Uptown

Funk
from The Song Society
Jamie Cullum

    
 = 184 Swing

Jamie Cullum 
 

    
  

          

Piano

       
     
     
      


Bass

                            



           
Brushes

   
Drumset



     

5

Jamie

    
 

           
Pno.

        
        
     
  
   
Bass

                             
          
   
Drums
  
                 

9

  
Jamie



      
       
This is that ice cold; Mi chelle Phei pher; that white gold.

  
     
Pno.

    
Bass             

                                
       
   
Drums

     
                 
 
13

 
Jamie

         

This one for them hood girls, them good girls, straight mas ter pie ces.

 
     
Pno.

   
Bass
           

                                 
      
   
Drums

2
             
     
17

  
Jamie

         

  
Sty lin', wy lin', li vin' it up in the ci ty. Got

  
     
Pno.

    
Bass     
       


                               

       
   
Drums

              
  
 
21


Jamie

  
      
Chucks on with Saint Lau rent. Got ta kiss my self, I'm so

 
    
Pno.

    
Bass  
          

                          
    
  
Drums

3
     
        
24


Jamie

           

       
pret ty. I'm too hot. Called a police and a

    
    

     

Pno.

     
      
Bass 

                              
          

Drums

    
          
28


Jamie

    















    
fi re man. Too hot. Make a dra gon wan na re

         


     

Pno.

        
   
Bass  

                             

Drums
                

4
    
       
32

 
Jamie

    
















ti re, man. Too hot, no.

   
  


    
Pno.

    
Bass
   

                        
Drums
          

    
            
35


Jamie

        
















Say my name you know who I am. Too hot. I'm

        
 

     

Pno.

   
Bass
       
  

                              
Drums
             

5
  
         

 
39


Jamie

       

        
bad bout that mo ney, break it down.

   
Pno.

         
Bass    

               
      

Drums

  
                    
41

 
Jamie



         
 
Girls hit your hal le lu jah. Girls hit your hal le lu jah.


         
Pno.

       
     

Bass

   
Drums                 


6
         
         
45

  
Jamie

    
 
Girls hit your hal le lu jah. 'Cause Up town funk, gon' give it to ya. 'Cause

         

Pno.

       
     
Bass 
   
        
Drums
       

              

49


Jamie

    
 
Up town funk, gon' give it to ya. 'Cause Up town funk, gon' give it to ya.

         
Pno.

          
     
  
              
Bass
 
   
 
Drums
              

7
                    
 
 
 
 
53

Jamie



     

Sa tur day night, and we in the spot. Don't be leive me, just watch; Al right!

       

Pno.

      

     

  


     
Sticks 
Bass

    

 

              

Drums

    
 
57

 
       
Jamie

           
               
3

  
       

        

Pno.

   
      
            


Bass
    
                          
Drums                 

8
    
 
61

     
Jamie

 
            
       

  
3

        


                 
3 3


Pno.

      
  
       
Bass
      
                       
         
Drums
    

   
 
64

  
Jamie

       
          
        
 
       
                       
3

 
Pno.

      
              
Bass
   
                        
Drums
             

9
   
 
67

       
Jamie

           
          
 
3 3 3

 
     
3 3 3

 
Pno. 3

  
     
Bass
   
               
 
Drums
        

        
    
  
69

Jamie

 
3


                      
Don't be lieve me, just watch!

     
3 3 3

   
Pno.

 

 
      
     

  

Bass

                 
     
Drums
     

10
     
 
73

Jamie

     


         

Pno.

       
    
     
      


Bass



                                  
       
Brushes

   
Drums



    
 
77

Jamie

     
 

           
Pno.

        
        
Bass        

                              
      
   
Drums

11
                 

81

Jamie




       

Stop! Wait a mi nute. Fill my cup; put some


    

Pno.

    
Bass             

                          
    
  
Drums

     
  
       
84

Jamie

         
   
li quor in it. Take a sip, sign a check,

   
    
Pno.

   
Bass    
     

                         
      
  
Drums

12
      
           
87


Jamie

 
                
Ju li o, ger the stretch. Ride to Har lem,

         
    
Pno.

         

      
  
Bass

                          
    
  
Drums

 
                
90

 
Jamie

  
 
Hol ly wood, Jack son, Mis sis sip pi. If we

 
              
   
      
    
3
Pno.

   
Bass     
     

                         
      
  
Drums

13
 
                 

93 Even
Jamie

 
      
 
show up, gon na show out. Smooth er than a fresh jar of

 
    
      
Pno.

    
Bass             

                        
         
  
Drums

     
        
96

Jamie

           

       
Ski ppy. Too hot, now. Called a policeand a

     
 

  
        
Pno.


     
  
      
Bass


                               
               

Drums

14
     
           
100

 
Jamie

    












 
     
        
fi re man. Too hot. Make a dra gon wan na re

 

       
Pno.

   
     
   
Bass  

                             

Drums
                

              

104 Lay Back


Jamie

               

3

       

ti re,man! Too hot. Say my name, you know

         


     
Pno.

       
Bass
    

                              
           

Drums

15
    
           
108

 
Jamie

    












 
     
        
who I am. Too hot. Am I bad 'bout that

 

     
Pno.

      
Bass
    

                              
Drums
             

 
                 
112

 
Jamie



   

mo ney, break it down. Girls hit your hal le lu jah. Girls hit your hal le

        


        

Pno.

     
          

Bass

  
                 
    

Drums

16
   
                 
116

 
Jamie

   
 
lu jah. Girls hit your hal le lu jah. 'Cause

       
Pno.

     
Bass
    

  
Drums             

               
  
119

 
Jamie

     

Up town funk, gon' give it to ya. 'Cause Up town funk, gon' give it to ya. 'Cause

         
Pno.

        
     
       
Bass
 
   
Drums                 

17
                    
 
 
123

Jamie

    
 
Up town funk, gon' give it to ya. Sa tur day night, and we in the spot.

         

Pno.

            

   

      
   


Bass     
   
Drums                 

     
  

   
127

Jamie

 
  


       
       
Don't be leive me,just watch; Oh!

  
     
      
Pno. 


     
        
Bass
 
               

   
 


Sticks

    

Drums

 

18
     
 
131

  
Jamie

   

     

 
 
    
 
  
3

 
   
             
3


Pno.

 
   
          
Bass
             
                               
          
Drums
       

   
 
135

        
Jamie

           
     
  

      

3 3 3


3

         


    
Pno.

 
Random clusters

   
 
 
  
 
         
Bass
       
                       
       
Drums
       

19
    
 
138

   
Jamie

           
    
            

3

       
3 3

  

            
3

  
3


Pno.

   
 
            
Bass   
                       

Drums
             

        
    
  
141

Jamie


  
3

 


           
Don't be lieve me, just watch!

 

    
3

     
Pno.

  
  
   
    


     
Bass
   

                  


          


Drums

20
     
 
145

Jamie

     


         

Pno.

       
    
     
      


Bass



                                  
       
Brushes

   
Drums

    
 
149

Jamie

     
 

           
Pno.

         
        
Bass        

                               

       
    
Drums

21
    
 
153

Jamie

      
           

                  
       

Pno.

        
    
Bass            

                        
         
  
Drums

   
 
156

Jamie

   
              
     
   
       
Pno.

 
   
Bass          

                         
      
  
Drums

22
   
 
159

Jamie




 
     

     
 
Pno.

      
   
Bass        

           
    
   
Drums

23
24
 Bonus!
F Experimental Improv (scrapped)

    

  Cuts off
Jamie Cullum

   
            
F13 (Obviously)

  
 
immediately after

        
  
    
   
Piano


    
"Nah it doesnt
work sorry"

Bass


Drumset            

25
 Jamie Cullum Uptown Funk
from The Song Society
Jamie Cullum

  
 = 184

                          
Swing

   
    


  
                              
This is that ice cold; Mi chelle Phei pher; that white gold. This one for them
14

   
hood girls, them good girls, straight mas ter pie ces. Sty lin', wy lin', li vin' it up in the

                    
      
20

 
ci ty. Got Chucks on with Saint Lau rent. Got ta kiss my self, I'm so pret ty. I'm too

                  
    
25


hot. Called a police and a fi re man. Too hot. Make a dra gon wan na re



  
                
32

  
ti re, man. Too hot, no. Say my name you know who I am. Too hot. I'm

    
         

         
39

 


  
                       
bad bout that mo ney, break it down. Girls hit your hal le lu jah.
43

  
Girls hit your hal le lu jah. Girls hit your hal le lu jah. 'Cause

               

47

 

                   
Up town funk, gon' give it to ya. 'Cause Up town funk, gon' give it to ya. 'Cause

   
 
51

Up town funk, gon' give it to ya. Sa tur day night, and we in the spot.
           
       
 
    

55

3
 

              
  
Don't be leive me, just watch; Al right! Don't be lieve me, just watch!

            
81



 
                       
Stop! Wait a mi nute. Fill my cup; put some li quor in it. Take a sip, sign a check,
87

  

       
Ju li o, ger the stretch. Ride to Har lem, Hol ly wood, Jack son, Mis sis

                   
 
92 Even

sip pi. If we show up, gon na show out. Smooth er than a fresh jar of Ski ppy. Too

                       

97

 


hot, now. Called a policeand a fi re man. Too hot. Make a dra gon wan na re

                     
 
104 Lay Back

 
3

        
ti re, man! Too hot. Say my name, you know who I am. Too hot. Am I

               

111

 


  
                       
bad 'bout that mo ney, break it down. Girls hit your hal le lu jah.
115

  
Girls hit your hal le lu jah. Girls hit your hal le lu jah. 'Cause

               
  
119

 

                   
 
Up town funk, gon' give it to ya. 'Cause Up town funk, gon' give it to ya. 'Cause

 
 
123

Up town funk, gon' give it to ya. Sa tur day night, and we in the spot.

2
           
       

   

127

3
 
Don't be leive me, just watch; Oh! Don't be lieve me,just watch!

Bonus!
F Experimental Improv (scrapped)


  

3
Piano Uptown Funk
from The Song Society
Jamie Cullum


 = 184

       
 
Swing

             

              


 
                        
  
8

  
 
           
  
               
                
   
            
20

          


 












           











           

29

       


               

               
                   

35

           
   

               
 
43


                   

                   
        
                   
3

 
52

    
          
     
 
  
          

  

    
  


 
                   


60 3


 
 
 
   
    
   
   
  

     
      

           
          
             
63



   
 
 
  
       
               
3

  
3


      

  
              
         3      
         
66


3 3

     
     
  
3 3 3 3


3

 

2
  
                         

69

     
 
3 3 3

     
        

 
      


           

76



            
 
          
 
     
                       
 
 
85

      3
       

  
                   
       
91

     
  
                  

                       
                   

97

         

 

               
                   
   
                 

103

        

3
            
           
     
 
110

              
         



          
118


                  
     
  
   

        
     
  
   
            


        
    

129

     
       
       
3

  


 

 

  


         
     
133
3



3 3

 
               
Random clusters

 


 
       
       
     
       
3


137

  
3 3


   
  
          
3 3 3

  



  

4
            
      
                   
139

   
             
3

 
    
  
 
  
 
142
        

   
 
3

        
           
 

    
    


   
              
         
150


   
            
  
             



   
 
 
                
156

     

           
             

Bonus!
F Experimental Improv (scrapped)

5
  
    
(Obviously)

        
Cuts off

 
F13

     
immediately aft

       
  
       

"Nah it doesnt
work sorry"

6
 Bass Uptown Funk
from The Song Society
Jamie Cullum

                                      
 = 184

 
Swing

                                  



9

 
                               
17

             
            
     

26

         
                    
 
36

         
                              

   
52

   
 

         
                         
60


  



         
                    
67


                                    



75


                                    

83
 
                             
  
  
91

                      
         
100

          

                      
  
111

       
                          
         
126

      
 

                             
           
134

          
                         
   
141


                                    
 


150

   
         
158

Bonus!
F Experimental Improv (scrapped)

2
 
  


3
 Drumset Uptown Funk
from The Song Society
Jamie Cullum
 = 184

                                        

Brushes
Swing

        

    

                                      

         
6

    

                                         
        
11

    

                                      

         
16

    

                                       

        
21

   

                                     

         
26

                                     

                
31


                                   
                          
36


         


                    
                   
42


                            
 Sticks
     
                        
52



                                                 
           
60


  
            
        
        
        
      
                     
66

                                         

73 Brushes


    

                                      

         
78

    

                                         
        
83

    

                                      

88

    

                                       

          
93

   

                                     

                 
98

                                     

              
103



 
                                   
                   
108


         


                   
                   
114

2
         
       
Sticks

              
124


                                               
 

   
                     
132


  
            
        
        
          
   
                  
138

                                         
        
145 Brushes

    

                                      

          
150

     

                                        
          
155

       

   
160

Bonus!
F Experimental Improv (scrapped)


           