the Creation of the Painting?


 Oil on panel
2. What is the Content & Subject Matter of the Painting?
 The Transfiguration represents a prefiguration of the Last Judgment, and of the
final defeat of the Devil. Another interpretation is that the epileptic boy has been
cured, thus linking the divinity of Christ with his healing power.
3. What is the Painting Trying to Say?
 The Transfiguration represents a prefiguration of the Last Judgment, and of the
final defeat of the Devil.
4. Is the Impact of the Painting Mostly Visual, or Mostly Intellectual?
 Visual and Intellectual
5. Would You Like to See it Hanging on a Wall in your house?
 Yes
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ARTS 9
Quarter 2 – MELC 12
Shows the influences of the Renaissance and Baroque periods on
the Philippine art form

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ARTS 9
Name of Learner: Grade Level:
Section: Date:

LEARNING ACTIVITY SHEET


THE INFLUENCES OF THE RENAISSANCE AND BAROQUE
PERIODS ON THE PHILIPPINE ART FORM

Background Information for Learners

Art forms in the Philippines are diverse. Western influences can be seen in Philippine
arts such as: painting, dancing, weaving, sculpting, and pottery. In the 16th century, the
Baroque style was carried by the Spanish and Portuguese to the Philippines where it became
the prominent style of building for large and small churches. Large Baroque churches often
have a proportionally very wide facade which seems to stretch between the towers.
During this time, the Spaniards used paintings as religious propaganda to spread
Catholicism throughout the Philippines. These paintings, appearing mostly on church walls,
featured religious figures in Catholic teachings. The pre- colonial architecture of the
Philippines consisted of nipa huts made from natural materials. However, there are some
traces of large- scale construction before the Spaniards came. An example of this is the pre-
colonial walled city of Manila which was dismantled by the Spaniards and rebuilt as
Intramuros with its houses, churches, and fortress after the Spanish colonization.
During three hundred years of Spanish colonization, the Philippine architecture was
dominated by Spanish influences

Learning Competency with code

Shows the influences of the Renaissance and Baroque periods on the philippine art form
(A9PR-IIf-5)

ACTIVITY 1

1. Compare the two-architecture using the elements of art


2. In what period you can classify the two structures? Why?
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( Façade of the Church of the Facade of the Intramuros Philippines
Gesu, Rome- the first truly baroque faca de )

_
_
_
_
_
_
_
__ _
_

ACTIVITY 2 “COLLAGE MAKING” The artistry of the early Filipinos was expressed
through carving and painting designs in their churches.

Materials
 Bond papers

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 Paste
 Permanent marker
Procedure:

1. Research on the different Philippine churches with baroque designs.


2. Collect pictures, paste them, and label each.
3. Make an album out of it and paste it on the bond
paper. Reflection Questions:

1. What are the elements of art shown in the pictures you pasted?

2. What are the characteristics of the churches that you choose to consider
and classify as Baroque?

3. Name some Philippine artwork/s which has similar characteristics with


the Renaissance and/or Baroque Period?

Rubric for Scoring Activity

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Reflection

I learn that

I want to learn more on

References:
Learner’s Material for Music and Arts Grade 9
Enjoy Life with Music and Arts textbook, Vivian R. Lugue,

Prepared by

REGIE T. BENIGNO
Writer

Answer Key

Activity 1 – Answers may vary


Activity 2 – Answers may vary

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