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Asmodeus
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For other uses, see  Asmodeus (disambiguation).
"Sidonai" redirects here. For the Phoenician city and its inhabitants, see  Sidon.

Asmodeus as depicted in Collin de Plancy's Dictionnaire Infernal


Asmodeus (/ˌæzməˈdiːəs/; Ancient Greek: Ἀσμοδαῖος, Asmodaios) or Ashmedai (/ˈæʃmɪ
ˌdaɪ/; Hebrew: ‫ַאשְ מְ ּדָאי‬, ʾAšmədʾāy; see below for other variations), is a prince of demons and hell.
[1] [2][3][4]
 In Judeo-Islamic lore he is the king of both daemons (jinn/shedim) and demons (divs).  Asmodeus
[5]
is mostly known from the deuterocanonical Book of Tobit, in which he is the primary antagonist,  or
the Ars Goetia. In Peter Binsfeld's classification of demons, Asmodeus represents lust. The demon is also
mentioned in some Talmudic legends; for instance, in the story of the construction of the Temple of
Solomon. In Islam, he is identified with the "puppet" mentioned in the Quran, which dethrowned Solomon
and reigned over his kingdom until he got his kingship back.

Contents

 1Etymology
 2In the texts
o 2.1In the Hebrew Bible
o 2.2In the Book of Tobit
o 2.3In the Talmud
o 2.4In the Testament of Solomon
o 2.5In the Malleus Maleficarum
o 2.6In the Dictionnaire Infernal
o 2.7In the Lesser Key of Solomon
2.8In The Magus
o
 3Later depictions
o 3.1In Christian thought
o 3.2In the Kabbalah
o 3.3In Islamic culture
o 3.4In popular media
 4See also
 5References
 6External links

Etymology[edit]

The figure of Asmodeus in Rennes-le-Château


The name Asmodai is believed to derive from the Avestan *aēšma-daēva (𐬀𐬎𐬎𐬉𐬀𐬛𐬀𐬨𐬴𐬉𐬀*,
*aēṣ̌madaēuua), where aēšma means "wrath", and daēva signifies "demon". While the daēva Aēšma is
thus Zoroastrianism's demon of wrath and is also well-attested as such, the compound aēšma-daēva is
not attested in scripture. It is nonetheless likely that such a form did exist, and that the Book of Tobit's
[6]
"Asmodaios" (Ἀσμοδαῖος) and the Talmud's "Ashmedai" (‫ )אשמדאי‬reflect it.  In
the Zoroastrian and Middle Persian demonology, there did exist the conjuncted form khashm-dev (‫دی‬ + ‫خشم‬
[7]
‫)و‬, where both terms are cognates.
[8][9] [10][11] [12][13] [14]
The spellings Asmodai,  Asmodee (also Asmodée),  Osmodeus,  and Osmodai
[15]
 have also been used. The name is alternatively spelled in the bastardized forms (based on the basic
consonants ‫אשמדאי‬, ʾŠMDʾY) Hashmedai (‫חַ שְ מְ ּדָאי‬, Ḥašmədʾāy; also Hashmodai, Hasmodai,
[16][17][18][19] [20]
Khashmodai, Khasmodai),  Hammadai (‫חַ ַּמ ּדָאי‬, Hammadʾāy; also Khammadai),
[21] [22] [21]
 Shamdon (‫ַׁש מְ ּדֹון‬, Šamdōn),  and Shidonai (‫ִׁש ד ֹנָאי‬, Šīdōnʾāy).  Some traditions have subsequently
[22]
identified Shamdon as the father of Asmodeus.
The Jewish Encyclopedia of 1906 rejects the otherwise accepted etymological relation between the
Persian "Æshma-dæva" and Judaism's "Ashmodai" claiming that the particle "-dæva" could not have
become "-dai" and that Æshma-dæva as such—a compound name—never appears in Persian sacred
texts. Still, the encyclopedia proposes that the "Asmodeus" from the Apocrypha and the Testament of
Solomon are not only related somewhat to Aeshma but have similar behaviour, appearance and roles,
[23]
 to conclude in another article under the entry "Aeshma", in the paragraph "Influence of Persian Beliefs
[24]
on Judaism",  that Persian Zoroastrian beliefs could have heavily influenced Judaism's theology on the
long term, bearing in mind that in some texts there are crucial conceptual differences while in others there
seems to be a great deal of similarity, proposing a pattern of influence over folk beliefs that would extend
further to the mythology itself. However, the Jewish Encyclopedia asserts that although 'Æshma does not
occur in the Avesta in conjunction with dæva, it is probable that a fuller form, such as Æshmo-dæus, has
[25]
existed, since it is paralleled by the later Pahlavi-form "Khashm-dev"'.  Furthermore it is stated that
Asmodeus or Ashmedai "embodies an expression of the influence that the Persian religion or Persian
[26]
popular beliefs have exercised" on Judaism.

In the texts[edit]
In the Hebrew Bible[edit]
The full name "Ashmedai" is not found in the standard Masoretic canon of the Hebrew Bible.
In the Book of Tobit[edit]
The Asmodeus of the Book of Tobit is hostile to Sarah, Raguel's daughter, (Tobit 6:13); and slays seven
successive husbands on their wedding nights, impeding the sexual consummation of the marriages. In
the New Jerusalem Bible translation, he is described as "the worst of demons" (Tobit 3:8). When the
young Tobias is about to marry her, Asmodeus proposes the same fate for him, but Tobias is enabled,
through the counsels of his attendant angel Raphael, to render him innocuous. By placing a fish's heart
and liver on red-hot cinders, Tobias produces a smoky vapour that causes the demon to flee to Egypt,
where Raphael binds him (Tobit 8:2–3). According to some translations, Asmodeus is strangled.
Perhaps Asmodeus punishes the suitors for their carnal desire, since Tobias prays to be free from such
desire and is kept safe. Asmodeus is also described as an evil spirit in general: 'Ασμοδαίος τὸ πονηρὸν
δαιμόνιον or τὸ δαιμόνιον πονηρόν, and πνεῦμα ἀκάθαρτον (Tobit 3:8; Tobit 3:17; Tobit 6:13; Tobit 8:3).
In the Talmud[edit]
The figure of Ashmedai in the Talmud is less malign in character than the Asmodeus of Tobit. In the
former, he appears repeatedly in the light of a good-natured and humorous fellow. But besides that, there
is one feature in which he parallels Asmodeus, in as much as his desires turn upon Bathsheba and
later Solomon's wives.
Another Talmudic legend has King Solomon tricking Asmodai into collaborating in the construction of
[4]
the Temple of Jerusalem  (see: The Story of King Solomon and Ashmedai).
Another legend depicts Asmodai throwing King Solomon over 400 leagues away from the capital by
putting one wing on the ground and the other stretched skyward. He then changed places for some years
[27]
with King Solomon. When King Solomon returned, Asmodai fled from his wrath.  Similar legends can be
found in Islamic lore. Asmodeus is referred to as Sakhr (Arabic: ‫صخر‬ the Rock or the Stony One),
because Solomon banished him into a rock, after he takes his kingdom back from him. He is considered
[28]
to be a king of the jinn or demons (divs).
[29]
Another passage describes him as marrying Lilith, who became his queen.
In the Testament of Solomon[edit]
In the Testament of Solomon, a 1st–3rd century text, the king invokes Asmodeus to aid in the
construction of the Temple. The demon appears and predicts Solomon's kingdom will one day be divided
[30]
(Testament of Solomon, verse 21–25).  When Solomon interrogates Asmodeus further, the king learns
that Asmodeus is thwarted by the angel Raphael, as well as by sheatfish found in the rivers of Assyria. He
also admits to hating water and birds because both remind him of God. Asmodeus claims that he was
born of a human mother and an angel father.
In the Malleus Maleficarum[edit]
[31]
In the Malleus Maleficarum (1486), Asmodeus was considered the demon of lust.  Sebastien
Michaelis said that his adversary is St. John. Some demonologists of the 16th century assigned a month
to a demon and considered November to be the month in which Asmodai's power was strongest. Other
demonologists asserted that his zodiacal sign was Aquarius but only between the dates of January 30
and February 8.
He has 72 legions of demons under his command. He is one of the Kings of Hell under Lucifer the
emperor. He incites gambling, and is the overseer of all the gambling houses in the court of Hell. Some
Catholic theologians compared him with Abaddon. Yet other authors considered Asmodeus a prince of
revenge.
In the Dictionnaire Infernal[edit]
The Dictionnaire Infernal (1818) by Collin de Plancy portrays Asmodeus with the breast of a man,
a cock leg, serpent tail, three heads (one of a man spitting fire, one of a sheep, and one of a bull), riding
a lion with dragon wings and neck - all of these creatures being associated with either lascivity, lust or
[citation needed] [32]
revenge.  The Archbishop of Paris approved the portrait.

In the Lesser Key of Solomon[edit]


Asmodai appears as the king 'Asmoday' in the Ars Goetia, where he is said to have a seal in gold and is
[33]
listed as number thirty-two according to respective rank.
He "is strong, powerful and appears with three heads; the first is like a bull, the second like a man, and
[34]
the third like a ram; the tail of a serpent, and from his mouth issue flames of fire."  Also, he sits upon an
infernal dragon, holds a lance with a banner and, amongst the Legions of Amaymon, Asmoday governs
[33]
seventy-two legions of inferior spirits.

In The Magus[edit]
[35]
Asmodeus is referred to in Book Two, Chapter Eight of The Magus (1801) by Francis Barrett.

Later depictions[edit]
In Christian thought[edit]
[36]
Asmodeus was named in the Order of Thrones by Gregory the Great.
[37]
Asmodeus was cited by the nuns of Loudun in the Loudun possessions of 1634.
Asmodeus' reputation as the personification of lust continued into later writings, as he was known as the
[38]
"Prince of Lechery" in the 16th-century romance Friar Rush.  The French Benedictine Augustin
[38]
Calmet equated his name with a fine dress.  The 16th-century Dutch demonologist Johann
Weyer described him as the banker at the baccarat table in hell, and overseer of earthly gambling
[39]
houses.
In 1641, the Spanish playwright and novelist Luis Velez de Guevara published the satirical novel El diablo
cojuelo, where Asmodeus is represented as a mischievous demon endowed with a playful and satirical
genius. The plot presents a rascal student that hides in an astrologer's mansard. He frees a devil from a
bottle. As an acknowledgement the devil shows him the apartments of Madrid and the tricks, miseries and
[40][41]
mischiefs of their inhabitants.  The French novelist Alain-René Lesage adapted the Spanish source
[38]
in his 1707 novel le Diable boiteux,  where he likened him to Cupid. In the book, he is rescued from an
enchanted glass bottle by a Spanish student Don Cleophas Leandro Zambullo. Grateful, he joins with the
young man on a series of adventures before being recaptured. Asmodeus is portrayed in a sympathetic
[38]
light as good-natured, and a canny satirist and critic of human society.  In another episode Asmodeus
takes Don Cleophas for a night flight, and removes the roofs from the houses of a village to show him the
secrets of what passes in private lives. Following Lesage's work, he was depicted in a number of novels
[42]
and periodicals, mainly in France but also London and New York.
Asmodeus was widely depicted as having a handsome visage, good manners and an engaging nature;
however, he was portrayed as walking with a limp and one leg was either clawed or that of a rooster. He
walks aided by two walking sticks in Lesage's work, and this gave rise to the English title The Devil on
[32]
Two Sticks  (also later translated The Limping Devil and The Lame Devil). Lesage attributes his
[43]
lameness to falling from the sky after fighting with another devil.
On 18 February 1865, author Evert A. Duyckinck sent President Abraham Lincoln a letter, apparently
mailed from Quincy. Duyckinck signed the letter "Asmodeus", with his initials below his pseudonym. His
letter enclosed a newspaper clipping about an inappropriate joke allegedly told by Lincoln at the Hampton
Roads Peace Conference. The purpose of Duyckinck's letter was to advise Lincoln of "an important
omission" about the history of the conference. He advised that the newspaper clipping be added to the
[44]
"Archives of the Nation".

In the Kabbalah[edit]
According to the Kabbalah and the school of Shlomo ibn Aderet, Asmodeus is a cambion born as the
[45]
result of a union between Agrat bat Mahlat, a succubus, and King David.

In Islamic culture[edit]
In Islamic culture, Asmodeus is known as Sakhr (rock), probably a reference to his fate being imprisoned
[46]
inside a box of rock, chained with iron and thrown into the sea.  According Quranic exegesis
on Surah 38:34, Solomon is replaced by a "puppet"; a jinni or demon (div) called Sakhr, impersonating
[47]
the king.  Ibn al-Faqih and Aja'ib al-Makhluqat in his Aja'ib al-Makhluqat refer to Sakhr as a jinni, while
the Persian Quran exegete (224–310 AH; 839–923 AD) Tabari (224–310 AH; 839–923 AD) refers to him
[48]
as a shaitan in his work Annals of al-Tabari.  Others also identify him as a demon (div), which might
have been the Persian term for shaitan as both refer to innovocally evil spirits. After forty days, Solomon
defeats Sakhr and gets his throne back, whereupon he imprisons Sakhr in a rock sealed in iron chains
and throws him into the sea.
[49]
The idea of a spirit in a bottle, released by a fisherman, probably roots in this legend about Solomon.
In the story of Sakhr and Buluqiya, a young Jewish prince, searching for the final Prophet (Muhammad),
Sakhr is said to have reached immortality by drinking from the Well of Immortality, guarded by the
mystical being Khidr. He explains the creation of the world by God, explains God's intention to place
Muhammad wherein and punish the infidels, describing the different layers (ṭabaqāt) of hell and mentions
[50][51][52]
the angels.

In popular media[edit]
This article appears to contain trivial, minor, or
unrelated references to popular culture. Please reorganize
this content to explain the subject's impact on popular
culture, providing citations to reliable, secondary sources,
rather than simply listing appearances. Unsourced material
may be challenged and removed. (May 2020)

 Asmodeus is a recurring antagonist in the 13th season of The CW series Supernatural,


portrayed primarily by Jeffrey Vincent Parise. Created by Lucifer himself, Asmodeus was
originally a Prince of Hell alongside siblings Azazel, Dagon, and Ramiel. Upon the death
of Crowley, Asmodeus succeeds him as the King of Hell despite being Lucifer's weakest
creation. Asmodeus is killed in the episode "Bring 'em Back Alive" by the archangel Gabriel,
[53]
whose grace Asmodeus had been feeding on to make himself stronger.

 Asmodeus is the main antagonist of the supernatural horror film series Paranormal Activity.


Primarily an unseen force, the overarching plot of the series sees the Midwives Coven serve
Asmodeus in exchange for absolute power for themselves on Earth, opposed by the
benevolent White Witches. The films typically follow various families who become haunted by
Asmodeus, primarily known as "Tobi" (after his old enemy Tobias of the Book of Tobit), who
stalks, terrifies and ultimately murders several members of the families and other bystanders
during the course of the films. In his possessed forms, Tobi was primarily portrayed by Katie
Featherston from 2007 to 2014, as well as Andrew Jacobs, Mark Steger, Kirby Johnson, and
Henry Ayres-Brown in subsequent films.

 In Geoffrey Household's 1939 spy thriller Rogue Male, the protagonist forms a strong bond
with a stray cat that he names Asmodeus.

 In 1969 composer Josef Tal wrote an opera, Ashmedai, which is based on the Talmud. It


premiered at the Hamburg State Opera in 1971, and was first performed in the United States
[54]
in 1976 at the New York City Opera in a production directed by Hal Prince.

 In Kolchak:The Night Stalker season 1 episode 16 (air date 2/6/75), Asmodeus is referred to
as the “Chief of Demons”. He creates a “succubus”, a female demon who animates the
bodies of young women who lure men to their deaths.

 The character 'Asmodai' in A. L. Mengel's supernatural series The Tales of Tartarus (2013–


2016) is based on the demon Asmodeus. The demon haunts the main protagonist, Antoine,
through the series of novels.

 Asmodeus appears in the television series The Librarians (season 4, episode 10) as a blue-


skinned, growling demon in knight's armor and carrying a sword.

 Asmodeus also features heavily in the lore of the game Dungeons & Dragons as the ruler of
the Nine Hells. Different editions of the game offer different backstories, ranging from
primordial evil to fallen angel to ancient god, but his role as the King of the Nine Hells is
always the same.

 Asmodeus is present in the Pathfinder Roleplaying Game in a similar role to his D&D one.


The main difference here is that he is an actual god, one of the nine original deities in the
Great Beyond, and that his church is widespread in certain nations on Golarion.
 Asmodeus appears as Magnus Bane's father and Prince of Hell, otherwise known as Edom
on the third season of Freeform's Shadowhunters television series based on Cassandra
Clare's popular book series The Mortal Instruments. He is portrayed by Jack J. Yang.

 Asmodeus appears in the 1997 book Asmodeus – a Forkful of Tales from Devil's Peak by
[55]
Alex D'Angelo, illustrated by Tony Grogan.  One story "Asmodeus and the Bottler of
Djinns" is included in the anthology Favorite African Folktales edited by Nelson Mandela,
published by Norton and available as an audiobook.

 In the 1970 film Equinox, Asmodeus appears as the main antagonist, first disgusting himself
as a forest ranger to steal an enchanted book, then in the form of a red winged demon.

 Asmodeus appears as a boss in the VR game In Death: Unchained.

 Asmodeus appears as Azmodan, the Lord of Sin, the boss of the third act, in Diablo III.

 Asmodeus is the final boss in Mace: The Dark Age.

 In the video game Pony Island, Asmodeus appears in the manifestation of a


"demonic" artificial intelligence.

 Asmodeus appears as a character in the otome game, Obey Me!. He is depicted as the


Avatar of Lust and one of seven brothers representing the seven deadly sins.

 In the video game Helltaker, Asmodeus is portrayed as a Demon of Lust, Modeus.

 In Disenchantment, Asmodeus is introduced by Luci as "Asmodium, Lord of Darkness",


voiced by Phil LaMarr.

 Singer-songwriter Ethel Cain has the name Ashmedai tattooed on her forehead in Hebrew.

 Asmodeus appears in the seventh episode of the first season of Helluva Boss as the Prince
[56]
of Lust, voiced by James Monroe Iglehart.

 In id Software's 1996 game Quake, when players try to quit the game one of the humours
random texts mentions Asmodeus' distaste of quitters.

 In the JRPG Persona 5, the first target of the Phantom Thieves is Suguru Kamoshida, a
professional sports player of the Olympic Games and the PE teacher of Shujin Academy who
was caught sexually assaulting female students. After Ren Amamiya, Ryuji Sakamoto, Ann
Takamaki and Morgana find a route to the Treasure in Kamoshida’s Palace and send
Kamoshida the calling card, the Phantom Thieves almost take Kamoshida’s Treasure, but he
turns into Suguru Asmodeus Kamoshida to fight the Phantom Thieves, as he is represented
by Lust, one of the Seven Deadly Sins.

 Asmodeus is used as a family name in the manga/anime series Welcome to Demon School!


Iruma-kun. It is the name of one of the main characters, Alice Asmodeus, whose mother is a
powerful demoness with lust powers.

 Asmodeus appears in Star Trek: The Animated Series in episode S1 E8, The Magicks of
Megas-tu.
 Asmodeus appears as the Grand Demon of Possession in S1 E2, Possession Obsession, of
the animated series, Little Demon.

See also[edit]

 Religion portal

 Archdemon
 Belial
 Devil
 Samael
 Satan
 Serpents in the Bible
 Sin

References[edit]
Citations

1. ^ "Asmodeus" in The New Encyclopædia Britannica.


Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p.
635.
2. ^ A Question of Identity: Social, Political, and Historical Aspects of
Identity Dynamics in Jewish and Other
Contexts. (2019). Österreich: De Gruyter.p. 138
3. ^ Robert Lebling Robert Lebling I.B.Tauris 2010 ISBN 978-0-857-
73063-3
4. ^ Jump up to:a b Raphael Patai Encyclopedia of Jewish Folklore and
Traditions Routledge 2015 ISBN 978-1-317-47170-7 page 39
5. ^ "Asmodeus/Asmoday". Judeo-Christian Demons.
Deliriumsrealm.com. 25 March 2003. Retrieved 2009-03-04.
6. ^ Stave, Erik (2002) [1901–1906]. "Æshma (Asmodeus,
Ashmedai)". In Singer, Isidore; Adler, Cyrus; et al. (eds.). Jewish
Encyclopedia. New York: Funk & Wagnalls. LCCN 16-014703.
Retrieved 7 March 2018. since it is paralleled by the later Pahlavi-
form "Khashm-dev" ("Khashm dev" = "Æshma dev"), written with
the Aramaic "sheda," but pronounced "dev." [..] Asmodeus
(Ashmedai) embodies an expression of the influence that the
Persian religion or Persian popular beliefs have exercised on the
Jewish—an influence that shows itself very prominently in the
domain of demonology.
7. ^ Bane, Theresa (Jan 9, 2012). McFarland (ed.). Encyclopedia of
Demons in World Religions and Cultures. p. 191. ISBN 978-0-786-
46360-2.
8. ^ Milton, John (1671). Paradise Regained.
9. ^ Pomfret, John (1724). "Cruelty and Lust". Poems Upon Several
Occasions. D. Brown. p. 73.
10. ^ Mauriac, François (1939). Asmodee; or, The Intruder.
Secker & Warburg.
11. ^ Kleu, Michael; Eayrs, Madelene (2010). Who Are You?.
USA: Xulon Press. p. 214. ISBN 978-1-61579-841-4.
12. ^ Connell, Evan S. (1992). The Alchymist's Journal. Penguin
Books. p. 110. ISBN 0-14-016932-6.
13. ^ Guppy, Henry (1960). "Tobit". Bulletin of the John Rylands
Library. Vol. 42. Manchester University Press. p. 375.
14. ^ Garibay Mora, Ernesto (2005). Dictionary of Demons and
Related Concepts. Miami, Florida: L. D. Books. p. 103. ISBN 970-
732-108-3.
15. ^ Nares, Robert (1888). A Glossary of Words, Phrases,
Names, and Allusions. London: Reeves & Turner. p. 21.
16. ^ Association of Modern Austrian Philologists
(1999). Moderne Sprachen. Vol. 43. p. 63.
17. ^ Ritchie, Leitch (1836). The Magician. Vol. I. Philadelphia:
Carey, Lea & Blanchard. p. 84.
18. ^ de Laurence, L. W. (1914). The Great Book of Magical Art,
Hindu Magic and East Indian Occultism. Chicago: The de Laurence
Co. p. 183.
19. ^ MacGregor Mathers, S. L. (1458). The Book of the Sacred
Magic. p. 110. ISBN 9781425454142.
20. ^ Voltaire (1824). A Philosophical Dictionary. Vol. 1. London:
J. & H. L. Hunt. p. 286.
21. ^ Jump up to:a b Leland, Charles Godfrey (1902). Flaxius:
Leaves from the Life of an Immortal. London: Philip Wellby. p. 72.
22. ^ Jump up to:a b "Asmodeus, or Ashmedai". Jewish
Encyclopedia. Funk and Wagnalls. 1906. Retrieved May 1, 2013.
23. ^ Jewish encyclopedia 1906 full text unedited version , entry
"Asmodeus" paragraph "Asmodeus, Ashmedai, and Æshma."
24. ^ Stave, E., Æshma (Asmodeus, Ashmedai), Jewish
Encyclopedia, unedited full text 1906 version
25. ^ Strave, Erik. "Æshma (Asmodeus) etymology in Jewish
Encyclopedia". Though "Æshma" does not occur in the Avesta in
conjunction with "dæva", it is probable that a fuller form, such as
"Æshmo-dæus," has existed, since it is paralleled by the later
Pahlavi-form "Khashm-dev" ("Khashm dev" = "Æshma dev"), written
with the Aramaic "sheda," but pronounced "dev."
26. ^ Ibid. Jewish Encyclopedia. In fine, Asmodeus (Ashmedai)
embodies an expression of the influence that the Persian religion or
Persian popular beliefs have exercised on the Jewish—an influence
that shows itself very prominently in the domain of demonology.
Thus 'Ασμο' ... corresponds to "Æshma", and the ending δαῖος ... to
"dæva".
27. ^ Talmud. Gittin. pp. 68b.
28. ^ Robert Lebling Legends of the Fire Spirits: Jinn and Genies
from Arabia to Zanzibar I.B.Tauris 2010 ISBN 978-0-857-73063-3
29. ^ Schwartz, Howard (1988). Lilith's cave: Jewish tales of the
supernatural. San Francisco, CA: Harper & Row. p. 8. ISBN 978-0-
06-250779-2. LCCN 87045196. OCLC 62241318.
30. ^ Conybeare, Frederick Cornwallis (trans.) (October
1898). "The Testament of Solomon". The Jewish Quarterly
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External links

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