Professional Documents
Culture Documents
Resonance Experience 0724
Resonance Experience 0724
By
Chenyu Yu
August 2021
YU, CHENYU, M.S., AUGUST 2021 HOSPITALITY AND
TOURISM MANAGEMENT
The purpose of this study was to investigate the audience’s resonance experience
when watching travel vlogs and its influence on their behavioral intentions. The premise of
this study was when the audience’s inherent needs are being fulfilled, it would reform their
behavioral intention. Three theoretical concepts including the theory of resonance, U&G
Data were collected from students at Kent State University and general consumers
through Amazon MTurk. Participants were asked to complete an online survey. Multiple
regression analysis was conducted, and the results revealed that audiences’ resonance
experiences were significantly related with their continuance intention to watch travel vlogs
and travel intention of presented destinations. Also, audiences’ resonance experiences were
First and foremost, I would like to express my deep and sincere gratitude to my
advisor and research director. Dr. Kiwon Lee for the continuous support for my master study
and research. Her dynamism, vision, sincerity and motivation have deeply inspired me. She
has taught me the methodology to carry out the research and to present the research works as
clearly as possible.
Besides my advisor, I would like to thank the rest of my thesis committee: Dr. Philip
Wang and Dr. Seon Jeong Lee, for their encouragement and insightful comments.
Last but not the least, I would like to thank my family: my parents Haigang Yu and
Shuying Chen, for giving birth to me in the first place and supporting me spiritually
throughout my life, also my boyfriend, Xiaocheng Liu, for all his love and support.
ii
TABLE OF CONTENTS
Page
ACKNOLEDGMENTS................................................................................................ii
LIST OF FIGURES...................................................................................................iv
LIST OF TABLES........................................................................................................v
CHAPTER
I. INTRODUCTION....................................................................................................1
III. METHODOLOGY...............................................................................................22
Measures...............................................................................................................22
Participants and Data Collection...........................................................................25
Data Analysis........................................................................................................25
IV. RESULTS............................................................................................................27
Characteristics of Participants...............................................................................27
Result of Reliability and Descriptive Test of Measurement.................................30
Effects of Resonance on Continuance Intention to Watch and Travel Intention.31
Effects of Resonance on Perceived Involvement & Effects of Perceived
Involvement on Continuance Intention to Watch and Travel Intentions .............33
APPENDICES............................................................................................................45
APPENDIX A......................................................................................................46
APPENDIX B......................................................................................................48
REFERENCES...........................................................................................................56
iii
LIST OF FIGURES
Figure Page
iv
LIST OF TABLES
Table Page
1. Measurement Items.....................................................................................................23
v
1
CHAPTER I
INTRODUCTION
The YouTube platform started as a social media platform, but after more than ten
years of evolution, it has become a powerful marketing communications tool (Cheng, Wei &
Zhang, 2020; Griffith & Papacharissi, 2009; Trinh & Nguyen, 2019). Vlog, also known as
video blogs, is a new form of self-expression posted by individuals. As the YouTube slogan
articulates: “broadcast yourself”, vloggers use video format to tell their personal experiences
and stories. Travel vlogs catch tourism scholars' attention because of their potential marketing
value to a vast audience. Personal travel vlog channels accounted for more than 46% of
YouTube subscriptions, which is much more than other travel channel formats such as
official travel networks channels, official travel brand channels, and publications channels
(Trinh & Nguyen, 2019). It also gets both marketers’ and audiences' attention due to its
format. The combination of elements including motion and sound in the video makes it easy
for the audience to understand the meanings and emotions of the messages because these
elements engage the senses of the audience better compared to non-motion messages (Zamri,
Fatihah & Mazni, 2019). Considering the great marketing value of travel vlogs, many
investigations have been made into them with particular attention on major tourism concepts,
especially destination image (Peralta, 2019; Trinh & Nguyen, 2019) and travel intention
(Cheng et al., 2020). Despite the existence of extensive literature on travel vlogs and
behavioral intention toward the destination, less attention has been given to the usage
2
intention of travel vlogs. It is important to investigate why audiences continue to watch travel
vlogs due to their marketing value in advertising destinations. This study aims to investigate
how travel vlogs become meaningful to the audience while influencing their intention to
expanded the definition of “place” to “meaningful location,” and aimed to stress the
connection between people and place (Bakas et al., 2020). “Meaningful” can be understood
intangible culture products, create content, and experiences” (Richards, 2020, p. 14). The
author believed a tourism marketing tool should not only emphasize presenting beautiful
views or novelty experiences to their audience but also it should emphasize the audience's
This study employs resonance to explain the significant role of travel vlogs, and
also investigates the audience’s stickiness to travel vlogs from a psychological perspective.
an experience where audiences feel a personal connection with vloggers and the information
they convey (Giorgi, 2017). The concept of resonance is widely used in the marketing field,
such as strategies to find a new market niche (Hershey, 2008) and to impact consumers'
purchase intentions (Shang, Wu & Sie, 2017). The sense of resonance has been recently
adopted in the tourism field as a dynamic response to the travel vlog content (Cheng et al.,
3
2020; Giorgi, 2017). The response could be both cognitive and emotional: cognitive
resonance relates to thinking and emotional resonance refers to feeling and sense (Giorgi,
2017). The theory of resonance explains the emerging process of resonance and the
2017). A total of five variables were selected to represent resonance: perceived homophily
As well as the theory of resonance, this study is led by the Use and Gratification
(U&G) theory and the involvement theory. The U&G theory is the major theory used to
buttress the relationship between resonance experience and the audience’s continuance watch
intention of travel vlogs. It is already a widely utilized and tested theory proposing that
different gratification needs will result in different patterns of media usage (Katz, 1959).
More recently, it was adopted by many scholars to explain people’s intentions behind the use
of various forms of new media, such as “liking” behavior, interactive advertising, food
delivery apps, and Facebook stickiness (Hossain, Kim & Jahan, 2019; Ko, Cho & Roberts,
2005; Lin, Lee & Giang, 2016; Ray et al., 2019; Shin, 2010). This study assumes that the
resonance experience through travel vlogs would fulfill the audience's needs and,
consequently, impact their intention to continually watch travel vlogs and their travel
intention. This is an attempt to explain the intangible connection between the audience and
the messages received from travel vlogs. If this assumption is proven, tourism marketers
could use this model to amplify the advertising effect of travel vlogs. With the audience's
4
intention to continually watch travel vlogs, marketers could maximize their advertising
variable closely linked to marketing (Michaelidou & Dibb, 2008). Several previous studies
already utilized involvement theory to explain users’ continuance usage intention of new
media, such as Twitter (Liu, Cheng & Lee, 2010), YouTube (Bakar et al., 2014), and internet
protocol television (Lin et al., 2012). Involvement is a controversial variable in its history. It
could be used either as a moderator or a mediator depending on the definition chosen in the
(Greenwald & Leavitt, 1984). The mediating role of involvement was proposed by Mitchell
concern of an objective. When it works as a mediator, it always links to descriptions like “the
degree of” or the “level of” (Michaelidou et al., 2008) and could be defined as a person’s
perceived relevance to travel vlogs based on the audience’s inherent importance, needs, and
values (Shiau and Luo, 2013). For instance, Shiau and Luo (2010) explained the perceived
relevance with a system. Also, people perceive that involvement encompasses a chain of
people’s behavior, such as needs recognition and sharing information across friendship
groups (Hsia et al., 2020). In the present study, resonance could fulfill the audience's inherent
5
needs as presented above, and involvement could mediate the relationship of resonance
experience and the audience’s continuance intention to watch travel vlogs and travel
intention.
when watching travel vlogs and its influence on their behavioral intentions. Specifically,
three objectives are achieved; (1) the first is to examine if resonance experiences will
influence the audience’s continuance intention to watch travel vlogs and travel intention of
the presented destination, (2) the second is to test if resonance experience will also influence
the audience’s perceived involvement, and (3) the third is to test if perceived involvement
will influence the audience’s continuance intention to watch travel vlogs and travel intention
of the presented destination. The premise of this study is when the audience’s inherent needs
are being fulfilled, it will reform their behavioral intention. The next section provides a
literature review of travel vlogs, resonance, and involvement, as well as three theoretical
concepts including the theory of resonance, U&G theory, and the involvement theory.
6
CHAPTER II
LITERATURE REVIEW
The buzzword “vlog” is composed of the words “video” and “blog”. Vlogs
environment (Griffith et al., 2009). Vloggers share their personal stories and experiences via
videos instead of photo and text formats. Travel vloggers share their travel stories and
shared travel videos play a mediating role in people’s travel experiences like a tour guide
linking tourists to destination attractions (Tussyadiah & Fesenmaier, 2009). When the
audience watches travel vlogs, they are involved in the content through the experience shared
by vloggers.
During the past several decades, video marketing has become a trendy marketing
tool and attracts scholars to investigate its theoretical and empirical significance (Trinh et al.,
2019). From the very beginning, companies were considered the only creators of video
marketing messages. These video marketing tools created content about products to influence
consumer’s experiences and future behaviors (Liu, Liu & Zhang, 2018). There are already a
instance, Chaiken and Eagly (1983) conclude that messages delivered through audio and
visual combinations make a significant impact on persuasion, facilitate message recall, and
7
with consumers’ travel intention. Recent investigations also mentioned that repeated
generated videos became more and more popular in the past decade (Braun et al., 2017).
Compared to travel-related videos created by companies, travel vlogs have more limits on
generated travel-related information (Cheng et al., 2020). It is still a young investigation topic
in the tourism industry because it was just generated in recent years. Nevertheless, several
studies have proposed travel vlog’s significance in tourism. Griffithth and Papacharissi
(2009) found that travel vlogs provide helpful information to audiences, which positively
influences audiences’ travel intention. This view is supported by Trinh et al. (2019), who
Cheng et al. (2020) recently employed electronic word of mouth (e-WOM) as a mediator to
explain the relationship between resonance that emerged during the travel vlogs watching
experience and audiences’ travel intention. They conclude that both cognitive and affective
resonance positively influenced audiences’ travel intention through e-WOM, while source
WOM, the internet celebrity effect (Xiao, et al. 2020) and the role of mediation, or brokerage,
also have been used to explain the influence of travel vlogs in tourism.
But previous studies have not dealt with why people keep watching travel vlogs, or in other
words, what motivates people to watch travel vlogs. This study examines motivators of
people’s watching intention of travel vlogs through a foundational theoretical lens of uses and
gratification theory, and theoretical concepts of resonance and perceived involvement. This
study assumes that the resonance experience through watching travel vlogs will increase the
continuance intention to watch travel vlogs. This assumption is led by the uses and
gratification theory, that the resonance experience will fulfill audiences’ uses and
gratification to a certain extent to make travel vlogs become an important part of their life and
exert its role as a marketing tool to increase audiences’ travel intention. Further, perceived
involvement will play a mediating role between the resonance experience and the
continuance intention to watch travel vlogs. Those proposed relationships are described in the
following sections.
The U&G theory is first proposed by Katz (1959) to explain that people’s different
gratification needs will result in different patterns of media usage. Several years after it was
introduced, the U&G theory became used to understand people’s usage intentions on
television or specific programs (Katz et al., 1973). Since the 1980s, U&G theory has been
broadly used to understand people’s U&G behind the usage of different forms of media and
9
related behaviors (Ray et al., 2019), including TV worship service (Pettersson, 1986),
newspaper (Blood, Keir & Kang, 1983), home VCR usage for kids (Cohen, Levy & Golden,
1988), information-seeking behavior (Chatman, 1991), cellular phone use (Leung & Wei,
2000), and online fans community (Tilton, 1999). More recently, the theory is widely
employed by scholars to investigate people’s intentions behind the use of various forms of
new media. For instance, scholars studied why people use food delivery apps (Ray et al.,
2019), the formation of Facebook stickiness, or addiction, (Lin et al., 2016), “liking”
behavior on social media (Hossain et al., 2019), interactive advertising (Ko et al., 2005), and
The current study utilizes U&G theory in the context of audiences’ continuance
intention to watch travel vlogs for two main reasons. First, the U&G theory is a widely used
and tested theory for understanding the motives and reasons behind the usage of a specific
platform or media. Second, U&G theory has been adapted and utilized by abundant studies in
communication platforms, and social media. As travel vlogs are the new form of travel videos
that mainly present personal travel experiences and travel-related information, the author
Resonance Experience
messages. In the context of travel vlogs, it is an experience during which audiences feel a
personal connection with vloggers and the information they convey (Giorgi, 2017).
10
Resonance is proposed to explain why certain messages or cultural objects are better than
others at achieving certain outcomes (Snow et al., 1986) and has been utilized across
Within the marketing literature, brand resonance and consumer resonance are two
strong concepts. Brand resonance is related to various concepts of the brand including
consumer-brand relationship (Huber, Meyer, & Schmid, 2015), brand attachment (Park et al.,
2010), and brand loyalty and equity (Jung et al., 2014). The term “consumer resonance” is
which influences audience purchase intention for the successful consumer-brand relationship.
Resonance is a virtual concept that builds a bond between consumers and products in the
marketing field. Investigating the process of resonance formation is the first step to access
through watching travel vlogs. Some researchers concluded that resonance happens when the
content is aligned or congruent with audiences' lifestyle (Benford and Snow, 2000),
experiences (Jones et al., 2010), target values and beliefs (Giorgi, 2017). Ruthven (2020) also
confirmed that familiarity is important because it expresses the part audiences already
accepted and experienced, at the same time creates a foundation to help audiences to accept
what is new.
11
Both McDonell (2017) and Giorgi (2017) proposed that resonance is beyond familiarity or
congruence. They point out that an alignment can partially explain the emergent process of
resonance, but it is not enough. McDonell (2017) proposed the term “cognitive distance” to
indicate that familiarity is based on the same cognize between messages and people, but
resonance happens when received messages go beyond their cognize. Giorgi (2017) reported
a similar viewpoint in the same year that blending the familiar elements which fit the
McDonnell (2017) made a supplement to the theory of resonance that resonance emerges
because messages the audiences received help people “solve puzzles they face” and affect
resonance occurs when content meets audiences’ values, beliefs, and understandings, while
emotional resonance occurs when the content appeals to audiences’ feelings, passions, and
aspirations (Giorgi, 2017; Cheng et al., 2020). The relationship between cognitive resonance
and emotional resonance is not parallel but very complex. McDonnell (2017) describes
that resonance is “deeply rooted in emotion” and that scholars should not only focus on the
cognitive processes and ignore the power of emotions. Some researchers even proposed that
emotional harmony overpowers the cognitive incongruity between cultural objects and the
12
audience (Schrock et al., 2004). Giorgi (2017) has a more neutral attitude toward emotional
resonance. He proposed that the relationship between emotional resonance and cognitive
resonance is more like interpenetrating each other. The author prefers to consider that
emotional resonance and cognitive resonance are mutually reinforcing to build the connection
According to Katz et al.'s (1973) theoretical research, there are five meaningful
groups of people’s needs: cognitive needs, emotional needs, integrative needs, social needs,
and escape needs. Cognitive needs are related to strengthening knowledge, understanding,
and information. Emotional needs are related to strengthening pleasurable, aesthetic, and
emotional experiences. Integrative needs are related to the combination of cognitive and
affective elements, such as credibility, confidence, stability, and status. Social needs are
related to contact with friends, family, and the world. Escape needs are related to tension-
release or weakening one’s social roles. Addressing the theoretical background of cognitive
and emotional resonance, this study assumes that resonance experience will fulfill audiences’
inherent needs. Cognitive resonance embraces the audiences’ perceived homophily and
perceived information usefulness. Perceived homophily will fulfill audiences’ social needs,
while perceived information usefulness will fulfill their cognitive needs. Meanwhile,
The sense of alignment is the main mechanism of cognitive resonance, which fosters
the audience to understand received information by providing them with means and
13
transposing the novelty part to a known domain (Giorgi, 2017). This study adopted
homophily to evaluate the alignment between the audience and the vlogger. Homophily is
one of the important social relationship indicators in networking sites (Chu & Kim, 2011). It
can be defined as the degree to which individuals have similar characteristics with others they
interact with (Chu & Kim, 2011). Homophily between travel vloggers and audiences could be
similar demographic characteristics such as gender, age, and race, and also could be similar
beliefs and attitudes (Shang et al., 2017). Audiences’ perceived homophily related to their
engagement behavior and decision making both in real life and online sites. Individuals tend
to socialize and have interpersonal communication with those who share similar
characteristics (Mouw, 2006) because the more similar characteristics they have, the more
ease they feel to communicate (Chu & Kim, 2011). In online sites, users’ perceived
homophily will increase their trust in other social media users and will increase the possibility
marketing perspective, placement of congruence in movies and videos has more significant
effects on consumers' purchase decision making more than how big the logo they want on the
screen (Cheng & Kim, 2016). From an external perspective, the YouTube system would
comments, likes, and relevant ID which are indicators of their watching preference (Braun &
Cuzzocrea, 2017). It will enhance the audiences’ perceived homophily during watching the
travel vlogs because recommend videos are based on their preferences. After reviewing the
14
literature, the author assumes that the audiences’ perceived homophily will positively
from a pragmatic perspective (p.5). According to the definition, this study employs
information usefulness to explain how resonance experience watching travel vlogs fulfill
by the audience to be informative or helpful (Shang., et al, 2017). Hautz et al. (2014) stressed,
when users’ information seeking is satisfied, it will affect their behavior intention in turn.
other sources, such as company websites and public websites (No & Kim, 2015). This study
assumes that travel vlogs as user-generated content (Leonhardt et al., 2020) will fulfill
audience cognitive needs thus influence their continuance intention to watch travel vlogs.
the audience’s desires, passions, or aspirations. He also proposed that emotional states are
key to understand people's further behavior. According to U&G theory, emotional needs are
important in the use of the mass media (Katz et al., 1973). For instance, previous research
(Guinea & Markus, 2009) revealed that emotion directly influences continuing information
technology use. The usage intentions of television (Rubin, 1983), mobile media (Jun and Lee,
2007), and video-sharing websites (Shao, 2009) are also proved to be affected by emotional
needs. Given the literature, this study adopted entertainment, inspiration, and escapism as
emotional resonance to explain the audiences’ continuance intention to watch travel vlogs.
15
Entertainment is one of the most typical motives for media consumption (Katz et
al., 1973; Shao, 2009). For some people, entertainment and mass media are even nearly
synonymous (Shao, 2009). Klobas et al. (2018) proposed that stronger motivation to use
Inspiration is another critical emotional resonance that would affect the audiences’
behaviors and is defined as “an infusion of beliefs stimulated by truth, goodness or beauty”
(Cheng et al., 2020). A previous study proposed that inspiration is a specific intrinsic
motivation, which is induced by external sources and motivates the realization of new ideas
(Bottger et al., 2017). Travel videos are a powerful tool for stimulating “daydreams and
reminiscences” and triggering the audience's potential further behaviors (Tussyadiah and
Fesenmaier, 2009).
Escapism is related to tension-release and weakening one self’s social roles (Katz,
1973). Escape from daily routine is a common perspective of tourism (Valek & Fotiadis,
2018). It works both as pull and push factors for tourism motivation (Michael et al., 2020).
Even though it does not mean escapism is a negative attitude, the sense of “hedonic
escapism” has been identified in some luxury activities. Consumers have a sense of
disconnection with the real world, for example, gambling in a casino (Cheng et al., 2020).
This study will define escapism as a sense of immersion and feeling out of real structures
and emotional resonance that helps identify lines of action toward ends-in-view, potentially
16
revising people’s desires and imagining of what is possible. By related the sense of resonance
to U&G theory, hypotheses are developed to understand continuance intention to watch travel
vlogs as following:
H1: Perceived homophily through travel vlogs watching experience will positively influence
H2: Perceived information usefulness through travel vlogs watching experience will
H3: Entertainment through travel vlogs watching experience will positively influence
H4: Inspiration through travel vlogs watching experience will positively influence audiences’
H5: Escapism through travel vlogs watching experience will positively influence audiences’
Travel Intention
of a mental process that transforms motivation into behavior or action (Jang et al., 2009).
This notion has been widely investigated by tourism scholars; many factors would trigger
cognitive consistency perspective (Jung et al., 2017). Travel vlogs, with multiple view
presentation modes, including pictures, videos, and music, act as non-personal mediators for
the tourist experience. Messages conveyed through audio and visual combinations are
17
effective to influence audiences’ travel intentions (Hautz et al, 2014). For instance, Fu et al.
(2016) revealed that watching reality TV shows is positively associated with their travel
intention of the destination presented, audience involvement is the major factor through the
watching experience. Further, the more audiences liked the video, the more it affected their
Resonance experience does not get enough attention from tourism scholars. Few
studies dealt with the resonance experience through watching travel vlogs. Only a recent
study from Cheng et al., (2020) start to introduce the resonance concept for the travel
audiences’ e-WOM, and as a result, will influence their travel intention. According to the e-
WOM concept, they chose to evaluate information acquisition, source credibility, video
quality, and emotions’ influence on travel intention. In this study, the author will emphasize
audiences’ psychological perception when they feel resonate with travel vlogs, and evaluate
those feelings’ impacts on their travel intention. Based on the discussions above, hypotheses
H6: Perceived homophily through travel vlogs watching experience will positively influence
H7: Perceived information usefulness through travel vlogs watching experience will
H8: Entertainment through travel vlogs watching experience will positively influence
H9: Inspiration through travel vlogs watching experience will positively influence audiences’
travel intention.
H10: Escapism through travel vlogs watching experience will positively influence audiences’
travel intention.
Perceived Involvement
The term involvement is investigated through previous studies that utilize it either in
moderating or mediating roles, depending on the definition chosen in the study. Houston and
Rothschild (1978) first suggest that there are three types or forms of involvement: enduring,
situational, and response. Enduring involvement reflects the extent that people perceived
relevant or self-related with some cognitive elements like personal goals or values (Celsi and
“the degree of” or the “level of”, which represents a “mental state” temporary concern with
orientation that includes information acquisition and decision processes (Leavitt, et al., 1981),
where involvement is seen as a behavior rather than as a mediator of behavior. This study
indicating the importance and personal relevance of a system to the user” (Shiau & Luo,
2010), and employ its mediating role to explain the relationship between audiences’
(Zaichkowsky, 1985). The present study emphasizes personal needs’ impact on perceived
19
involvement. For instance, Burnkrant and Sawyer (1984) proposed involvement is a state
which is based on messages receivers’ need for information, especially useful information.
inherent need is one of the major factors. Shiau et al. (2010) also confirmed in their study of
blog usage intention that user involvement is a person’s perceived relevance of the blog based
on the audience's inherent needs. From a different perspective, perceived personal relevance
is the essential characteristic of involvement (Andrews, Durvasula & Akhter, 1990; Huang,
Chou & Lin, 2010). Ruthven (2020) compared and analyzed the major definition of
resonance and perceived relevance, then he indicates that resonance is appropriate to describe
the meaning of perceived relevance. Addressing the U&G theory used in this study,
resonance experience can fulfill audiences’ inherent needs such as cognitive needs, emotional
needs, social needs, and escapism needs, which could elicit a sense of involvement.
Several previous studies investigated the continuance usage intention on new media.
For instance, Liu, Cheng, and Lee (2010) investigated the motives of users’ continuance
intention to use Twitter. They found that content gratification and new technology
gratification influence the continuance usage intention of users. Four years later, Bakar et al
(2014) replicate the same model to investigate factors contributing to continuance intention to
watch movies on YouTube. Similar research also includes the investigation of Internet
protocol television (Lin et al., 2012). Most of those scholars proposed that objects will fulfill
users’ needs and increase their satisfaction level then work on continuance use intention.
Instead of satisfaction level, this study adopts the term, perceived involvement.
20
behavior. Richins, Bloch & McQuarrie (1992) revealed that enduring and situational
various stages of the decision process. Additionally, users ’ perceived involvement has been
confirmed by Shiau et al., (2010) to positively associate with the intention to review blogs.
Based on the definition and related studies of involvement, this study first time use
involvement as the mediator to explain the relationship between resonance and audience
continuance intention to watch travel vlogs and their travel intention, another seven
H11: Perceived homophily through travel vlogs watching experience will positively influence
H12: Perceived information usefulness through travel vlogs watching experience will
H13: Entertainment through travel vlogs watching experience will positively influence
H14: Inspiration through travel vlogs watching experience will positively influence
H15: Escapism through travel vlogs watching experience will positively influence audiences’
perceived involvement.
Figure 1
H1 – H5 Continuance
Cognitive Resonance:
Intention to
Perceived homophily
Watch (CIW)
Perceived information
H16
usefulness Perceived
Involvement
H11-H15 H17
Emotional
Resonance: Travel
Entertainment H6 – H10 Intention (TI)
Inspiration
Escapism
\
22
CHAPTER III
METHODOLOGY
Measures
understanding of the study context. The first part of the questionnaire asked about
participants’ travel vlog watching experiences. Participants were asked to recall the most
memorable travel vlog watching experience over the past 12 months (Cheng et al., 2020). To
strengthen their memory, questions related to the most memorable travel vlog including
In the second part, major constructs including cognitive and emotional resonance
experiences, perceived involvement, continuance watch intention, and travel intention were
measured. The cognitive resonance included two constructs (Nugraha & Agus, 2020), namely
perceived homophily (Nugraha & Agus, 2020) and perceived information usefulness (Khan,
2017). For perceived homophily, participants showed how much they perceive travel
vloggers to be like them, and for perceived information usefulness, it evaluated if the
information conveyed by travel vloggers were useful to them. The emotional part measured
three constructs: entertainment (van der Heijden, 2003), inspiration (Cheng et al., 2020), and
escapism (Cheng et al., 2020). Audiences’ perceived involvement was measured with a three-
item scale adapted from Zaichkowsky’s (1994) investigation about the relationship between
perceived involvement and advertising. Participants showed the importance level of watching
travel vlogs to them. Continuance intention to watch and travel intention were measured by
23
three-item scales adapted from Ray et al. (2019) and Foroudi et al. (2018), respectively.
Those scales evaluated if participants intend to watch more travel vlogs in the future and if
they would like to visit the destination. All items of major constructs are listed in Table 1 and
were measured by a seven-point Likert-type scale (strongly disagree as 1 and strongly agree
as 7).
collected in the last section. Demographics included age, gender, marital status, education,
household income, and ethnicity. General travel behaviors included travel frequency, source
of travel information, the purpose of travel, and reasons for watching travel vlogs.
A pilot survey was conducted with a small size of convenience sample (n=4) to
make sure readability, clarity, and the content validity of measurement items. Based on the
feedback,
Table 1
Measurement Items
Construct Source
Perceived Homophily Nugraha & Agus (2020)
The vlogger thinks like me
The vlogger behaves like me
The vlogger has something in common with me in
thinking and behaving
Perceived Information Usefulness Khan (2017)
An online survey was conducted with students at Kent State University and general
consumers through Amazon MTurk (MTurk). Two screening questions were used: (a) 18
years of age or older and (b) the experience of watching travel vlogs in the past 12 months.
An email that includes an informed consent form and a questionnaire link (Qualtrics) was
sent to both KSU students and MTurk panels. Finally, there were a total of 394 responses
collected from MTurk (n = 350) and Kent State University (n = 44). Thirty-eight
questionnaires (9.6%) were excluded from analysis following data screening because of
either failure of attention check or missing responses essential to the analysis, thus, 356 were
valid responses after data cleaning and used for data analysis.
Data Analysis
IBM SPSS Statistics 26 was used to test suggested hypotheses. The reliability of
measurement items was tested by Cronbach's alpha value. The variance inflation factors
(VIF) value was used to test if there is a multicollinearity problem. Mean, Standard
Deviation, skewness, and kurtosis were used to evaluate the distribution of all constructs. A
multiple regression analysis was used to test all hypotheses, to predict travel intention and
continuance intention to watch travel vlogs based on their perceived homophily, perceived
usefulness, entertainment, inspiration, and escapism (H11 – H15), to predict travel intention
and continuance intention to watch travel vlogs based on perceived involvement (H16, H17).
26
Seven variables were included as control variables: The content of the most memorable travel
vlog, visit experience of the destination presented in the most memorable travel vlog, general
reason to watch travel vlogs, the collection method of travel information, and participants’
CHAPTER IV
RESULTS
Characteristics of Participants
participants were male and 64.6% were married. The age range was between 18 to 70 years
old, and the mean was around 35 years old. Over half of the participants earned a bachelor's
Table 2
Demographic Profile (n=356)
Frequency Percent Frequency Percent a
Gender Household Income
Male 185 52.0 Less than $25,000 36 10.1
Female 165 46.3 $25,001-$49,999 108 30.3
Transgender 1 0.3
0.3 $50,000-$74,999 96 27.0
Marriage $75,00-$99,999 67 18.8
Married 230 64.6 $100,000-$124,999 26 7.3
Never married 107 30 $125,000-$149,999 13 3.7
Divorced 12 3.4 $150,000 or more 7 2.0
Separated 4 1.1 Ethnicity
Education White/Caucasian 257 72.3
High school or less 48 13.5 African-American 32 9.0
Associate’s Degree 44 12.4 Black
Bachelor’s Degree 198 55.6 Asian 28 7.9
Post-Graduate 64 18.0 Hispanic/Latino 20 5.6
b
Degrees Other 15 4.4
Mean ± Standard Deviation
Age (years old) 35.1±10.2
a
Note: The sum of percentage is not equal to 100 due to missing value.
b
Other includes Asian-American, Native American, and other Pacific Islander and other ethnicities.
28
Table 3 and Table 4 summarized participants’ travel habits and the content of their most
memorable travel vlogs. By not taking the influence of the Covid-19 pandemic, almost a third
of participants (33.4%) traveled once every six months and 71% traveled for vacation and
leisure. Over two hundred participants mentioned that they used blogs and vlogs to collect
travel information, ninety-four participants used only blogs and vlogs to collect travel
information. According to the responses, 43% of participants watch travel vlogs when they
are planning to visit a new destination and 41% of participants showed they would watch
travel vlogs when they are planning a travel. It demonstrates that people prefer to watch
travel vlogs when they already have a plan. Besides, over 70% of the most memorable vlogs
are from YouTube and it indicates that watching travel vlogs is a widely accepted method for
people to collect travel information, whether they already have a target destination or not.
Around 61% of participants said they have been to the destination presented in the travel vlog
which they had resonance experience, which could explain the leading role of alignment in
Table 4
The Most Memorable Travel Vlog (n=356)
Frequency Percent
What is this travel vlog about?
Natural scenery 144 40.4
Experience items (e.g. activities) 77 21.6
City architecture 69 19.4
Delicacies 33 9.3
Historical 25 7.0
Other 8 2.2
What is the centric of this travel vlog?
Activity-centric 137 38.5
Site-centric 99 27.8
Self-centric 90 25.3
other-centric 24 6.7
Unidentified 6 1.7
Which platform did you use to watch this travel vlog?
YouTube 252 70.8
Facebook and/or Facebook Live 43 12.1
TikTok 32 9.0
Instagram and/or Insta Live 28 7.9
Other (please specify): 1 0.3
What is the length of this travel vlog?
Less than 5 minutes 36 10.1
5 to 15 minutes 179 50.3
More than 15 minutes 131 36.8
I am not sure 10 2.8
30
The reliability of all constructs was tested and verified by Cronbach’s alpha value
(Table 5). The Cronbach’s alpha of all the constructs surpassed 0.7 except the perceived
information usefulness which is 0.627 (Lance, Butts & Michels, 2006). One item of
perceived information usefulness was deleted to increase the value to 0.645. According to
Ursachi et al. (2015), α of 0.6-0.7 indicates an acceptable level of reliability. It indicates that
the items formed a reliable scale in all constructs including perceived homophily, perceived
involvement, and continuance intention to watch. Skewness and kurtosis absolute values of
all variables in measurement models were within the recommended value of less than 1, thus,
and continuance intention to watch travel vlogs based on their perceived homophily,
usefulness, entertainment, inspiration, and escapism (H11 – H15), and to predict travel
intention and continuance intention to watch travel vlogs based on perceived involvement
(H16, H17). The variance inflation factors (VIF) value was used to test the collinearity and
the result showed all constructs were below the threshold of 5.0 (James et al., 2017), meaning
summarized in Table 6, a significant regression was found both for travel intention and
continuance intention to watch (travel intention: F (12, 329) = 49.996, p< .000, Adjusted R²
= .633; continuance intention to watch: F(12, 329) = 39.052, p< .000, Adjusted R²= .572).
From the result related to continuance intention to watch travel vlogs, H1, H2, H3, H4, and
entertainment, inspiration, and escapism have positive effects on the continuance intention to
watch travel vlogs. It reveals that when the audience perceives homophily with the vlogger or
feels the travel vlog is informative, feels entertained, inspired, and escaped, they will prefer to
watch more travel vlogs in the future. For the constructs related to travel intention, the
32
regression was also significant. The result showed that H6, H7, and H9 were supported, that
is, perceived homophily, perceived information usefulness, and inspiration are predictors of
travel intention. H8 and H10 were not supported by the result, meaning that entertainment
and escapism do not significantly predict the increase of audiences’ travel intention to the
presented destination. The result indicates that when the audience perceives homophily with
the vlogger, feels the travel vlog is informative or feels inspired, they are more likely to travel
to the presented destination. However, even if the audience is entertained or feels like
jumping out from their daily routine by watching the travel vlog, their intention to travel to
Table 6
Multiple Regression Analyses (Resonance & Intention) (n=356)
Dependent variable Continuance Intention Hypothesis Travel Intention Hypothesis
to Watch
Standardized Beta Coefficient (Standard Error)
Constant 0.850 (0.321) *** 0.788 (0.363) ***
Perceived Homophily 0.175 (0.047) *** H1 Supported 0.132 (0.054) * H6 Supported
Perceived Information 0.210 (0.060) *** H2 Supported 0.309 (0.047) *** H7 Supported
Usefulness
Entertainment 0.210 (0.060 *** H3 Supported -0.042 (0.067) H8 Rejected
Inspiration 0.126 (0.058) * H4 Supported 0.343 (0.066) *** H9 Supported
Escapism 0.244 (0.057) *** H5 Supported 0.089 (0.065) H10 Rejected
Adjusted R 2
.633 .572
Note: *p < 0.05, **p < 0.01, ***p< 0.001
The content of the most memorable travel vlog, visit experience of the destination presented in the most
memorable travel vlog, general reason to watch travel vlogs, the collection method of travel information,
and participants’ age, gender, and education background were included as control variables.
33
intention to watch and travel intention were tested. As summarized in table 7, overall, both
watch and travel intention (resonance experience to perceived involvement: F (12, 329) =
watch: F (8, 333) = 44.322, p< .000, Adjusted R² = .504; perceived involvement to travel
intention: F (8, 333) = 44.918, p< .000, Adjusted R² = .507). The only exception is that the
regression from entertainment to perceived involvement was rejected, even audiences were
entertained by travel vlogs, they did not consider watching travel vlogs are important to them.
The overall result implies the mediation role of perceived involvement that when people
perceived the information provided by the travel vlog to be useful for them, feel similarity
with travel vlogs, or emotionally resonate to travel vlogs through the watching experience,
the level of perceived involvement link to that vlog will increase, which are followed by the
34
increasing of their intention to watch more travel vlogs and travel intention of the presented destination.
Table 7
Multiple Regression Analysis (Perceived Involvement) (n=356)
Dependent variable Perceived Hypothesis Continuance Hypothesis Travel Intention Hypothesis
Involvement Intention to Watch
Standardized Beta Coefficient (Standard Error)
Constant .230 (.396) *** 2.293 (.345) *** 1.771 (.360) ***
Perceived Homophily .348 (.058) *** H11 Supported
Perceived Information .188 (.051) *** H12 Supported
Usefulness
Entertainment .032 (.074) H13 Rejected
Inspiration .153 (.072) * H14 Supported
Escapism .177 (.013) * H15 Supported
Perceived Involvement .644 (.036) *** H16 Supported .635 (.038) *** H17 Supported
Adjusted R 2
.563 .504 .507
Note: *p < 0.05, **p < 0.01, ***p< 0.001
The content of the most memorable travel vlog, visit experience of the destination presented in the most memorable travel vlog, general reason to watch travel vlogs, the
collection method of travel information, and participants’ age, gender, and education background were included as the control variable
35
CHAPTER V
Discussion
experience when watching travel vlogs and the influence on their behavioral intentions. Specifically,
the study elaborated the cognitive resonance experiences related to travel vlogs’ watching experiences
through the Resonance Theory and examined the mediating role of perceived involvement. To sum up
everything that has been stated so far, cognitive resonances (perceived homophily & perceived
information usefulness) were positively related to both the audiences’ travel intention of the
destination presented in travel vlogs and their continuance intention to watch travel vlogs. While
were also positively related to audience continuance intention to watch travel vlogs, the influence
from inspiration was lower than entertainment and escapism. The emotional resonances’ impact on
travel intention was not as significant as cognitive resonances, only inspiration was supported to
predict audiences’ travel intention. Furthermore, cognitive resonances (perceived homophily &
perceived information usefulness) are positively related to the audiences’ perceived involvement.
While surprisingly, entertainment, which is one of three emotional resonances, did not influence the
perceived involvement. Besides that, the other two emotional resonances were positively related to
audiences’ perceived involvement. Also, perceived involvement was supported to increase audiences’
continuance intention to watch travel vlogs and their travel intention to presented destinations.
36
Some findings of the study are consistent with previous research and enrich the
literature in the hospitality and tourism, and marketing fields. For instance, when audiences
feel similarity with travel vloggers, they are more likely to travel to the destination introduced
by vloggers, which is consistent with Lee & Watkin’s study (2016) about how media affect
perceptions and intention also mentioned the critical role of homophily (Lee & Watkins,
2016). Their study found that the audiences’ increased homophily related to their perception
of the luxury brand, followed by purchase intention. It suggests that when brand managers
seek to incorporate vloggers, they should consider their target consumers’ values, beliefs, and
desires. The higher homophily between vloggers and consumers, the better promotional
effects it would be. Another result is when audiences feel that they received useful
information through travel vlogs (e.g., helping them to make a travel plan), they will be more
likely to visit the travel destination. In Ladhari, Massa, and Skandrani's (2020) investigation
on YouTube vloggers’ popularity and influence, they found that vloggers are like opinion
leaders who bring new information and opinions about products/services to audiences. Their
results demonstrated that the information would shape audiences’ brand awareness and
concept affecting people’s travel intention. Kim, Chuang & Ahn (2017) revealed that when
people are receiving useful information from mobile tour information services, the
information is forming their travel intention. Considering that watching travel vlogs has been
2017; Cheng, Wei & Zhang, 2020), the study finding of the audiences’ perceived homophily
with travel vloggers and useful information they received from travel vloggers is confirmed
There are some findings not in line with previous research that attracted the
author’s attention. The result showed that entertainment was not a significant predictor of
audiences’ travel intention, which was contrary to Chen, Guo & Pan’s (2021, p. 174) finding
that the more perceived entertainment through travel vlogs, the more possibility they would
travel to the presented destinations. They even predict “if viewers fail to feel the
entertainment in travel vlog, from the perspective of tourism marketing, the behavior of
turning viewers into potential tourists will not be successful.” The potential explanation of the
insignificance of entertainment in this study could be that the travel vlogs are presented by
combined modes, including vloggers, pictures, videos, and music. It is hard to distinguish
which part provides audiences the entertainment experience. If the music effect makes the
audience feel relaxed and helps them pass the time, the audience would just download the
music, but the music is not really related to the destination presented, so the audience's travel
intention would not be impacted. Cheng, Wei & Zhang (2021) tested the influence of
entertainment vlogs on e-WOM and found that even when audiences perceived
entertainment, they did not prefer to recommend those vlogs to their friends. It is also
supported by Schneider et al. (2016) that entertainment is not directly related to behavioral
knowledge. To sum up, there is a lack of consensus on the effect of entertainment of travel
this study, which means even audiences were entertained by travel vlogs, the importance
level and perceived personal relevance of the travel vlog did not been increased. It is not
consistent with the author’s deduction based on previous studies. According to Katz et al’s
(1959) U&G theory, entertainment was defined as one of the important emotional needs.
Furthermore, both Zaichkowsky (1985) and Shiau et al. (2010) revealed the inherent need is
one of the major factors of perceived involvement. Entertainment was supposed to influence
audiences’ perceived involvement, but the result rejected this assumption. Does that mean
entertainment is not an inherent need for audiences to watch travel vlogs? However, the study
result also showed that when audiences were entertained by travel vlogs, they did intend to
watch more travel vlogs. Even in fact, the audience would prefer to watch more travel vlogs,
but they do not think watching travel vlogs are important to them. It indicates that
previous study (Shao, 2009) revealed that entertainment is the most important motive for
media consumption, for some people entertainment and mass media are even nearly
synonymous. The relatively easy accessibility of entertainment results in its not significantly
Escapism is another insignificant variable that does not conform to the study
hypothesis. Based on previous studies, escapism is a common perspective that works both as
pull and push factor for tourism motivation (Valek & Fotiadis, 2018; Michael et al.,
2020). The result of this study showed that escapism through watching travel vlogs was
positively related to audiences’ continuance intention to watch but was not related to their
travel intention, which does not align with previous studies. A recent study conducted by
Irimiá, Mitev, and Michalkó(2021) about narrative transportation and travel intention
through TV series revealed that TV series consumption positively related to audiences' travel
intention. In their model, escapism has a direct positive effect on travel intention while the
relationship is partially mediated by immersion, and the p-value of the effect is close to the
threshold of 0.5. The author assumes that under the context of videos, including both TV
series and travel vlogs, escapism is a significant predictor of audiences' travel intention, but
the magnitude of influence is not so strong. Moreover, this study is under the situational
travel anxiety and risk attitude during the pandemic which finally led to the insignificant
resonances. It revealed that the internet celebrity effect was also valid in the travel vlogs
field. Also, the perceived information usefulness was significant on two dependent variables,
implying that audiences tended to watch travel vlogs when they already have a plan to travel,
which echoes the result that more than half of the participants tend to watch travel vlogs
40
when they already had a plan to travel. It seems that the primary motivations of watching
travel vlogs are different from those of general entertaining media. A widely accepted key
motivation to use entertainment media is the desire to experience emotions (Bartsh &
Viehoff, 2011). Based on the stronger predictive role of cognitive resonance, we could say
that, unlike general entertainment media, travel vlogs should attract more attention by
Theoretical Implications
This study contributes to the limited literature in the field of the audience
resonance experience through watching travel vlogs by applying the mediation role of
perceived involvement and extending the U&G theory to the travel vlog context to explain
First, the study applied the cognitive resonance experience of watching travel
vlogs based on the theory of resonance. Resonance is a strong concept in the marketing field,
like brand resonance and institutional resonance, but it is often used without definition
(Ruthven, 2020). Resonance has been used vaguely to stand for a common value or attitude
sharing statement. This study by utilizing Giorgi's (2017) and McDonnel’s (2017) theoretical
investigations of resonance, specified the resonance experience in the travel vlog context.
Cheng, Wei & Zhang’s (2020) study first extended the concept of resonance to the travel
vlogs’ field to examine its impact on WOM. They identified three factors as factors of the
cognitive resonance: information acquisition, source credibility, and video quality. In line
with the resonance theory, resonance refers to a perceived personal connection with external
41
information (Giorgi, 2017). This study then identified the cognitive resonance in the travel
perspective.
was being recognized as an important concept to connect customer and brand, but previous
studies either adapted it as a predictor or outcome. This study regarded the involvement as the
and external information conveyed. Meanwhile, the perceived involvement was used to refer
(Greenwald et al., 1984). The framework finally linked the resonance experience and their
behavioral intention. Based on the result, the perceived involvement did fit the mediation role
Finally, this study demonstrates the usefulness and importance of the U&G theory
to the travel vlog research field. The U&G theory helps explaining why audiences like and
continue watching travel vlogs from multiple perspectives and provides a theoretical
background to analyze audiences’ travel intention and the advertising effect of the travel
vlog. These findings enrich the literature of U&G theory utility in new media phenomenon
Managerial Implications
The study can provide practical implications for both travel vloggers and tourism
markers. From the vlogger’s perspective, gaining more likes and followers is the desired
result for them to post a travel vlog. The findings of this study provide several implications
for them. For instance, perceived information usefulness is significantly related to audiences’
continuance to watch. To keep audiences with their channels, travel vloggers should provide
more useful information that could help their audiences to make a travel plan. From the travel
habit section in the questionnaire, we found that over 60% of participants had been to the
destination presented in their most memorable travel vlog. It indicates the familiarity of the
destination is related to their resonance experience. How to revoke audiences’ memory of the
destination is a question that travel vloggers should consider. As well, projecting a strong
personal style that aligns well with target audiences would be a required course for each
vlogger. According to the result, entertainment, inspiration, and escapism are helping to
increase audiences’ continuance intention to watch travel vlogs. So, to get more followers,
travel vloggers may want to create light-hearted, humorous, or inspiring videos to provide
their audiences a happy time to jump out from their daily routine.
From the tourism marketers’ perspective, this study would provide ideas for
advertising a tourism destination through travel vlogs. The result showed that the travel vlog
travel intention. The travel vlog as a new media phenomenon that is generated by users, not
the company, has not attracted enough attention from marketers. By adopting the two critical
43
concepts “resonance” and “involvement” in the structure, clearly, the travel vlog is adequate
as an advertisement tool to attract consumers’ travel intention in the tourism marketing field.
Cooperating with travel vloggers would be a trend for tourism companies in the future, how
should they choose a suitable vlogger? The study result showed that perceived homophily
with travel vloggers did increase their travel intention, which is related to the internet
celebrity effect. Tourism managers should identify the characteristics of their target
consumers and cooperate with vloggers sharing similar characteristics, which could
tourism destination. As we just presented, over 60% of audiences had been to the destination
presented in their most memorable travel vlogs, and those travel vlogs increased their travel
intention. It indicated marketers could utilize travel vlogs to target consumers to re-visit the
destination.
There are some limitations of this study that could affect the evaluation and
generalization of the results. First, the pilot survey was conducted with only a few samples
due to limited time, which may influence the validity of the questionnaire . Second, the data
of this study was collected during the Covid-19 pandemic, the result is possibly impacted by
audiences’ fear of the pandemic, like the travel intention. Future studies may re-test the level
of effect from resonance experiences to travel intention after the end of the Covid-19
pandemic or include the fear of infection as a control variable. Furthermore, the surprisingly
44
insignificant effects of entertainment and escapism on audiences’ travel intention leave space
for future study to have a deeper investigation of these two traditional factors under the travel
vlog context. Future studies may investigate if any other emotional factors would influence
audiences’ travel intention through the mass media. Also, since the overall emotional
resonance effect is lower than the cognitive resonance, it may inspire psychology scholars
who are interested in the resonance experience to explore this topic more deeply. For
example, researchers may examine the extent of cognitive and emotional resonance effects
triggered differently by various factors, specifically what factors would trigger only cognitive
resonance or emotional resonance. Finally, this study evaluated the travel intention of general
audiences of the travel vlog and found that the resonance experience may impact audiences’
revisit intention. Future studies could investigate the travel vlog’s stimulation role of
CONSENT LETTER
47
APPENDIX A
CONSENT LETTER
Resonance Experience Impact on Audience Continuance Intention to Watch
Travel Vlogs and Travel Intention
You are being invited to participate in a research study titled, “Resonance Experience Impact on Audience
Continuance Intention to Watch Travel Vlogs and Travel Intention”. Before taking part in this study, please read
the consent form below and click on the "I Agree" button at the bottom of the page if you understand the
statements and freely consent to participate in the study.
Consent Form
This study involves a web-based survey designed to understand how audience resonance experience through
watching travel vlogs influence their future behavioral intentions. The study is being conducted by Master student
Chenyu Yu of Kent State University, and it has been approved by the Kent State University Institutional Review
Board. No deception is involved, and the study involves no more than minimal risk to participants (i.e., the level of
risk encountered in daily life).
Participation in the study typically takes 10 minutes and is strictly anonymous. Participants begin by asking to
recall the most memorable travel vlog watching experience over the past 12 months. After that, participants will
answer a series of questions about their resonance experience, continuance intention to watch the vlog content
and intention to travel presented destinations.
All responses are treated as confidential, and in no case will responses from individual participants be identified.
Rather, all data will be pooled and published in aggregate form only. Participants should be aware, however, that
the survey is not being run from a "secure" https server of the kind typically used to handle credit card
transactions, so there is a small possibility that responses could be viewed by unauthorized third parties (e.g.,
computer hackers).
Participation is voluntary, refusal to take part in the study involves no penalty or loss of benefits to which
participants are otherwise entitled, and participants may withdraw from the study at any time without penalty or
loss of benefits to which they are otherwise entitled.
If participants have further questions about this study or their rights, or if they wish to lodge a complaint or
concern, they may contact the principal investigator, Chenyu Yu, at (234)226-3323; or the Kent State University
Institutional Review Board, at (330) 672-2704.
APPENDIX B
APPENDIX B
1. If you are 18 years of age or older, understand the statements above, and freely consent to
participate in the study, click on the "I Agree" button to begin the experiment.
- I agree
- I do not agree
This survey will be used to measure your experience of travel vlogs. Travel vlogs, also
known as travel video blogs, is defined as videos posted by individuals on personal travel
- Yes
- No
First, please recall your most memorable travel vlog watching experience over the past 12
- City architecture
50
- Delicacies
- Natural scenery
- Historical
- Site-centric
- Activity-centric
- Self-centric
- Unidentified
- YouTube
- TikTok
- 5 to 15 minutes
- I am not sure
- Yes
- No
8. Why did you pick this travel vlog as the most memorable travel vlog? Briefly describe it.
9. We would like to know about your attitude toward the travel vlog you chose.
to plan my trip.
10. We would like to know about your attitude toward the travel vlog you chose.
11. How often do you travel? (Consider your typical life and assume Covid-19 is not a factor)
- Once a month
- Once a year
12. How do you collect travel information? (You can choose more than one answer)
54
- For business
- For vacation/leisure
- Education/visiting
14. When do you watch travel vlogs? (You can chose more than one answer)
- In free time
- Male
- Female
- Transgender
- I don’t identify
- Married
- Widowed
- Divorced
- Separated
55
- Never married
- High school
- Associate's Degree
- Bachelor's Degree
- Post-Graduate Degrees
- $25,001-$49,999
- $25,001-$49,999
- $75,00-$99,999
- $100,000-$124,999
- $125,000-$149,999
- $150,000 or more
- White/Caucasian
- African-American/Black
- Hispanic/Latino
- Asian
- Asian-American
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